Tag Archives: Carl Bernstein

Heartburn (1986)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Husband cheats on wife.

Rachel (Meryl Streep) writes for a magazine as a New York food critic and meets Mark (Jack Nicholson) at a wedding that they both attend. Mark is a political columnist who’s known around Washington for being quite a ladies man, but the two get into a relationship anyways and then eventually despite their reluctance married. Things go smoothly for a while and Rachel even starts to think that she has a ‘perfect marriage’, but then as she is about to give birth to their second child she realizes that he has been having an affair.

The film is based on Nora Ephron’s autobiographical novel dealing with her marriage and subsequent divorce to newspaper reporter Carl Bernstein. The book starts out with her ready to give birth to the second child, but the movie unfortunately takes a more linear approach to the narrative as it plods along through the initial courtship and wedding even though the red flags are clearly there and the viewer knows exactly where it’s going. The story would’ve worked better had it started at the 50-minute mark where Rachel finds out about the affair and then through brief flashbacks shown how the relationship began, which would’ve cut the runtime, which is too long for such slight material anyways, and helped make the proceedings seem just a little less predictable.

A lot of the humor doesn’t work either. The sequence involving the wedding ceremony and Rachel not sure if she wanted to go through with it which keeps the guests there for hours gets botched because I don’t believe the people would’ve remained sitting there for so long. When she finally does decide to proceed with the wedding the guests all look strangely refreshed when in reality most if not all would’ve been long gone and it would’ve been funnier to see them getting married inside an empty room save for one bored wedding guest who remained there simply because it couldn’t find a ride home.

The dream-like segments where an Alistar Cooke-like character talks about Rachel’s marriage problems while hosting a TV-show is too surreal and should’ve been excised because doesn’t fit the tone of the rest of the film, which is more reality based. The segment where Rachel finds out that Mark is having an affair and then it cuts to a shot of her holding a pie that she is taking to a dinner party is too obvious as the viewer immediately gets a strong sense that the pie will eventually be going onto Mark’s face and when it finally does it’s not funny, but anti-climactic instead.

The script fails to add any new insight into an already tired subject and the characters aren’t likable as they have too much of an elitist coastal feel about them and their lifestyles won’t resonate or connect with anyone living in another part of the country. There are just too many people in this whose only concern or form of entertainment is having catty gossip/conversations dealing with who’s cheating on whom, which quickly becomes derivative.

Streep and Nicholson are good and its interesting seeing them play together here as they also starred together just a year later in Ironweed playing two diametrically different people. Unfortunately Jack, who is for the most part quite likable, doesn’t look or behave at all like the real-life Bernstein, which his character is supposedly loosely based on. Dustin Hoffman, who had already played Bernstein in All the President’s Men was the first choice for the role and he would’ve been perfect, but for whatever reason he turned it down.

Ultimately though the film’s biggest drawback is simply Rachel herself as she frets and nitpicks about everything and her anxiety-ridden ways would most likely annoy any man, which makes the ultimate affair when it finally does happen seem inevitable and not a shock at all. When she ponders to Mark about if they should get married and she tells him that she fears she’ll drive him crazy and Mark replies ‘you already are’ I felt like saying ‘she’s driving the viewer that way too.’.

My Rating: 6 out of 10

Released: July 22, 1986

Runtime: 1Hour 49Minutes

Rated R

Director: Mike Nichols

Studio: Paramount

Available: DVD, Amazon Video, YouTube

All the President’s Men (1976)

all-the-presidents-men

By Richard Winters

My Rating: 6 out of 10

4-Word Review: They take down Nixon.

In the early morning hours of June 17, 1972 five men are found burglarizing the Democratic Headquarters at the Watergate Office complex in Washington D.C. The next day a young Washington Post reporter by the name of Bob Woodward (Robert Redford) is assigned to cover the case. Initially it was considered only a minor story, but as he digs further into the details he finds wider connections including links that lead directly to the White House. Together with Carl Bernstein (Dustin Hoffman),who is another reporter, the two men continue to research and end up battling one roadblock after another in their quest the uncover the truth.

If there is one area where this film really scores in it’s in the way that a journalist’s job gets portrayed. In fact many colleges show this film to their student who are majoring in the field in order to given them a realistic perspective of what the profession actually involves. For me I found it quite enlightening particularly the first hour. The many people and steps that a reporter has to go through just to get one solid lead is interesting as is the protocol system determining which story gets the front page and which don’t.

The layout of the newsroom was also fascinating as it all seemed very authentic and like they were working in an actual one. To my absolute shock I found out later that it had all been constructed on a film set, but so meticulously done that you couldn’t tell the difference. Initially several scenes were filmed in the real office using actual employees in the background, but the knowledge of being on camera made some behave in ways that they normally wouldn’t and this ultimately forced the filmmakers to decide to recreate it on a soundstage and use actors as the office crew.

The performances by the two leads are good, but neither of them resembles their real-life counterparts. Both Redford and Hoffman were already pushing 40 at the time and looking it while Woodward and Bernstein were still in their 20’s when this story occurred so the line that the Jack Warden’s character makes about these two being ‘young and hungry’ and looking for a good story to build their careers on doesn’t make as much sense.

The characters aren’t well fleshed out either. No time is spent on what these guys were like when not ardently following up leads, which is absolutely all we see them doing.  The original screenplay, which was written by Woodward and Bernstein, had a subplot involving the two trying to score with women, which would’ve helped add a comical touch and parts of that should’ve been kept in.

The second half lags as there are too many leads and names that get bantered about that don’t have faces connected to them making it seem like information overload that doesn’t help the viewer get as emotionally involved as they should. Having cutaways showing Nixon and/or is aides becoming increasingly more paranoid as the reporters closed in on them could’ve added that much needed extra dimension.

There is a stunning bird’s-eye shot of the inside of the Library of Congress, which is amazing and the fact that many of the scenes get filmed at the actual sites where the real-life instances occurred is both impressive and commendable. I also enjoyed the wide-array of recognizable faces that show up in bit parts including Valerie Curtain as a frightened source and Polly Holliday as an evasive secretary. They even cast Frank Wills the real-life security guard who broke the case wide open playing himself in the film’s opening scene, which is cool even though for me the film’s second half fails to be as entertaining as the first, which prevents it from being a classic.

My Rating: 6 out of 10

Released: April 4, 1976

Runtime: 2Hours 19Minutes

Rated PG

Director: Alan J. Pakula

Studio: Warner Brothers

Available: DVD, Blu-ray, Amazon Video, YouTube