Tag Archives: Sally Kirkland

Fatal Games (1984)

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Javelins can be deadly.

Student athletes with promising futures are suddenly turning up dead at the hands of a mysterious killer who pierces their bodies with a javelin that he is able to expertly throw from a far distance. Authorities fear that time is running out as more of them are killed and no witnesses or clues to identify the culprit.

Many consider this to be a rip-off of Graduation Day and while both films aren’t very good this one at least starts out better. I enjoyed the lighthearted comedy used at the beginning and how a formal dinner meeting turns into a big food fight and then a group tug-of-war. The film also keeps it realistic by showing the athletes actually training and conditioning.

In fact it really doesn’t start to go downhill until it reverts into a horror movie mode and dwells almost religiously in all the formulaic clichés seen in every other ‘80s slasher flick. The killings aren’t as novel as they sound and eventually become quite redundant. They are also lightly sprinkled in-between long, drawn out dramatic segments dealing with the characters relationship struggles and pressures to perform until you almost forget that this is supposed to be a slasher film at all. Most ‘80’s horror movies will have boring extraneous dialogue at the start to help create ‘character development’, but once the killings get going they will usually drop the other stuff and stick just to the scares while also picking up the pace, but this one just keeps the stale drama going, which along with its synthesized music score gives it a very amateurish quality.

The acting by the young cast isn’t as bad as the adult actors who speak like people under a trance. The film’s director Michael Elliot who plays a doctor who secretly gives them team members some ‘retardation shots’ (no joke that’s what they call it) and the movie’s screenwriter Christopher Mankiewicz who plays the coach give the two worst performances in the movie. Even Sally Kirkland, who plays the team trainer is bad and seems to be playing down to the level of the material.

The female cast is attractive and there is an abundance of nudity including one segment where the killer chases a fully nude Angela Bennett down the darkened hallways of the school. However, the film’s cute and perky star, Lynn Banashek, was too shy to take off her clothes and so in the scene where she gets a rub down by Kirkland scream queen Linnea Quigley was used as her body double.

The identity of the killer was a bit of a surprise and something I hadn’t expected and I’m pretty good about guessing these things, so in that regard it’s kind of original, but it’s still not worth sitting through as everything else is by-the-numbers.

My Rating: 1 out of 10

Released: March 13, 1984

Runtime: 1 Hour 28 Minutes

Rated R

Director: Michael Elliot

Studio: Impact Films

Available: VHS

Coming Apart (1969)

coming apart 1

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Psychiatrist secretly films people.

Rip Torn plays a psychiatrist living in a Manhattan apartment who has a camera secretly film everything that goes on there. Many of his female patients including Joann (Sally Kirkland) talk about their intimate desires and his ex-wife Monica (Viveca Lindfors) shares her darkest secrets thinking he is the only one hearing it, but instead a glass box resembling an antique camera sits in the living room and takes it all down.

The film’s concept is novel and if executed in a slightly better manner could’ve been brilliant. Without a doubt it breaks all the old filmmaking conventions and was year’s ahead-of-its-time. The sexual openness of its characters and tawdry subject matter make it quite voyeuristic and real. The actors have an amazingly natural quality to their delivery giving one the idea that it was ad-libbed when in actuality it wasn’t.

Kirland gives an emotionally over-the-top performance that is both remarkable and riveting. Her meltdown at the end in which she proceeds in slow motion to tear up the apartment is quite memorable and the best part of the whole film.

Writer/director Milton Moses Ginsberg manages to keep things relatively fresh by continuously introducing situations that become increasingly more provocative including a party that turns into a sex orgy and explicit love making between Torn and Kirkland that could almost be considered pornographic. There’s even an interesting scene involving a young lady looking to be barely 18 coming to the apartment with her baby in a carriage and propositioning herself to Torn and then having the two make love on the floor while the baby, still in the carriage, cries next to them. There is also a segment featuring recorded phone conversations that Joe has with his fellow psychiatrists that I found to be revealing as well.

Unfortunately despite these creative efforts the film is agonizingly boring to sit through. No matter what is going on in the scene the viewer is still forced to stare at the same wall, same mirror, and same skyline for almost two-hours. The scenes needed to be broken up with cutaways that would’ve taken the viewer out of the apartment and given them some other visual element to look at. Simply turning on a camera that’s nailed to the floor and then filming whatever happens in front of it is not a movie, but more like C-Span and the ultimate result is a failed experiment lacking the necessary cinematic touches that would have made it come off as a fluid whole.

My Rating: 2 out of 10

Released: October 26, 1969

Runtime: 1Hour 51Minutes

Not Rated

Director: Milton Moses Ginsberg

Studio: Kaleidoscope Films

Available: DVD