Tag Archives: Meryl Streep

Heartburn (1986)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Husband cheats on wife.

Rachel (Meryl Streep) writes for a magazine as a New York food critic and meets Mark (Jack Nicholson) at a wedding that they both attend. Mark is a political columnist who’s known around Washington for being quite a ladies man, but the two get into a relationship anyways and then eventually despite their reluctance married. Things go smoothly for a while and Rachel even starts to think that she has a ‘perfect marriage’, but then as she is about to give birth to their second child she realizes that he has been having an affair.

The film is based on Nora Ephron’s autobiographical novel dealing with her marriage and subsequent divorce to newspaper reporter Carl Bernstein. The book starts out with her ready to give birth to the second child, but the movie unfortunately takes a more linear approach to the narrative as it plods along through the initial courtship and wedding even though the red flags are clearly there and the viewer knows exactly where it’s going. The story would’ve worked better had it started at the 50-minute mark where Rachel finds out about the affair and then through brief flashbacks shown how the relationship began, which would’ve cut the runtime, which is too long for such slight material anyways, and helped make the proceedings seem just a little less predictable.

A lot of the humor doesn’t work either. The sequence involving the wedding ceremony and Rachel not sure if she wanted to go through with it which keeps the guests there for hours gets botched because I don’t believe the people would’ve remained sitting there for so long. When she finally does decide to proceed with the wedding the guests all look strangely refreshed when in reality most if not all would’ve been long gone and it would’ve been funnier to see them getting married inside an empty room save for one bored wedding guest who remained there simply because it couldn’t find a ride home.

The dream-like segments where an Alistar Cooke-like character talks about Rachel’s marriage problems while hosting a TV-show is too surreal and should’ve been excised because doesn’t fit the tone of the rest of the film, which is more reality based. The segment where Rachel finds out that Mark is having an affair and then it cuts to a shot of her holding a pie that she is taking to a dinner party is too obvious as the viewer immediately gets a strong sense that the pie will eventually be going onto Mark’s face and when it finally does it’s not funny, but anti-climactic instead.

The script fails to add any new insight into an already tired subject and the characters aren’t likable as they have too much of an elitist coastal feel about them and their lifestyles won’t resonate or connect with anyone living in another part of the country. There are just too many people in this whose only concern or form of entertainment is having catty gossip/conversations dealing with who’s cheating on whom, which quickly becomes derivative.

Streep and Nicholson are good and its interesting seeing them play together here as they also starred together just a year later in Ironweed playing two diametrically different people. Unfortunately Jack, who is for the most part quite likable, doesn’t look or behave at all like the real-life Bernstein, which his character is supposedly loosely based on. Dustin Hoffman, who had already played Bernstein in All the President’s Men was the first choice for the role and he would’ve been perfect, but for whatever reason he turned it down.

Ultimately though the film’s biggest drawback is simply Rachel herself as she frets and nitpicks about everything and her anxiety-ridden ways would most likely annoy any man, which makes the ultimate affair when it finally does happen seem inevitable and not a shock at all. When she ponders to Mark about if they should get married and she tells him that she fears she’ll drive him crazy and Mark replies ‘you already are’ I felt like saying ‘she’s driving the viewer that way too.’.

My Rating: 6 out of 10

Released: July 22, 1986

Runtime: 1Hour 49Minutes

Rated R

Director: Mike Nichols

Studio: Paramount

Available: DVD, Amazon Video, YouTube

Ironweed (1987)

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Life on the streets.

It’s the 1930’s and Francis Phelan (Jack Nicholson) has been living on the streets for over two decades. At one time he was a promising baseball player with a bright future, but then he accidently dropped his infant son and killed him. Dealing with the guilt and shame of it turned him into an alcoholic who roams the cold streets of Albany, New York looking for odds jobs and handouts when he can. He seeks out his lover Helen (Meryl Streep) for companionship and the two share a bottle of booze and their bitterness at the world that is ambivalent to their desperate situation.

The film is based on the novel of the same name by William Kennedy, who also wrote the screenplay and is directed by Hector Babenco who received wide claim for directing Pixote a film that dealt with homelessness in Brazil. This film is without question one of the best to tackle the lives of street people. Most films tend to treat the subject rather timidly and only analyze the topic from a distance (i.e. having a side character who is homeless, or maybe a main character who is temporarily on the streets), but this film engrosses the viewer completely into the homeless lifestyle while supplying absolutely no letup to their bleak existence. The result is a fascinating and revealing journey that shows how complex and multi-dimensional these people actually are while exposing every facet of the homeless experience including the indignities and dehumanization that they must face on a daily basis.

The casting is interesting particularly for the fact that both Nicholson and Streep had just starred together in Heartburn a year earlier playing a couple on the completely opposite side of the socio-economic scale. I commend Nicholson for tackling a challenging role that goes completely against his persona as normally he plays flamboyant types with over-the-top personalities, so it’s great seeing him take on a humble one who feels and acts like a complete miniscule to the world around him. However, the scenes where he interacts with the ghostly visions of people he has murdered in the past does not come off as successfully as it could’ve. The imagery is interesting, but the fact that he had played a character already that dealt with similar types of ghostly visions in The Shining causes the viewer to think back too much to that film and takes them out of this one.

Streep is outstanding and her constant ability to completely submerse herself into her characters and take on different accents with an amazing authenticity never ceases to amaze me. She really looks the part too by not only wearing no make-up, but having her teeth stained and darkened to effectively give off that decayed look. I’m genuinely floored at how many times most films neglect to do this. Actors portraying characters in destitute environments, or from the old west, may convey the down-and-out or rugged look physically, but their teeth still always look great when in reality they should’ve been in as bad of shape or worse as the rest of their bodies.

The supporting cast is good but they have little to do, which includes Fred Gwynne who appears briefly as a bartender. Carroll Baker though is excellent as Nicholson’s ex-wife. She was a blonde beauty that burst onto the scene in the ‘50s and was billed as the next Marilyn Monroe, but her acting ability quickly became suspect and by the ‘60s she was relegated to low budget B-movies and European productions, but in the ‘80s she made a Hollywood comeback in supporting roles and her appearance here was clearly her best performance and proves that she really could act. Margaret Whitton is also a standout as she takes part in one of the film’s few lighthearted moments as an eccentric woman who is prone to histrionic fainting spells and walking outside without any clothes.

The film though does suffer from a few too many dramatic peaks, which includes having two of Nicholson’s homeless friends die almost simultaneously, which only helps to lessen the effect by squeezing out more drama than it needs to, but overall this is a top notch effort where every scene and utterance rings true.

My Rating: 8 out of 10

Released: December 18, 1987

Runtime: 2Hours 23Minutes

Rated R

Director: Hector Babenco

Studio: TriStar Pictures

Available: DVD, Blu-ray, Amazon Video, YouTube

Before and After (1996)

before and after

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Son is a murderer.

This is a solid drama based on the novel by Rosellen Brown detailing how a family copes after their teenage son Jacob (Edward Furlong) is accused of killing his girlfriend.

Thoroughly engrossing and believable from beginning to end and full of intriguing plot twists. It is fascinating how it examines things from a completely unique perspective namely the family members of the perpetrator, which is rarely ever done. The story is also interesting in that it gets the viewer too become quite attached to Furlong who plays the accused. The film forces the viewer to face and question their own moral judgments, which is good since many films these days seem timid at digging too deeply into anything of a serious nature or forcing the viewer to confront any of their own preconceived notions.

On the negative end the film lacks cinematic style and at times almost looks like it is a TV-movie. Meryl Streep is okay as Jacob’s mother, but this is definitely not one of her better performances. There is a love making scene between her and Liam Neeson that looks mechanical and is completely unnecessary. Viewers who have had family members or friends that have been victims of crimes may find themselves upset with some of the moral conclusions.

Overall this is a strong drama that presents a lot of issues that are timely and haven’t been done anywhere else. Despite a lack of flair or visual style it is still an excellent piece of storytelling with an outstanding performance by Furlong.

My Rating: 8 out of 10

Released: February 23, 1996

Runtime: 1Hour 48Minutes

Rated PG-13

Director: Barbet Schroeder

Studio: Caravan Pictures

Available: DVD, Blu-ray, Amazon Instant Video