Category Archives: Academy Award Winners for Best Actor

Kramer vs. Kramer (1979)

kramer vs kramer

By Richard Winters

My Rating: 10 out of 10

4-Word Review: Life after wife leaves.

This is a solid drama detailing the divorce and subsequent custody battle between two young, educated and upper middle class parents (Dustin Hoffman, Meryl Streep).

To say that this is simply an examination of divorce and its effects on both the child and parents do not do the film justice as this is a very richly textured story that brings out the many variables that come with being a modern day parent. One of the best is the examination of Hoffman’s character’s job and how ‘moving up the corporate ladder’ can have an adverse effect on a man’s home life and his family members. In fact this is a major factor to his break-up and emotional detachment with his wife.

The film also offers a nice glimpse between father and son and the scenes showing this relationship are quite touching especially as they learn to coexist with one another after the mother leaves. Justin Henry doesn’t get enough credit for his performance as the son. Yes, he is adorable in the typical child-like way, but he also manages to create a child character that is diverse and memorable.

Hoffman gives a superior performance and in many ways it is all about him and his adjustment at playing the dual roles of being both a father and mother. He has his aggressive New Yorker persona, but you understand it and really feel for what he is going through. Even watching him frantically running around from place-to-place is interesting.

Streep is also outstanding in what is kind of an unusual role for her. Typically she plays strong-willed women with a strong on-screen presence, but here her character is rather weak and suffers from problems that are elusive, but still intriguing.

Howard Duff is solid as Hoffman’s attorney and Jane Alexander offers good support as the next-door-neighbor although her character is a bit too ordinary and could have been supplied with a few interesting quirks.

The subject itself is still quite topical and everything is kept in a real perspective with nothing getting overblown or clichéd.  Robert Benton’s direction is flawless as it pays attention to the smallest of details and makes them special.  A good example of this is the poor way the father and son try to make French toast when they first find themselves alone together and then the very efficient way they learn to make them at the end. It is also not all serious as there is a really hilarious scene involving Jobeth Williams who plays Hoffman’s new girlfriend and the unusual circumstances onto which she first meets Henry.

There are a few issues to quibble about, but they are minor. One is that you hear Hoffman and Henry peeing in the toilet a lot, but they never seem able to flush it! There is also a scene where Hoffman who is in desperate need for a job applies for one during a holiday party and when he gets it he runs out, grabs a woman he does not know and kisses her right on the lips. If he tried something like that today he would not only be fired on the spot, but have a sexual harassment lawsuit as well.

My Rating: 10 out of 10

Released: December 19, 1979

Runtime: 1Hour 45Minutes

Rated PG

Director: Robert Benton

Studio: Columbia Pictures

Available: VHS, DVD, Blu-ray, Amazon Instant Video

The Goodbye Girl (1977)

the goodbye girl 2

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Goodbye doesn’t mean forever.

Paula (Marsha Mason) is a ‘dumped on’ single parent, whose live-in boyfriend has just left her, and now must contend with Elliot (Richard Dreyfuss) a rather obnoxious man who is subletting the apartment. Despite long odds the two end up ‘falling in love’ in this rather obvious, mechanical love story that is finely tuned to the female, especially those from that era. (The macho guy viewer will have run out of the room long before David Gates even has a chance to sing his soft rock title tune).

This was made when writer Neil Simon was still considered in vogue, although his patented one-liners are sparse and when they do come they are more cute than funny. This in some ways seems a retooling of his earlier ‘lovers in a New York apartment’ film Barefoot in the Park. Only here it’s a little rougher around the edges so it can appeal to a ‘hip’ audience. No clean-cut, cutesy newlyweds instead these people are more jaded to modern sensibilities and will routinely live with their partner even when they are not quite yet divorced.

If you can get past a rather strong late 70’s feel (gotta love that Fonzi poster hanging in the bedroom) then the characters remain solid and believable. No beautiful models living lavish and exciting lifestyles. These are average people just trying to make ends meet and find a little happiness along the way. It also doesn’t just show them when they are together, but also when they are out and alone in the ‘real world’, which allows us a rounded and sympathetic view of them.

Dreyfuss basically plays his usual opinionated, abrasive self. Whether the viewer sees the intended charm underneath is completely up to their own personal tolerance. His performance is good, but not exactly screaming for an Academy Award, which he won anyway, but then poked fun of it when he later hosted ‘Saturday Night Live’ on May 13, 1978.

Mason, who at the time was married to Simon, is the one who should have won it. Her performance is both believable and fluid. You truly see a lot of everyday people in her characterization and she clearly carries the film.

Quinn Cummings, as Paula’s daughter, is cute without being too precocious. Her sensibilities help compensate for the sometimes emotional immaturity of her adult counterparts. Though it really looks and seems dumb to have a ten year old still smearing food on the edges of her mouth and wearing a big napkin around her neck while eating.

Although I don’t always have a great eye for continuity errors this one has a doozy. When Dreyfuss comes home one night drunk he knocks over a table with a lot of stuff on it. He sticks his head out the window to shout something into the night air and then two seconds later comes back to where the table is standing and everything on it is neatly set.

My Rating: 7 out of 10

Released: November 30, 1977

Runtime: 1Hour 51Minutes

Rated PG

Director: Herbert Ross

Studio: Warner Brothers

Available: VHS, DVD, Amazon Instant Video