Tag Archives: Bruno Kirby

Almost Summer (1978)

By Richard Winters

My Rating: 2 out of 10

4-Word Review: A high school election.

Bobby DeVito (Bruno Kirby) schemes to get even when Christine (Lee Purcell) is able to get high school hunk Grant (Robert Resnick) knocked out of the race for class president and thus allowing her to run unopposed. For revenge Bobby decides to nominate a shy new kid Darryl (John Friedrich) as her challenger. Darryl is initially unsure about taking on the challenge, but eventually gets into it only to eventually drop-out himself when he realizes Bobby has used some underhanded tricks in order to help him win.

The script is too simplistic and better suited as a ‘life lesson’ film that teachers show to kids in grade school. The action gets too locked into the students and the high school scene instead of broadening the situation out to include the school’s faculty like it did in Alexander Payne’s Election, which was far superior because it took the central scenario and connected it not only the foibles of teens, but adults as well. In fact very few adults get seen here making it seem like they were sucked away to some distant cosmos and the teens were left to run everything.

The film is refreshing to some extent because unlike most other teen flicks there’s no crude humor or sexual innuendos and the kids behave like young adults in the making instead of delayed adolescents, which is nice. However, the story is so boringly basic and told in such a straight-forward manner that after a while I actually wanted a sex joke or two to pop-in simply to have given the thing some life.

The situation needed to be played-up a lot more. Lee Purcell, who portrays a teen here only to ironically portray the mother of one just five years later in Valley Girl, is dull, but only because the part is painfully underwritten. The character is not mean enough for the viewer to really hate her. She is also too easily broken as evidenced by the scene where she breaks down into tears because she arrives at a debate with her hair still wet.

The Darryl character is equally benign. At first he comes off like a truly awkward teen, which could’ve been fun seeing this dopey geek upend a beauty queen at her own game, but the guy slides into the noble hero role too quickly. He becomes too-good-to-be-true making him nothing more than a transparent, good-guy cliché.

Some other reviewers have commented on Didi Conn and how her goofy, supporting presence helps enliven the film. Personally I’m not a fan of the actress as her geeky looks and squeaky voice gets on my nerves, but when a film is as bland as this one I suppose she does help it, which just prove how really bad it is. I also thought ‘Almost Summer’ was a weird title as everything that goes on here happens during the school year. A better title would’ve been ‘Almost Over’ because the whole time I was watching it I kept asking ‘Is this thing almost over?’

My Rating: 2 out of 10

Runtime: 1Hour 23Minutes

Released: September 22, 1978

Rated PG

Director: Martin Davidson

Studio: Universal

Available: None at this time.

The Harrad Experiment (1973)

the harrad experiment

By Richard Winters

My Rating: 6 out of 10

4-Word Review: College promotes sexual freedom.

Based on the novel by Robert H. Rimmer the story centers on a group of students who attend a socially progressive college where sex between multiple partners is expected and promoted. The school is run by Phillip and Margaret (James Whitmore, Tippi Hedren) who feel conventional marriage is an unrealistic ideal that creates the idea of ‘ownership’ over someone else, which in turn causes jealousy. They hope to end these problems and change the cultural norms by having the next generation accept more of a group marriage mentality.

The film nicely avoids the smarmy T&A factor by portraying nudity in a natural non exploitative way while also having characters that are believable and a good representation of the young generation from that era. The different ways that the students respond to the unique environment and the realization that they aren’t quite as sexually liberated as they thought remains the story’s focal point of interest.

The film also allows for a great chance to see young stars in the making. Laurie Walters, who later went on to star in the TV-show ‘Eight is Enough’, gives a sensitive portrayal of a young woman who’s still shy about her body and not quite ready to enjoy sex outside of the bounds of romance as she had initially thought. Bruno Kirby is good as well playing a student who’s so filled with insecurities that it prevents him from having any sex at all. Don Johnson though gives the best performance as a cocky student who uses the program simply as a way to ‘score’ with women only to later learn that even he needs some emotional bonding too.

The always reliable Whitmore is solid as the stoic instructor and Hedren gets one of her best roles outside of her most famous one in The Birds with her titillating moment coming near the end when she strips off her clothes and tries to entice Johnson to make love to her right out in the open and in front of everyone. Actor Ted Cassidy, who co-wrote the script, can also be seen briefly sitting at the counter of the local café.

Although the film does manage to bring out a few provocative elements I still felt even without having read the novel that is was only skimming the surface. Having the story focus on only a few of the couples isn’t as captivating as it could’ve been had it instead taken a broader look at all of the students. The low budget gives the production a cheap look and a few too many sappy love songs get thrown in an attempt to turn it into a ‘70s romance instead of keeping it more of a psychological drama that it should’ve been.

A sequel called Harrad Summer, which follows these same students who take what they’ve learned and try to implement it into their adult lives, was released one year later and that will be reviewed later on this week.

My Rating: 6 out of 10

Released: May 11, 1973

Runtime: 1Hour 37Minutes

Rated R

Director: Ted Post

Studio: Cinerama Releasing Corporation

Available: VHS, DVD

Between the Lines (1977)

between the lines

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Newspaper get corporate takeover.

This is a look at an underground/counter-culture newspaper staff and the conflicts and concerns that they have at being taken over by a no-nonsense corporate owner (Lane Smith).

The film almost immediately takes you back to the bygone era of the late 70’s. The attitudes and conversations are realistic for that period and anyone who lived through it will most assuredly feel nostalgic .John Heard, Jeff Goldblum, and Bruno Kirby are engaging in their respective parts as is most of the cast. Stephen Collins is good also, but in an unusual role for him as he usually plays nice sensitive types, but here is a more driven, intense, and confrontational. This also works as a good unofficial statement to the death of the counter-culture movement and the eventual rise of materialism.

The story starts out well as it looks at the inside workings of an underground newspaper, but then spends too much of the middle part focusing on the relationships of some of the characters. Only at the end when the new owner takes over does it get back to the newspaper angle. Unfortunately it concludes just as things are getting interesting and we never get to see how the characters survive and adjust to the takeover. The film would have been much stronger and original had it stuck to scenarios involving the newspaper business and scrapped the relationship stuff, which tended to be derivative. Jon Korkes and Michael J. Pollard’s characters are seen too little and needed more screen time.

Also, when the film deals with the relationships there seems to be too much of a feminist bias as the men are always shown to be the ones at fault due to their ‘insensitive and selfish natures’ while the women come off the ones who are ‘reasonable and unfairly neglected’. This could be a product of the fact that it was directed by a woman as well as the era where men were somehow supposed to feel guilty simply because they were men.

This is fun as a time capsule as well as a great chance to see young stars in the making. However, the story does not take advantage enough of its original concept and ends up dealing with a lot of the same old scenarios and story lines that we’ve all seen before. Director Joan Micklin Silver and John Heard teamed up again two years later for Chilly Scenes of Winter, which I felt was better.

My Rating: 6 out of 10

Released:  April 27, 1977

Runtime: 1Hour 41Minutes

Rated R

Director: Joan Micklin Silver

Studio: Midwest Films

Available: DVD (MGM Vault)