Category Archives: Action/Adventure

The Delta Force (1986)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Elite operation rescues crew.

Based on the real-life hijacking of TWA flight 847, which occurred on June 14, 1985, the story centers on a Boeing 707, which gets hijacked by a terrorist group lead by Abdul (Robert Forster).  The terrorists take over the plane and force it to fly to Beirut, Lebanon where they then separate the Jewish passengers and those that were in the Marines from the others. These hostages are then transported to a prison cell in Beirut while twelve other terrorists come on board. Major Scott McCoy (Chuck Norris) and Colonel Nick Alexander (Lee Marvin) head the Delta Force team assigned to rescue the remaining passengers on board while killing off the terrorists.

The film was directed by Menahem  Golan who headed the Cannon Production Company which was notorious for producing a lot of cheap, cheesy, grade-B action flicks during the ‘80s and initially I was fearing the worst although this one is surprisingly tolerable and adequately funded. The opening scenes inside the plane prove to be moderately intense with Hanna Schygulla a stand-out as the brave stewardess.

The second act though veers off in too many directions with the hostages essentially becoming forgotten as it then focuses more on the elite squad of soldiers, which dilutes the narrative too much. Eventually they’re just too many characters to keep track of and too many scenarios that occur outside of the airplane until it becomes confusing and overreaching. A good film should stick to only a few main characters that the viewer can connect with and keeping them in the majority of the scenes, but this thing takes on more than it can chew making the viewer feel detached from what is going on the more it progresses.

The third act gets filled with a lot of over-the-top actions segments that looks like it was taken straight out of a comic book and diminishes the realism that had come before it. Norris shows no screen presence at all and only comes alive when he is doing an action stunt while Marvin, who was much older and not in the best of health during the production, shows much more onscreen energy. It almost seemed like it would’ve been better had Norris not been in it at all especially with the way the film tries to portray him as being this mystical, super human figure that borders on being corny.

The music is geared for an American propaganda film and the film’s mindset is that the US is always the good guy in no matter what foreign mission or policy it takes on. It also conveys the idea that might equals right while the proportion of terrorists who are killed, which is essentially all of them, compared to only one American soldier seemed way off-kilter.

Forster gives an outstanding performance as the villain as he literally disappears into role while conveying a foreign accent that seemed so genuine I almost thought his voice had been dubbed. The terrorists are portrayed as being just as nervous as the hostages if not more so, while at certain random moments showing a surprisingly human side, which is well done, but unfortunately everything else here is formulaic and fraught with too much of an emotional appeal.

My Rating: 3 out of 10

Released: February 14, 1986

Runtime: 2Hours 9Minutes

Rated R

Director: Menahem Golan

Studio: Cannon Film Distributors

Available: DVD, Amazon Video, YouTube

“Crocodile” Dundee II (1988)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Now that’s a knife.

Mick (Paul Hogan) and Sue (Linda Kozlowski) having been living together in her New York apartment for a year since their last adventures from the first film. Sue’s ex-husband Bob (Dennis Boutsikaris) is working for drug enforcement in South America. He witnesses and photographs the murder of a rival drug cartel leader at the hands of Luis Rico (Hechter Ubarry) and his men. Once Bob realizes that he’s been spotted he runs for cover to his hotel, but the men chase after him and kill him, but not before he sends the film negatives of the killing to Sue. The drug gang then kidnaps Sue in order to get their hands on the negative and it’s up to Mick to find a way to free her while also single-handedly fighting off the gang.

This sequel manages to avoid the missteps of so many others by wisely not trying to replay what we saw in the first installment, but instead taking it into a new direction and therefore allowing the theme and characters to progress. To some degree the plot does come off like an episode of ‘Miami Vice’ and the villains are also incredibly dull and generic. Do we really need bad guy Luis explaining to Sue why he got into the drug dealing business, because of the ‘money’ and ‘power’, as if there would be any other reason?

Having her ex-husband, someone who was never seen at all in the first film, act as a catalyst is problematic too. It seems like one’s ex-spouse; especially someone he hasn’t spoken to in years would be the last person to send crucial photographs to. He works for the DEA, so why not send it to them?

However, even with these issues I still kind of liked seeing Mick forced into action. The first film consisted mainly of him bragging about his exploits, but here we get to see first-hand some of his actual survival skills. It also puts to test his easygoing personality and we see if he can remain amazingly low-key and likable in situations that most other people couldn’t.

Unfortunately unlike in the first flick the comedy does not come from Hogan’s character, but instead from others around him that witness his exploits. Outside of an amusing segment that comes early on in the film where Mick tries to talk a man out of jumping off a ledge his character is portrayed in a darker more intense way although not enough to erase his ever going charm.

Kozlowski, who ended up marrying Hogan in real-life 2 years after this film was released, is stuck in a thankless supporting role where she doesn’t have much to do. The film poster portrays the idea that the two fight the bad guys side-by-side, but in reality Hogan does most of it while Linda simply tags along and observes. The real scene stealer is John Meillon whose last theatrical film this was. He was in the first one, but his presence there didn’t amount to much, but here his character, working in tandem with Mick, is an integral part of sending the drug gang on a wild goose chase.

The scenes shot in Australia are gorgeous and in fact the spot where the drug gang campout is the same place where Picnic at Hanging Rock was filmed. Charles S. Dutton who plays a man by name of Leroy Brown and pretends to be a drug dealer even though he really isn’t is quite amusing too and overall the film is a mildly entertaining way to spend two hours.

Spoiler Alert!

My only problem is in regards to Leonard Maltin’s review of it where he states that he felt the film was too leisurely paced and wished they’d “get on with it especially when all suspense about the outcome is eliminated”, but after watching it this makes no sense. The bad guys are not fully defeated until the very, very end in fact it quickly cuts to the credits once they are. There’s even some concern that Mick may have accidently been killed, which also occurs at the very end, so it seems that Maltin, who I generally like as a critic, either didn’t really watch the movie, or the whole thing, and therefore has no idea what he’s actually talking about.

My Rating: 6 out of 10

Released: May 20, 1988

Runtime: 1Hour 52Minutes

Rated PG

Director: John Cornell

Studio: Paramount

Available: DVD, Amazon Video, YouTube

The Deep (1977)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Couple finds sunken treasure.

David (Nick Nolte) and Gail (Jacqueline Bisset) are a couple scuba diving off the Bermuda coast when they come upon a shipwreck and some artifacts left from it. They meet with treasure hunter Romer (Robert Shaw) who tells them it is a part of a Spanish treasure and works with them to try to unearth the rest of it. Problems arise when a shipwreck from World War II, the Goliath that had carried a cargo of medicinal morphine rests right next to it. To get at the Spanish shipwreck they must also go through the Goliath. Cloche (Louis Gossett Jr.), a local drug kingpin, wants to get his hands on the morphine, which could be worth a tidy sum of money and he tries to scare away Romer and the couple from continuing their diving activities, so Romer makes a deal with Cloche, but it backfires and turns the expedition into an intriguing game of underwater double-cross.

The film is based on the novel of the same name by Peter Benchley, who because of the success of his first novel Jaws, was given an almost immediate green light to turn this book into a movie. The inspiration for the story was based on the real-life shipwreck of the Constellation, which occurred off the coast of Bermuda in 1942. Great effort was put into the underwater footage, which lasted for 153 days and consisted of 8,895 dives.

Unfortunately despite the title and underwater storyline the film lacks depth where it counts, which is with the characters. The movie starts out immediately with the couple scuba diving and finding the treasure before we have any idea who these people are or why they are even there and no suitable backstory is ever given, which makes them come off as bland people lacking any real distinction and that you care little about. Character development is still an integral part of moviemaking and the main ingredient that gets the viewer hooked into a story and yet this film completely lacks it.

I’ll give credit to both Nolte and Bisset for doing their own diving and Nolte looks great with his bleach blonde hair almost like he’s a surfer dude, but his presence really wasn’t needed. Bisset, despite the extreme limitations of the weak script, still gives a far better performance and I felt she could’ve easily carried the film without him and I’m not just saying that because she looks great in her skimpy underwater gear, which was purportedly the whole reason why this film did well at the box office. Sure she’s beautiful, but she’s also quite talented.

Shaw should’ve added an extra boost in support, but he doesn’t. Normally his strong personality literally eats up the screen in any movie that he is in, but he’s stifled by the benign characterization and unable to rise above it. In retrospect he should’ve never have accepted the part until he had actually read the script, but because he was offered $625,000 plus a percentage of the profits, he took the role before the script was even written and hence the whole problem.

Gossett is weak as the bad guy and is not seen enough to create any genuine feeling of menace. The segment where he and his cronies try to ‘terrorize’ Bisset by performing some very clichéd type of black magic voodoo on her is almost laughable. The only actor that is actually good here is Eli Wallach and it is a testament to his superior thespian abilities that even though he was straddled with a pointless, bit role he was still able to own every scene that he is in anyways.

The film’s only interesting moment, which apparently took 1,080 hours to shoot, is when a pack of grey sharks converge for an eating frenzy and get tangled up in the air hoses of the crew, but even this becomes unintentionally funny because every time one of the sharks move an air hose the crew is forced to suddenly jump up in the water making them look quite literally like a puppet on a string.

The script desperately needed some added element as the concept is too basic and one-dimensional.  Watching one dull group of people trying to get at a treasure while another equally dull group of people try to stop them does not make for a riveting cinematic experience.

My Rating: 3 out of 10

Released: June 17, 1977

Runtime: 2Hours 4Minutes

Rated PG

Director: Peter Yates

Studio: Columbia Pictures

Available: DVD, Blu-ray, Amazon Video, YouTube

Mr. Majestyk (1974)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Don’t touch his watermelons!

Vince Majestyk (Charles Bronson) is a Colorado watermelon farmer who gets into a conflict with Bobby (Paul Koslo) who wants to force Vince to use unskilled drunks to harvest his crop instead of migrant workers. When Vince successfully forces Bobby and his crew off of his property Bobby then goes to the police with assault charges, which lands Vince in jail. It is there that he comes into contact with Frank Renda (Al Lettieri) a notorious hit man. While the two are being transferred by bus to another prison Renda’s men attack it in a shootout, but when the driver is killed Vince takes control of the bus and drives it off into the Colorado wilderness. There he holds Renda hostage while trying to broker a deal with the police where he’ll ‘trade’ Renda for his freedom, but things don’t go quite as planned.

Many people don’t realize that during the ‘70s Bronson did quite a few offbeat films with St. Ives and From Noon Till Three being his two biggest, but this one comes in as an honorable mention. I’ve watched a lot of movies in my lifetime and can usually guess where they’re going, but this one kept me genuinely intrigued most of the way. The script is enlivened with its vivid on-location shooting done mostly in La Junta, Colorado, which includes a well-staged shootout done in the center of town as well as a car chase that takes advantage of an area with scenic rock formations.

The biggest surprise though is Bronson. Sometimes he comes off as stiff and wooden, but here he’s engaging and even reveals a playful side. His character also makes a few miscalculations, which helps him seem more human as opposed to the standard rugged good guy who is always able to think-on-his-feet and constantly able to achieve miraculous split-second decisions.

I was disappointed though with Al Lettieri. He was so effectively nasty in The Getaway that I didn’t think it could be topped or even attempted and yet just two years after that one he again gets cast in virtually the same type of role making it seem like typecasting to the extreme. I was hoping that he would expose a softer side to his persona at some unexpected moment, but it never occurs and he just proceeds to being one mean, angry s.o.b. which quickly becomes boring and one-dimensional.

Lee Purcell though is terrific as his girlfriend. She had played only rural, country girl types before this, so it was great seeing her portray someone more sophisticated and despite her young age, only 26 at the time, she shows great composure alongside her much older male co-stars. Her cool, collected manner makes for an intriguing contrast to Lettieri’s hyper one and should’ve been explored more.

Linda Cristal as Bronson’s love interest is less impressive. Playing a feisty Hispanic woman comes off almost like a cliché and their relationship is forced. She does come in handy as the getaway driver, which I feel is the only reason her character was put into the story to begin with.

Despite the unpredictable touches the beginning is quite contrived, which includes an opening title sequence better suited for a TV-show. The script was written by Elmore Leonard, which made it disappointing as I was expecting there to be some sort of subtext to it, but in the end it’s rather run-of-the-mill with the offbeat elements not enough to make it anything more than a transparent diversion.

My Rating: 6 out of 10

Released: July 12, 1974

Runtime: 1Hour 43Minutes

Rated PG

Director: Richard Fleischer

Studio: United Artists

Available: DVD, Blu-ray, Amazon Video

The Eagle Has Landed (1976)

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Plotting to kidnap Churchill.

During World War II Nazi Colonel Radl (Robert Duvall) is hired to study the feasibility of kidnapping British Prime Minister Winston Churchill and bringing him back to Germany. At first he considers it an impossible task, but then learns that Churchill is set to visit an airfield in an English village where one of their German sleeper agents resides. He then hires paratrooper Kurt Steiner (Michael Caine) to lead the mission inside the village, but the plan quickly unravels forcing the soldiers to make a daring escape before the allied troops arrive.

This marks the final film directed by John Sturges who was noted for helming his share of action flicks and westerns. The film’s handsome production offers plush scenery, on-location shooting and some wonderful bird’s-eye-views. One could enjoy the movie on this level alone as well as its ability to focus more the actual planning of the mission than the fighting. It has a sort of behind-the-scenes approach to all of the thought and effort that goes into the strategy of war as opposed to the physical on the ground aspect. The film also takes a surprisingly humanistic approach to the Nazis portraying them more as regular human beings who just so happen to be fighting on the wrong side as opposed to the robotic, demonic persona that they’re given in most other war films.

The film’s faults lies in that it’s too leisurely paced. The planning stage allows for some interesting insight, but could’ve been trimmed while the action is sudden and jarring and only popping up near the end when it should’ve been introduced earlier. There is never any real danger to Churhill as the plan goes awry long before he arrives. Since the whole thing was fictional anyways then why not have the soldiers surround whatever building Churchill was in and thus making it seem at least that he might really get captured before having their plan unravel. The way it gets done here the viewer’s energy is strangely geared at seeing the bad guys escape capture, which is off-putting as is the gimmicky ending that makes everything that is shown previously seem insignificant.

The cast is impressive, but mostly underused. Duvall, who speaks with a dubious German accent, takes up most of the screen-time during the first half and then pretty much disappears altogether during the second part. Caine, who doesn’t speak with a German accent, or at least any that is detectable, seems stiff and uncomfortable in an uninteresting role that does not take advantage of his talents. Apparently he was originally offered the role of Liam Devlin who was a member of the IRA, but Caine refused it due to his personal political beliefs and was thus given the Steiner role on the rebound.

Larry Hagman, mostly known for his TV work, gets an amusingly showy bit as the inept Colonel Potts who tries to lead the US Army Rangers on a mission to rescue the village’s town folk who are held hostage by the soldiers. While the part takes full advantage of Hagman’s comic ability to play a hyper, emotionally frazzled character it seems out of place in this type of movie and almost turns the film dangerously close to becoming an ill-advised comedy.

Donald Sutherland ends up becoming the scene stealer as Liam Devlin who with his hair dyed red really looks Irish and speaks with an authentic sounding Irish accent. The character also has an unusual ability to whistle and then move his finger in a way that subdues an aggressive dog by seemingly putting it under a sort-of hypnotic spell. Whether anyone could really do this, or is there is some truth in what the character does here I don’t know, but it would be interesting to find out.

My Rating: 7 out of 10

Release: December 25, 1976

Runtime: 2Hours 3Minutes

Rated PG

Director: John Sturges

Studio: Columbia Pictures

Available: DVD, Blu-ray, Amazon Video, YouTube

Death Wish 4: The Crackdown (1987)

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Vigilante battles drug dealers.

Paul Kersey (Charles Bronson) is now living in L.A. and in a relationship with Karen (Kay Lenz) who has a teen daughter Erica (Dana Barron). Erica wants to become an architect like Paul and interns at his office, but she is also dating a boyfriend (Jesse Dabson) who is into drugs. His friendship with a drug dealer gets Erica to experiment with crack cocaine, which ends up killing her. In a rage Paul returns to his vigilante ways by killing the dealer, which then gets the attention of billionaire Nathan White (John P. Ryan) whose own daughter also died from a drug overdose. He recruits Paul into tracking down the biggest dealers in L.A. and killing them, but Paul eventually realizes that Nathan has ulterior motives.

This was the first film in the series not to be directed by Michael Winner and instead the duties were handed over to J. Lee Thompson who had worked with Bronson on several other projects previously. The script by Gail Morgan Hickman tries to take the vigilante theme in a new direction and starts out with a diverting dream sequence in which Paul sees himself as one of the victims that he shoots, which brought up a potentially intriguing subplot involving the psychological pressures one must assuredly develop when they’re constantly killing people even if it’s for ‘justice’, but the film then never goes back to it, which was disappointing.

The overall scenario, which transports Paul from dealing with ordinary street gangs to sophisticated crime families, does not work and fails to give the already tired series a new breath of life. It no longer even resembles a vigilant theme at all, but instead becomes more like an episode of ‘Miami Vice’ but without the trendy attire.

Paul is no longer just an ordinary guy with a gun either, but instead has become a sort-of James Bond incarnate who uses with all sorts of elaborate weaponry and gadgets better made for a seasoned CIA agent. He’s also able to get himself out of just about any nerve-wracking jam like when he miraculously fights off over 20 men in warehouse who are shooting at him, or magically getting himself out of a car that he is driving just seconds before it’s riddled with bullets.

Bronson looks more like he’s 45 instead of 67 and matching him up with a young girlfriend makes him appear more virile, but you know right from the start that it’s only a matter of time before she ends up dying violently. It starts to seem like Paul Kersey is a walking, talking curse as anyone who befriends him turns up dead or like the cinematic version of Jessica Fletcher.

I kept wondering when it would all start catching up with him. How can he continue to work a regular job while still spending so much time tracking down the bad guys? When does he sleep? And exactly how many people does he have to kill before the police eventually nab him, or quit allowing him to walk away from it without consequence?

Unlike the first three films this one fails to elicit any type of message or statement. It seems simply intent at being a profit making venture to cash in on those who like mindless shootouts and car explosions and nothing more.

My Rating: 1 out of 10

Released: November 6, 1987

Runtime: 1Hour 39Minutes

Rated R

Director: J. Lee Thompson

Studio: Cannon Film Distributors

Available: DVD, Blu-ray, Amazon Video, YouTube

Death Wish II (1982)

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Architect becomes vigilante again.

Paul Kersey (Charles Bronson) has recovered from his traumatic loss of his family from 8 years earlier and is now living in L.A. where he continues his work as a successful architect. One day while taking his new girlfriend Geri (Jill Ireland) and cationic daughter Carol (Robin Sherwood) to a fairground he gets robbed of his wallet by a gang of 5 thugs (Thomas F. Duffy, E. Lamont Johnson, Kevin Major Howard, Laurence Fishburne, Stuart K. Robinson). They use the address on Paul’s driver license to find his home and invade it while he is away. There they rape and kill his maid (Silvana Gallardo) and then when Paul returns they knock him out while kidnapping his daughter who they take back to their ‘hideout’. While there they attempt to gang rape her and in her effort to escape she’s impaled on a fence and dies. This sets in motion for Paul to return as a vigilante this time prowling the underground neighborhoods of L.A. where he’s motivated to shoot each of the 5 gang members who participated in the crime.

The film is less like a sequel and more just a slight variation from the original. Having to go through yet another home invasion/rape sequence, which is almost shot-for-shot the exact same as in the first installment (if even more exploitive) is mechanical to the extreme and an insult to the viewer. It’s like a TV-station promising their audience a new episode of their favorite series only to end up showing them a rerun instead. The story should’ve evolved more perhaps having Paul now becoming a ‘professional vigilante’ and being hired by people to track down the killers of their loved ones or at least something that would’ve taken the theme in a slightly different angle.

There continues to be the issue, like in the first film, of why does Chuck constantly get marked by these hoodlums for harassment anyways. For instance at the fairground there’s many other people milling  around and yet for some reason it’s Bronson, this very nondescript middle-aged man, that becomes their target.

The recasting of the daughter role is another problem. In the first film she was played by Kathleen Tolan and portrayed as being an adult married woman. Here though the character has regressed back to being a teenager and looking to be no older than 18 if even that.

To some degree on a sleazy B-level it actually hits-the-spot the soundtrack is done by former Led Zeppelin guitarist Jimmy Page and it is perfect especially the strained, loud electric guitar chords that effectively reflect the film’s dark, grimy mood. Most of the locales were filmed in actual buildings that were abandoned and in crime-ridden areas forcing the cast to require 20 off-duty police guards for protection. There’s even a scene featuring large squealing rats roaming around at the character’s feet as they say their lines.

The fact that Paul hunts down the actual perpetrators of the crime is on an emotional level satisfying, but it also becomes a logistical problem as it’s just not believable that he’d be able to find them all at random times, one-by-one simply by going to the city’s ‘bad areas’. I was also flabbergasted that in a later scene when Paul returns home from shopping and after dealing with his home being invaded now twice by crooks he doesn’t bother to lock the door once he gets inside, which you would think would be the first thing done each and every time!

The one interesting aspect that could’ve helped the film stand-out was the reintroducing of Vincent Gardenia who played the NYC police chief Frank Ochoa who tracked down Kersey in the first film and does the same here, but not to  arrest him, but instead to kill him. This could’ve created more tension had it been played out effectively as Kersey would constantly have to watch his back for an attack while simultaneously attacking the thugs when he came upon them. Unfortunately this side-story dies before it gets going when Ochoa gets kill just as he decides to help Kersey, which in itself could’ve been an intriguing odd couple-like pairing.

The ending  jumps-the-shark by having Kersey disguise himself as a doctor so that he can infiltrate a mental hospital in order to kill the last of the thugs who now resides there. This segment though becomes more like a scene from one those cheap horror movies with an asylum setting and not like an action flick at all.

The credibility gets seriously strained too by having Kersey constantly coming into contact with regular citizens who always conveniently side with him when it is most needed and thus helping him escape the clutches of the authorities. Sure this might happen every once in a while, but eventually he would confront someone who sees things differently, which all helps to make this film too dumb to take seriously, but slick enough to appease those looking for nothing more than simple-minded action.

My Rating: 4 out of 10

Released: February 19, 1982

Runtime: 1Hour 28Minutes

Rated R

Director: Michael Winner

Studio: Filmways

Available: DVD, Blu-ray, Amazon Video, YouTube

Raw Courage (1984)

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Harass the marathon runners.

Three male friends (Ronny Cox, Art Hindle, Tim Maier) decide to challenge themselves by running through a 72-mile span of the New Mexico desert. Along the way they come into contact with a right-wing militia known as The Citizen’s Brigade that is headed by Colonel Crouse (M. Emmet Walsh). Initially the military unit toys with the runners making them a part of their exercise, but when one of the runner’s insults their members things turn ugly and the three friends find themselves running for their lives amidst the harsh terrain and from soldiers better conditioned to handle the elements.

The script, which was written by Ronny Cox and his wife Mary, has such a stupid premise that it’s hard to take any of it seriously. Aren’t there parks or a contained outdoor survival course that the men could take where they could still prove how ‘tough’ they were without throwing themselves into the barren wide-open desert? The men bring along NO FOOD, I repeat NO FOOD is brought along on this 72-mile trek by foot and their water bottles are so puny that they wouldn’t last them 10 miles let alone 70. These suicidal men don’t need a nutty right-wing militia to end their lives as they seem quite capable of doing it just fine all by themselves.

The second-half drags as the runners evade the militia while occasionally coming into contact with them and having very fake looking fights. The militia members are extreme caricatures that border on unintentional camp and Walsh, who has had a great career playing colorful character roles, is not effective as the menacing colonel

The climactic finish in which a large crowd of observers stand at the finish line waiting for the three runners to appear has to be the dumbest part of the movie. Why are all these people so excited to see who wins when they hadn’t seen any part of the race as it was run nor where there when it began? Who’s sponsoring this race and where the participants required to sign a legal waiver before they joined? What kind of a race has no checkpoints that the runners are forced to pass through to make sure that they hadn’t cheated? What’s to say they couldn’t have jumped into a car when no one was looking and drove the whole way and then when they neared the finish line they simply got out of the car and acted like they had run it when they really hadn’t?

Watching the men hobble to the finish looking all beaten down from their self-imposed foray into the harsh desert didn’t seem ‘courageous’ at all, but instead incredibly moronic. A better title for this film would be RAW INSANITY.

Alternate Title: Courage

My Rating: 1 out of 10

Released: August 4, 1984

Runtime: 1Hour 30Minutes

Rated R

Director: Robert L. Rosen

Studio: Adams Apple Film Company

Available: VHS

Blue Thunder (1983)

By Richard Winters

My Rating: 7 out of 10

4-Word Review: A technologically advanced helicopter.

Frank Murphy (Roy Scheider) is a LAPD officer still suffering from flashbacks from his time in Vietnam while working now as part of the air patrol division where he mans a helicopter at night and gives assistance to the cops on the ground.  Due to his expertise he is given the chance to helm the first advanced helicopter called Blue Thunder, which has abilities to fight crime like no other machine before it. As he tests out the new product with his partner Richard (Daniel Stern) he overhears a conversation, through using the machines built-in microphones that can pick up voices from inside buildings, talking about using Blue Thunder for nefarious means. Frank records the conversation and then gets hounded by the bad guys who are led by his lifelong rival from his army days F.E. Cochrane (Malcolm McDowell). To escape their clutches Frank boards the helicopter and flies all over the city of L.A. while waiting for his wife Kate (Candy Clark) to get the incriminating tape to a TV-station where it will be broadcast for the public to hear, but Cochrane, who is an expert pilot as well, gets into another helicopter and tries to shoot Blue Thunder down.

The script was written by the prolific Dan O’Bannon who also wrote the scripts for Alien and Total Recall. He got the idea for this one while living in L.A. and constantly having a police helicopters routinely fly over his neighborhood at night. The original script was darker in tone and portrayed Frank as a psychotic who steals the helicopter and terrorizes the city until he is finally shot down, but that idea got nixed and like with most big-budgeted Hollywood projects got toned down to help appeal to a wider audience.

Personally I would’ve found the original idea more interesting as it also contained political overtones that get completely washed over here. The story here is pretty generic with one-dimensional villains and situations simply thrown in to create cheap conflict and nothing more.

What impressed me though was the modern visual style and effects. It hardly seems like a mid-80s movie at all let alone one that was actually filmed in late ’79 and early ’80. The overriding sentiment has a trendy feel and the cinematography is vivid and colorful. The helicopter action is the film’s biggest selling point and no matter how dippy the story gets the exciting aerial footage more than makes up for it. I loved the way director John Badham captures all sides of Los Angeles from its glitzy skyline to its more grimy and rundown working class areas. It’s also nice to have a REAL helicopter REALLY flying in the air over the city instead of computer generated effects, which makes many of today’s movies look fake and cheapens them while still keeping many of the ‘80s action flicks superior.

Scheider has never been a leading man that I’ve found particularly impressive as his presence seems transparent. However here his laid-back demeanor nicely contrasts with McDowell’s hyper one and makes the bad guy seem even more vindictive. Stern is engaging as Scheider’s partner and it’s too bad this wasn’t made into a buddy movie with Stern’s character staying on for the whole time. Clark is also enjoyable particularly with the wild look that she elicits with her eyes and the car chase that she has with the cops in an abandoned lot of a drive-In theater.

This also sadly marks Warren Oates last project. It was filmed in 1980 and he did a few other films after this one, but this was released last. Oates is one of the most distinctive character actors to ever grace the screen and even in a bland supporting role like the one here he still finds a way to enliven it.

My Rating: 7 out of 10

Released: May 13, 1983

Runtime: 1 Hour 49 Minutes

Rated R

Director: John Badham

Studio: Columbia Pictures

Available: DVD, Blu-ray, Amazon Video

Malone (1987)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Hit-man saves town.

Richard Malone (Burt Reynolds) is a former CIA hit-man who decides that he’s had enough of the dirty business and wants to retire. He uses his savings to leave the profession and travel the countryside. On the way his car breaks down and he’s forced to push the vehicle to the nearest small town service station, which is run by Paul (Scott Wilson). Since the parts to repair the transmission will take several days to arrive he stays at the place and befriends Paul’s teen-age daughter Jo (Cynthia Gibb). He also becomes aware of a plot by billionaire Charles Delaney (Cliff Robertson) to buy up the town and force everyone to sell and if they don’t they end up dying. Despite his initial reluctance Malone ends up getting involved in the dispute and becomes Delaney’s number one target in the process.

The movie is based on the novel ‘Shotgun’ by William P. Wingate, which in turn was modeled after the formula from the western Shane. It reminded me more of High Noon particularly the way Malone single-handedly takes on not only Malone, but all of his cohorts during a gun battle at the end, but without that film’s strong emotional impact. The story and characters are highly uninspired and this thing is aimed towards those that like their action flicks on a very simple and predictable level.

Reynold’s presence is the only interesting ingredient. This was during the downside period of his career where he was desperately trying to get back to the tough guy action roles that had made him famous. However, during the 70’s his action guy persona worked more in the humorous vein where his character would always approach the situation with a twinkle in his eye and funny side-quip, but here he’s all stiff and serious. To a degree this proves he’s a good actor in that he can play either type of role effectively, but the funny-Burt is far more entertaining than the serious one. Either way it’s doubtful that this middle-ager would’ve been able to run so vigorously and climb onto the rooftop of buildings as he does when he gets onto Delaney’s estate and I’m pretty sure a stunt double was used since we only see him doing this from a distance.

An element of the film that audiences today may take issue with is his relationship with the teen girl who starts to admire him to an emotional extreme. Clearly she represents the Brandon deWilde role from the Shane film, but the fact that she is underage and starts to have a romantic interest in the 50-year-old and he in her and even kisses him on the mouth may make certain viewers uncomfortable.

As for the villain he is as dull and transparent of a caricature as it gets and Robertson plays him very poorly by conveying no menace on the screen and creating zero tension. It would’ve worked better had Kenneth McMillan, who plays the sleazy sheriff would’ve been cast in the Delaney part as he’s an actor with genuine panache and owns whatever scene he’s in no matter how big or small the role.

The ironic thing about this otherwise mindless excursion is it’s all about this far-right nutty guy who wants to take over the government to ‘save the country’ and even requires all his followers to say a corny patriotic-like pledge and yet it wasn’t even filmed in the US, but instead British Columbia, Canada. Even more frighteningly is that given today’s political climate it doesn’t seem quite as farfetched and over-the-top as it once did.

My Rating: 3 out of 10

Released: May 1, 1987

Runtime: 1 Hour 32 Minutes

Rated R

Director: Harley Cokeless

Studio: Orion Pictures

Available: DVD, Blu-ray, Amazon Video