Category Archives: Zombie Movies

The Grapes of Death (1978)

grapes

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Zombies created by pesticide.

The film opens with a shot of immigrants spraying grapes with a pesticide in a vineyard owned and run by Michel (Michel Herval). One of the men (Francois Pasal) complains of a pain on the side of his neck, but Michel insists he keep working and quit complaining. The film then cuts to two women riding inside a train car, one of them is Elisabeth (Marie-Georges Pascal) who’s the fiancee to Michel and coming to visit him. Once the train stops the man from the vineyards complaining of the pain walks onboard and proceeds to kill Brigitte (Evelyne Thomas) who was inside the train bathroom. He then takes a seat in the train car that Elisabeth is in, but once she notices the growing tumor on the side of his neck and then the dead body of her friend she runs screaming off the train. She then finds herself all alone in deserted town where everyone has the same type of tumors growing on their faces and all seem intent on trying to kill her.

This was the first mainstream horror film directed by Jean Rollin and credited as being the first gore film ever to be made in France. Rollin had made several experimental vampire flicks in the early part of the decade, but they had failed to catch-on and lost him a lot of money, which forced him into directing porn movies under the pseudonym of Michel Gentil. By the late 70’s he had made enough money with those that he was ready to jump back into doing another feature film, which for a zombie story is unique as the zombie’s here are fully conscious and well aware of what’s happening to them and kill out of a sense of rage. The film is also, for a horror movie, very quiet lacking the traditional pounding music score and instead has extended moments of near silence especially during the town scenes, which helps accentuate the creepiness.

Rollin hired an Italian production company to do the special effects, which are quite impressive. Normally I’m on here complaining how fake the effects look in most other low budget horrors, but here I was amazed with how realistic they were. The scene where a woman gets stabbed with a pitchfork while lying on a table and then continues to breath with it still in her really looks like the blades went right through her body. Another scene dealing with the decapitation of a nude woman (Mirella Rancelot) and then having one of the zombies carry the head around is one of the most graphic of its type. I did have some issues with the tumor make-up. On the train car where Elisabeth watches it grow on the side of the man’s head was cool, but on the people in the town it starts to look like smeared pizza and I wanted to see a shot of someone that had it all over their face instead just on a little part of it.

While Rollin stated that he admired the acting of his leading lady I felt she was the weakest link. Her fearful expressions and screams are great, but her performance otherwise is one-note. Part of what made Night of the Living Dead so great was the contrasting personalities of the main characters and I felt there needed to be that here. Having the two men (Felix Marten, Serge Marquand) enter near the end of the second act to help Elisabeth fight of the zombies is a great addition, but I had wished they came in sooner. I also didn’t like the way Elisabeth conveniently finds a gun inside the car she has just stolen, which she is able to use in the nick-of-time to shoot the zombies, but what are the odds? The gun should’ve been introduced earlier, perhaps as something she brought along with her at the beginning for her trip, and not just thrown-in haphazardly.

The twist at the end is not satisfying leaving the viewer feeling down and depressed when it’s over when a robust showdown was needed. I felt too that the reason for why the people were turning into zombies, which was the pesticide, should’ve been kept a mystery until the very end. Instead of opening it with the men spraying we should’ve seen the townsfolk going about their day in a normal fashion, which would’ve made a striking contrast to when Elisabeth gets there and they’re all crazy. Maybe a shot of a man spraying in the background behind the people talking could’ve been done as a little hint, or clue, but as it gets done here it’s too obvious when a subtle approach was needed.

My Rating: 7 out of 10

Released: July 5, 1978

Runtime: 1 Hour 25 Minutes

Rated R

Director: Jean Rollin

Studio: Rush Productions

Available: DVD, Blu-ray

Messiah of Evil (1973)

messiah1

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Town of dead people.

Arletty (Marianna Hill) travels to the seaside town of Point Dume, California to visit her father (Royal Dano) who is a popular artist there. When she arrives she finds his home abandoned and reads over his journals that he left in which he describes frightening things that have occurred to him in the days leading up. She then meets Thom (Michael Greer) and his two lady lovers, Toni (Joy Bang) and Laura (Anitra Ford). He too is searching for her father while also interviewing residents of the town about the strange events that have been happening and documenting them on tape. The four begin having weird encounters themselves as at night the residents of the town take-on a zombie-like existence where they stare at the moon and show an unusual craving for blood and meat.

The film was shot in 1971 under the title of ‘The Second Coming’, but the investors pulled their money out of the project and it was never completed. In 1973 another producer bought the footage and edited it before releasing it to theaters under its current title. It was not an instant success and fell into obscurity until another distributor bought the print 5 years later and decided to re-release it under the title of ‘Return of the Living Dead’ in order to capitalize off of the George Romero franchise, which quickly got it sued.

Today the film has gained a strong legion of fans and seen as being a unique and moody masterpiece and while it does fall short on the story end more than makes up for it with its atmosphere. It was written and directed on a shoestring by the writing and directing team of Willard Huyck and his wife Gloria Katz. Their names are most connected with the notorious bomb Howard the Duck, and while their careers were certainly stigmatized because of that, which some feel was unfair, they’re now considered neglected talents after many of those same critics saw this one.

The film certainly has some very cool and memorable moments with the best one being Anitra Ford’s trip to Ralph’s supermarket, shot on-location, and her confrontation with the zombies and subsequent chase through the store. Another great moment is when Joy Bang goes to a movie theater, where co-director Gloria Katz has a cameo as the lady in the ticket window, and while the theater is near empty when she arrives it slowly fills-up with the zombies as she’s watching the movie.

The two female leads are terrific and help give the film a personality with each scene that they’re in. Ford is better known for being a longtime show model on ‘Price is Right’  while Bang had some brief, but memorable moments in a few other films during the early 70’s before retiring from show business in order to move to Minnesota to become a nurse.

Hill though isn’t as good. She also starred in Schizoid, which was reviewed here a few days ago and like in that movie she gets upstaged by her co-stars. I did find it interesting though that in one scene here she kills someone with a scissors since that was the major weapon of choice in the other movie. I did find it odd that in the credits here her first name is listed with only one ‘n’ while in the other movie it was listed with two, so I guess, since that movie was shot 9 years after this one, that as she aged she must of grown another ‘n’.

The veteran cast of male actors are excellent too. The aging Elisha Cook Jr. has an entertaining bit as a wide-eyed homeless man telling crazy stories. Charles Dierkop is fun as a terrorized gas station attendant and Royal Dano is diverting as the father who smears his face with blue paint. The only male actor that isn’t effective is Michael Greer, who was quite flashy when playing flaming gay characters like in The Gay Deceivers and Fortune and Men’s Eyesbut when he’s stuck doing a straight guy he’s deadly dull.

Unlike the rest of the movie the ending isn’t as effective and I didn’t think the sudden voice-over narration was necessary. We had gone the whole way without it, so entering it in at the last minute becomes jarring and disconcerting. There’s also no interesting final twist and the zombie theme is too similar to the George Romero films, ultimately making this one, despite the eerie touches, seem like a poor cousin to those.

My Rating: 6 out of 10

Released: April 22, 1973

Runtime: 1 Hour 30 Minutes

Rated R

Director: Willard Huyck and Gloria Katz

Studio: International Cine Film Corporation

Available: DVD, Blu-ray, Amazon Video

American Drive-In (1985)

american2

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Evening at the movies.

Filmed at the old Sky Drive-In in Yucca Valley, California that has long since been abandoned, the film centers around a couple, Bobbie Ann (Emily Longstreth) and Jack (Patrick Kirton). Both are fresh out of high school and Jack plans to use the occasion of going to the drive-in to watch a horror flick called Hard Rock Zombies to propose to Bobbie Ann. Bobbie Ann is smitten with Jack, but after he gives her the ring she’s not so sure she’s ready to jump into marriage. Meanwhile Sarge (Joel Bennett), the leader of a local street gang, has his sights set on Bobbie Ann and plans to get rid of Jack while they watch the film, so that he and his buddies can gang rape Bobbie Ann in the back bleachers. While this is going on there’s also Councilmen Winston (John Rice) who’s running for mayor and feels it would be a great opportunity to break-up the local drug ring in town, which he feels is occurring at the drive-in and to prove it he gets his own kids to walk around and inquire where they can get their hands on some ‘Mary Jane’ and then film it thus looking like a hero to the public for exposing the drug pushers in the area.

This was the second-to-last film directed by Krishna Shah who was one of the first directors to start his career in Bollywood before graduating to Hollywood. His initial film was the so-so Rivals, but none of his movies ever met any critical or financial success, which caused him to become quite bitter in his later years. This project was the result of his frustration of doing serious, big budget pictures like The River Niger and Shalimar, which were made with a lot of promise, but both failed at the box office, so out of desperation he decided to try-his-hand at exploitation B-pictures only to be met with the same failures.

What struck me was how similar it is to Rod Amateau’s Drive-In that came out 9 years earlier complete with the same type of farcical comedy and stereotyped characters and both dealt with a teen gang trying to steal away a girl who was dating a super clean-cut kid all while watching a cheesy disaster flick onscreen. It was almost like they had watched that one and it had ‘inspired’ them to make this. They’d probably deny it and say they had no knowledge of the other flick, but if that were the case then it makes this one seem even worse as it lacks anything original both in humor or storyline.

A lot of the comedy falls flat including a segment that makes fun of fat people and shows them eating up their food in a close-up, slurping fashion that’s quite gross and portrays them as seeming like animals that most people in our body shaming culture today will find offensive. I also thought the running joke of this prostitute who services the male customers in her RV as the movie plays was a bit overboard as she takes-on one after the other in a brief 90-minute period. Not sure what the typical nightly quota for a sex worker is, but I would think that would be too exhausting, so unless the film was trying to portray prostitution in a campy way, which in this case I don’t think it was, then there should’ve been several women in the RV doing the guys versus just one.

The only inspired thing, or at least it seemed that way initially, was the it becomes a film within a film as Krishna Shah had also directed Hard Rock ZombiesSince that has been put on many a list of worst movies ever made I thought this was the unusual case of a director showing humility and openly mocking his own work, where at one point one of the characters even says “Whoever wrote this should be shot”, but that was apparently not what happened. Instead the zombie movie scenes was only intended for a brief few minutes, but then after filming them Shah got ‘inspired’ to turn that into a feature film, which is now considered even worse than this one.

Spoiler Alert!

There is a darker tone here than in Drive-In, when Bobbi Ann threatens to kill the gang members with her gun as the other people cheer her one. Emily Longstreth, who sadly hasn’t done a movie since 1994, looks quite sexy standing on a raised platform in a skimpy outfit while waving the gun around, which in my opinion is the only memorable moment, but the movie unfortunately doesn’t go far enough. This would’ve been a perfect time to have her kill-off everybody, which would’ve made sitting through this silly inane crap worth it by having a truly shocking finale. It could’ve been Carrie with guns instead of telepathy, but this stupid movie cops-out completely.

My Rating: 3 out of 10

Released: September 19, 1985

Runtime: 1 Hour 33 Minutes

Rated R

Director: Krishna Shah

Studio: Patel/Shah Film Company

Available: DVD-R

Dead & Buried (1981)

 

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Dead people terrorize town.

Dan (James Farentino) is the sheriff of a sleepy New England town called Potter’s Bluff. Normally his days are routine but suddenly he finds himself investigating a bizarre case where a group of people murder a visiting photographer by burning him at a stake for no apparent reason. Soon other strange murders begin occurring and his peaceful little town as well as his own life gets turned upside down as neither he nor the town’s coroner (Jack Albertson) can come up with any answers especially as the dead victims start to come back to life.

The film, which was directed by Gary Sherman, starts off well as the big band era music and picturesque small town scenery makes it seem like something straight out of a Norman Rockwell painting. Sherman went to great lengths to keep every scene consistent with a gray color tone including having a giant flag hung over a cliff in order to block out the sunlight during outdoor scenes and keeping everything looking like it was under a continual foggy haze.

The story though can’t match the atmosphere and the interest level wanes pretty quickly. The dead coming back to life angle has been used too often and is no longer novel to the point that it’s now almost boring. There’s no consistent protagonist either. The sheriff eventually becomes one, but there are long breaks where the film follows other characters including a young family, who come into contact with the killers, but they’re not that interesting and it becomes difficult for the viewer to connect emotionally with anyone on the screen.

For years Dan O’Bannon was credited with creating the story and many movie posters advertised this due to his success with Alien, but O’Bannon later stated in a 1983 interview that he actually had nothing to do with the script and disown the film. Ronald Shusett apparently wrote the entire thing, but in order to get it sold he felt a big name writer needed to be attached to it, so he promised O’Bannon that they would implement some of the ideas that he had into the final revision in order to allow them to use his name on the credits, but when the film eventually came out none of O’Bannon’s suggestions had been used.

The film’s tone is yet another issue. Sherman had wanted to approach it as a dark comedy, but one of the film’s investors PSO International pushed for the gore to be emphasized more. The result is jarring as half the time it’s this quant atmospheric chiller while at other points it becomes without warning graphically gory.

Farentino is good, but Melody Patterson, who was 17 years younger than him in real-life, is miscast as his wife. Jack Albertson is the best thing in the movie. Initially I feared that his part was too small, but he comes on strong at the end, which is great and I was also happy to read that despite the fact that he was dying of cancer while the movie was being made he still remained alive long enough to attend its premiere although he had to do it while being in a wheelchair and connected to an oxygen tank.

If you’re looking for a horror movie that emphasizes atmosphere and an offbeat touch then this may hit-the-spot, but the plot needed to encompass a broader time frame as it didn’t seem believable that so much of the town’s people could be in on this secret without the sheriff becoming suspicion of things much sooner than he does. The twist ending is weak too as it’s full of loopholes and creates way more questions than it answers.

My Rating: 5 out of 10

Released: May 29, 1981

Runtime: 1Hour 34Minutes

Rated R

Director: Gary Sherman

Studio: AVCO Embassy Pictures

Available: DVD, Blu-ray (Region B/2), Amazon Video, YouTube

Night of the Comet (1984)

night-of-the-comet-2

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Comet wipes out humanity.

A comet passes by earth, which kills off everyone that was outside watching it. The only people that survive were those that remained inside rooms incased by steel. Regina (Catherine Mary Stewart) and her sister Samantha (Kelli Maroney) are two of the survivors. As far as they know they are the only remaining inhabitants, but then a secret group of scientists track them down pretending at first to be their friends, but in reality they are after the two for their blood as the researchers were inadvertently tainted by the comet’s effects and now need a fresh blood supply from those that were not exposed in order to remain alive, but will the two sisters catch onto their ruse before it’s too late?

This film, which has become a major cult hit, starts out sharply and could’ve been a really great picture had it kept the dry, quirky humor that it has at the beginning. Unfortunately it devolves too much into a drama that loses its momentum and becomes draggy. I enjoyed the scenes showing Los Angeles as a deserted wasteland and these moments were apparently shot in the early morning hours during the minutes when the cars where stopped at traffic lights, which made it all the more impressive and I wished the movie had more of these scenes as it gives the film a surreal quality.

The two female leads are fantastic. Stewart is not only really beautiful, but her acting is excellent and I liked the fact that when she gets attacked by a zombie she doesn’t break out into a scream like is the clichéd reaction of most female characters, but instead keeps her composure. The film would’ve been far stronger had these two remained the sole cast as the implementation of the Hector (Robert Beltran) character does not help things and in fact weakens it as it makes it seem that a man is necessary in order to save them since apparently females are not strong enough or smart enough to do it themselves. The evil scientists are uninteresting as well and outside of seeing Mary Woronov playing a more serious role their time on the screen is quite boring.

The story does not take enough advantage of its quirky concept and misses the chance for a far more original scenario. Adding in zombies is a downer as there are already way too many zombie flicks out there and this one adds nothing to the mix. Seeing two valley girls learning to ‘toughen up’ and survive by solely using their own wits would’ve been the best story angle.

The film is also too tame. When the Hector character does appear Samantha becomes jealous when he chooses Regina over her, but why couldn’t they just do a ménage-a-trois? Since there is no other people around, or very few, that means societal conventions no longer necessary, but for some strange reason the characters here become more ‘civilized’ as the story progresses when in reality the exact opposite would likely occur.

There are also too many logic loopholes that never get addressed. For instance why does the electricity remain on when most likely employees working at the power plants would’ve disintegrated along with everyone else? If the power goes out how are they going to store food in order to keep it fresh or cook it for that matter? These questions along with a variety of others helps knock down what is initially a great idea and impedes this cult flick from living up to its reputation.

My Rating: 5 out of 10

Released: November 16, 1984

Runtime: 1Hour 35Minutes

Rated PG-13

Director: Thom Eberhardt

Studio: Atlantic Releasing Corporation

Available: DVD, Blu-ray, Amazon Video

Hard Rock Zombies (1985)

hard rock zombies

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Rock band becomes zombified.

An up-and-coming rock band travels to a small town for their next gig. There the lead singer falls for a young girl named Cassie (Jennifer Coe) while also catching the wrath of the town’s conservative residents who still feel that rock n’ roll is the ‘devil’s music’. The place also harbors Adolph Hitler (Jack Bliesener) who has been secretly hiding out there under a disguise while plotting his next world takeover. After the band members are killed by the evil Nazis they come back to life in the form of zombies killing everyone else and turning the whole town into one big zombie fest.

I have to admit the zombie popularity that has entranced so many people and formed its own special niche escapes me as I find the whole concept to be rather boring. However, certain films like Shaun of the Dead have managed to reinvent the formula by mixing hip humor with a good amount of realistic gore and thus satisfying both the gore hounds and those looking for a laugh. This film tries to do the same, but fails miserable as the humor is corny and the special effects are poor to pathetic.

In fact I was stunned that a well-known director who did some other successful projects was involved with this or even willing to have his name listed on the credits as it’s extraordinarily amateurish and looking like it was put together by novices while drunk. Had it been even remotely more polished, or written by someone who had actually watched zombie movies and appreciated them, it might have worked.

The members who make up the band show no acting ability and having to listen to their generic sounding songs that seem to go forever is another problem and one that almost turns this mess into an annoying music video instead. The second half in which they come back as zombies doesn’t improve things as they still continue to play their songs and worse yet begin to resemble the rock group KISS with their makeup and in fact the similarity is so extreme that I was surprised they weren’t sued.

The zombie parodies are numerous and seemingly never-ending. The majority of them aren’t very good, but this one may very well take the prize as being the worst.

My Rating: 2 out of 10

Released: August 28, 1985

Runtime: 1Hour 38Minutes

Rated R

Director: Krishna Shah

Studio: Cannon Film Distributors

Available: DVD

Shock Waves (1977)

shock waves 3

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Zombie soldiers inhabit island.

During WWII a Nazi commandment experimented with the supernatural by taking dead soldiers and turning them into zombies who would become killing machines that could not be taken down and impossible to destroy. When the war ended a lone SS Commander (Peter Cushing) took these zombies to an isolated island where he hoped to destroy them, but instead they became more powerful. When some castaways from a waterlogged boat arrive at the island they are greeted by these zombies who waste no time in returning to their killing ways.

The film starts out with promise and the idea has potential, but the film reverts too much to a pedestrian narrative that bogs down the action and turns it into a bore. The dialogue is banal and the characters annoying. The film would’ve worked much better had it taken a Dario Argento approach where the focus stayed solely on mood, imagery and a pounding music score while completely scrapping the dull characterizations altogether. In fact having only one or two people make it to the island would’ve been perfect as the rest of the supporting cast seem better suited for a pathetic B-comedy.

shock waves

The zombies aren’t all that interesting either. The shot showing one of them walking on the ocean bottom without any breathing apparatus was impressive, but otherwise they spend the majority of time simply lurking around in the backdrop. They can also easily be killed by having the shaded goggles that they wear taken off, which isn’t too exciting. Having the Cushing character describe their origin even though it had already been explained at the beginning by a narrator was unnecessary and in many ways no explanation or only supplying one at the very end would’ve made it creepier.

Veteran character actors John Carradine and Cushing both made $5,000 for their efforts, but their presence in both cases was not needed. Brooke Adams is good in her first credited speaking role in a film, but the rest of the cast came off like amateurs and Buck Henry lookalike Jack Davidson seemed like he had walked onto the wrong movie altogether.

Shot in 1975 the abandoned hotel on an island setting adds a bit of ambience, but overall it’s a wasted effort. The scares, tension and special effects are all quite minimal and the story’s original elements become overshadowed by a flat and unimaginative script.

shock waves 2

My Rating: 2 out of 10

Released: July 15, 1977

Runtime: 1Hour 24Minutes

Rated PG

Director: Ken Weiderhorn

Studio: Zopix Company

Available: VHS, DVD, Blu-ray, Amazon Instant Video