Category Archives: Adolescence/High School

Willy Milly (1986)

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Girl turns into boy.

Milly (Pamela Adlon) is a teen who dreams of one day becoming a boy. One day she purchases a magical potion from a kid named Malcolm (Seth Green), which promises to make her wish come true as long as she takes it during the next solar eclipse, which she does. Now as a boy she changes her name to Willy, but finds mixed reactions from those around her. Her father (John Glover) likes the change, as he always wanted a son, but her mother (Patty Duke) doesn’t. He/she starts going to a different school, but finds that both genders have their equal share of problems.

Although the storyline may sound novel it really isn’t and this thing suffers from being just another generic ‘80s teen movie. The humor of having Milly suddenly waking up with a penis and the shocked reactions of her family and friends is not played-up enough while the myriad of issues that this sort of change would produce gets woefully underexplored. Instead it devolves into the typical teen dramas that we’ve seen done before and no need in seeing again.

The most annoying aspect deals with the proverbial bully storyline. I realize every school has got one, but it would be refreshing to have a high school movie that didn’t feel the need to always have to take this redundant route. This one, which gets played by an actor named Jeb Ellis-Brown, is particularly dull and what’s worse is that he looks scrawny and could be easily be beat-up by the kids he is supposedly intimidating.

Adlon’s performance, who gets billed under the last name of Segall, is irritating and a major detriment. For one thing she looks a bit androgynous from the start and then when she does turn into a boy all she does his cut hair short and that’s it even though her voice stays high pitched and her mannerisms remain girly making it seem more like just another female with short hair. There are a few good moments with Glover as the father as he tries to ‘train’ her to be more like a ‘man’, but Duke is horribly wasted in a small and forgettable supporting part.

The material is dated and these days this same storyline could be used minus the magical potion and instead tackled as a storyline dealing with a transgender teen. I also had problems with the Eric Gurry character who plays a teen friend to Willy that is stricken to a wheel chair. Initially I thought it was great that they introduced a character who had a handicap, but then it gets treated as being nothing more than a psychosomatic condition, which demeans all those victims of spinal cord injuries who are permanently paralyzed and unable to walk ever even if they wanted to.

There’s a film called Just One of the Guys that came out around the same time as this one and had a similar theme, but in that one the teen character only pretended to be a guy and it was much funnier and more perceptive.

Alternate Title: Something Special

My Rating: 2 out of 10

Released: November 14, 1986

Runtime: 1Hour 23Minutes

Rated PG-13

Director: Paul Schneider

Studio: Concorde Pictures

Available: VHS

Permanent Record (1988)

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Coping with friend’s suicide.

David Sinclair (Alan Boyce) is a popular high school student who seems well on his way to a successful and happy life, but then unexpectedly he commits suicide by jumping off a cliff. Now his friends ponder about why they didn’t notice the signs and the news hits his best friend Chris (Keanu Reeves) particularly hard.

There were many movies dealing with the teen suicide issue that came out during the ‘80s and I remember watching one, a TV-movie called ‘Silence of the Heart’ starring Chad Lowe, in a social studies class at school. This film takes a slightly different approach from those in that it doesn’t concentrate on the motives of the victim, but instead analyzes how their actions affect the people that knew him.

It’s interesting to a degree, but the film glosses over too much and takes too long to get going. Quite a bit of time is spent watching David mopping around looking despondent and stressed, which is frustrating because the film doesn’t clue you in as to why he is feeling this way, so eventually his scenes start to have a redundant feel to them. It also gets annoying because if it is obvious to the viewer that David is struggling with inner turmoil, then why can’t his friends, who supposedly know him best, not pick up on these same signs as well?

The most irritating thing about the movie though is the presence of Reeves. Most of the teen characters in the film are believable, but Reeves unfortunately comes off too much like a caricature of his more famous airhead role in Bill and Ted’s Excellent Adventure. Instead of being a young adult in-the-making like the others Reeves’ character is more the stereotypically grungy, metal head, stoner still stuck in juvenile purgatory and possessing every annoying teen cliché out there. Having him go from being a vapid adolescent to an introspective one was too much of a dramatic arch and I almost wished that his character had been the one that jumped since Boyce was the better actor. The scene involving the actual jump gets badly botched too and it’s Reeves’ presence that ruins it as he follows Boyce to the cliff unaware of what he is going to do and then overacts when he does, which makes what should be the film’s saddest moment unintentionally funny instead.

The ending is quite powerful, but everything else is sterile. Some intriguing issues are certainly brought up, but then never fully addressed. This is particularly true in regards to David’s family who seem to adjust from the shock much more quickly than any of his friends when in reality I would think they would be the ones to take it the hardest and should’ve been the focal point of the film while Reeves could’ve been pushed to the very back and seen only briefly.

My Rating: 5 out of 10

Released: April 22, 1988

Runtime: 1Hour 31Minutes

Rated PG-13

Director: Marisa Silver

Studio: Paramount

Available: DVD, Amazon Video, YouTube

Foxes (1980)

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Growing up too fast.

Four teenagers living in the San Fernando Valley face life in the fast lane. Madge (Marilyn Kagan) is the nerd who’s having a fling with a 30-year-old man (Randy Quaid). Deidre (Kandice Stroh) shifts from boyfriend to boyfriend while Annie (Cherrie Currie) is tormented by an abusive father and runs away from home only to get caught up in the drug scene. Jeanie (Jodie Foster) is the mature one of the bunch who tries to keep them from getting into too much trouble as well as getting them out of a jam when needed, but she has struggles of her own particularly dealing with her mother (Sally Kellerman) who brings home men who are virtual strangers to spend the night with and seems as lost and confused as Jeanie’s teen friends.

This marked Adrian Lyne’s feature film debut and from a purely cinematic perspective it’s intriguing. I liked the cinema vertite feel and in many ways this is an early forerunner to Larry Clarke’s groundbreaking Kids that came out 15 years later as the camera follows the teens around on their excursions without having any connected storyline nor does it try to make any moral judgement on what occurs. Instead it plays more like docudrama showing how things are without overdoing the shock value, but what I liked best was the fact that it portrays the adults as being just as screwed up and in certain ways even more lost while society at large is captured as being equally jaded to the point that the teens are simply reflecting the behaviors of the environment around them.

Probably the most surprising aspect is the part dealing with Madge, who is still in high school, having an ongoing relationship with a 30-year-old man, which the film treats as being no big deal. It’s not completely clear if Madge is 17 or 18, but many of today’s viewers will find the casual way the film approaches this topic, which includes an eventual wedding between the two that is happily attended by her friends, as being  ‘creepy’ and most likely a taboo storyline for any film made today.

The irony is that Madge ends up causing the most destruction in the relationship as Quaid’s character unwisely goes away on a business trip and allows her complete use of his place where she then decides to hold a party that gets expectedly out-of-control. It even includes a graphic fight breaking out that is portrayed quite brutally including having a girl hit and knocked down by another guy. This scene also features Laura Dern, in her first credited film role and wearing braces and glasses, as an awkward teen that crashes the place.

The casting of Foster and Scott Baio as her guy friend is interesting as the two had starred in quirky gangster comedy Bugsy Malone just 4 years earlier and the scene where the two have an ongoing conversation while walking around in a large, open junkyard is one of the best parts of the movie. Baio is initially fun as this geeky teen with limited social skills, but later on becomes this mini-hero with on a skateboard that gets too cute and Hollywood-like. Foster on the other hand is solid and it’s interesting seeing her playing a more emotionally vulnerable character and even at one point breaking down and crying.

The film manages to have a few interesting scenes here and there, but it takes too long to build any momentum and it’s never as compelling as it would like to be. There are also a few too many moments where it defaults to the contrived clichés, which hurts its efforts at gritty realism.

My Rating: 4 out of 10

Released: February 29, 1980

Runtime: 1Hour 46Minutes

Rated R

Director: Adrian Lyne

Studio: United Artists

Available: DVD, Blu-ray

Summer of ’42 (1971)

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By Richard Winters

My Rating: 7 out of 10

4-Word Review: Boy loses his virginity.

During the summer of 1942 Hermie (Gary Grimes) vacations on Nantucket Island with his two friends (Jerry Houser, Oliver Conant) along with their parents. He soon becomes smitten by a neighboring lady named Dorothy (Jennifer O’ Neill) whose husband has just gone off to fight in the war. One day he offers to carry her groceries as well as help her out with other chores around her home. When her husband gets killed Hermie finds that he can be of service to her in other ways too.

The script was written by Herman Raucher and based on his real-life experiences while growing up as a teen on Nantucket Island. He had originally written the script in the 1950’s, but at that time no one was interested. It wasn’t until he met with director Robert Mulligan that the project got off the ground and even then the studio was reluctant to pay him anything up front and promised only to give him a percentage of whatever the film grossed. The film though ended up becoming a huge hit and made Michel Legrand’s melodic score almost synonymous with romances everywhere.

I enjoyed the film immensely when I first saw it back when I was in college, but now many years later I have certain issues with it and much of it is due to the Dorothy character. I felt she was was too naïve as she brings this 15-year-old boy in the form of Hermie into her home, but apparently no clue that boys at that age can have raging hormones and that he could quite possibly be viewing her in a sexual way. I felt that Dorothy should’ve shown a little more awareness to the situation and created boundaries from the start and been just a little more defensive than she was. Some may argue that she may have been attracted to the teen despite his age and secretly open to him coming on to her, but if that was the case it should’ve been made clear. In either event the character is too much of an enigma and playing off more like a fantasy figure than a real person.

These same issues continue during their eventual consummation, which ends up being the film’s most well-known scene. On a purely cinematic level I loved the moment because it nicely recreates a dream-like quality of a teen boy’s fantasy particularly by having no dialogue and only the background noise of the crashing ocean waves. However, the woman has just committed an intimate act with a minor that could get her into a lot trouble if it was ever found out. The next morning as the two are lying next to each other in bed she looks over at him and I would’ve expected some expression of guilt, confusion, or even fear, but none of that is conveyed. Also, the idea that getting news that her husband has just been killed would be enough to ‘disorient’ her and get her to submit herself to a teen boy who just randomly walks in is a bit far-fetched.

In the real-life incident Raucher describes it as occurring much differently. There Dorothy was highly intoxicated and yelled out her dead husband’s name several times. He also caught up with the real Dorothy many years later and she told him that she had been ‘wracked with guilt’ over what she had done long after it had happened. All of this makes much more sense and although it would’ve ruined some of the romantic elements it still should’ve been added in as it would’ve helped both the characters and movie become more multi-dimensional and believable.

The setting is another liability. Due to budget constraints it was not filmed on Nantucket, but instead Mendocino, California and the differences are glaring. The landscape is very dry and brown, which is something that would not occur on the east coast, which routinely gets more rain than the west. The voice-over narration states that they had “9 days of rain” that summer, so the foliage should’ve been green and lush.

On a completely superficial level the film still works. The performances are excellent and there are a few really funny scenes including Hermie’s visit to a drug store where he reluctantly tries to buy some condoms as well as his subsequent visit later that night to the beach.

My Rating: 7 out of 10

Released: April 18, 1971

Runtime: 1Hour 44Minutes

Rated R

Director: Robert Mulligan

Studio: Warner Brothers

Available: DVD (Warner Archive), Amazon Video, YouTube

976-Evil (1989)

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By Richard Winters

My Rating: 5 out of 10

4-Word Review: Nerd becomes demon possessed.

Hoax (Stephen Geoffreys) is a socially challenged high school loser living at home with his religious fanatic mother (Sandy Dennis) and longing to one day become as cool as his neighbor Spike (Patrick O’Bryan) who gets all the hot chicks. Then one day Hoax calls a phone number that promises to supply him with his daily horoscope but instead gives him demonic powers that allow him to get revenge on all of his bullies.

This is the first of only two theatrical features that actor Robert Englund has directed and the visual results are impressive. I enjoyed the set pieces that have a garish over-the-top quality to them and helps give the film a comic book-like look. Although the gore is limited I did find some of the other special effects to be cool including the final sequence where Hoax’s home turns into the gateway to hell.

The script has a lot of in-jokes, which keeps the proceedings on an amusing level, but it takes too long for the actual plot to get going.  The nerd-on-revenge theme has been done a million times before and ultimately makes this film come off as clichéd and derivative.

Having Hoax’s looks change into resembling a demon backfires as it reminded me too much of the Freddy Kreuger character particularly with the long fingernails on one of his hands and his deep voice, which even  starts to crack  Freddy-like one-liners. Whether this was intentional is open to debate, but it does drive home how uninspired this film ends up despite an opening that showed promise.

The best thing it is the presence of Dennis who plays an extension of the wacky, eccentric character that she did in a classic episode of the 80’s version of ‘Alfred Hitchcock Presents’. The only difference is that there her character owned even more cats and spoke in a more bizarre way, but the variety of wigs that she wears here makes up for it. Also what happens to her corpse after she is killed is the film’s most shocking moment.

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My Rating: 5 out of 10

Released: March 24, 1989

Runtime: 1Hour 32Minutes

Rated R

Director: Robert Englund

Studio: New Line Cinema

Available: DVD, Amazon Instant Video

Pin (1988)

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By Richard Winters

My Rating: 5 out of 10

4-Word Review: He befriends a dummy.

Leon (David Hewlett) and Ursula (Cynthia Preston) are brother and sister growing up in a large home run by their stern father (Terry O’ Quinn) who works as a doctor and has an anatomically correct dummy named Pin in his office. Sometimes to entertain the children he gets the dummy to talk, by throwing his voice to make it seem like it’s the dummies. As the children get older Leon remains convinced that the dummy can speak and begins to have an unhealthy fixation with him that concerns his sister. When the parents end up dying in a tragic car accident the sister and brother get the house all to themselves and Leon becomes even more possessive about Pin and anyone who dares make fun of him or Pin pays the ultimate price.

This intriguing film manages to be captivating throughout thanks mainly to an intelligent script and some excellent performances by its two leads. The casting is top-notch including the fact that the different actors who represent Leon and Ursula as they grow from children to young adults look very similar, which is a major achievement since many other movies aren’t as adept with this and cast child performers that do not effectively resemble their adult counterparts.

It’s also refreshing that Leon’s character is not a complete derelict, but instead quite cultured and educated, which makes his weird child-like fixation with the dummy all the more creepy. I also enjoyed O’Quinn as the father and the scene where he performs an abortion on his own daughter and tries to force his son to watch it is really twisted.

The scares though are lacking and there are only a couple of murders, which aren’t all that dramatic or impressive. Pin is also not frightening to look at and in fact becomes downright boring. Most horror films would’ve exaggerated some characteristic of the dummy to give him more of a creepy effect, which is what this one should’ve done. It also would’ve helped had there been a surreal moment where we saw things from Leon’s point-of-view and witnessed the doll actually speaking or even just moving.

Spoiler Alert!

The film’s ending though is the script’s weakest point. It involves Ursula attacking Leon with an ax after she realizes that he has just killed her boyfriend (John Pyper-Ferguson), but then the film cuts away making it confusing as to what happens. It then cuts to show Leon sitting in a wheelchair and having taken on the personality of Pin as apparently that’s who she cut up, but the film would’ve been more interesting had it shown the doll getting destroyed and even doing some of it in slow-motion especially since its devoid of much action otherwise.

The idea of a person taking the personality of an inanimate object that they earlier thought was real is nothing new. The same fate occurred to the Anthony Hopkins’ character in Magic where he played a ventriloquist who thought his dummy could talk as well as to another ventriloquist character in a classic episode of ‘The Twilight Zone’, which makes the twist here less interesting and almost predictable. A more surprising element would’ve been to have the dummy suddenly come to life when Ursula attacks it and then killing her.

It also seemed ridiculous that Leon would remain living in his large, stately home in a sort of vegetative state after being caught attempting to murder the boyfriend while apparently being cared for by a round-the-clock nurse is not believable as the cost of his medical care would dry up any funds that he had in his inheritance and making his continued stay at the home completely impractical. In reality the court appointed doctors would’ve deemed him mentally ill and a menace to society while also advising that he be sent away to a secure and monitored mental facility.

End of Spoiler Alert!

My Rating: 5 out of 10

Released: November 25, 1988

Runtime: 1Hour 43Minutes

Rated R

Director: Sandor Stern

Studio: New World Pictures

Available: DVD

Offerings (1989)

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By Richard Winters

My Rating: 2 out of 10

4-Word Review: Mute killer sends gifts.

As a child John Radley (Richard A. Busewell), who is mute, gets bullied by the neighborhood kids and the only one that befriends him is Gretchen (Loretta Leigh Bowman). Years later after he escapes from the mental institution, where he resides for killing his emotionally abusive mother (Rayette Potts), he returns to the same town while taking revenge on those kids who are now teens by hacking up their bodies and then packaging their body parts into little ‘gifts’ that he sends to Gretchen as a token of the ‘love’ that he feels for her.

Making a successful low budget horror movie requires one to pretty much follow the same formula as Sam Raimi did with The Evil Dead, which is to emphasize the gore, special effects and atmosphere while keeping the pace fast and cerebral. This movie unfortunately proceeds in the exact opposite direction with scenes that go on too long and dialogue that is extraneous. If you cut out all the needless footage and just kept the moments that actually helped propel the story you’d be left with literally only 8 minutes of its otherwise 94 minute runtime.

The murders are few and far between and its cheesy soundtrack is a complete rip-off of Halloween’s. Watching a guy getting his head squeezed inside a vice is the only killing worth catching and even this one isn’t all that great and as it’s seen via a shadow on the wall with apparently a watermelon used in place of an actual head. The film’s humor is equally sporadic and not enough to save what comes off as just another mechanical slasher retread.

There are problems with the killer a well as he’s barely seen and never says anything, which ultimately makes him quite transparent. How he is able to climb an electric fence without being electrocuted or get shot at and still keep walking is never explained. The fact that he has a severely deformed face and moves like a zombie would easily attract other people’s attention and they would report his whereabouts to the police who most likely would have the guy apprehended before he was even a few minutes outside of the mental hospital’s grounds.

There is also a scene where Gretchen and her friend Kacy (Elizabeth Greene) watch a horror movie on TV and they make fun of how ‘dumb’ the victims are in their attempts to escape from their killer even though these women end up doing many of the same stupid things. If you’re going to mock other movies then you better make sure your film is an improvement, which this isn’t.

My Rating: 2 out of 10

Released: October 12, 1989

Runtime: 1Hour 34Minutes

Rated R

Director: Christopher Reynolds

Studio: Arista Films

Available: DVD

WarGames (1983)

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By Richard Winters

My Rating: 7 out of 10

4-Word Review: Teen hacks government computer.

David (Matthew Broderick) is a teenager who’s a whiz with computers and even able to dial up his school’s machine and change his grades without anyone noticing. One day he unknowingly hacks into a military computer where he and his girlfriend Jennifer (Ally Sheedy) begin to play a game of global nuclear war while unaware that everyone at NORAD the military base is seeing the game as it’s being played  and thinking that it is the real thing.

The film does a great job of showing the nuclear missiles up close while still in their silos and ready to fire, which gives the viewer a frightening awareness of just how real the potential is. The NORAD command center, which is quite impressive, was built specifically for the film at a cost of one million and is apparently even more elaborate than the real one.

David’s hacking talents do seem a bit farfetched, but if you’re able to suspend your disbelief a little then it’s a pretty cool and suspenseful flick. Some of my favorite scenes in this area are when he is able to escape from an electronically locked room as well as the way he gets a dial tone from a receiver at a pay phone despite not having any money.

Broderick’s character is in many ways identical to the one that he played in Ferris Bueller’s Day Off at least with his technological smarts, but here he thankfully doesn’t have that annoying smugness as his initial cockiness realistically wilts quickly away the minute he realizes that he’s gotten in-over-his-head. I did however find it hard to believe that such a bright kid could get an ‘F’ on his biology exam. His character is described as being an ‘underachiever’, which is fine, but there’s a big difference between being that and being a complete flunky.

Ally Sheedy is fantastic and in many ways outshines Broderick, but it’s hard to figure that she would suddenly jump into her car, without being asked, and drive all the way from Seattle to Colorado on a whim after she gets a strange call from David. The fact that her character states that it took her only 3 hours to get there is a complete crock as according to Mapquest the distance between Seattle and Grand Junction is 1,122 miles with an estimated drive time of 18 hours and 9 minutes.

Dabney Coleman is good in support as McKittrick and nobody can exude nervous energy quite like he does. Yet I was disappointed that he isn’t seen more. As much as I love Barry Corbin I felt his general character was clichéd and boring and I wished they had simply combined that character with McKittrick’s and then given the part solely to Coleman to play.

There were also a few scenes that I felt should’ve been extended especially the opening scene where we see two members of the missile combat crew ordered to turn the key to launch a missile strike. One of them, played by John Spencer, panics and becomes reluctant to turn the key while the other one holds a gun and insists that he must. It turns out this was only a surprise drill, but it cuts away before we see what happens and we only learn about this later while it would’ve been more satisfying to have seen the complete scenario played out visually.

I would’ve also liked to have seen when the government agents storm David’s house and search his bedroom simply to witness his parent’s (William Bogert, Susan Davis) reactions. The film spends time introducing them and they are rather amusing, so it would’ve been interesting to get their take on the situation as it unfolded.

I also felt the way David and Jennifer find Falken (John Wood), the man who invented the military computer that David plays the nuclear game with, was too easy. I realize David gets Falken’s address from the computer, but it’s still a remote island that David has never been to, so how he is able to come upon the home so quickly without a map is questionable. I also thought Falken was too congenial with them as this was a scientist in hiding with top secret military information and no way of knowing if these two were spies or not, which makes inviting them into his house and opening up to them the way he does seem quite reckless.

The ending though is excellent and I liked how these kids didn’t have that teen ‘attitude’ nor is there any of that generation gap crap either. Instead everyone, young and old, works together to solve a mutual problem, which is what I liked about this movie the most.

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My Rating: 7 out of 10

Released: June 3, 1983

Runtime: 1Hour 54Minutes

Rated PG

Director: John Badham

Studio: MGM/UA

Available: DVD, Blu-ray, Amazon Instant Video, YouTube

Puberty Blues (1981)

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: Girls can surf too!

Debbie and Sue (Nell Schofield, Jad Capelja) are best friends attending high school in the south suburbs of Sydney. They desperately want to fit-in with the surfer group, but find that this means being pressured into having sex and experimenting with drugs and alcohol that starts to take its toll on both their grades and family life. When Debbie thinks she’s gotten pregnant by Gary (Geoff Rhoe) and he responds with indifference she realizes that the surfers aren’t as cool as she thought and pledges to become more independent by trying to do some surfing of her own, which she is told ‘girls can’t do’.

The film is based on the novel by Gabrielle Carey and Kathy Lette who became best friends at age 12 and at 16 began writing stories based on their high school experiences. While attending a writer’s workshop they met Margaret Kelly who worked as a writer in television and was impressed with the girl’s output. She got their stories optioned into a screenplay while the girls went on to write a weekly newspaper column under the byline of The Salami Sisters and their stories were eventually published into a novel. The big change between the movie and the novel is that in the book the girls were only 13 while in the movie it gets upped to 16 since that was Australia’s age of consent.

Director Bruce Beresford ends up tearing away the mystique from teen life in much the same way that he did to suburbia in Don’s Party, which leaves the viewer with a far more caustic take on the high school experience than the Hollywood version, which tends to play up the teen scene like it’s just one big raucous party. Here the cool kids are vapid, crass creatures who are unable to hold any type of interesting conversation. Their parties are lifeless affairs where they aimlessly sit around and get drunk because they have nothing better to do while the sex is shown to be an unpleasant experience for the girls who get pressured into doing it before they’re ready and leave feeling used afterwards.

This was more the way I remembered high school being and I was impressed with the film’s honesty, but the pace is too leisurely and not enough happens. There is some drama when Debbie thinks she is pregnant, but it takes an entire hour just to get there and a comical segment dealing with a goofy fight amongst the surfers, which was not in the book, is completely unnecessary.

The film though does have some funny bits including a scene where Debra brings her boyfriend Bruce (Jay Hackett) over to meet her parents (Kirrilly Nolan, Alan Cassell) as well as the shots showing the interior and exterior of Bruce’s van. This though gets coupled with an uncomfortable moment dealing with a homely girl (Tina Robinson Hansen) who gets tricked into getting into the guy’s van where she is forced into a gang bang before being coldly thrown onto the curb afterwards.

The best part is the ending where the girls grow in confidence and become unafraid at challenging the status quo. Seeing the shocked expressions  of the cool kids as they watch the girls get on surf boards for the first time and succeed at something they were told only guys could do is a treat and makes the rest of the film worth sitting through.

Many years later this movie spawned a TV-series as well as a special that aired in 2012 on Australian TV where Nell Schofield traveled back to the locations where the film was made. Unfortunately her costar Jad Capelja was not present as she had already killed herself in 2010 after spending years battling drug addiction and mental illness.

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My Rating: 6 out of 10

Released: December 10, 1981

Runtime: 1Hour 27Minutes

Rated R

Director: Bruce Beresford

Studio: Roadshow Film Distributors

Available: VHS, DVD (Pal Region 0), Blu-ray (Region B/2)

Picnic at Hanging Rock (1975)

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: Where are the schoolgirls?

On Valentine’s Day in the year 1900 a group of Australian schoolgirls and two teachers (Vivean Gray, Helen Morse) set out to a rock formation known as Hanging Rock for a picnic. While there one of the girls named Miranda (Anne-Louise Lambert) decides to go exploring and three of the other girls follow. They proceed to climb the rocks, which frightens one of the girls (Christine Schuler) who runs back. By that evening the other three haven’t been located and a search party goes out by the local police to find them, which only leads to more questions than answers.

If one is in to mood pieces then this thing will be the perfect fit. The music and director Peter Weir’s ability to capture the rock formations in a way that makes them seem creepy and menacing is very well done. I found myself being strangely captivated most of the way while also impressed that the whole thing gets captured through a camera lens with a piece of bridal veil hung over it.

The story is based on the 1967 best-selling novel of the same name by Joan Lindsay. Despite many rumors to the effect and a follow-up novel called ‘The Murders at Hanging Rock’ this was not in any way based on a true story. Originally Lindsay wrote a resolution to the mystery that had the girls entering into some sort of time warp, but at the last minute that chapter was excised at the suggestion of her publisher, but then later published in 1987 as ‘The Secret of Hanging Rock’.

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The film on the other hand offers no resolution of any kind. Instead like in the book the main emphasis is on how the disappearance affects the people at the school and in the town. Rachel Roberts is a standout in this area playing the strict headmistress Mrs. Appleyard who initially comes off as quite composed and in control, but as the toll of the mystery continues her character unravels in increasingly more shocking ways, which is the film’s highlight.

Despite its cult following and the fact that it is included in the book ‘1001 Movies You Must See Before You Die’ I still came away frustrated and feeling like not enough happened to justify having to sit through two hours of viewing. On the technical end it is excellent and watching the different ways people cope and respond to the mystery is interesting, but this could’ve been played up a lot more.

Sometimes movies with vague endings are good as life doesn’t always give us nice and tidy wrap-ups, but this is one instance where it would’ve been better had there been more of a conclusion even if it had just thrown out some clues and then allowed the viewer to come to their own deductions. To some extent it does this as supernatural elements are introduced as well as the idea that it might’ve been a sexual crime, but even this is off-putting because it’s not connected to anything concrete or tangible and thus makes it all the more evasive.

Had this been based on an actual mystery, which for years is what a lot of people thought, then it would’ve been more acceptable and even fascinating, but the fact that it’s all made up hurts it and tears away the mystique that for a long time it relished under.

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My Rating: 6 out of 10

Released: August 8, 1975

Runtime: 1Hour 47Minutes (Director’s Cut)

Rated PG

Director: Peter Weir

Studio: The Australian Film Commission

Available: DVD (Criterion Collection), Blu-ray (Region B/2), Amazon Instant Video, YouTube

picnic-5

This is a 2014 pic of Anne-Louise Lambert, who played Miranda in the film, sitting at the location of where the movie was filmed.