Category Archives: Sex

Black Devil Doll From Hell (1984)

black devil doll 1

By Richard Winters

My Rating: 0 out of 10

4-Word Review: She fucks a doll.

Helen Black (Shirley L. Jones) is a devoutly religious woman living alone and spending most of her time going to church while also believing sex should only be within the bounds of marriage. One day she visits an antique store and spots a puppet that catches her fancy. She decides to buy it despite vague warnings by the store clerk that it possesses strange powers. When she brings it home it suddenly comes alive, ties her up and begins having sex with her, which she finds that she actually enjoys. When the doll disappears she decides to throw away her religion and become the neighborhood slut instead by picking up strange men wherever she can find them and bringing them back home for raunchy action.

This movie could best be described as the low budget, soft core porn version of Trilogy of Terror and while the story has some outrageously voyeuristic elements the production quality is so poor that it never allows the viewer to get into it. The whole thing is shot on a grainy VHS tape giving it a very amateurish look from the get-go. Certain scenes are out-of-focus and director Chester Novell Turner seems to have no understanding of editing as the camera pans wildly when simply cutting to a certain shot would’ve made more sense. There is a lot of extraneous footage as well including watching Jones walking down the sidewalk that seems to go on endlessly and an overplayed thumping music score that becomes headache inducing.

Just about all the action takes place in Helen’s cramped, rundown home, which has no visual appeal whatsoever. The sex scenes are gross and all the nudity comes from star Jones who is not exactly model quality or someone you’d want to see naked.

The only interesting aspect is the doll itself especially with its vulgar dialogue, but unfortunately he’s not in it enough. The effects used to create him are botched as it is clear when it gets shown from behind that it is not a puppet at all, but a small child, or in this case the director’s nephew.

Sitting through this is an arduous challenge. IMDb lists the runtime as 1Hour and 10Minutes, but the version I saw went almost a full 90 minutes. Some may find a few cheap laughs at the beginning due to its technical ineptness, but watching it all the way through becomes torturous and makes having sex with a puppet, or even killed by one seem enjoyable by comparison.

My Rating: 0 out of 10

Released: August 5, 1984 (straight-to-video)

Runtime: 1Hour 27Minutes

Not Rated

Director: Chester Novell Turner

Not Rated

Available: DVD

Oh! Calcutta! (1972)

oh calcutta 1

By Richard Winters

My Rating: 1 out of 10

4-Word Review: No clothes no problem.

This film is based on the long running stage play that ran from June 17, 1969 to August 12, 1972 and later revived in the ‘80s to become one of the longest running shows in Broadway history. This version was taped in front of a live audience on a closed sound stage and then broadcast on pay-per-view, which eventually was transferred to theaters in ’72. It has a mainly nude cast performing in skits with a sex related theme and later became popular for featuring Bill Macy who went on to star as Walter in the hit TV-show ‘Maude’.

The film starts out interestingly enough as it shows the audience members filing in and examines the nervous looks on their faces as this was when nudity on stage was all still quite new and controversial. The film then cuts back and forth between the audience and the backstage cast who are in-the-buff and getting ready to perform.  They then come out on stage in bathrobes and do an Avant-garde-like dance sequence in which their names get matted over the screen while they flash the audience.

It then goes into the skit portion and everything goes rapidly downhill from there. The first segment isn’t funny at all and actually quite disturbing. It deals with two adults pretending to be teens who are starting to become aware of their sexual awakenings. The boy, who is named Jack, takes out a ruler in order to put it up Jill’s ‘thing’ to make sure it will be deep enough to fit in his ‘thing’. She becomes reluctant, so he tackles her and forcibly rapes her while killing her in the process. Unable to grasp what he has done he props her up and has a ‘conversation’ with the corpse before walking away and allowing the camera to zoom in on a close-up of her vacant, empty eyes.

The second segment deals with the cast reading letters of sexual fantasies written by anonymous authors that isn’t as titillating as it sounds. The third segment deals with a man who has become bored with his sex life and wants his reluctant girlfriend to try out some new fetishes. This segment is particularly boring because during the time the couple is having sex the viewer is treated to watching three minutes of a matted picture of a city skyscraper instead.

After this there is a skit dealing with a conservative couple inviting over some swingers as well as a segment dealing with an examination done at a doctor’s office, which is has a vaudeville theme and comes complete with cheesy cartoon sound effects.

There was a time when the mention of sex or nudity shown of any kind would be deemed ‘controversial’, but that period is long gone and this insipid thing hasn’t aged well at all. In fact there are old episodes of the ‘Love Boat’ that are more provocative and funnier than anything you’ll see here.

oh calcutta 2

My Rating: 1 out of 10

Released: June 16, 1972

Runtime: 1Hour 40Minutes

Not Rated

Director: Jacques Levy

Studio: Cinemation Industries

Available: DVD (out-of-print)

Coming Apart (1969)

coming apart 1

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Psychiatrist secretly films people.

Rip Torn plays a psychiatrist living in a Manhattan apartment who has a camera secretly film everything that goes on there. Many of his female patients including Joann (Sally Kirkland) talk about their intimate desires and his ex-wife Monica (Viveca Lindfors) shares her darkest secrets thinking he is the only one hearing it, but instead a glass box resembling an antique camera sits in the living room and takes it all down.

The film’s concept is novel and if executed in a slightly better manner could’ve been brilliant. Without a doubt it breaks all the old filmmaking conventions and was year’s ahead-of-its-time. The sexual openness of its characters and tawdry subject matter make it quite voyeuristic and real. The actors have an amazingly natural quality to their delivery giving one the idea that it was ad-libbed when in actuality it wasn’t.

Kirland gives an emotionally over-the-top performance that is both remarkable and riveting. Her meltdown at the end in which she proceeds in slow motion to tear up the apartment is quite memorable and the best part of the whole film.

Writer/director Milton Moses Ginsberg manages to keep things relatively fresh by continuously introducing situations that become increasingly more provocative including a party that turns into a sex orgy and explicit love making between Torn and Kirkland that could almost be considered pornographic. There’s even an interesting scene involving a young lady looking to be barely 18 coming to the apartment with her baby in a carriage and propositioning herself to Torn and then having the two make love on the floor while the baby, still in the carriage, cries next to them. There is also a segment featuring recorded phone conversations that Joe has with his fellow psychiatrists that I found to be revealing as well.

Unfortunately despite these creative efforts the film is agonizingly boring to sit through. No matter what is going on in the scene the viewer is still forced to stare at the same wall, same mirror, and same skyline for almost two-hours. The scenes needed to be broken up with cutaways that would’ve taken the viewer out of the apartment and given them some other visual element to look at. Simply turning on a camera that’s nailed to the floor and then filming whatever happens in front of it is not a movie, but more like C-Span and the ultimate result is a failed experiment lacking the necessary cinematic touches that would have made it come off as a fluid whole.

My Rating: 2 out of 10

Released: October 26, 1969

Runtime: 1Hour 51Minutes

Not Rated

Director: Milton Moses Ginsberg

Studio: Kaleidoscope Films

Available: DVD

Harrad Summer (1974)

harrad summer

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Bringing sexual liberation home.

The school year is over and now the students of Harrad, which is the college that teaches and promotes open sexuality, go home for the summer and put what they’ve learned into action in their everyday lives. Like in the first film this sequel focuses on just four of the students who find that their parents and friends are not as broad minded as they are, which causes friction in not only their relations with them, but with each other as well.

This film for the most part works surprisingly well. Director Steven Hilliard Stern takes more of a playful approach to the material and mixes in some funny moments that overall are quite entertaining. The wide variety of locales elevates the stagnant feeling that the first one had and it also manages to address a wider variety of issues.

The story is broken up into three segments with each one focusing on the student’s home lives as they visit each of their parents for 2-weeks at a time as a group. The first part, which deals with Stanley’s (Robert Reiser) folks isn’t too interesting and is fortunately pretty brief. The visit to Harry’s (Richard Doran) is the most comical and the film’s highlight while Stanley’s conflicts with Sheila’s (Laurie Walters) father (Walter Brooke) during their visit to her folks seem contrived and pointless. The film never manages to get to Beth’s (Victoria Thompson) parents, which is probably just as well.

The film’s biggest drawback is that neither Don Johnson nor Bruno Kirby, who were so good in the first film, reprises their roles here and their absence is sorely missed as  Reiser and Doran don’t have the same acting talents and are quite weak in comparison. Thompson, who was blonde in the first film, now has, with no explanation, jet black hair, which makes her look exactly like her sister and fellow actress Hilary Thompson. Also, Emmaline Henry, who was best known for playing Mrs. Bellows in the ‘60s show ‘I Dream of Jeannie’ replaces Tippi Hedren who was unavailable for the sequel and James Whitmore’s role gets taken out completely.

The supporting cast is what gives the film its spark. Comedian Marty Allen, whose hair looks like the ultimate bird’s nest and usually gets more attention than his comic ability, is fun as a drunken party guest. However, Pearl Shear, who plays his wife, is the real scene stealer as an overweight middle-aged woman, who in Mrs. Roper-like fashion, eagerly wants to get involved with the kids and their new found sexual liberation and even takes part in a nudist session with them.

Bill Dana, famous for creating the Jose Jimenez character, is quite good as well playing Harry’s staunchly conservative father who can’t deal with the open sexuality of the younger generation only to surprisingly come around to it at the very end. He also gets the film’s best line when after denying to Harry that he ever had any affairs finally admits “Maybe I did a couple (women) in Vegas and a few in Cleveland, but what else is there to do in Cleveland.”

My Rating: 6 out of 10

Alternate Title: Love All Summer

Released: August 6, 1974

Runtime: 1Hour 43Minutes

Rated R

Director: Steven Hilliard Stern

Studio: Cinerama Releasing Corporation

Available: DVD

The Harrad Experiment (1973)

the harrad experiment

By Richard Winters

My Rating: 6 out of 10

4-Word Review: College promotes sexual freedom.

Based on the novel by Robert H. Rimmer the story centers on a group of students who attend a socially progressive college where sex between multiple partners is expected and promoted. The school is run by Phillip and Margaret (James Whitmore, Tippi Hedren) who feel conventional marriage is an unrealistic ideal that creates the idea of ‘ownership’ over someone else, which in turn causes jealousy. They hope to end these problems and change the cultural norms by having the next generation accept more of a group marriage mentality.

The film nicely avoids the smarmy T&A factor by portraying nudity in a natural non exploitative way while also having characters that are believable and a good representation of the young generation from that era. The different ways that the students respond to the unique environment and the realization that they aren’t quite as sexually liberated as they thought remains the story’s focal point of interest.

The film also allows for a great chance to see young stars in the making. Laurie Walters, who later went on to star in the TV-show ‘Eight is Enough’, gives a sensitive portrayal of a young woman who’s still shy about her body and not quite ready to enjoy sex outside of the bounds of romance as she had initially thought. Bruno Kirby is good as well playing a student who’s so filled with insecurities that it prevents him from having any sex at all. Don Johnson though gives the best performance as a cocky student who uses the program simply as a way to ‘score’ with women only to later learn that even he needs some emotional bonding too.

The always reliable Whitmore is solid as the stoic instructor and Hedren gets one of her best roles outside of her most famous one in The Birds with her titillating moment coming near the end when she strips off her clothes and tries to entice Johnson to make love to her right out in the open and in front of everyone. Actor Ted Cassidy, who co-wrote the script, can also be seen briefly sitting at the counter of the local café.

Although the film does manage to bring out a few provocative elements I still felt even without having read the novel that is was only skimming the surface. Having the story focus on only a few of the couples isn’t as captivating as it could’ve been had it instead taken a broader look at all of the students. The low budget gives the production a cheap look and a few too many sappy love songs get thrown in an attempt to turn it into a ‘70s romance instead of keeping it more of a psychological drama that it should’ve been.

A sequel called Harrad Summer, which follows these same students who take what they’ve learned and try to implement it into their adult lives, was released one year later and that will be reviewed later on this week.

My Rating: 6 out of 10

Released: May 11, 1973

Runtime: 1Hour 37Minutes

Rated R

Director: Ted Post

Studio: Cinerama Releasing Corporation

Available: VHS, DVD

Private Lessons (1981)

private lessons

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Housekeeper seduces a minor.

Mallow (Sylvia Kristel) is an English nanny working for a rich client named Fillmore (Ron Foster) who gets involved in a scheme with the family’s chauffer Lester (Howard Hesseman) to seduce Fillmore’s 15-year-old son Philly (Eric Brown). The idea is for her to fake having a heart attack during their lovemaking and convince Philly that he has killed her and then Lester will blackmail him to take $10,000 out of the family’s safe and give it to him has hush money for not reporting it to the police, but Philly is smarter than they think and not only catches onto their scheme, but has a double-cross in store for them as well.

The idea of having an adult making love to a minor most likely wouldn’t have gotten the green light today. To me it reeked of being a major double-standard. If the genders had been reversed and it had been a 15-year-old girl seduced by an older man this thing would’ve been considered obscene and banned, but because it involves a teen boy with ‘raging hormones’ instead that somehow makes it ‘okay’ and is approached as being nothing more than an innocuous sexual ‘coming-of-age’ flick, which I found to be both annoying and aggravating.

The scene involving the young Brown getting naked and hopping into the tub with the equally naked Kristel where they then fondle and kiss each other seemed like child erotica and will most likely make viewers today who are now much more sensitive on this topic feel uncomfortable to watch. The ending in which the two go to bed together in a very drawn-out sensual segment that is done under a romantic context is downright smarmy. Viewers wanting to watch this simply to catch Kristel naked will be disappointed to know that most of her nude scenes were done using a body double named Judy Helden.

The script was written by Dan Greenburg, who also appears briefly as a seedy hotel owner and based on his 1969 novel ‘Philly’. He is a noted humorist who eight years earlier wrote the script to the film with the quirky title of I Could Never Have Sex with any Man Who has Such Little Respect for My Husband. For the most part this film is rather bland, but manages to pick up a bit during the second half when the story twist kicks in that at the very least makes it better than most other teen sex comedies, which are usually devoid of any discernable plot at all.

The script though is full of holes. For one thing it is highly doubtful that a rich parent would give their child a combination to a safe that has tons of money in it and there is never any explanation of what was put into the body bag that is hoisted into the ground and buried when Lester was still tricking Philly into believing it was the dead Mallow. Obviously it wasn’t her, so what was used to make it seem like a dead body? The film never says, but should’ve. Also, I found it hard to believe that Mallow and Philly could go out to a fancy restaurant and make out with each other openly in a booth and not have it create a stir and distraction with the other patrons especially when it was clearly involving an adult and a minor.

Brown whose only other claim to fame was playing Ken Berry’s son in the first two seasons of ‘Mama’s Family’ gives an engaging performance, but I couldn’t help but wonder what his parents where feeling and thinking during the love scenes. It’s also interesting to see Hesseman who wears a wig and has his mustache dyed brown in a rare turn as a heavy. Begley Jr. gets a few kudos in his attempt to play a ‘tough guy’ cop and Dan Barrows makes the most of his small role as the family’s gardener.

The film has a surprisingly great soundtrack that feature a lot of hits from the day which include: ‘Hot Legs’, ‘Tonight’s the Night’ and ‘You’re in My Heart’ by Rod Stewart as well as ‘Just When I Needed You the Most’ by Randy Van Warmer, ‘I Need a Lover’ by John Cougar, ‘Fantasy’ by Earth, Wind and Fire, ‘Next Time You See Her’ by Eric Clapton and ‘Lost in Love’ by Air Supply. How such a low budget movie was able to pay for the rights to these songs is a mystery, but it definitely adds pizazz and helps give the film an extra point.

My Rating: 4 out of 10

Released: August 28, 1981

Runtime: 1Hour 27Minutes

Rated R

Director: Alan Myerson

Studio: Jensen Farley Pictures

Available: VHS, DVD, Amazon Instant Video, Hulu

My Tutor (1983)

my tutor

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Tutoring him in sex.

Bobby (Matt Latanzi) is a high school senior set to graduate and go onto Yale even though he would rather go to UCLA and study astrology. In either case he fails his French class, which impedes him from attending either school. His concerned and controlling father (Kevin McCarthy) decides to hire a tutor named Terry (Caren Kaye) to live with them in their mansion estate while helping Bobby with his French so he can pass the course. Bobby though starts to become attracted to Terry and the two eventually become lovers much to the consternation of his father who would rather have the attractive woman all to himself.

I was still in high school when this film came out and living in a small Minnesota town as a preacher’s kid. I remember my Dad getting a call from some man who had watched this film in the theater and become ‘outraged’ at its ‘pornographic’ nature. He wanted to form picketers at all the area theaters that where showing it and eventually create a nationwide protest movement that he hoped would eventually get the film banned for being what he considered ‘obscene’.

Although there certainly is nudity it is only of the topless variety and it’s no more ‘outrageous’ than any of the many other teen sex comedies of the ‘80s. If the film is offensive in any way it is because it is dumb and uninspired and filled with a lot of silly humor that would be better suited for a Disney flick. The romantic angle is formulaic and the scene of the two in bed together is more mechanical than erotic and hurt by a sappy love song that gets played over it.

Lattanzi, who at one time was married to singer Olivia Newton-John and the father of Chloe Lattanzi, has a deer-in-headlights look about him and a limited acting ability to match it. He looks too old to be playing a teen and appears to be more like 24, which is what he really was. The idea that this good-looking guy with chiseled features could not make it with any of the girls is hard to believe and in a lot of ways the character behaves more like he is a naïve 14 year-old than someone headed for college.

McCarthy is a far better actor who manages to have a screen presence, which the transparent Lattanzi clearly knows nothing about. The fact that the old man makes a play for the tutor should’ve been played up more and I was surprised that when she flatly rejects his advances he didn’t just up and fire her and replace her with some other tutor, which would’ve helped give the otherwise one-dimensional script more conflict.

Arlene Golonka adds some light levity as the ditzy mother and its great seeing Crispin Glover in his film debut playing one of Bobby’s friends and for a change a more ‘normal’ type of character, which is freaky in itself. Clark Brandon, who enjoyed a brief acting career in the ‘80s and an even briefer foray into directing during the ‘90s, is also fun as Bobby’s other friend Billy who also gets the film’s one-and-only funny exchange when he tries to ask a blonde for a dance:

Billy: Would you care to dance with me?

Blonde: No thank you.

Billy: Then I suppose a blow job is completely out of the question.

My Rating: 1 out of 10

Released: April 22, 1983

Runtime: 1Hour 37Minutes

Rated R

Director: George Bowers

Studio: Crown International Pictures

Available: VHS, DVD, Blu-ray, Amazon Instant Video

Losin’ It (1983)

losin it

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Road trip to Tijuana

Four classmates (Tom Cruise, Jackie Earle Haley, John Stockwell, and John P. Navin Jr.) load up into a 1957 Red Chevrolet Bel Air to take a trip down to Tijuana where they to hope to lose their virginity to the local prostitutes. Unfortunately they end up getting more than they bargained for as they get harassed by one of the local cops (Henry Darrow) as well as taking on an added passenger by the name of Kathy (Shelley Long) who they meet at a convenience store in the midst of a fight that she is having with her husband and now wants to hitch a ride with them so she can get a quickie divorce.

Although the plot description may sound sleazy this is by far one of the better raunchy teen comedies to come out of the ‘80s. The film was directed by noted horror director Curtis Hanson and written by the prolific Bill L. Norton. The production values are high and although not actually filmed in the real Tijuana it still gives the viewer a realistic sense of the both the street and party scene that is down there. The characters are more multi-dimensional than in the typical teen comedy and the action remains realistic with humor that is amusing without getting overblown.

The film does shift uncomfortably in tone during the second half and features some unpleasant scenes including having one of the boys thrown into a dirty and dangerous Mexican prison while another gets hung up in midair by a crane while being threatened with a blow torch. Initially I didn’t like this shift, but the film still manages to keep things interesting and culminates in a funny car chase back to the border, which due to what the characters have gone through, is more thrilling than in most comedies simply because the viewer is genuinely wrapped up into their plight to get out of there.

Cruise gives an outstanding performance playing completely against type as he is nowhere near his usual cocky self here and instead comes off as shy and awkward and even has the embarrassment of being unable to ‘rise-to-the-occasion’ when alone with one of the women. Haley is quite energetic and funny and Navin as his baby faced kid brother, who’s more sensible than the rest of them despite being the youngest, is a real scene stealer. Darrow, best known for playing Zorro, gets one of his better latter career roles as the corrupt cop.

The film is supposed to take place in 1965 instead of the ‘80s and I wasn’t sure why as what the characters go through could have easily taken place in either decade. The title tune, which gets played both at the beginning and end of the flick, has a very strong ‘80’s sound, which seems jarring and out-of-place in a picture that supposedly has a ‘60’s setting.

My Rating: 6 out of 10

Released: April 22, 1983

Runtime: 1Hour 40Minutes

Rated R

Director: Curtis Hanson

Studio: Embassy Pictures

Available: VHS, DVD

Tropic of Cancer (1970)

tropic of cancer

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Writer living in Paris.

Rip Torn plays author Henry Miller living in Paris during the 1930’s and struggling to find work, shelter and money. He spends his time shoplifting items from food stands while also having sexual conquests with prostitutes and even the wives of his friends.

The film is based on Miller’s landmark novel that was published in France in 1934, but banned in the US until 1961 and even then went through several obscenity  lawsuits, which were finally all dropped in 1964 when the US Supreme Court deemed the book to have artistic merit. The novel, which is considered highly influential and won wide critical acclaim, has an odd mixture of stream-of-consciousness elements as well as autobiographical ones that works well in book form due to Miller’s first person narrative, but fails on the big screen. It was never meant to be made into a movie and director Joseph Strick’s ambitious attempt to make it into one, who just three years earlier tried to do the same thing with James Joyce’s equally unfilmable novel Ulysses seems futile and ridiculous.

The production looks cheap and lacks any type of atmosphere or visual flair. The setting is supposed to be the late 20’s, but it hardly seems like it. The acting is weak particularly by the supporting actresses playing the prostitutes who almost come off like people pulled off the street with no acting training of any kind.

The film’s most notorious claim to fame like with the book was its explicit sexual content that by today’s standards seems quite tepid. There are some nude scenes here and there including seeing actress Ellen Burstyn fully naked from the front, but it adds little. The best stuff is Torn’s voice over-narration describing his character’s sexual fantasies much of which was lifted directly from the novel. This was the first film to ever use the word ‘cunt’ and it gets said frequently. In fact it’s the character’s sexual conversations and the caustic way women get described in them that are the most amusing thing about the movie.

A few other funny moments include Miller having sex with a prostitute while she is also taking care of her sick mother and who would sometimes leave the bed to look in on her and although Miller initially pays the woman for her ‘services’ he eventually steals it back when she is away during one of her trips to her mother’s room. Miller’s roommate Carl (David Baur) has a great scene where he writes love letters to a woman he wants to have sex with and the two finally meet only to have the actual encounter not live up to the fantasy.

This was filmed at the same time as Quiet Days in Clichy, which was also based on the same novel. Both films were made in Paris and Henry Miller would routinely sit-in on the productions, which were done not far from the other. However, despite an admiral attempt the movie comes off as flat and boring and the viewer would be far better off skipping this and reading the source material instead as the only time it ever gels is when it uses text taken directly from the book.

tropic of cancer 2

My Rating: 4 out of 10

Released: February 27, 1970

Runtime: 1Hour 27Minutes

Rated X (Reissued as NC-17)

Director: Joseph Strick

Studio: Paramount

Available: DVD, Amazon Instant Video, YouTube

Crimes of Passion (1984)

crimes of passion

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Moonlighting as a hooker.

Bobby (John Laughlin) is suffering from marital problems at home while also having trouble keeping up with his kid’s expenses, so he looks for a part-time job and gets hired by Lou Bateman (Norman Burton) an owner of a fashion clothing studio to work as a private investigator by following around one of his designer’s named Joanna (Kathleen Turner) who he is convinced is selling his patents to a competitor. What Bobby finds instead is that Joanna is actually working as a hooker in the seedy red light district and using the name of China Blue, which gets Bobby more infatuated with her. Soon they are locked into a passionate affair, but unaware that China/Joanna is also being stalked by a crazy street preacher named Peter Shayne (Anthony Perkins) who is suffering from demons of his own while also harboring strange ideas on how to ‘save her’.

The film, which is directed by Ken Russell who can sometimes be brilliant and other times horribly self-indulgent, is annoying from the beginning. The recreation of a therapy group is wooden and artificial and the sex scenes are over-the-top with characters that are one-dimensional and poorly fleshed out. The gaudy color schemes and flashing lights used to recreate the seedy hotel look quickly become repetitive and irritating. It’s hard to tell whether Russell is trying to be serious or campy, but it’s a mad mixture that ends up being a pointless mess. Rick Wakeman’s obnoxious electronic music score and the cliché ridden Psycho-like finale simply add insult to injury.

The script by Barry Sandler is shallow and filled with plot devices that make no sense. Rarely do prostitutes ever fall in love with one of their clients and many create a defense to keep that part of their lives separate from their personal one and vice-versa, so the fact that Joanna and Bobby get into a relationship so quickly and seamlessly while failing to explain why she would find Bobby so ‘special’ out of all the other men she had already had indiscriminate sex with makes this dumb movie even more absurd. It’s also hard to believe that Joanna would be such a great employee as she is described to be by her boss when she is going out every night having sex with strange men at all hours. I would think at some point she’d become exhausted and her productivity at her day job would be effected. I also thought it was a bit goofy why someone would hire Bobby as a private investigator to begin with when he had no experience in that area.

Annie Potts gives the film’s all-around best performance particularly during a strong scene involving her character in bed with Bobby and her roundabout way of admitting that he no longer satisfies her. Laughlin is okay, but bland and the segment where he dresses up as a giant penis having an erection is downright embarrassing. Perkins is fun as the flamboyantly weird reverend and I got a kick out of his singing as well as his bag full of sex toys, but in the end it’s just a bad rendition of Norman Bates that typecasts him while discrediting his earlier more serious efforts.

The scene where China visits an old man who has only a few months to live is the movie’s one and only interesting moment. Had there been more of a history shown to Joanna’s character and why this seemingly intelligent woman did what she did I might’ve have been able to get into it more instead of being completely bored with it. The sexual imagery was considered quite ‘shocking’ and explicit for 1984 standards, but now comes off as benign and hooky especially since one can find far more graphic stuff simply by casually surfing any one of the thousands of porn sites on the internet today.

My Rating: 1 out of 10

Released: October 19, 1984

Runtime: 1Hour 47Minutes

Rated R

Director: Ken Russell

Studio: New World Pictures

Available: VHS, DVD