Category Archives: College Life

If You Could See What I Hear (1982)

Posted on May 11, 2024 | Leave a comment

ifyou

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Blind man finds love.

Tom (Marc Singer) is a young man attending college who also happens to be blind due to being a premature baby and put into an incubator that had too much oxygen. He meets up with Sly (R.H. Thompson) and the two become fast friends and eventual roommates. Both go on the prowl for women with Tom having the better luck as he soon gets into a relationship with a black woman named Heather (Shari Belafonte) though when he proposes marriage she bails. He then has flings with many other women that he meets at a bar where he works at, but when he meets Patti (Sarah Torgov) he begins to fall in-love despite their differences as she’s a staunch catholic while he’s an atheist.

The story is based on the early life of Tom Sullivan who became a famous songwriter and singer during the 70’s, he even sang the National Anthem at Superbowl X, as well as gust starring in several popular TV-shows of that era though today probably not that many people would know who he is. Marc Singer, best known for having starred in The Beastmaster as well as the 80’s TV-miniseries ‘V’, is also a casualty of that period and not real well known outside of those who lived through the decade. Why Singer was even cast I’m not sure as Sullivan clearly had acting experience and I would’ve thought he could’ve played himself and it might’ve been a better movie had he done it.

Story-wise it comes-off as comical vignettes spliced together and hardly seems believable, or at the very least highly exaggerated. Sullivan is given too much of a bigger-than-life vibe as where ever he goes everyone immediately gravitates to him and he becomes the life-of-the-party.  When he does seem to get into trouble he’s able to easily get out of it in circumstances that others wouldn’t. For instance he gets stopped by the police for driving a car without a license or vision, something that would get anyone else a ticket, fine, and arrest especially when his car does end up causing damage, but here the cops just shake their heads in a bemusement and walk away. He also jumps off a boat in the middle of a deep lake without a life jacket and unable to spot the life line that gets thrown to him and yet miraculously he gets out of this pickle just fine too. He’s even able to play golf against opponents with vision and beat them at their own game even catching them when they try to cheat. It’s like the guy can never lose.

The romantic/sex angle gets handled in an equally glossy way. He has a Fonzi-like quality with hot women clinging to him like he’s a magnet. Bimbo blondes and other babes prance in an out of his rented bedroom on an almost nightly basis to the point I was stunned when one of them refuses to go up to his room. This is only because she was ‘catholic’, but then after awhile she ends up doing it with him anyways with the brief delay being caused by her ‘morality’. It’s like his handicap is never a factor and in some ways almost an asset.  Some may argue this is a good thing as it shows a blind person can still live a normal life, but I don’t think there’s anything ‘normal’ here as even a good-looking sighted man isn’t able to score as frequently and consistently as this guy.

Spoiler Alert!

I have nothing against cute. Sometimes a cutesy moment or two in a movie is a good thing and can help bring in a lighthearted mood, but when it gets done constantly throughout it becomes like eating an entire carton of ice cream, which may be good for awhile, but will eventually make you puke. Even when it does finally get serious, which doesn’t occur until 90-minutes in, when he tries to save a young girl whose fallen into a backyard pool, it gets botched. Supposedly this is based on Sullivan’s true-life incident where he saved his own daughter from drowning, but I have a strong feeling the logistics were changed from the real one as here we see the girl floating lifelessly for several minutes making it look like her lungs were filled with water and beyond saving.

Of course there will always be those that may like it. There’s one commenter on IMDb who states she used to watch this over and over back in 1983 when it was on HBO and really loved it though if she went back to it now she might I suspect see it in a more critical way. Siskel and Ebert, who could never agree on anything, both voted it the worst movie of 1982.

My Rating: 2 out of 10

Released: April 23, 1982

Runtime: 1 Hour 43 Minutes

Rated PG

Director: Eric Till

Studio: Citadel Films

Available: DVD-R (dvdlady.com)

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Posted in 80's Movies, College Life, Comedy/Drama, Foreign Films, Movies from Canada, Obscure Movies, Romance

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The Gambler (1974)

Posted on February 29, 2024 | Leave a comment

gambler

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Can’t control his addiction.

Axel (James Caan) is a college professor with a serious gambling addiction. He enjoys making bets on anything and everything whether it’s in a casino, over the phone betting on sports games, or out on the street playing one-on-one hoops with the neighborhood kids. No matter how much he loses he can’t stop from continuing the same pattern. When he owes $44,000 to the mob and they come looking for him and threatening his life he’s forced to ask his mother (Jacqueline Brookes) for the money and despite her disapproval she gives it to him out of her life savings, but then instead of paying off his debt he just uses it to gamble some more.

The screenplay was inspired by writer James Toback’s own life experiences and was initially written as a semi-autobiographical book before he decided to turn it into a script. The film is intriguing to a degree as gambling addiction is not anything that I’ve ever fully understood, so trying to fathom why some people would put up such huge sums of money to make a bet that they know they have a very good chance of losing, and even if they do lose will still continue to go on making bets anyways is baffling to me. Toback makes good efforts to try to explain the psych of a gambler’s mindset, which mainly gets revealed through Axel’s lectures to his class and at one point during a conversation with his bookie (Paul Sorvino) where he admits he could beat him with safe bets in competitions he was sure to win, but that this wouldn’t give him the same adrenaline rush, or ‘juice’, that placing a more riskier bet would.

Even with these explanations it still becomes gut wrenching watching him spiral out-on-control and dig himself deeper and deeper in a hole until you feel almost like turning away as it becomes genuinely painful, and frustrating, at seeing someone self-destruct the way this guy does. There are some very powerful moments including the scenes where the mother begrudgingly takes her money out of the bank to help him for fear he may lose his life if she doesn’t and her pained expression on her face as she does it really gets etched in your mind. Axel sitting in a bathtub listening to the final moments of a basketball game that he’s also bet big money on where the final score doesn’t go the way he wanted is also quite compelling.

The acting is strong with Caan giving a great performance that Toback originally wanted to go to DeNiro, who campaigned heavily for it, but director Karel Reisz choose Caan instead, only for Caan to state in later interviews that he hated working with him. Comedian London Lee, wearing an incredibly garish bowl haircut, is good in a very sleazy sort of way and Burt Young has a dynamic bit as an enforcer who tears up a lady’s apartment when her boyfriend is unable to repay what he owes. James Woods can be seen in a small role as a flippant bank teller though overall I still felt it was Brookes who steals it as the concerned mother and I was surprised she was not in it more nor that she didn’t get an Academy Award nomination as she really should’ve.

Despite a few powerful moments the pace is slow and there’s a lot of periods where it gets boring and nothing much happens. A lot of the blame goes to the fact that the main character has very little of an arch. He starts out already with the addiction gripping him and we can see what a problem it’s causing and the rest of the movie just continues to hit home this same point until it becomes redundant. It would’ve been better to have seen him before he had gotten into the whole gambling fix took over his life and personality, which would’ve created a far more interesting and insightful transition.

My Rating: 5 out of 10

Released: October 2, 1974

Runtime: 1 Hour 51 Minutes

Rated R

Director: Karel Reisz

Studio: Paramount

Available: DVD, Amazon Video

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Posted in 70's Movies, College Life, Drama, Movies that take place in the Big Apple

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Terror at Red Wolf Inn (1972)

Posted on October 14, 2023 | Leave a comment

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: An appetite for humans.

Regina (Linda Gillen) is a shy college student living in a dorm by herself who doesn’t have enough money to go to Spring break with the rest of her friends, so she’s forced to stay on the campus all alone while the others go. Then she receives a letter telling her that she’s won a free trip to a bed and breakfast resort called the Red Wolf Inn. She’s offered a private plane ride to get there and once she arrives she’s greeted by a kindly elderly couple (Arthur Space, Mary Jackson) who own the place and two other women, Pamela (Janet Wood) and Edwina (Margaret Avery), who are also staying there, as well as the couple’s adult grandson Baby John (John Neilson). While things start out well Regina soon grows uncomfortable and convinced that the couple has ulterior motives. When both Pamela and Edwina disappear Regina fears she’ll be next, but her efforts to escape are thwarted trapping her in the home to become the next meal item unless she can convince Baby John, who has fallen for her, to help her find a way out.

This very odd piece of 70’s horror that seems to want to combine a grisly theme with offbeat humor definitely has a few keen moments. My favorite was the way Regina finds out that she’s ‘won something’ and excitedly shouts it out to her otherwise empty dorm building. Some may consider this exaggerated as most people today would be highly cynical of such a letter, but back in the 70’s, (and I was around then), the teens were more trusting and had a propensity to be experimental and act as if life was just one big adventure, so in that respect the movie gets it right and this became for me one of the funnier moments The only caveat is how did the couple find out about Regina to send her the letter? Why was she chosen and how often and how many of these letters did they mail and how many of them got answered, which never gets addressed, but should’ve.

On the horror end its not very scarry and only borderline creepy. There is a dream sequence that had the potential of being cool, but doesn’t go on long enough. Regina’s attempt at escape I did like, but it does leave open plenty of loopholes like why was a motorboat, that wasn’t tied to any dock, conveniently left out in the bay for her to swim to? Initially I though it was an intended trap and she’d get into it and see dead bodies lying there, but that’s not the case as she uses it to get over to a neighbor’s house, but no ones inside and all the other buildings in the area are eerily empty, but why? The dinner scene in which everyone chomps at their food like pigs could’ve been considered revolting and upsetting had it been confirmed that it was people they were eating, but this wasn’t yet established, so the shock effect is lost.

Some have labeled this as a comedy-horror and one of the first films to use this sub-genre, but outside of the opening bit there really isn’t anything all that amusing. There are some moments of extreme awkwardness like when Baby John smashes the head of a baby shark repeatedly against a rock while a shocked Regina looks on in horror before he turns to her and confesses how much he loves her, which is darkly humorous in a distorted type of way, but outside of that the chuckles are as infrequent as the scares.

Spoiler Alert!

I did enjoy Mary Jackson’s performance who goes from nice old lady to threatening matron effectively, but the wrap-up leaves much to be desired. Initially it’s sort-of exciting as Regina and Baby John make a daring run for it only to be chased down by the older couple’s dog and then viciously attacked by both the pet and the old man. The film then cuts to show Regina and Baby John back inside the kitchen of the grandparent’s home having supposedly gotten the upper hand, but this is a struggle that needed to be played-out, the film lacks action anyways and this would’ve offered much needed excitement and tension. Showing the old couple’s decapitated heads inside the freezer had a gory appeal, but then having the old guy look up and wink ruins it and turns the whole movie into one big stupid joke.

Some viewers insist that the 77 minute version, which is what’s available on DVD despite the cover saying it’s 90 minutes, is the edited version with certain scenes of ‘horror’, or other ‘dark’ moments left out and this is based mainly on the fact that IMDb lists the original runtime as 90 minutes and Leonard Maltin’s review book says it’s 98 minutes, but I’m not so sure. As short as the 77 minute runtime is it still came off as draggy. This was also made in an era where implying the violence and gore was considered shocking enough making me believe that the DVD cut is pretty much the whole thing. Even if a longer version may exist it’s doubtful that it would be filled with more carnage as it’s clear that the filmmakers were going for a soft tongue-and-cheek approach making me believe the supposed lost scenes would’ve amounted to being talky bits that wouldn’t have added much.

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Alternate Title: Terror House

My Rating: 4 out of 10

Released: September 27, 1972

Runtime: 1 Hour 17 Minutes

Rated R

Director: Bud Townsend

Studio: Red Wolf Productions

Available: DVD

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Posted in 70's Movies, Black Comedy, College Life, Horror, Low Budget, Movies with a Hotel setting, Offbeat

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Torso (1973)

Posted on October 21, 2022 | Leave a comment

torso2

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Strangler stalks college students.

Jane (Suzy Kendall) is a British student attending college in Italy where a rash of grisly murders amongst the female coeds is keeping everybody on edge. The killer’s modus operandi is a red and black scarf that he uses to strangle his victims. Jane’s friend Dani (Tina Aumont) fears that the maniac may be Stefano (Roberto Bisacco) a young man who’s been harassing her for a date and won’t seem to take ‘no’ for an answer. To get away from the terror Jane and her girlfriends decide to go to a villa in the countryside, but find that the killer strikes again, in their home, and with Jane hobbled with a sprained ankle, she’s unable to get away and must use her creative wits to escape.

Horror director Eli Roth has hailed this as being his favorite giallo and a major influence to his Hostel movies, but in retrospect it doesn’t have all that much to distinguish it. Despite its lurid title the emphasis is more on the mystery featuring a cast of lonely men who seem to lack quality social skills to go out with women and instead long for them from afar while also harboring dark violent sexual fantasies of what they’d like to do to them if they could, making this more than anything a forerunner to what’s become known as incels (involuntary celibate) today.

Director Sergio Martino captures Perugia, Italy and its many old and scary looking buildings nicely. The build-up to the murders where the victims find themselves alone in a dark,desolate area of the city, or in one instance an isolated forest, are some of the film’s best moments and could’ve been played-up more.

The deaths themselves though are uninteresting. The average time for a person to die from strangulation is 3 minutes and up to 7 to 14 seconds before they’ll pass-out, but the victim here falls over dead after the flimsy scarf is put around her neck for only 3-seconds, which all looks quite fake. The female victims never, ever fight back and just stand, or lie still and scream loudly, but do nothing else. Police will usually look for scratches on suspects as a sign that the victim fought for their life and there will be defensive wounds on the victim’s arms and hands too, so for the victims here not to attempt any physical defense looks rather pathetic. Some may say that back in this era it was considered more ‘tasteful’ to have the killing get over with quickly and watching someone try to fight-off the attacker would be prolonging it too much, but I wondered if this was also an attempt to feed-in to the male fantasy where once a man decides to make his move the females are virtually ‘helpless’ and must just passively accept their fate.

The special effects are threadbare as well. The close-ups of the knife cutting into the victim’s body has a lighter tone of skin color than the full-shots of the victim making it quite obvious that the close-ups are that of a mannequin. The scene where a car’s bumper crushes a man’s skull against a wall looks realistic enough, but then a few seconds later it cuts back to a shot of the victim and his skull is perfectly intact with only some blood running out of his nose even though the previous shot made it look like his head had been busted in half.

Spoiler Alert!

The third act in which Suzy Kendall sleeps through the murders of her friends downstairs and then awakens to find herself alone in the house with the killer still present is the only time it actually gets intense. Having her quietly observe him cutting-up her friend’s limbs is genuinely horrifying and watching her try to come-up with creative ways to escape is intriguing, but then having a male doctor swoop-in and fight-off the killer for her was disappointing as this was her story and she needed to be the one to find a way to take down the killer herself.

My Rating: 4 out of 10

Released: January 4, 1973

Runtime: 1 Hour 32 Minutes

Rated R

Director: Sergio Martino

Studio: Interfilm

Available: DVD, Fandor, Tubi

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Posted in 70's Movies, College Life, Cult, Foreign Films, Gay/Lesbian, Horror, Italian Films, Movies with Nudity, Mystery, Slasher/Gore

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Not a Pretty Picture (1976)

Posted on September 12, 2022 | Leave a comment

not

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Reenacting a rape incident.

While Martha Coolidge is known today for having directed such 80’s classics as Valley Girl and Joy of Sex she started her career in the 70’s doing documentaries mainly about high school students. After having done three of those she decided to do one that was more personal and dealt with a real-life incident that occurred to her when she was 16 when she got raped on a date with a college student who was 20. While she went about casting the actress to play her as a teen she was shocked to learn that the actress, Michele Manenti, had a similar experience. The film then weaves between reenactments of the date rape and the situations that lead up to it as well as the aftermath. There’s also interviews with the cast members who talk about the emotions they go through while playing the characters including Jim Carrington, who plays the rapist named Curly, who confesses that he thought women secretly wanted to be raped due to his belief that they fantasize about it.

What I got out of the film and enjoyed the most was looking at the acting process and how the performers used elements of their own experiences to help shape the characters that they play. I was genuinely surprised that only one of the cast members, Amy Wright who has a small role as Cindy, ever went on to do another movie. The two stars, who I felt were both outstanding, never acted in anything at least film or TV wise even though I felt they should’ve had long careers. I realize that the acting profession is a very competitive business and what may seem like the cream-of-the-crop in college may not be able to rise to the top in the real-world, but it still seemed sad that they weren’t able to do more, or at least more in front of the camera. It’s also surprising how non-dated this is. The conversations they have both about dating and acting is something that could’ve easily been shot today and just as topical. If it weren’t for them openly smoking indoors in a public setting, which is a major no-no now, you would never have known this was done in the 70’s.

While the conversations that Coolidge has with the cast proves to be insightful the reenactments aren’t as compelling. The scene involving the conversations that the four friends have inside a car has some interesting points, but it goes on too long and gets static. The aftermath where Martha is ridiculed by the other girls at her school and called a ‘whore’ because of the rumors that Curly spreads stating that she was a ‘willing participant’ and the stressful moments she has when she doesn’t get her period and fears she may be pregnant are quite dramatic, but the most important scene, the rape itself, gets botched. All the other recreated scenes where done as if in real-time and with sets that replicated the era, which was 1962, but with the rape it’s staged as a rehearsal with Martha and the other stagehands clearly in view as it occurs and Coolidge constantly stops the action to have them redo the scene several times in order to get it right, but this takes the viewer out of the moment and mutes the emotional impact. In hindsight I think they should’ve done the entire recreation, both the rape and what lead up to it as well as the aftermath, first and then went to the behind-the-scenes footage afterwards instead of inter-cutting it, which may have been novel for the time, but eventually gets off-putting.

The film’s focus was apparently intended to be on Martha and her reactions at seeing her own rape get played-out as the camera keeps panning back to her face as she watches the actors perform it and then at the end she describes her feelings in a emotional way. While I’m sure this was a tough thing for her to do I still felt it would’ve been more encompassing to have it about all the other women, including the actress in this film, that this has happened to and how men in that time period were able to get away with it and never had to be accountable. That to me was more disturbing and the film ends up missing that point, or not hitting-it-home hard enough, and thus isn’t as strong, or ground-breaking as it could’ve been.

My Rating: 5 out of 10

Released: March 31, 1976

Runtime: 1 Hour 23 Minutes

Not Rated

Director: Martha Coolidge

Studio: Coolidge Productions

Available: Vimeo

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Posted in 70's Movies, College Life, Documentaries, Drama, Movies Based on Actual Events, Movies that take place in the Big Apple, Obscure Movies

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Fandango (1985)

Posted on January 18, 2022 | 1 comment

fandango

By Richard Winters

My Rating: 6 out of 10

4-Word Review: The privileges of youth.

Gardner (Kevin Costner), Phil (Judd Nelson), Kenneth (Sam Robards), Dorman (Chuck Bush) and Lester (Brian Cesak) are five college friends from the University of Texas in 1971, who are getting ready to celebrate their impending graduations when Kenneth announces that he’s been drafted into the Vietnam War and Gardner has too. To help lighten the mood the boys decide to take an impulsive road trip where they travel to unique areas of Texas, including searching for buried treasure in the Rio Grande, sleeping under the stars at the old filming site of Giant, and even taking part in parachute jump near Pecos.

This film is based on a 24-minute film that Kevin Reynolds directed while attending the USC film school. In that movie the boys were all from Baylor University and traveled to Pecos, Texas in order to test the courage of their most frightened member and use the help of eccentric flight instructor Truman Sparks, played by Marvin J. McIntyre, who reprises his role in this one, to teach and train the young man on how to jump from a plane. The student film managed to catch the attention of Steven Spielberg, who was so impressed with it that he offered Reynolds the chance to turn it into a full-length movie. Unfortunately once it was completed Spielberg for whatever reason disliked it and had his name removed from the credits while also refusing to help distribute it forcing the film to suffer a limited engagement though in recent years its cultivated a cult following.

The movie does have many funny moments including the opening bit where Phil’s parents (Stanley Grover, Jane A. Johnston) visit his frat house during one of their raucous parties. The sky diving sequence, which gets copied shot-for-shot from the original is quite engaging as is their attempts to hook their disabled car up to a speeding train. Costner is also very amusing, he had actually auditioned for the student film, but lost out, but when he found out it was going to be remade into a feature film he re-auditioned. I’m so used to seeing him play serious roles that I didn’t realize he had such great comedic timing, but for the most part, he’s the life of the movie.

Where the film fails is that it’s too unfocused. The setting is supposedly 1971, but you’d hardly know it and very little effort is made to give it a feel of that era. Even the opening song sung by Elton John that gets played by over the credits was released 2 years after the events in the movie supposedly took place, so to keep it accurate with the time setting only songs that came out in 1971, or before should’ve been used.

The side-story involving Gardner having dated Kenneth’s fiancee, played by Suzy Amis, seems unneeded and really doesn’t go anywhere. Normally, in most real-life friendships, having a friend date and ultimately marry one’s former girlfriend could be a deal-breaker that would lead to a lot of jealousy and potential anger. I’m sure there’s a minority of friendships where the participants would be mature enough to overcome this issue, like here, though this isn’t interesting, so why bother introducing this wrinkle if its dramatic elements aren’t going to get explored?

The part where it really jumps-the-shark is during the planning of the wedding, which is too full of logic loopholes to be able to buy into even on a whimsical level. It features Gardner and Phil being able to pull off his massive wedding ceremony in the town’s square on very short notice by conning too old guys sitting on a nearby park bench into agreeing to help out, which leads to more people getting involved until the whole town, even the mayor, takes part in a wedding ceremony, and its preparation, of people they don’t even know. If anyone can show me an example in the whole history of the world of when this has ever happened in reality then I’ll take it back, but otherwise I found it ridiculous.

The ending is way too abrupt. The whole reason Phil agreed to go on the parachute jump was for Kenneth and Gardner to agree to not dodge the draft, but whether they withhold their end of the bargain is never shown. Everyone just basically wanders off like they have better things to do, which is how the viewer, despite some fun moments, ends up feeling about the movie, which would’ve had more impact had it chucked the whimsy and had a little more serious drama.

My Rating: 6 out of 10

Released: January 25, 1985

Runtime: 1 Hour 31 Minutes

Rated PG

Director: Kevin Reynolds

Studio: Warner Brothers

Available: DVD, Amazon Video, YouTube

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Posted in 80's Movies, College Life, Cult, Movies that take place in Texas, Road Movies

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Fraternity Vacation (1985)

Posted on January 6, 2022 | 6 comments

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By Richard Winters

My Rating: 0 out of 10

4-Word Review: Guys hit on babe.

A late season blizzard hits central Iowa just as Easter arrives causing two college chums, Larry (Tim Robbins) and Joe (Cameron Dye), to decide they need to get away to a warmer climate. Their socially inept friend Wendell (Stephen Geoffreys) has a cousin with a fully furnished apartment in Palm Springs that is open for them to go to. Wendell’s parents (Max Wright, Julie Payne) even agree to pay for their plane tickets, but there’s one catch: the boys must bring Wendell along and help him get over his awkwardness, so he can finally meet some girls and get laid. Joe and Larry reluctantly agree, but when they get there they find Wendell to be an almost hopeless case while also bumping into two guys: Chas (Leigh McCloskey) and J.C. (Matt McCoy) from a rival fraternity.  Chas is particularly arrogant and bets the two that he can manage to have sex with a hot babe named Ashley (Sheree J. Wilson) before they can, which causes the boys to go on a slew of wild antics to get Ashley’s attention, and hopefully heart, so she’ll agree to go out on a date with Joe and then hopefully afterwards back to her bedroom.

I know I’ve been told by readers of this blog that I’m a ‘tough critic’ and rate these films ‘too harshly’, but the truth is going-in I want to like these movies because who wants to waste 90-minutes of their time watching a dud, but I do have one main rule. If the movie causes me to openly groan, or rub my forehead, which is something I do when I get annoyed, then it’s going to get a low rating and this one had me doing that several times.

The main thing that irritated me was the piss-poor characterizations, which are cliched to the max. The most annoying one is Wendell, played by Geoffreys, who started his acting career doing mainstream films only to by the 90’s devolve into starring-in gay porn flicks under the name of Sam Ritter and then returning to doing mainstream movies by the 2010’s. I felt his nerd vibe was over-the-top. Being geeky and slightly out-of-it is one thing, but this young man is completely oblivious to obvious social cues that anyone with even a minor intelligence would pick-up on making him seem like he must be mentally-ill to be that extremely out-of-touch.

The Ashley character is poorly defined as well. Why is such an incredibly hot woman single, and if so why aren’t a lot of guys hitting on her instead of just these two? Why would an attractive woman undress (performed by body double Roberta Whitewood) by an open window at a busy apartment complex and not fear that it may attract peepers? If she’s an exhibitionist that’s one thing, but the movie plays it like she isn’t, so how could she be so clueless? She also stupidly falls into the boy’s pathetic scheme too easily. I was hoping she’d secretly be clever enough to see through their shenanigans and set them up into a trap of her own, but that doesn’t happen, which is another thing that I hated is that the film lacks any surprises.

Some may like it just to see Robbins in an early role in a film I’m sure he’d like to live down. It’s also fun seeing Amanda Bearse, who’s better known for her later work in the TV-series ‘Married with Children’, and veteran character actor John Vernon as an obnoxious police chief. There’s a few other familiar faces that pop-up here-and-there, but I was shocked at the cameo role Britt Ekland is given where she’s on screen for just a minute playing a waitress at a bar. Usually when famous people are given brief walk-ons they’re at least able to say something clever or funny, but here she just asks the guys for their ID’s and then leaves. It’s a thankless part and I can only presume she must’ve been really desperate for the work to take it.

My Rating: 0 out of 10

Released: April 12, 1985

Runtime: 1 Hour 34 Minutes

Rated R

Director: James Frawley

Studio: New World Pictures

Available: DVD, Blu-ray

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Posted in 80's Movies, Buddy Movies, College Life, Drive-In/T & A, Movies with Nudity

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Girls Nite Out (1982)

Posted on October 8, 2021 | Leave a comment

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By Richard Winters

My Rating: 5 out of 10

4-Word Review: Scavenger hunt turns deadly.

After the DeWitt university basketball team wins the championship the female students go on an all-night scavenger hunt using clues given to them at regular intervals by the DJ at the college radio station, who they listen to via portable radios. During the event many of the participants turn-up dead having been murdered by a killer dressed in a bear costume. No one knows who it is, but many suspect it might have something to do with Dickie Cavanuagh who murdered his girlfriend Patty, the daughter of the school’s security guard Jim (Hal Holbrook), in a jealous rage years earlier and has ever since been locked away in a mental hospital.

The plot is similar to Midnight Madness, but the scavenger hunt in that one was done in a much more vivid way and a had a wider variety of locales while this one occurs in a limited setting making it visually quite boring. Much of the reason for this was because Upsala College gave the producers only one weekend to film forcing them to cram the entire shoot into a 3-day period and causing much of the cast to work 24-hour shifts in order to get it done while Hal Holbrook did his part separately and only interacts with the cast once in a scene where he has a brief exchange with his real-life son David Holbrook, who plays one of the suspects.

Given that it’s actually quite impressive how good the performances are, but everything else, including the poor pacing, is rock bottom. Way too much time gets spent on the set-up including boring scenes at a campus party that aren’t engaging. The actual hunt doesn’t get going until almost 40-minutes in even though it should’ve begun with the hunt right away while nixing the early conversations and characters that add little to the suspense.

The film also suffers from a musical soundtrack made up entirely of bubblegum bands from the 60’s like The Lovin’ Spoonful, The Ohio Express, and 1910 Fruitgum Co., which all had a sound that was by the early 80’s completely out-of-touch and something no self-respecting college kid would be caught listening to. Especially at a college party where the idea is to play recent hits that are trending and not dancing to songs that sound like jingles from a commercial. Personally I like The Lovin’ Spoonful, but their style was dated by that time, so it seemed weird that was the only band that the college radio station ever played, which would’ve had none of the students listening to them if that was all they were going to hear.

Things do pick-up once the murders get going. Some critics complained that the killings are unimaginative and are handled in a routine way, which they are, but I did like the killer’s weapon that’s fashioned to look like a bear claw using knives in place of the paws and similar to what Freddy Krueger later used in Nightmare on Elm Street. The identity of the killer is also a surprise, so it scores a few points there, but overall it’s still no better than the hundreds of other slashers that were released around the same time.

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Alternate Title: The Scaremaker

My Rating: 5 out of 10

Released: December 3, 1982

Runtime: 1 Hour 36 Minutes

Rated R

Director: Robert Deubel

Studio: Independent-International Pictures

Available: DVD

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Posted in 80's Movies, Basketball Movies, College Life, Horror, Movies with Nudity, Slasher/Gore

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R.P.M. (1970)

Posted on May 13, 2021 | Leave a comment

R.P.M.

By Richard Winters

My Rating: 4 out of 10′

4-Word Review: Caught in the middle.

Paco Perez (Anthony Quinn) is a college professor given the position of acting university president after a group of students overtake an administration building, which forces the other president out. Paco now has the duty of negotiating with these students in order to meet their requests and have them leave the building, but their list of 12 demands are extreme and Paco cannot agree to all of them. Eventually he accepts 9 of the conditions, but Rossiter (Gary Lockwood) the head of the student movement refuses to budge unless all 12 are met, which continues the standoff until Paco feels he has no other choice but to have the police called in and the students forcibly removed.

For a film with the title of Revolutions Per Minute this is woefully lacking in action. There had already been other films dealing with the campus unrest of the day including The Strawberry Statement and Getting Straight and while neither one of those were perfect they at least had violent confrontations between the protesters and authorities, but this thing is mainly all talk. These students are also the most uninteresting ‘radicals’ that I’ve ever seen and spend most of their time just looking out the window. I would think at their age they’d be partying, doing drugs, drinking, listening to rock music, sex, and maybe even some infighting amongst themselves in between meeting with Paco, but instead it has the atmosphere of a retirement community.

Writer Erich Segal and director Stanley Kramer, who later admitted this was the least favorite of his films and the first to do poorly at the box office, were too old and out-of-touch with the young generation to effectively tackle the subject in any meaningful way. The kids are bland and the scenes with them stagnate. All of the emphasis is put on Quinn and while some of the issues that it brings out, which mainly consist at how the older generation sees things and approaches things differently, is not enough to keep it compelling despite the arguments that he has with his much younger live-in girlfriend, played by Ann-Margret, which are the only times when the movie gets quasi-lively, but even then it’s not enough to save it.

The biggest disappointment is when the police finally do invade the building. I was hoping for a big battle to make up for all the boredom that came before, but Kramer fails to deliver. He unwisely uses music during these clashes, which should not be necessary as the yelling, screaming, and other noises from the chaos would be more than enough to keep it riveting, much like in Medium Cool. He also blurs out the images, so we just see these fuzzy little dots on the screen, which I guess was his idea of being ‘artsy’, but it doesn’t allow for any emotional impact. Ultimately it becomes just another run-of-the-mill flick looking to cash-in on the screaming headlines of the day, but offers no new insight. Kramer was famous for making ‘relevant’ films that tackled difficult topics like Judgement at Nuremburg, The Defiant Ones, and Guess Who’s Coming to Dinner, and while those were a success this one was an overreach and he should’ve quit while he was ahead.

My Rating: 4 out of 10

Released: September 16, 1970

Runtime: 1 Hour 32 Minutes

Rated R

Director: Stanley Kramer

Studio: Columbia Pictures

Available: DVD-R

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Posted in 70's Movies, College Life, Drama, Movies with Nudity

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Petersen (1974)

Posted on November 22, 2020 | 1 comment

petersen1

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Going back to school.

Tony Petersen (Jack Thompson) is an electrician who decides to go back to school and major in English. He feels people look down on him because he works a blue collar job and hope that by returning to college to get a degree that will change, but instead he finds he’s still not getting the respect that he desires particularly from his stuffy professor (Arthur Dingnam), so he ends up having an affair with the man’s wife (Wendy Hughes),  but things don’t stop there. He has sex with the coeds too including right out in the open on the campus grounds for public display while hundreds of onlookers surround them.

The screenplay was written by acclaimed Australian playwright David Williamson, who’s best known for having penned the cult hit Don’s Party However, this film lacks the fluidity of that one and seems more like a selection of vignettes than a story. The leader character isn’t likable either and comes off as selfish while in Don’s Party we were able to understand the protagonists frustration with his marriage here the domestic situation doesn’t seem as bad and therefore watching him mess around isn’t cute, funny, or sexy and instead just tiring and off-putting.

The biggest problem though is that the film starts right away at the halfway point where Petersen has already been attending school and neck-deep in an affair instead of going back to where it all began. Showing Petersen’s frustrations with his job and income, instead of just being told about it through dialogue, would’ve helped the viewer empathize more with his situation and emotionally invested with his quandary instead of feeling lost and ambivalent in the jumbled narrative.

There are a few good scenes here-and-there including a very ugly moment where a group of obnoxious bikers crash an upscale party and make things quite tense for the guests who are seemingly unable to do anything about it. Later there’s a poignant segment involving a discussion that Petersen has with his father (Charles Tingwell), who works as a reverend at a church despite professing to having lost his faith. Petersen’s public sex act has great potential too and even though it does contain full frontal male nudity, which at the time was still considered shocking to see in a mainstream film, it doesn’t get played-up enough to really being as funny or irreverent as it should’ve been.

Spoiler Alert!

There’s also several moments though that needed more context, which is frustratingly lacking. One includes Petersen getting caught making-out with his friend’s wife by his own spouse (Jacki Weaver) who looks very disappointed in him, but we never get any follow-up almost  like the whole situation just gets forgotten by the next day. There’s another scene where Petersen rapes his lover inside her own office, but without showing any aftermath. Such a violent, disturbing act deserves some denouncement and not treated like a throwaway bit such as it is.

End of Spoiler Alert!

Overall if you stick with it the characters do have a way of growing on you, but the story needed to be more developed. Too much emphasis on being edgy and provocative, but filled with characters in desperate need of depth and better connecting pieces between scenes.

My Rating: 7 out of 10

Released: October 25, 1974

Runtime: 1 Hour 43 Minutes

Rated R

Director: Tim Burstall

Studio: Hexagon Productions

Available: DVD (Import Region 2)

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Posted in 70's Movies, Black Comedy, College Life, Drama, Foreign Films, Movies from Australia, Movies with Nudity, Obscure Movies

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