By Richard Winters
My Rating: 2 out of 10
4-Word Review: Climbing the corporate ladder.
Jack (Judge Reinhold) is a recent college graduate and business major who gets a job at a prestigious Chicago company named INC. Jack has very little ambition and more interested in making it with the women than climbing the corporate ladder, but despite his lack of effort he keeps getting promoted. He begins to realize that his ascension may not have anything to do with who he is and more with the fact that his father (George Coe) is a influential senator and the company’s CEO (Eddie Albert) wants to gain his favor in order to have a textile plant moved to a Latin American country that will allow them cheap labor and more profits.
The film, which was written and directed by Ken Finkleman, starts off with a bang and has many funny gags, but eventually wears out its welcome by relying too heavily on age-old clichés and caricatures. Everyone knows the business world can be corrupt and filled with eager boot lickers driven by those with power-hungry career aspirations and willing to backstab anyone that might get in their way. Trying to fill 90-minutes with this same point-of-view that just gets repeated over and over is not amusing nor insightful and if anything becomes boringly predictable.
The characters lack distinction and are more like yes men robots than real people. I worked at several Fortune 500 companies during my lifetime and can attest that there are indeed the proverbial ass-kissers, but they’re plenty of people that have no interest in playing the company game and realize it’s sheer folly because the more you work up the ladder the more a pawn to the system you become. Some are simply satisfied to have a job and provide for their families and yet the film does not show these folks at all, which makes it one-dimensional and ultimately unrealistic.
Reinhold is weak in the lead, which is another reason it doesn’t work. This is a film that is in desperate need of a socialist or someone that is very anti-corporate and just there to openly thumb their nose at the system and try to muck it up if they can and yet half the time it’s confusing what Reinhold’s position is. He’s too transparent and has no strong presence at all. There’s also a scene where he gets shot at by a disgruntled ex-employee, which would’ve been enough to make most people never want to go back to that company again as no job is worth that and yet Reinhold returns like it somehow was no big deal.
The supporting cast is interesting and includes such familiar faces as Danny DeVito and Rich Moranis, but they die-off quickly. What’s the use of bringing in big-name stars if they’re going to be killed off right away? It’s fun seeing Jane Seymour playing against type as a power hungry boss. She made her mark in romantic roles for the most part, so it’s impressive seeing her doing a different type of part and doing it well and it’s just a shame she wasn’t in it more. Eddie Albert is good too and plays the violin in a convincing way, or at least is smart enough to know how to move his fingers so it looks realistic.
However, the gag involving Reinhold inadvertently destroying an expensive Stradivarius violin that gets handed to him by Albert gets ruined when it’s made known that it wasn’t authentic, but simply a prototype. That was the only moment in the film where I had laughed-out-loud, but leave to this dumb movie to botch even that.
My Rating: 2 out of 10
Released: December 29, 1985
Runtime: 1 Hour 30 Minutes
Director: Ken Finkleman
Studio: TriStar Pictures