Tag Archives: Howard Hesseman

Private Lessons (1981)

private lessons

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Housekeeper seduces a minor.

Mallow (Sylvia Kristel) is an English nanny working for a rich client named Fillmore (Ron Foster) who gets involved in a scheme with the family’s chauffer Lester (Howard Hesseman) to seduce Fillmore’s 15-year-old son Philly (Eric Brown). The idea is for her to fake having a heart attack during their lovemaking and convince Philly that he has killed her and then Lester will blackmail him to take $10,000 out of the family’s safe and give it to him has hush money for not reporting it to the police, but Philly is smarter than they think and not only catches onto their scheme, but has a double-cross in store for them as well.

The idea of having an adult making love to a minor most likely wouldn’t have gotten the green light today. To me it reeked of being a major double-standard. If the genders had been reversed and it had been a 15-year-old girl seduced by an older man this thing would’ve been considered obscene and banned, but because it involves a teen boy with ‘raging hormones’ instead that somehow makes it ‘okay’ and is approached as being nothing more than an innocuous sexual ‘coming-of-age’ flick, which I found to be both annoying and aggravating.

The scene involving the young Brown getting naked and hopping into the tub with the equally naked Kristel where they then fondle and kiss each other seemed like child erotica and will most likely make viewers today who are now much more sensitive on this topic feel uncomfortable to watch. The ending in which the two go to bed together in a very drawn out sensual segment that is done under a romantic context is downright smarmy. Viewers wanting to watch this simply to catch Kristel naked will be disappointed to know that most of her nude scenes where done using a body double named Judy Helden.

The script was written by Dan Greenburg, who also appears briefly as a seedy hotel owner and based on his 1969 novel ‘Philly’. He is a noted humorist who eight years earlier wrote the script to the film with the quirky title of I Could Never Have Sex with any Man Who has Such Little Respect for My Husband. For the most part this film is rather bland, but manages to pick up a bit during the second half when the story twist kicks in that at the very least makes it better than most other teen sex comedies, which are usually devoid of any discernable plot at all.

The script though is full of holes. For one thing it is highly doubtful that a rich parent would give their child a combination to a safe that has tons of money in it and there is never any explanation of what was put into the body bag that is hoisted into the ground and buried when Lester was still tricking Philly into believing it was the dead Mallow. Obviously it wasn’t her, so what was used to make it seem like a dead body? The film never says, but should’ve. Also, I found it hard to believe that Mallow and Philly could go out to a fancy restaurant and make out with each other openly in a booth and not have it create a stir and distraction with the other patrons especially when it was clearly involving an adult and a minor.

Brown whose only other claim to fame was playing Ken Berry’s son in the first two seasons of ‘Mama’s Family’ gives an engaging performance, but I couldn’t help but wonder what his parents where feeling and thinking during the love scenes. It’s also interesting to see Hesseman who wears a wig and has his mustache dyed brown in a rare turn as a heavy. Begley Jr. gets a few kudos in his attempt to play a ‘tough guy’ cop and Dan Barrows makes the most of his small role as the family’s gardener.

The film has a surprisingly great soundtrack that feature a lot of hits from the day which include: ‘Hot Legs’, ‘Tonight’s the Night’ and ‘You’re in My Heart’ by Rod Stewart as well as ‘Just When I Needed You the Most’ by Randy Van Warmer, ‘I Need a Lover’ by John Cougar, ‘Fantasy’ by Earth, Wind and Fire, ‘Next Time You See Her’ by Eric Clapton and ‘Lost in Love’ by Air Supply. How such a low budget movie was able to pay for the rights to these songs is a mystery, but it defiantly adds pizazz and helps give the film an extra point.

My Rating: 4 out of 10

Released: August 28, 1981

Runtime: 1Hour 27Minutes

Rated R

Director: Alan Myerson

Studio: Jensen Farley Pictures

Available: VHS, DVD, Amazon Instant Video, Hulu

Billy Jack (1971)

billy jack 2

By Richard Winters

My Rating: 6 out of 10

4-Word Review: That’s one mean kick.

Barbara (Julie Webb) is the daughter of Mike (Kenneth Tobey) who is the deputy sheriff of the nearby town.  She comes home one day after having run away and advises him that she is now pregnant, but has no idea who the father is as she had taken part in a sex orgy at some hippie commune, which outrages her father so much he beats her severely. To escape she hides out at the nearby alternative Indian school run by Jean (Delores Taylor), but Mike tries to use his authority as an officer to force them to turn her over and it is up to half-breed Billy Jack (Tom Laughlin) to protect her and the rest of the school from the town’s vindictive force and prejudice.

Although this movie has justifiably been lambasted for years as being more political propaganda than an actual story it still has some surprisingly effective moments. One of the best is the fight scene that takes place in the middle of town where Billy fights off the bad guys by using a Hapkido fighting technique where he raises his leg and kicks his assailant in the face with his foot. Some of the skits done in the school by the students as well as other young performance artists are fun particularly the one where the parents and teens are forced to reverse roles and the majestic aerial photography of the rustic New Mexican landscape is breathtaking.

Writer/director Laughlin casts himself in the title role, which in some ways seems a little bit like a vanity project. The character is poorly defined and subsists too much on a mystique. Having him somehow survive being shot in the stomach is too extreme and Laughlin gives a very one-note performance and is able to show only one emotion, which is that of a brooding, constant anger.

Taylor, who was Laughlin’s real-life wife, comes off better. Her face is weathered and she is no beauty by the conventional standard, but she seems to genuinely exude the values of her character and the scenes showing her after she is raped as well as the one where she begs Billy Jack to surrender during a shootout are emotionally charged and well down.

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The rest of the supporting cast is so-so with the adults coming off better. It’s a great chance to see young stars in the making including Howard Hesseman and Richard Stahl a comic actor whose deadpan delivery is second-to-none. Some of the young school girls are cute including Debbie Schock who at the time was Laughlin’s kid’s real-life babysitter. However, the teens acting is poor and they are given too much screen time without any ability to carry the film. The worst is Stan Rice who plays Martin and whose frozen facial expressions and monotone delivery makes him seem like he is a zombie.

David Roya as Bernard Posner the main antagonist in the film gives a decent performance, but the character’s motivations are confusing. He is aggressive with everyone and yet when Billy Jack appears he freezes up even though Billy is nothing more than a shrimp of a guy wearing a dorky looking hat. One scene in a café has Billy going on a long overly-dramatic rant and he turns his back to Bernard who remains frozen in terror even though he could’ve easily just whacked Billy in the back of his head and knocked him out. Another scene has Billy standing next to Bernard’s car who is in the driver’s seat and orders him to drive the vehicle into the lake, which he obediently does even though I thought he could’ve put the car into reverse and either run Billy over or forced him to jump into the lake instead.

The idea was to show that Bernard was a coward, but even a coward can act aggressively if given the upper-hand and by having him behave in such a strange way makes these scenes and the film as a whole seem very implausible and amateurish. Apparently actor Roya had these very same concerns and he argued with Laughling about them, which ended up creating a lifelong rift between the two.

The characterizations are broad, but on an emotional level it still works particularly the final scene where the students line-up and defiantly raise their fists into the air as Billy Jack is being driven away. The film’s pacifist stance while still delivering a high quota of violence has taken a beating by the critics through the years, but I saw it a little bit differently. I interpreted the message to be that pacifism is good in theory, but not always effective in execution.

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My Rating: 6 out of 10

Released: May 1, 1971

Runtime: 1Hour 54Minutes

Rated GP

Director: Tom Laughlin

Available: VHS, DVD, Blu-ray, Amazon Instant Video, Netflix streaming