Category Archives: Spy/Espionage

The Hindenburg (1975)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Blow up the zeppelin.

Based on the 1972 novel by Michael M. Mooney the story centers on Colonel Franz Ritter (George C. Scott) who was a part of Luftwaffe, which was the aerial warfare branch of the Nazi government and was employed to protect the Hindenburg zeppelin on its voyage across the Atlantic. Rumors had swirled that hostilities towards the Nazi party could cause a terrorist attack on anything connected to them and since the airship is German made it made it a prime target. Martin Vogel (Roy Thinnes) assists Ritter in his investigation, but the two find themselves at constant odds as they must sort through a wide array of suspicious passengers all of whom have the motivation and ability to cause harm to them and everyone else.

The film of course is based on the actual explosion of The Hindenburg zeppelin that occurred on May 6, 1937 in Lakehurst, New Jersey. Although there had been bomb threats made against The Hindenburg before its flight and the theory was investigated there has never been any hard proof that is what caused its destruction. The story is completely speculative, which is primarily the reason why the film is so weak and uninvolving. Conspiracy theories can be interesting if there is some hard evidence to back it up, but this thing makes it all up as it goes along. The fact that it occurred so long ago only heightens how pointless it is. Everyone that was involved is now dead, so even if there is some truth to what it is propagating what difference could it possibly make now?

Richard Levinson and William Link who wrote the script where known for their love of mysteries and helped to create both the ‘Columbo’ and ‘Murder She Wrote’ franchises, but their character development was not one of their stronger suits. The cast of characters here are bland and cardboard with nothing interesting to say. I’m surprised that they managed to corral a decent list of big name stars to appear as they have little to do and for many of them are seen only briefly. William Atherton gives the film’s only interesting performance and I did like Charles Durning as the ship’s captain as well, but that is about it.

The recreation of the airship, which was painstakingly done by a group of 80 artists and technicians who worked around-the-clock for 4 straight months on it is impressive and resulted in a highly detailed 25-foot-long model. Watching it glide through the clouds are the film’s best moments as is the scene where Atherton’s character tries to repair a hole in the outer fabric and almost slips to his death.

(Below is a pic of the actual Hindenburg along with the model used in the film.)

The climactic explosion, which should’ve been the film’s most exciting moment, comes off instead, like everything else in the movie, as protracted and boring. Director Robert Wise decided not to recreate the ship’s fiery end through special effects, but instead spliced in scenes of the character’s trying to escape the burning wreck with black-and-white newsreel footage from the era. This results in distracting the viewer and emotionally taking them out of the movie at its most crucial point because up until then everything had been in color and then suddenly it shifts to black-and-white making it seem like we are no longer following the same movie. The actual explosion and subsequent fire happened very quickly, in less than 2 minutes, but here it gets stretched to almost 8, which makes it seem too ‘Hollywoodnized’ and not authentic or compelling.

(Below is a pic of the Hindenburg explosion along with the burned out skeleton of the ship as captured the day after the incident.)

My Rating: 3 out of 10

Released: December 25, 1975

Runtime: 2Hours 5Minutes

Rated PG

Director: Robert Wise

Studio: Universal

Available: DVD, Amazon Video, YouTube

The Man with One Red Shoe (1985)

man-red-1

By Richard Winters

My Rating: 6 out of 10

4-Word Review: He’s not a spy.

Cooper (Dabney Coleman) wants to remove Ross (Charles Durning) from his position as director of the CIA so he can occupy it himself. To do this he tries to make it appear that Ross is corrupt and so as a defensive strategy Ross comes up with a scheme of his own. Since he knows that Cooper has his place bugged he has a mock conversation with Brown (Edward Herrmann) telling him that there’s a spy with important information and which he should meet at the airport in order to retrieve. However, there really is no spy it’s all just made up, so that Cooper and his entourage will waste time following around the wrong person, which they do in the case of Richard (Tom Hanks) a man spotted wearing only one red shoe and who now finds his life turned upside down for no apparent reason.

This is a remake of the French classic The Tall Blonde Man with One Black Shoe and surprisingly it manages to stay very close to the original. To some extent it becomes almost a shot-for-shot retelling with very little that gets changed. Most American films have a much broader sense of humor than European ones and so I was a bit amazed how subtle the comedy stays, but this could also explain why this did so poorly at the box office.

For me this biggest transgression is that this version loses the satirical edge that was so apparent and funny in the first one. The CIA agents aren’t funny at all and don’t come off like real spies just a bunch of incompetent buffoons. None of them have any discernable personalities and it somehow manages to make even Dabney Coleman seem boring and I was really surprised that he even took the part.

Hanks is equally dull and not half as funny as Pierre Richard who played the same part in the original. Richard was of a goofy eccentric while Hanks’ character is a blah ordinary guy who plays off the comedy instead of being a part of it. I also didn’t like that he eventually becomes aware of what is going as I thought it was more amusing that the character remains permanently oblivious to it all like in the French film.

The one improvement that I did like was the presence of Lori Singer as the female agent who is very attractive and has a low, low cut dress that I really digged. However, in the original the female spy, which was played by Mireille Darc, didn’t fall-in-love with the main character until after she got to know him while here Singer appears to be attracted to Hanks right from the beginning for no reason.

There are indeed a few funny moments particularly Hanks visit to his dentist and the scene where he must flush his toilet several times in order to get the water to come out of his sink faucet. Jim Belushi gets a few laughs as his friend who thinks he’s seeing things that really aren’t there, but overall the original is still superior although by not as wide of a margin as with most other American remakes. I was also frustrated that there is never any explanation for why the Hanks character is wearing only one red shoe. In the French film it at least gets explained, but here they don’t even do that.

My Rating: 6 out of 10

Released: July 19, 1985

Runtime: 1Hour 32Minutes

Rated PG

Director: Stan Dragoti

Studio: 20th Century Fox

Available: DVD, Amazon Video, YouTube

The Tall Blonde Man with One Black Shoe (1972)

tall-blonde-2

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Following the wrong man.

Bernard Milan (Bernard Blier) and Louise Toulouse (Jean Rochefort) are two rivals within the French Intelligence agency with each looking to unseat the other from their position of power. To counterattack his rival’s ambitions Louise decides to trick the other side into wasting their time by getting them to believe that a man chosen at random is a spy and having them follow him around even though in reality he has no connections to the spy game at all. Violinist Francois (Pierre Richard) gets chosen when he is spotted at the airport wearing only one black shoe. Bernard and his men fall for the bait and follow around Francois wherever he goes and eavesdrop on his conversations like there is some hidden meaning in whatever he says and does, which leads to many amusing results.

The film’s main charm is its satirical jab at governmental bureaucracy and the way they spend so much time and money on wasteful elements that lead nowhere while blithely ignoring the bigger problems. It also playfully taps into the foibles of human nature and how people, once they are convinced of something, will continue to believe it to the point of willfully rejecting or rationalizing evidence that may point elsewhere.

The best bit comes with the overly serious facial expressions that Blier and his subordinates show as they intently listen into Francois’ lovemaking with a woman (Colette Castel).  The slapstick during one of Francois concerts and the side-story dealing with Francois’ friend Maurice (Jean Carmet) who thinks he may be going nuts as he spots the spies at various times when no else does are equally side-splitting.

Pierre Richard, who was not the original choice for the part, is perfect in the lead with his flaming, curly, disheveled hair the perfect look for a man that’s just a bit out-of-touch with world around him. The fact that he continues about his daily life while oblivious to all the spying going on around him makes it even funnier and I liked that despite the character being on the goofy side he still ends up coming off like a real person albeit on the eccentric end.

The script by Francis Veber manages to sustain its comical edge throughout, but like with many of his other plots it borders on stretching its one-joke too thin and seeming more like a collection of gags than an actual plot. The humor is funny enough that it works, but the story still lacks a second or third act and could’ve ended sooner than it does. The film also fails to show the most crucial moment of the story, which is why Francois was wearing one black shoe to begin with. It gets briefly explained later, but this is a scene that should’ve been shown right up front before any of the rest of it got played-out.

In 1985 20th Century Fox did an American remake of this film that starred Tom Hanks and was called The Man with One Red Shoe, which will be reviewed tomorrow.

My Rating: 7 out of 10

Released: December 6, 1972

Runtime: 1Hour 30Minutes

Rated PG

Director: Yves Robert

Studio: Gaumont

Available: DVD, Blu-ray, Amazon Video, YouTube

Outrageous Fortune (1987)

outrageous-fortune

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Bitter rivals share lover.

Lauren (Shelley Long) and Sandy (Bette Midler) join an acting class and find themselves at immediate odds. Little does Sandy know that Michael (Peter Coyote) the new attractive man that she has just met is also seeing Sandy on-the-side. When Michael disappears they reluctantly work together to try and find him only to realize that he may have been using both of them for nefarious and potentially dangerous means.

This is mindless, fluffy entertainment for sure and it doesn’t mind selling itself as such, but despite a runtime that goes on too long and a plot that becomes increasingly more farfetched it still works mainly because it’s genuinely funny. In fact there are several moments where I found myself chuckling out loud with the best part in my opinion coming near the beginning when Lauren begs her parents to borrow money so that she can attend an acting class.

The two leads help a lot. I always felt that Long should’ve stayed on ‘Cheers’ and her film career was for the most part a dud, but this is one of her better movie roles that takes full advantage of her prissy persona. Midler is terrific too and I admired how she really got into her part by insisting on doing her own stunts and she even has an impromptu moment where she decided to lie down on the road, which was not in the script, while a truck came dangerously close to running her over.

Coyote is good as the duplicitous boyfriend and it was interesting seeing him in a bad guy role, which he doesn’t do often, but this was yet another movie instance where we have a character that walks with a noticeable limp one minute only to have it strangely go away the next. On the flip-side Robert Prosky’s Russian professor caricature is overdone and George Carlin may be a legendary comedian, but his acting parts are never very funny.

For amiable entertainment it’s fun as long as you’re not too demanding, but there was one part that I thought was just too implausible. It comes during a chase sequence where in effort to elude the people who are after them Lauren and Sandy decide to hide themselves in two separate clothes dryers while the machines remain running. For one thing it is impossible to close the doors from the inside as they are intentionally made this way so little children can’t accidently lock themselves in. A person from the outside would have to shut the door in order for it to latch, so even if one did this for the other there is no way that they both could’ve done it. Also once the door is closed you would need someone from the outside to open it back up in order to get out and the prospect of a grown adult body being put into a dryer while it is running would most likely disable it, which makes the scene unable to meet even the minimum requiements of logic and therefore should’ve been left out.

My Rating: 6 out of 10

Released: January 30, 1987

Runtime: 1Hour 39Minutes

Rated R

Director: Arthur Hiller

Studio: Buena Vista Pictures

Available: DVD, Amazon Video, YouTube

Hanky Panky (1982)

hanky-panky-1

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Caught up in espionage.

Gene Wilder plays a man by the name of Michael Jordon, yes Michael Jordon, who is from Chicago, but staying in New York. He shares a cab ride with Janet Dunn (Kathleen Quinlan) who seems to be on the run from someone and insists that she must mail a secret package, which Michael does for her. Later he tries to visit her in her hotel room, but it finds her dead and everyone thinks he’s the one who killed her. Now he is on the run himself from people he doesn’t even know and when he bumps into Kate (Gilda Radner) she agrees to help him, but for reasons that she does not initially divulge.

I was genuinely shocked and rather disappointed to find how very similar this storyline was to many of Wilder’s earlier efforts. In Silver Streak he played a man wrongly accused of murder, but there it was fresh and funny. A few years later he was in Stir Crazy with the same type of scenario, but it still worked. Yet by this time it’s old and clichéd with Wilder typecast in a role that no longer offers him anything new to add to it. You get the feeling like you’ve seen it all before right from the start and this tired formula should’ve been put-to-sleep long ago.

Radner’s presence is especially boring and she doesn’t have a single funny line in the whole thing. The reason for why her character decides to get involved in Wilder’s quandary is contrived and seems to be constantly changing. The two show no chemistry even though they fell in love with each other behind-the-scenes and later married. The role was originally intended for Richard Pryor who would’ve been better, but even pairing Wilder with Quinlan’s character could’ve been an improvement as the two had much better contrasting personalities.

The entire plot gets badly overblown and the nonstop chases soon become tiring and nonsensical. The humorous premise of a regular guy suddenly getting caught up in a spy game he knows nothing about loses its focus when he becomes too quick-on-his-feet in his responses to things and begins behaving more like a seasoned spy than an average-joe. The film’s only good moment is when the two are stuck in a small engine plane where the pilot dies and they’re forced to land it themselves, which gives Gene ample opportunity to go into one of his hyper rants as well as some great aerial views of the Grand Canyon, which are nice, but everything else in the film falls flat.

My Rating: 2 out of 10

Released: June 4, 1982

Runtime: 1Hour 47Minutes

Rated PG

Director: Sidney Poitier

Studio: Columbia Pictures

Available: DVD, Amazon Instant Video, YouTube

The Next Man (1976)

next man

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Hit lady at work.

Khalil (Sean Connery) is an Arab diplomat looking to form a bridge between the Arab and Jewish states and even allow Israel to become a member of OPEC. Naturally this creates controversy. Diplomats from around the world suddenly turn up dead. Khalil manages to avoid the attempts on his life, but realizes he can’t stay on the run forever. He forms a relationship with the beautiful Nicole (Cornelia Sharpe) unaware that she is a paid hit lady with an agenda.

The film starts out well with varied scenes shot around the world in interesting locations. The scene where a husband and wife diplomats get thrown off the balcony of their ritzy hotel by assassins disguised as room service is pretty good, but the story and pace are choppy. I could never get quite into it or even understand all the time what was going on.

Much of this can be attributed to the extremely poor transfer of the 2006 Trinity Enterprises DVD issue, which cuts the original 108 minute runtime down to only 90 minutes. Clearly several integral scenes are missing making for a muddled viewing experience and unfortunately this is the only available source of the film at this time. I was also highly unimpressed with the faded color and grainy picture quality making it seem like the whole thing had been copied directly off of a VHS tape with no attempts at restoration.

The casting of Sharpe in the lead was a mistake. She may be beautiful, but her acting is only adequate. She was wisely given only limited lines of dialogue, but in the process it makes her character one-dimensional and uninteresting.

Connery is equally miscast and shows little of his trademark charisma. He doesn’t appear until about 10 minutes in and his attempts to come off as an Arab national is unconvincing. His romance with Sharpe happens too quickly and although I liked the surprise ending it barely registered since so much of the rest of the story is boring and pointless.

Alternate Title: The Arab Conspiracy

My Rating: 4 out of 10

November 5, 1976

Runtime: 1Hour 48 Minutes (Original Release) 1Hour 31Minutes (DVD release)

Rated R

Director: Richard C. Sarafian

Studio: Allied Artists Pictures

Available: DVD, Amazon Instant Video

Leonard Part 6 (1987)

leonard part 6

By Richard Winters

My Rating: 1 out of 10

4-Word Review: One really bad movie.

Leonard Parker (Bill Cosby) is a former CIA agent who is now retired and running a restaurant in San Francisco while trying to reconcile things with his wife (Pat Colbert) and  keeping his college-aged daughter (Victoria Rowell) from marrying a man in his 60’s (Moses Gunn). Unfortunately for him a crazed vegetarian by the name of Medussa Johnson (Gloria Foster) has managed to somehow brainwash all the animals to kill people and Leonard is appointed the only person able to stop it. He is reluctant at first, but with the help of his ever supportive butler Frayn (Tom Courtenay) he puts on his action suit for one last adventure at saving the world.

The film, which was written by Cosby, starts out okay enough with a funny bit dealing with a shootout inside the kitchen of a busy restaurant, but then quickly devolves. Part of the problem is an over emphasis on Leonard’s boring domestic life and attempts at winning back his wife, which makes the whole thing seem like two movies in one. In fact the first 35 minutes are spent with Leonard acting very much like a Cliff Huxtable while arguing with his rebellious daughter about her lifestyle choices before it even gets into the spy/action part. When it finally does get into the adventure segment it becomes weird, surreal and confusing with some of the most pathetic attempts at special effects you’ll ever see.

The film also offers no backstory for how the Medussa character was able to ‘brainwash’ the animals even though one was sorely needed. Elmer Bernstein’s musical score is generic and is pretty much made up of bits and pieces of other famous scores from other films or shows including the theme from the 80’s medical TV-show ‘St. Elsewhere’. As for the spy spoofing aspect the film fails to be funny at all and comes off like no one involved in this ever actually watched a spy film to really know what they were trying to make fun of.

The weakest link is Cosby who gives a terrible performance that shows none of his charisma that he has brought to his other projects. He appears uncomfortable and completely upstaged by his supporting cast including even that of Joe Don Baker. Foster is great as the campy villain and it’s just too bad that her efforts had to be wasted in such a bad film. Courtenay is amusing in support, but his talents deserve better material. Jane Fonda is fun in a brief bit playing herself in a send-up of her 80’s exercise videos.

Director Paul Weiland shows some potential with a wacky, stylish design, but was unfortunately too intimidated to give Cosby any real direction and simply allowed the project to become an embarrassing self-indulgent ego tangent on the part of the star. Unless you’re in the mood for a really bad movie night I would suggest staying away from this one as there are hurricanes and tornadoes that are less disastrous than this.

My Rating: 1 out of 10

Released: December 18, 1987

Runtime: 1Hour 26Minutes

Rated PG

Director: Paul Weiland

Studio: Columbia Pictures

Available: VHS, DVD, Amazon Instant Video

Shadey (1985)

shadey

By Richard Winters

My Rating: 6 out of 10

4-Word Review: His thoughts onto film.

Oliver Sher (Anthony Sher) finds out that he has an amazing ability. Not only can read other people’s minds, but he can also transfer those thoughts onto film. He tells his secret to Cyril (Patrick Macnee) a wealthy businessman hoping he can use his unique ability for some purpose and thus pay him enough money for a sex change operation, which is his ultimate goal. His only condition is that his ability not be used for military purposes. Unfortunately Cyril disregards this and strikes a deal with Doctor Cloud (Billie Whitelaw) who does experiments for the military and sees Oliver as her next guinea pig. Soon Oliver finds himself and his ability being exploited, but gets his revenge by taking advantage of Cyril’s emotionally fragile wife Constance (Katherine Helmond) in a weird and interesting way.

This film is quite original and manages to hold up all the way through. Some of the caricatures are a bit predictable mainly in the way it portrays the older brass businessman and military, but otherwise it defies all genres. It has a nice cerebral quality to it as it moves between being sad and dehumanizing to sharp and satirical sometimes in the very same scene. The humor is laced with drool, dry British wit that makes it engaging and fun.

The old British pros really help here. Macnee with his perpetually stern expression and terse delivery is fantastic. Whitelaw is also good as always as she plays her cold business-like character perfectly.

The best performance though goes to Helmond. She is best known for play Jessica Tate on the 70’s sitcom ‘Soap’ as well as co-starring in the 80’s TV-show ‘Who’s the Boss?’ yet her appearance here may be her career highlight. She has always had a wonderful ability at conveying child-like qualities in adult characters and here that comes to great use. Her facial expressions are both touching, unnerving as well as humorous and the scene where she eats coal from a fireplace while crouching on the ground is unforgettable.

The script could have gone further with its intriguing premise, but manages to be provocative nonetheless. The points it makes are good as it shows how those that are exploited will eventually do the same to others and how you never really know or understand someone no matter how much you think you get inside their head as well as examining how the image can sometimes take on more importance than the reality. The interesting chase that takes place at the end where Shadey continuously rides an elevator from the top of a building to the bottom while the bad guys busily run up and down the stairs to catch him is just one of the many unique scenes in this movie that makes it worth catching for those with an offbeat frame of mind.

My Rating: 6 out of 10

Released: November 18, 1985

Runtime: 1Hour 30Minutes

Rated PG-13

Director: Philip Saville

Studio: Skouras Pictures

Available: VHS

Into the Night (1985)

into the night 2

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Insomniac gets into espionage.

Ed Okin (Jeff Goldblum) is an insomniac, who has a boring job and an unfaithful wife and is unexpectedly thrown into espionage and intrigue when a beautiful jewel smuggler named Diana (Michelle Pfeiffer) literally lands on his car in the middle of the night while he is out taking a drive.

If you are expecting the surreal, cult-like comedy of Martin Scorsese’s After Hours then you can forget it. This thing actually tries to play it straight and does it in a low key way that makes for a lot of slow stretches intermingled with some slight comedy and action.

It’s a pedestrian caper with some ‘novelties’ thrown into to try to get you to forget how pedestrian it really is. The novelties are director John Landis’s casting fellow directors in cameo roles. Sure it’s nice to put faces to names, but the cameos really aren’t that interesting or funny. Only French director Roger Vadim gets anything remotely flashy. In fact it’s Landis who gets the best part casting himself as a crazed gunman with a large scar on the side of his face.

Goldblum is a solid everyman, but he underplays it and eventual becomes too dull. He doesn’t even react when a loaded gun is put into his mouth!! Pfeiffer is beautiful, but there really isn’t any chemistry between the two so having them end up ‘falling in love’ shows just how contrived this whole thing is.

David Bowie and Dan Aykroyd have very little screen time and are badly wasted.

My Rating: 4 out of 10

Released: February 22, 1985

Runtime: 1Hour 55Minutes

Rated R

Director: John Landis

Studio: Universal

Available: DVD

Jumpin’ Jack Flash (1986)

jumpin jack flashBy Richard Winters

My Rating: 3 out of 10

4-Word Review: Whoopi plays spy game.

Due to Whoopi Goldberg turning 58 on November 13th and because whenever I watch a clip of ‘The View’ on YouTube she tends to be my favorite panelist I have decided to review each of the films she starred in during the 80’s for the next 7 Mondays. Critically her films in that decade did not fare well and she has even disowned a few, but since this is a 80’s movie blog I feel it is my professional duty to review them anyways whether some of them are torturous to sit through or not.

In this one she plays Terry Doolittle a bank employee who does a lot of transactions and communications through her computer. One day she gets a message from someone using the code name Jumpin’ Jack Flash who asks for her help supposedly to save his life. This sets into motion wild adventures in which she puts her life at risk and gets involved with everything from the CIA to foreign government powers.

Whoopi is the best thing about this otherwise silly and contrived plot. Director Penny Marshall nicely allows Whoopi room to flex her comic muscles while also taking advantage of her sassy and streetwise humor. The part where she tries to decipher the lyrics of the ‘Jumpin Jack Flash’ song by the Rolling Stones is full of all sorts of Goldbergisms and it’s great. Her impressions of Ray Charles and Diana Ross are on target as well, but my favorite part is when she is drugged with truth serum and then goes into a beauty salon and tells everyone there exactly what she thinks. My only complaint to her performance is her unnecessary use of the F-bomb, which turns this otherwise kid friendly story into an R-rated movie.

It is also fun to watch a lot of up-and-coming comic stars in small roles including Phil Hartman, Jon Lovitz, James Belushi, Tracy Ullman and Annie Potts. There is even a surprise appearance by Jonathan Pryce at the very end, but my favorite is when Penny casts her older brother Gary as a detective who has a humorously confrontational exchange with Whoopi inside a police station.

Marshall’s directorial debut is limp. I liked all the movie posters that line Whoopi’s apartment, but otherwise the visuals are dull. Her workplace environment and conversations that Whoopi has with her co-workers seems realistic, but not particularly interesting or amusing. The opening segment limps along while barely being engaging. The part where Whoopi gets her dress caught in a shredder has up-tempo cartoon-like music played over it, which puts the thing too much at a kiddie level.

The story itself is convoluted and confusing with little that is plausible. The shootout inside the office gets particularly ridiculous, but the biggest problem I had with the script is the way the Terry character gets herself involved in the mess in the first place. If she knew the person asking for her assistance to this dangerous mission I might understand it, but she doesn’t. After she is shot at and nearly killed, gets her apartment ransacked and is verbally threatened she decides to immerse herself even more into the precarious situation even when she is given the opportunity to get out of it, which most normal people would’ve.  The viewer starts to lose empathy for a protagonist when they act irrationally, which this one does. The idea that she is doing it because she has ‘feelings’ for this other person even though she has never met him, knows nothing about him and doesn’t even know what he looks like is just plain stupid.

Although the Rolling Stones song from which the movie is named after does get briefly played later on I felt it should have been used over the opening credits. I still prefer the Stones version, but Aretha Franklin’s rendition that is used during the closing credits isn’t bad.

My Rating: 3 out of 10

Released: October 10, 1986

Runtime: 1Hour 45Minutes

Rated R

Director: Penny Marshall

Studio: 20th Century Fox

Available: VHS, DVD, Blu-ray, YouTube, Amazon Instant Video