Category Archives: Drama on the High Seas

ffolkes (1980)

Posted on February 19, 2022 | Leave a comment

ffolks2

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Loves cats, hates women.

Rufus Excalibur ffolkes (Roger Moore) is a cat loving misogynist who dislikes women because he grew up the youngest of five sisters and forced to wear their hand-me-downs until he was age 10. As an adult he is a counter-terrorism expert and trains a team of men to go onto ships at sea that have been hijacked. When a North Sea oil production platform nicknamed Jennifer gets taken over by a group of men posing as reporters their leader (Anthony Perkins) demands an enormous ransom and it’s up to ffolkes and his team to board the platformed and kill the terrorists without allowing the ship, which has been booby-trapped with bombs by the criminals, to blow-up.

The film, which was based on the novel ‘Esther, Ruth & Jennifer’ by Jack Davies, who also wrote the screenplay, starts out well and has all the ingredients to being a compelling thriller. The on-location shooting done on an actual ship makes the viewer feel like they’re out at sea themselves and I found the foot chase done on the vessel during a raging rainstorm to be riveting. Perkins makes for a particularly slimy villain and Micheal Parks, as the mastermind who constructs and implements the bombs, was also impressive wearing glasses that make his eyes look like they’re bulging and it’s just a shame these two men had to co-star together as they’d be able to eat-up the scenes had they been allowed to do it alone without any henchmen.

The ffolkes character works against type playing a good-guy that tests the viewer’s assumption of what’s acceptable behavior for a protagonist. Too many movies create a hero-like caricature of someone who is overly noble, brave, and virtuous until it becomes boring and contrived. At least here the guy we’re supposed to cheering for is interestingly flawed therefore more human-like than super-heroes in most other films, especially those made today, who are just too-good-to-be-true.

ffolkes though does spend too much time sitting in the background working on a crochet of a cat while giving-off glib remarks and not being as active as he should. He’s also constantly drinking scotch at all hours of the day, straight out of the bottle, which should’ve made him inebriated and this most likely would’ve come into play at some later point where he wasn’t able to pull-off an intricate task because he was too drunk, but after introducing his drinking problem during the first half, it gets completely forgotten by the second.

While the character acts extraordinarily arrogant and cocky he’s not able to pull-off the assignment quite as easily as you’d think for someone with his amount of confidence. One scene has him stupidly walking right into a gunmen and it takes the sheer luck of someone hiding in a lifeboat to save him. Another scene has him almost killed by one of his own men making him seem like he’s not as good of an instructor as his reputation suggests and all leads to him unintentionally coming-off more like a deluded idiot than the crafty mastermind with a few personality quirks that he’s supposed to be.

The story, while having a solid set-up, ultimately becomes the biggest letdown. For one thing it never shows us how they’re able to pull-off the fake explosion of Ruth, another oil platform. They talk about rigging it to seem like it exploded to fool the bad guys, and we do see something exploding, but no explanation of what it was since the real Ruth secretly remains standing. Also, most ships have a radar system, which should’ve shown that the real Ruth never went away and that they had been duped, but for whatever reason they never catch-on.

The ending surprisingly lacks very little action, which is what was blamed for the film’s poor reception at the box office. People are expecting a movie that stars Moore to have a lot of stunt work and special effects and for the most part it never happens. The villains go down too easily making it not very satisfying to see them go. There needed to be more wrinkles to the scenario and more unexpected twists as the pay-off and climactic finish is weak making one feel, despite the excellent performances, like it wasn’t worth sitting through.

Alternate Title: North Sea Hijack

My Rating: 5 out of 10

Released: April 3, 1980

Runtime: 1 Hour 38 Minutes

Rated PG

Director: Andrew V. McLaglen

Studio: Universal

Available: DVD, Blu-ray

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Posted in 80's Movies, British Movies, Drama on the High Seas, Foreign Films, Movies Based on Novels, Thrillers/Suspense

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The Pirate Movie (1982)

Posted on May 2, 2021 | 1 comment

pirate2

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Nerd dreams of pirates.

Mabel (Kristy McNichol) is a nerdy girl living in Australia as an American exchange student who does not fit-in with the three sisters (Kate Ferguson, Rhonda Burchmore, Catherine Lynch) of her host family. One day the four visit a sword play demonstration being put on at a local festival. All four immediately become infatuated with Frederic (Christopher Atkins) the handsome swordplay instructor who later on invites them on a boat ride except the sisters don’t want Mabel to come along, so they untie the boat from the dock before she can board. Mabel then rents another boat to catch-up to them, but gets caught in a storm and washed up to shore in an unconscious state where she has a dream about a crew of 18th century pirates lead by The Pirate King (Ted Hamilton) who cast Frederic off their ship when he refuses to become a pirate like them. Frederic then washes up to shore where he meets Mabel and her sisters, but this time the sisters are all nerdy while Mable is the beautiful maiden that he immediately falls in love with. However, they must also avoid the clutches of The Pirate King and his men who also come to the island looking for women to kidnap.

The story is loosely based the the Gilbert and Sullivan operetta from 1880 called The Pirates of Penzance, but jacked-up with a lot of campy comedy and modern day, teeny-bopper songs that, unless you’re really into 80’s cheese, makes it an almost excruciating experience to sit through. I don’t mind some campiness, but there still needs to be an exciting plot and a story that has a sense of adventure and even a few moments of tension for balance, but all this thing has is one lame gag after another. There’s also a ton of anachronisms including an Inspector Clouseau-type character and even light sabers that have absolutely no place in a movie set in the 18th Century.

The dream concept gets poorly played-out as this is supposedly Mabel’s, but when a person is having a dream then everything is from their perspective and they’re involved in someway with everything that goes on in it and yet here there’s a great number of scenes where Mabel isn’t even present. She also mentions at one point that since this is ‘her dream’ she wants a ‘happy ending’, but people don’t usually know they’re dreaming while they’re having it and only become aware after they’ve awaken.

Kristy is much more entertaining in the nerd role (she looks literally like Peter Billingsley from A Christmas Story) and she should’ve remained in that character and then earned her way into becoming a beautiful, confident women at the end instead of having her change over to one in a split second like here. Atkins is amusing simply because he has a big-brawny body with the high-pitched voice of an 8th grader though his poor acting, which at first works since the movie itself is bad, eventually got on my nerves.

The only funny bits are the behind-the-scenes outtakes that get shown during the closing credits although Ted Hamilton, who also served as the executive producer, does have a few amusing moments even though as the villain he’s too hammy.

Spoiler Alert!

The romance I didn’t like because it happens too quickly as romances are more interesting when there’s a challenge to overcome and since Frederic had no experience with women many funny awkward scenarios could’ve been incorporated, but aren’t. What really annoyed me is that when Mabel does finally wake up Frederic is right there, almost like magic, and kisses her, so they fall in love just like in the dream, but what’s the use of having a dream concept if the reality is going to play-out in exactly the same way? Could’ve been funnier had they gotten together only to eventually realize they couldn’t stand each other, which would’ve added a smidgen of reality that this otherwise vapid thing is sorely missing.

My Rating: 1 out of 10

Released: August 6, 1982

Runtime: 1 Hour 38 Minutes

Rated PG

Director: Ken Annakin

Studio: 20th Century Fox

Available: DVD

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Posted in 80's Movies, Campy Comedy, Cult, Drama on the High Seas, Foreign Films, Movies Based on Stageplays, Movies from Australia, Musical

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Jaws: The Revenge (1987)

Posted on August 18, 2020 | Leave a comment

 

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Shark holds a grudge.

It’s been 9 years since the last shark attack in Amity. Since that time Chief Martin Brody (Roy Scheider) has died from a heart-attack, but the rest of his family continue to live in the area and carry on his legacy. His son Sean (Mitchell Anderson) like his father, works in the police department and one chilly night gets assigned to repair a disabled buoy out in the harbor. It’s there that he’s attacked and killed by a great white shark, making his mother Ellen (Lorraine Gary) believe that the shark is intentionally hunting down the members of her family, she even has nightmares about it. She warns her other son Mike (Lance Guest) to stay out of the water, but since he’s an underwater research scientist this is not possible, which starts to create friction between the two.

Just when the public thought it was safe to go back to the theaters again another formuliac shark movie got propped-up. This one was the brainchild of Universal CEO Sidney Sheinberg, (who was also the husband of the film’s star Lorraine Gary) who wanted to promote the new Jaws ride at Universal Studios theme park. In order to keep the story ‘fresh’ they decided to add-in a mystical element to it, but it’s not thought out enough to make any sense. I would think a shark would view people the same way people view sharks in that they would all look alike. How would a shark know when a Brody family member was in the water? Better yet how would the shark know when the Brodys move from New York all the way down to the Caribbean?

In the early versions of the screenplay, as well as the novel version of the film, the mystical factor gets explained as having been caused by a witch doctor named Papa Jacques who has an ongoing feud with the Brody’s and uses voodoo to compel the shark to kill them, but this idea got nixed in the final draft as it veered too much away from the actual shark. In some ways this was probably a good thing because in the novel there are several chapters done from the shark’s point-of-view where he becomes confused about why he’s killing the Brodys, which would’ve been too ludicrous had that been put into the movie.

The film sorely misses Roy Scheider, who’s only seen in brief flashbacks, and Richard Dreyfuss, who both refused to do the sequel. Had they been the elements of the shark’s revenge and having the nightmares only to decide to go out together on a boat ride to conquer those fears, this might’ve been worth catching.

Lorraie Gary’s presence is not interesting as she had been only a minor supporting player in the first two. She’s not the only one to reprise her role as Lee Fiero, who played Mrs. Kinter the mother of the young boy who gets killed by the shark in the first film, can be seen very briefly. Fritzi Jane Courtney, who played Mrs. Taft in the first two movies, is also on hand reprising the same character, but by this time her hair had turned all white and I didn’t immediately recognize her.

The presence of Michael Caine has to be the biggest head-scratchier. Granted he was notorious for doing what became known as ‘paycheck movies’ where no matter what the quality of the script he’d take the offer if the money was good, but his part here is quite minor and there’s long stretches where he isn’t seen at all. He later admitted that he has never seen the film and is well aware that it’s a flop, but the house it helped build with the money he made is ‘really nice’.

In fact the only performance that I was really impressed with was that of Judith Barsi, who plays the daughter of the Mike character. She’s perky and precocious when it’s required, but also believably frightened when it’s necessary making her untimely death, at the hands of her own father just a year after this film was released, all the more tragic.

Spoiler Alert!

The film’s most controversial moment has to do with the ending in which too variations were filmed. One has Gary ramming the shark with her boat and killing it while the other one has the beast exploding. Both versions show the cast jumping into the water as the boat they’re on breaks apart, but no explanation for how they ended up finding their way back to land, which is a big cop-out.

End of Spoiler Alert!

Probably the most amusing thing about this mess is the interview director Joseph Sargent gives on American Archives in which he mockingly laughs at his own film. He goes on to muse about Caine taking the part and shocked that he would think it was a ‘good script’. He then ponders about how ‘grown, intelligent men’ could ever work on a project that is so  stupid and admits that it was the money and power, as he acted as the film’s producer, that lead him to make the fatal mistake of doing it, which he knew was a really bad idea from the very beginning.

My Rating: 3 out of 10

Released: July 17, 1987

Runtime: 1 Hour 30 Minutes

Rated PG-13

Director: Joseph Sargent

Studio: Universal

Available: DVD, Blu-ray, Amazon Video, YouTube

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Posted in 80's Movies, Cold Climate/Wintertime Movies, Drama on the High Seas, Sequels, Thrillers/Suspense

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Summer Rental (1985)

Posted on July 17, 2019 | Leave a comment

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Family vacations in Florida.

Jack (John Candy) is an over-worked air traffic controller who’s given a 5-week vacation to rest up. He decides to take his family down to Florida, but things prove to be even more chaotic there. First they move into the wrong rental property and then Jack has a confrontation with local sailing champion Al Pellet (Richard Crenna) who is a longtime resident that openly disdains the renters who visit during the summer. When Pellet gets ownership of the property that Jack is renting and threatens to throw Jack’s family out Jack decides to challenge him to a sailboat race even though his experience in sailing is limited.

Initially this movie comes off as a welcome change of pace from the typical 80’s comedy that usually dwelt too heavily in crude jokes and adolescent humor. Outside of one segment where a neighbor lady wants John to touch her breasts, which the viewer doesn’t see, to see how much he likes her new implants there’s no sexual innuendos at all, which is genuinely surprising since most 80’s comedies, even the tamer ones, seemed to feel the need to throw at least a few in. I even like the kids here. In most films they’re played-up in too cutesy of a way, or they’re obnoxious brats, but here the balance is just right.

The story though goes nowhere. The original idea was based on a vacation experience that producer Bernie Brillstein had in Southern California where he was a father of 5 children that rented a beach home that had two elderly sisters and a mentally challenged son as his neighbors on one side and a group of gay men on the other side, but none of these elements appear in the movie, which for the most part is uneventful.

Candy’s confrontations with Crenna, whose portrayal of a snobby, rich man is too broad of a caricature, are forced and not funny. Their climactic sailing race doesn’t work either. Sailing can certainly be a relaxing excursion, but watching it as a sporting event is not exciting. It also has Candy and his crew dumping out the contents of a freezer and eventually the entire freezer itself into the lake in an effort to get their boat to sail faster, but this is also obvious water pollution and not something a protagonist in a film should be doing.

Candy gives an appealing performance as usual and Rip Torn is fun as an aging ship captain although having him walk around with an actual hook for a hand is a bit much.  Some may even enjoy seeing Joey Lawrence when he was still a cute kid, but the plot, much like stagnant water, just sits there and the pace is too breezy making the material hardly worthy of a feature length production.

There’s also a glaring logic loophole that involves Candy and his family staying at what they think is their rental property only to be awoken in the middle of the night by the homeowners and told they were at the wrong place, but how were the keys that they were given able to open the locks on the doors if it was not the right home? They also were able to retrieve the keys from the mailbox of the place, which is where they were told they’d find them, but if that wasn’t the right house then the keys should not have been there.

My Rating: 4 out of 10

Released: August 9, 1985

Runtime: 1 Hour 27 Minutes

Rated PG

Director: Carl Reiner

Studio: Paramount

Available: DVD, Amazon Video, YouTube

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Posted in 80's Movies, Comedy, Drama on the High Seas, Movies for the Whole Family, Movies that take place in Florida

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Voyage of the Damned (1976)

Posted on March 21, 2019 | Leave a comment

By Richard Winters

My Rating: 4 out of 10

4-Word Review: This ship goes nowhere.

Based on the true story of the ill-fated voyage of 937 Jewish refugees who left the port of Hamburg, Germany in 1939 on the ocean liner St.Louis, which was supposed to arrive in Havana, Cuba where they hoped to start a new life free of the rising antisemitism that had plagued them in Europe. However, when the ship reaches Cuba they are not allowed to dock and when the ship’s Captain (Max Von Sydow) tries to take them to the US and Canada they are refused entry as well forcing them to return to Germany.

Given the high production values and riveting story-line I was expecting it to be far more compelling than it ends up being. It’s not like Stuart Rosenberg’s direction is poor either because it isn’t, but it never gains any dramatic traction and the more it goes on the more boring it gets. This is definitely one instance where cutting the runtime would’ve been advantageous. I know we live in an era where the ‘director’s cut’ is considered the gold standard, but sometimes there’s good reasons for why studios edit it and usually it’s because some of the footage just isn’t necessary. I watched the 158 version, but the theatrical cut was trimmed to 134 minutes and after watching this one I can only presume that version would’ve been an improvement and if anything could’ve gained a better pace, which is something that is seriously lacking here.

There also too many characters and it’s hard to keep track of all them or get emotionally invested in their quandary especially when by-and-large their all suffering from the same dilemma. The time span between when they show a character to when they return is so long that by the time you see them again you’ve pretty much forgotten all about them.

The large cast is full big names and familiar faces and a few of them do a terrific job. I felt Von Sydow’s performance as the beleaguered but stoic captain was right on-target and I also enjoyed Orson Welles as the glib Cuban politician. Kudos also should go to Lee Grant, who ended up getting nominated for a Best Supporting Oscar here, for her one shocking scene where she cuts her hair down to its scalp, but overall most of the talent gets wasted. This includes Denholm Elliot and Jose Ferrer who appear onscreen for only a few minutes and Katherine Ross who has only two scenes that come near the end, but still managed to somehow get a Golden Globe nomination for her efforts anyways.

Spoiler Alert!

The film ends on a supposed happy note when the ship’s captain informs the passengers that Belgium and France will accept them, but then the denouncement states that 600 of them ended up dying anyways during the German Occupation making the viewer feel much like the passengers that they’ve just spent almost 3-hours going in circles. Maybe that’s the point, but as an insightful drama it fails. I was almost hoping that the Captain would’ve gone through with his plan to have the ship crash off the shore of England and allowing the passengers to disembark as a safety precaution, but still trying to make it look like it was an accident and not intentional. Although this would’ve swayed from what really happened it could’ve been an interesting thing to see and brought some genuine action into the mix, which was otherwise missing.

My Rating: 4 out of 10

Released: December 22, 1976

Runtime: 2 Hours 38 Minutes

Rated PG

Director: Stuart Rosenberg

Studio: Embassy Pictures

Available: DVD, Blu-ray, Amazon Video

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Posted in 70's Movies, Drama on the High Seas, Movies Based on Actual Events, Movies Based on Novels, Political Thrillers

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The Lightship (1985)

Posted on February 7, 2019 | 3 comments

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Hostages on a boat.

Captain Miller (Klaus Maria Brandauer) manages a stationary lightship with a small crew in the Atlantic and allows his teenage son Alex (Michal Skolimowski, but billed as Michael Lyndon) to come on board for a visit. While his son is there they take on board three men (Robert Duvall, William Forsythe, Arliss Howard) who were stranded at sea on a small boat. Once they board the vessel they quickly take over and hold the rest of the crew hostage. Alex wants to fight back immediately, but his father cautions him to take a more measured approach, which he finds to be cowardly and doesn’t hesitate to let his dad know it.

The film is a real mixed-bag with some good elements and some not so good ones to the point that it seems almost surprising that it was directed by such a legendary talent as Jerzy Skolimowski. The isolation aspects are good as you feel this boat is completely by itself out in the middle of the gray cold sea, which helps elevate the atmosphere particularly when Skolimoski forces the actors to perform outside even as a storm rages. However, the cinematography looks like it was filmed on videotape  and then transferred to film later, which gives the thing a cheap, low budget feel.

The most disconcerting aspect though is the action, or the lack thereof. The criminals overtake the ship too easily and quickly without enough of a buildup or explanation as to why they are doing it. There’s also way too many situations where the bad guys could’ve easily been overtaken particularly when all three put down their guns and go dancing/partying in one of the vessel’s downstairs cabins. Why couldn’t the rest of the crew simply used this opportunity to lock them inside?

There’s also just too much standing around and talking making it one of the most civilized hostage taking scenarios ever recorded. The bad guys are also too dense particularly the Forsythe character who speaks and acts so dimwitted that he seemed better suited for a comedy. Instead of the film building-up the tension for the viewer you start to wonder why any of what we’re seeing is even happening.

Duvall’s performance is a bright spot as he plays against type by speaking in a wispy voice and wearing a pencil thin mustache until he looks almost exactly like film director John Waters. Brandauer is excellent as well and his stoic, measured presence helps to keep it compelling, but what surprised me the most was that apparently during rehearsals Duvall and Brandauer played the opposite part and then decided to switch-up once shooting began, which would’ve made seeing the behind-the-scenes footage all the more fascinating. Lyndon though as the son is quite weak and outside of his pretty boy face has very little to offer and was most likely only got the part because he was the son of the director while his voice-over narration, which was apparently thrown in at the last minute, is completely unnecessary and only helps to take the viewer out of the story every time it gets used.

The climax is genuinely exciting as it’s not clear until the very end whether the captain will come through and save the ship, or just cowardly slink away. As I said at the top of this review it’s a real mixed-bag with a couple of choice dramatic moments that makes it worth it, but only if you’re patient.

My Rating: 7 out of 10

Released: September 1, 1985

Runtime: 1 Hour 28 Minutes

Rated PG-13

Director: Jerzy Skolimowski

Studio: CBS Theatrical Films

Available: DVD

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Posted in 80's Movies, Drama on the High Seas, Movies Based on Short Stories, Psychological, Thrillers/Suspense

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The Deep (1977)

Posted on July 14, 2018 | 1 comment

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Couple finds sunken treasure.

David (Nick Nolte) and Gail (Jacqueline Bisset) are a couple scuba diving off the Bermuda coast when they come upon a shipwreck and some artifacts left from it. They meet with treasure hunter Romer (Robert Shaw) who tells them it is a part of a Spanish treasure and works with them to try to unearth the rest of it. Problems arise when a shipwreck from World War II, the Goliath that had carried a cargo of medicinal morphine rests right next to it. To get at the Spanish shipwreck they must also go through the Goliath. Cloche (Louis Gossett Jr.), a local drug kingpin, wants to get his hands on the morphine, which could be worth a tidy sum of money and he tries to scare away Romer and the couple from continuing their diving activities, so Romer makes a deal with Cloche, but it backfires and turns the expedition into an intriguing game of underwater double-cross.

The film is based on the novel of the same name by Peter Benchley, who because of the success of his first novel Jaws, was given an almost immediate green light to turn this book into a movie. The inspiration for the story was based on the real-life shipwreck of the Constellation, which occurred off the coast of Bermuda in 1942. Great effort was put into the underwater footage, which lasted for 153 days and consisted of 8,895 dives.

Unfortunately despite the title and underwater storyline the film lacks depth where it counts, which is with the characters. The movie starts out immediately with the couple scuba diving and finding the treasure before we have any idea who these people are or why they are even there and no suitable backstory is ever given, which makes them come off as bland people lacking any real distinction and that you care little about. Character development is still an integral part of moviemaking and the main ingredient that gets the viewer hooked into a story and yet this film completely lacks it.

I’ll give credit to both Nolte and Bisset for doing their own diving and Nolte looks great with his bleach blonde hair almost like he’s a surfer dude, but his presence really wasn’t needed. Bisset, despite the extreme limitations of the weak script, still gives a far better performance and I felt she could’ve easily carried the film without him and I’m not just saying that because she looks great in her skimpy underwater gear, which was purportedly the whole reason why this film did well at the box office. Sure she’s beautiful, but she’s also quite talented.

Shaw should’ve added an extra boost in support, but he doesn’t. Normally his strong personality literally eats up the screen in any movie that he is in, but he’s stifled by the benign characterization and unable to rise above it. In retrospect he should’ve never have accepted the part until he had actually read the script, but because he was offered $625,000 plus a percentage of the profits, he took the role before the script was even written and hence the whole problem.

Gossett is weak as the bad guy and is not seen enough to create any genuine feeling of menace. The segment where he and his cronies try to ‘terrorize’ Bisset by performing some very clichéd type of black magic voodoo on her is almost laughable. The only actor that is actually good here is Eli Wallach and it is a testament to his superior thespian abilities that even though he was straddled with a pointless, bit role he was still able to own every scene that he is in anyways.

The film’s only interesting moment, which apparently took 1,080 hours to shoot, is when a pack of grey sharks converge for an eating frenzy and get tangled up in the air hoses of the crew, but even this becomes unintentionally funny because every time one of the sharks move an air hose the crew is forced to suddenly jump up in the water making them look quite literally like a puppet on a string.

The script desperately needed some added element as the concept is too basic and one-dimensional.  Watching one dull group of people trying to get at a treasure while another equally dull group of people try to stop them does not make for a riveting cinematic experience.

My Rating: 3 out of 10

Released: June 17, 1977

Runtime: 2Hours 4Minutes

Rated PG

Director: Peter Yates

Studio: Columbia Pictures

Available: DVD, Blu-ray, Amazon Video, YouTube

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Posted in 70's Movies, Action/Adventure, Drama on the High Seas, Movies Based on Novels

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Jaws 2 (1978)

Posted on July 9, 2018 | Leave a comment

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Another shark terrorizes Amity.

Chief Brody (Roy Scheider) fears that another shark is stalking the beaches of Amity when two divers disappear and then later a water skier and her speedboat driver are also killed. When Body goes to Mayor Larry Vaughn (Murray Hamilton) with his concerns the mayor and the rest of the council dismiss it and eventually fire Brody from his position when he continues to argue. His concerns are worsened when he finds that his two sons (Mark Gruner, Marc Gilpin) and their teen friends have snuck off onto a sailboat right were the shark attacks have been occurring.

Only four cast members return from the first one which includes the aforementioned Scheider and Hamilton as well as Lorraine Gary as Brody’s wife and Fritzi Jane Courtney as one of the council members. For me the biggest surprise was the return of Hamilton’s character as most likely he would’ve been voted out after making such egregious error in the first film and leaving the beaches open to further shark attacks after being told not to. I was also surprised that anyone would still want to come to the beach to swim anyways as the stigma of the area would most likely be quite strong.

Director John D. Hancock and his wife Dorothy Tristan who were first hired to direct the sequel had a much better, more believable plot idea. In their script Amity had become a ghost town and the economy in ruins. Mayor Vaughn and developer Len Peterson (Joseph Mascolo) build a resort on the island hoping to boost the tourism, but they use mob money to do it, which is why they end up resisting Brody’s dire warnings. Unfortunately the studio felt this concept was ‘too dark’ so Hancock and his wife were fired and replaced with a script by Howard Sackler and Carl Gottlieb that is basically just a bland rehashing of the storyline from the first one.

The first film was beautifully paced with each scene adding to the tension, but here there are a lot of lulls and the shark, which wasn’t seen much in the first one, doesn’t get shown enough here. The majority of time I kept feeling frustrated waiting for another shark attack to occur as any time the story is on land the film dies.

A good sequel should also always up-the-ante and having the plot built around just one shark doing all of the attacking just like in the first film doesn’t help to take the tension to the next level. Having a group of sharks attack at the same time would’ve helped add more shock appeal as people would now be battling sharks from multiple fronts and making the chances for survival all that more precarious.

Although it’s great seeing Keith Gordon and Donna Wilkes in their film debuts the rest of the teen cast is unlikable and the type of smart ass kids you wouldn’t mind seeing get eaten. There are also too damn many of them and the film would’ve been better served had it stuck to just Brody’s two sons on the boat and none of the others.

The way the shark ultimately dies is cool, but everything else falls flat. If you’ve seen the first one then there’s no reason to watch the sequel as it adds nothing to the theme and if you haven’t seen the first one then please skip this installment altogether and grab that one as it is far superior.

My Rating: 3 out of 10

Released: June 16, 1978

Runtime: 1Hour 57Minutes

Rated PG

Director: Jeannot Szwarc

Studio: Universal

Available: DVD, Blu-ray, Amazon Video, YouTube

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Posted in 70's Movies, Drama on the High Seas, Sequels, Thrillers/Suspense

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Jaws (1975)

Posted on July 8, 2018 | 10 comments

By Richard Winters

My Rating: 10 out of 10

4-Word Review: Shark in the water.

A young woman (Susan Backlinie) goes out for a swim late one night only to have her severed hand wash up on shore the next day, which causes the Amity Police chief Martin Brody (Roy Scheider) to fear that her death may have been caused by a shark. Amity mayor Larry Vaughan (Murray Hamilton) doesn’t want his town to risk losing business, so he has his coroner deny that a shark was responsible and hence the beach remains open, but then more attacks occur. Eventually an eccentric shark hunter named Quint (Robert Shaw), Matt Hooper (Richard Dreyfuss) from the Oceanographic Institute and Brody head out on a small fishing vessel called Orca to locate the shark and then kill it, but they find the underwater beast to be far bigger and more cunning than they had ever imagined.

With its exceptional ability to slowly build tension and keep the viewer riveted from the first frame to the last easily makes this the quintessential thriller. John Williams’s legendary score adds to the murky ambience and in many ways is more memorable than the shark itself. Director Steven Spielberg wisely adds a secondary layer to the narrative by creating colorful and distinctive characters, most notably Quint, who gives the proceedings a flavorful nuance and makes the conversations and interactions that occur between the three inside the boat more interesting than what happens in the water.

The most amazing thing though is how little the shark is actually seen and in fact you don’t even get a glimpse of him until about an hour in. Part of this was due to the difficulty of getting the mechanical creation to perform properly in salt water, but in the end this became a blessing in disguise as it’s the mystery and allusion to its large size that makes it so riveting. The viewer feels as helpless and confused as the men on the boat, which makes the climactic sequence when the shark suddenly does jump onto the boat all that more impactful.

Spoiler Alert!

The film though does deviate heavily from the Peter Benchley source novel and a legitimate argument can be made as to which one presents the story better. In the book the tone is darker and the characters less likable. For me this makes it more intriguing from a psychological bent as it conveys the idea that humans are like the shark that they hunt as they both selfishly devour everything around them. Spielberg though didn’t care for this interpretation so the novel’s darker subtext gets erased, but it still made me intrigued, as much of a classic as this movie is, to see a reboot where the narrative stayed more faithful.

Some of the book’s subplots got too involved particularly the one dealing with the mayor’s connections to the criminal underworld, so I’m glad that one got toned down.  However I felt the one though dealing with Hooper’s affair with Brody’s wife (Lorraine Gary) should’ve been left in as it would’ve added extra tensions between the two while on the boat while also seeing how people can learn to work together even when they hate each other.

In the book Hooper dies when the shark attacks the cage that he is in while in the movie he is able to escape and somehow hide from the shark. This though seemed unrealistic as sharks have special sensing organs known as electroreceptors that allow them to detect the electromagnetic field emitted from a moving animal or at close range even the heartbeat of an immobile one, which means the shark most likely would’ve figured out where Hooper was hiding and gotten him.

In the book the shark dies from its many wounds just as it gets a few feet from Brody while in the movie it’s killed when the scuba tank that it has in its mouth explodes when hit by a bullet, but a 2003 episode of Mythbusters proves that in reality this wouldn’t have happened. My main beef though is that by having the shark literally blow-up into little pieces it denies the viewer the chance at seeing what the beast looked like as a whole. Supposedly this was one giant of a shark, so viewing it strung up at the end would’ve been a cool thing to have seen.

End of Spoiler Alert!

Despite these many differences the film still works splendidly and I don’t mean to imply that it doesn’t, but I would still suggest reading the book afterwards as it gives the story and characters an added dimension.

My Rating: 10 out of 10

Released: June 20, 1975

Runtime: 2Hours 4Minutes

Rated PG

Director: Steven Spielberg

Studio: Universal

Available: DVD, Blu-ray, Amazon Video, YouTube

10 Comments

Posted in 70's Movies, Classic, Drama on the High Seas, Movies Based on Novels, Thrillers/Suspense

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Airport ’77 (1977)

Posted on April 1, 2018 | 6 comments

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Plane crashes into ocean.

Rich tycoon Philip Stevens (James Stewart) invites his high society friends to his home in Palm Beach, Florida by flying them over on his luxury jet. Unfortunately a gang of hijackers have decided to use this opportunity to steal some expensive artwork, which is also on the plane, by rigging the venting system with sleeping gas, which temporarily knocks-out the Captain (Jack Lemmon) along with all the passengers. Then as everyone sleeps the thieves steal the artwork while the co-captain (Robert Foxworth), who is in on the crime, pilots the plane, but while going into some heavy fog the plane grazes an offshore oil rig that sends the craft and everyone on it into the ocean forcing the panicked people to figure out some way to signal those on the ground that they need help.

Although Airport 1975 did well at the box office it was critically maligned and producer Jennings Lang wanted to come up with some way to keep the theme fresh and inventive. In most ways the film succeeds and can be considered an admirable sequel as the silly humor from the first two is taken out and the audience gets left with a high adrenaline disaster flick that is convincing and compelling.

Unfortunately the first 35 minutes almost kills it as the film is too intent on setting up contrived soap opera-like storylines for all of its characters. The lovesick gaze that Kathleen Quinlan gives to blind musician Tom Sullivan as he plays a romantic tune on the piano is sappy enough to make some viewers want to turn the movie off completely. The side-story dealing with Lemmon’s relationship with head stewardess Brenda Vaccaro was not needed, although the way he rescues her at the end is quite cool, and is too similar to one between Dean Martin’s and Jacqueline Bisset’s characters in the first film. Lee Grant can play a bitch with a capital ‘B’, but here it gets over-the-top making her so unlikable I didn’t care if she lived or died. I was hoping that, through the course of the film, her character would be forced to show a sympathetic side at some point, but she never does.

If you can get past the clunky beginning then you’ll be rewarded with a genuinely exciting and tense second-half. The special effects are well done and watching the cast, who bravely did most of their own stunts, get doused with gallons of rushing water inside the plane is a tense and impressive moment.

Lemmon is excellent and his presence helps elevate it from just being a cheesy disaster flick. Christopher Lee is good in an uncharacteristically sympathetic role making me believe that maybe he should’ve played more of these types of parts in his career. Foxworth is also effective as the duplicitous co-pilot. He’s played bad guys before, so watching him become evil wasn’t a stretch, but I enjoyed how the camera cuts back occasionally to show his guilt-ridden face as he watches the others struggle to survive.

Screen icon James Stewart is wasted in a part that gives him very little to do other than standing around with a perpetually concerned look on his face and it would’ve been more interesting having him on the plane with the others. George Kennedy gets his token appearance as Joe Patroni the only character to appear in all four Airport films, but it hardly seems worth it. His caustic, brash personality that made him so engaging in the first movie is completely lost here making him dull and transparent and virtually pointless to the main story.

While it does seem a bit too similar to The Poseidon Adventure it still has some great underwater footage particularly when the rescue naval crew puts balloons underneath the craft in an attempt to lift the plane out of the water, which is unique and not shown in any other movie and makes this worth catching just for that.

My Rating: 7 out of 10

Released: March 11, 1977

Runtime: 1 Hour 54 Minutes

Rated PG

Director: Jerry Jameson

Studio: Universal

Available: DVD, Amazon Video, YouTube

6 Comments

Posted in 70's Movies, Disaster Flicks, Drama on the High Seas, Movies that take place in Florida, Sequels

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