Category Archives: Movies with Nudity

A Nightmare on Elm Street 5: The Dream Child (1989)

Posted on October 29, 2013 | 3 comments

Nightmare on elm street 5

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Freddy’s in the womb.

Alice (Lisa Wilcox) who survived Freddy’s attack from the last film and supposedly killed him is now suffering from those dreaded reoccurring nightmares again. This time she sees herself inside the mental institution where Freddy’s mother Amanda was raped and even witnesses his rebirth. She also finds out that she is pregnant and Freddy is trying to drive his spirit into the fetus so he can be reborn into the real world.

I came into this thing with extremely low expectations, but found myself delightfully surprised and consider this a definite improvement over the previous installment. Director Stephen Hopkins inserts a more artistic visual flair here. Some of the segments even have a certain Salvador Dali look especially near the end when the dimensions in the rooms inside the dreams begin to have all sorts of odd configurations. The use of a moonlit-like lighting accentuates the film’s dark imagery. I saw here the makings of the modern day horror movie that we are used to seeing today with more emphasis on the dark psychological undercurrent and less on the mechanical slasher formula.

The special effects are imaginative. Watching Freddy coming out of his mother’s womb as a baby is excellent as well as having him as a deformed baby run around an abandoned sanctuary as a sort of freak child. The scene showing Alice’s unborn baby inside her womb and attached to an umbilical cord I found to be quite impressive. I also was impressed with the segment where Alice’s skinny model friend Greta (Erika Anderson) gets her mouth stuffed with food by Freddy and her cheeks balloon out excessively, which may sound funny, but the way it is shown gets disturbing and even unsettling as they go back to it several times later on in the film. A segment cut from the theatrical release where Freddy force feeds her the insides of her own stomach can be seen on the unrated version.

The characters seem more like real people and the dialogue is an improvement as well. Wilcox now sports blonde hair and no longer has that reddish hair look that reminded me too much of Carrie. She also seems more confident in her role and gives a solid performance. Anderson, who was a former Elite model, makes for a pleasant addition to the eyes.

Freddy doesn’t have quite as much screen time as he did before, but that works for the best. The pace is slowed down with more emphasis on mood and atmosphere, which gives it a slightly more sophisticated feel.

My only real complaint is the blaring rap song that gets played over the closing credits, which is jarring and out-of-place.  Some fans of the series consider this to be one of the weaker installments, but I don’t agree. However, if you didn’t like it feel free to leave a comment as I would be interested to hear why.

My Rating: 5 out of 10

Released: August 11, 1989

Runtime: 1Hour 30Minutes

Rated R

Director: Stephan Hopkins

Studio: New Line Cinema

Available: VHS, DVD, Blu-ray, Amazon Instant Video

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Posted in 80's Movies, Adolescence/High School, Cult, Horror, Moody/Stylish, Movies with Nudity, Sequels, Slasher/Gore

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A Nightmare on Elm Street 4: The Dream Master (1988)

Posted on October 28, 2013 | 1 comment

nightmare on elm street 4

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Freddy won’t go away.

Freddy Krueger (Robert Englund) tracks down and kills the last of the three remaining Elm Street teens, but Kristen (Tuesday Knight) wills her dream powers to her friend Alice (Lisa Wilcox) who now finds herself taking on the different traits of the past victims.  As Freddy tries to draw on a new batch of teen victims she fights him off with her new found abilities.

What started out as a highly original idea has now become formulaic. I didn’t find any of it scary, or even all that entertaining. The nightmare segments are redundant and the storyline cluttered. I wasn’t wrapped at all in the perils of any of the characters and would be surprised why anyone would. The whole series would’ve worked better had it stuck with the original Nancy character solely being the victim of the dreams and her lifelong battle against Krueger instead of always having some new character being the victim of the nightmares, which starts to make it derivative.

The dialogue is stilted and the characters are cardboard. The acting is also uniformly bad. Past entries in the series have had teen cast member go on to super stardom, but it is easy to see why this one didn’t. Due to being pregnant Patricia Arquette was unable to reprise her role as Kristen and Knight makes for a very weak replacement. I also didn’t like Wilcox because she seemed to resemble Sissy Spacek and started to remind me too much of the original Carrie. I did appreciate Danny Hassel as Dan simply because his wooden acting and one-note facial expressions aptly reflected the dull personality of your average high school jock.

The special effects are okay. The part where Alice is at a movie theater and gets sucked into an old movie is groovy as is watching the attractive Brooke Theiss morph into a giant cockroach. The segment where the souls of Freddy’s victims burst out of his body is excellent and the best moment of the entire film. However, other effects like having the heads of Freddy’s victims on sausages of a giant pizza are too silly.

Englund is in top form and really seems to be having fun. The part where he bursts out of a water bed and asks Joey (Rodney Eastman) “How’s this for a wet dream?” is fun as are his other choice lines. Englund even appears briefly as a female nurse and does as the Freddy character a rap song during the closing credits.

The series at this point looks to be dying a slow death with not enough new elements being added in and too much rehashing of the same old stuff. It seems incredulous to me that another two entries were made before the concept was finally retooled.

My Rating: 3 out of 10

Released: August 19, 1988

Runtime: 1Hour 32Minutes

Rated R

Director: Renny Harlin

Studio: New Line Cinema

Available: VHS, DVD, Blu-ray, Amazon Instant Video

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Posted in 80's Movies, Adolescence/High School, Cult, Horror, Movies with Nudity, Sequels, Slasher/Gore

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The House of Exorcism (1976)

Posted on October 26, 2013 | Leave a comment

house of exorcism

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Possessed by the devil.

When Mario Bava’s Lisa and the Devil, which was reviewed yesterday, failed to generate any business at the box office the film was reedited using footage cut from the first film as well as adding some new scenes. In this version Lisa (Elke Sommer) is a tourist in Spain who becomes possessed by the devil right out in broad daylight on the cobbled streets and in front of her fellow tourists. She is taken by ambulance to the nearest hospital and accompanied by Father Michael (Robert Alda). The doctors are unable to explain her condition medically and as she gets worse and more violent it is up to the Father to excise the demon.

This version is an improvement over the Bava one in fact Bava’s name doesn’t appear anywhere on the credits and instead the film’s producer Alfredo Leone is listed as the director under the pseudonym Mickey Lion. Obviously it’s a huge rip-off of The Exorcist and in some ways gets unintentionally funny particularly when the Priest has a conversation with the demon during the exorcism. However, it is still fun and more flamboyant than the original and at least has a coherent plot that helps propel the movie along. The only problem is that the exorcism scenes are intercut with scenes from the original film showing Lisa visiting the mansion and meeting up with the strange characters. Supposedly this is the alternative reality that she is in while the demon possesses her body, but it adds little and bogs down the pace.

Sommer comes off much better here than she did in the first one. The way she contorts her face during the possession sequence is entertaining and she does well under the difficult demands. Telly Savalas as the devil disguised as a butler is still wasted. He doesn’t even seem to be taking the part seriously and seems to give it a tongue-and-cheek approach, which doesn’t work.

Alda’s presence is rather bland, but Carmen Silva who plays Anna his wife before he entered into the priesthood is a stunner. She appears nude in a rather gratuitous flashback segment that should more than appease any self-respecting voyeur.

The ending has a little more pizazz than the original as well where the Father goes into an empty mansion and tries to fight off the demon while having snakes thrown right at him. It’s not the best, but not the worse either.

My Rating: 5 out of 10

Released: July 9, 1976

Runtime: 1Hour 32Minutes

Rated R

Directors: Mario Bava, Alfredo Leone

Studio: Peppercorn-Wormser Film Enterprises

Available: DVD, Blu-ray, Netflix streaming

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Posted in 70's Movies, Foreign Films, Horror, Italian Films, Movies with a Hospital setting, Movies with Nudity, Slasher/Gore

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Lisa and the Devil (1973)

Posted on October 25, 2013 | 1 comment

lisa and the devil

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Where is the plot?

Lisa (Elke Sommer) is a tourist in Spain who gets lost and finds shelter inside a large mansion run by a butler Leandro (Telly Savalas) and a Countess (Alida Valli). Soon Lisa begins to experience strange occurrences and visions. People turn up dead and then alive again. When she tries to escape she finds that she can’t and is now stuck in a surreal world with no exit.

I am use to watching Italian horror films being strong on the visual end and weak with the plot, logic and character development especially when they attached to either Mario Bava or Dario Argento, but this one goes to the extreme. Nothing makes sense and scenes are thrown in haphazardly and go nowhere. The basic premise is too general and unfocused and the entire production seems to be an exercise in interesting camera work and nothing more. Yes there are a few atmospheric moments, but it all adds up to very little.

Had the special effects been gory or impressive I might have forgiven it, but for Bava standards they are lacking as well. For one thing there is very little gore to begin with and what we do see looks amateurish. The scene where a man gets run over by a car clearly looks like a mannequin and as the driver backs up and runs him over several more times it becomes even more obvious.

Sommer makes for a weak heroine. Her character is as vague and mysterious as all the others, so the viewer never gains any empathy or concern for her fate. Her short shoulder length haircut makes her look middle-aged and dowdy. Also, Sylvia Koscina her costar has facial features that are too similar to Elke’s and for a while I thought she was Elke with a brunette wig. Her best moment is actually her nude scene of which she looks great although I noticed her eye lids constantly fluttering when her character was supposedly asleep.

Normally I love Telly Savalas and he can be effectively menacing, but here he is sorely underused. The character pops in and out sporadically, but really doesn’t do much. I did like that he is constantly sucking on lollipops, which later became his trademark during his run on the ‘Kojak’ TV-series.

I was hoping for some grand over-the-top finale to make up for having to sit through all this, but it never came. The climax, which takes place inside a jet airliner no less, is as underwhelming as everything else. Not surprisingly this film was edited into a completely different story and reissued as The House of Exorcism, which will be reviewed tomorrow.

My Rating: 3 out of 10

Released: May 9, 1973

Runtime: 1Hour 32Minutes

Rated R

Director: Mario Bava

Studio: Leone International

Available: DVD, Blu-ray, Amazon Instant Video, Netflix streaming

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Posted in 70's Movies, Cult, Foreign Films, Horror, Italian Films, Movies with Nudity, Surreal/Fantasy

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Nightmare (1981)

Posted on October 23, 2013 | Leave a comment

nightmare 2

By Richard Winters

My Rating: 4 out of 10

4-Word Review: This one gets grisly.

George Tatum (Baird Stafford) is a middle-aged man tormented by strange nightmares where he sees himself as a young child decapitating with an ax an older man and his female lover. The dreams have had such an adverse effect on him that it has sent him to the mental hospital, but now the doctors consider him cured and send him back out into the real world, but the dreams continue pushing him into a psychotic state where he murders a woman that he meets and then eventually starts menacing a family.

This film while not being a particularly good movie and still straddled with a lot of the expected low budget limitations has managed to achieve a strong cult following as well as a limited Blue Underground 30th Anniversary release due mainly to its explicit violence. While the body count isn’t high the gore is nasty and effective. One scene involves George knifing a woman and the camera cutting in real close to her slashed neck and we hear her literally gurgling on her own blood and then watch as he licks her blood off his hands in an aroused manner. The scene where the boy cuts the head off another woman is also well handled despite the fact that it looks too much like an empty mannequin’s head. Writer/director Romano Scavolini approaches it with an artistic flair and it works. Watching the boy, who couldn’t be much older than 10, drenched in blood and looking menacingly into a mirror is the film’s creepiest moment.

The wide array of locales also helps and takes this a step above most other films of this genre and time period. Scenes are shot on-location all the way from New York to South Carolina, Georgia, and even Florida where there is a nifty segment inside an abandoned house. I found George’s trip to an old-fashioned New York adult theater to be the most captivating. I liked the part where the male customers put a quarter in a slot, which raised a small yellow door that allowed the men to peer through a window at a stripper dancing, but instead of seeing it from the male point-of-view we see it from the stripper’s. I got a kick out of seeing several of these guys looking all wide-eyed at this naked woman through their little windows and as their time ran out and the little yellow door began to slide down over their peep holes they would strained their necks as far as they could through with what little opening was left to continue to gaze at her as long as possible.

The dialogue and characterizations were less cardboard than the usual slasher film. However, outside of the gore it is not very suspenseful. The scares are derivative and too much time is spent on the bratty C.J. trying to spook his babysitter and mother.

Although the film keeps things plausible for the most part I was a bit confused why the doctors at the hospital didn’t know about George’s violent past or why he was menacing the certain family that he was. They were able to track down his whereabouts and car, so why were they not able to do the same with his criminal and family background? Having this loophole hurts the film as it ends up seeming poorly thought out.

nightmare 1

My Rating: 4 out of 10

Released: October 23, 1981

Runtime: 1Hour 37Minutes

Not Rated

Director: Romano Scavolini

Studio: 21st Century Film Corporation

Available: DVD, Amazon Instant Video, YouTube

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Posted in 80's Movies, Cult, Exploitation, Horror, Low Budget, Movies that take place in the Big Apple, Movies that take place in the South, Movies with Nudity, Slasher/Gore

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A Nightmare on Elm Street 3: Dream Warriors (1987)

Posted on October 21, 2013 | Leave a comment

nightmare on elm street 3

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Can’t get enough Freddy.

The last of the Elm Street children find themselves plagued by the same terrible nightmares and are now put into an institution where a grown-up Nancy (Heather Langen kamp) works as a dream therapist. It is found that Kristen (Patricia Arquette) has the ability to invite other people into her dreams, so the entire group goes into her nightmare and takes on Freddy (Robert Englund) as a team.

This third entry into the series proves to be one of the best. It makes the most creative use of the dream idea and shows a nice mix between horror and comedy. I enjoyed the camaraderie between the characters and how they seem to genuinely care and look out for each other. Freddy gets more screen time and has some  great lines. I wasn’t so sure how someone can invite others into her dreams, but for the most part it’s fun.

The special effects are imaginative. I liked the scene where Freddy lifts his shirt and exposes the crying faces of all the spirits of the dead children pushing out of his stomach. I also liked the shot showing the needle marks on the arm of a former heroin addict suddenly coming to life and going through the sucking motion like they are little mouths.

The best moment though is when Dick Cavett is seen on TV interviewing Zsa Zsa Gabor only to suddenly turn into Krueger while making the statement “Who gives a fuck what you think”.  The only negative is that the camera cuts away before we see Freddy slash her with his glove, which would have been icing on the cake.

I stated in my review of the first film in this series that Langenkamp is the best victim in a horror movie, which I think is still true, but Arquette, who makes her film debut here, has to come in as a close second. She has an appealing face and seems very much like a real teenager and you really got to admire her feistiness.  Jennifer Rubin as Taryn also makes her film debut and has one of the prettiest pair of blue eyes you will ever see.

Langenkamp for whatever reason seems a little stiff and awkward in her role although she improves as the film progresses and gets more into the dream sequences. I also didn’t like the streak of white hair that seems to hang down on the right side of her face. I wasn’t sure if this was added in to make her appear ‘more mature’, but it seemed out-of-place, unnecessary and even a bit distracting.

Craig Wasson who is a terrible actor and whose presence seriously hurt Body Double is cast as Neil one of the doctors in the clinic. Here I found him to be a little more tolerable simply for his perpetual looks of either confusion or concern that I think are the only two expressions that he is able to show.

I remember back in 1987 this was THE movie to see and be seen at amongst the teen crowd and how on opening night there was a line of teenagers going around the block to get in and me being the self-proclaimed film connoisseur was right at the front of it. I enjoyed the film very much at the time, but found upon second viewing that it didn’t grab me quite as much.

My Rating: 4 out of 10

Released: February 27, 1987

Runtime: 1Hour 36Minutes

Rated R

Director: Chuck Russell

Studio: New Line Cinema

Available: VHS, DVD, Blu-ray, Amazon Instant Video

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Posted in 80's Movies, Cult, Horror, Movies with a Hospital setting, Movies with Nudity, Sequels, Slasher/Gore

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Chopping Mall (1986)

Posted on October 15, 2013 | 1 comment

chopping mall

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Killer robots on prowl.

A new high-tech shopping mall installs robots as their night security team. They are programmed to apprehend and subdue any intruders, or anyone not showing them their security badge. A bunch of teenagers who work at the mall during the day decide to hang out and party there at night, but find that the robots have run amuck and are now trying to kill them. Locked into the place for the whole night the teens try fighting them off while desperately looking for a way out.

This was writer/director Jim Wynorski’s second feature and the beginning of an almost assembly line string of direct-to-video/B-movie features that of this writing now equals 94 and many of them done under a pseudonym. Wynorski shows some flair by injecting comedy into the proceedings including an engaging opening sequence done over the credits that includes a lot of sight gags and a good up-tempo synthesized score that fits the mood and action. There are also some fun cameos including Paul Bartel and Mary Woronov who appear at the beginning and recreate their roles from the hilarious cult hit Eating Raoul. You can also spot Mel Welles from Little Shop of Horrors fame as well as perennial B-movie favorites Dick Miller as a janitor and Gerrit Graham as a technician.

It was filmed at an actual mall in Sherman Oaks, California, which makes for an interesting backdrop and good authenticity. I also liked how the teens, both the men and women, are very resourceful and come up with different and elaborate ways to combat the robots. The female cast is attractive with a decent amount of nudity. The special effects aren’t bad either. I was impressed with the exploding head sequence as well as the burning body moment. My only quibble in this area is that they were able to break the glass of the storefront windows, which happens several times during the course of the film, much, much too easily.

The biggest problem with the film is that it just isn’t scary or suspenseful enough. The only time there was any real tension is towards the end when the Kelli Maroney character hides underneath some shelves at a pet store and is forced to keep quiet from the lurking robot while a  snake and spiders crawl all over her. Despite some interesting directorial touches it still comes off as mechanical and formulaic and even though the running time is short I still found myself getting quite bored with it. There is also never any explanation for why the robots go haywire, which I felt was a major oversight.

My Rating: 3 out of 10

Released: March 21, 1986

Runtime: 1Hour 17Minutes

Rated R

Director: Jim Wynorski

Studio: Concorde Pictures

Available: DVD, Amazon Instant Video, YouTube

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Posted in 80's Movies, Cult, Dry Humor, Horror, Low Budget, Movies with Nudity, Slasher/Gore

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A Nightmare on Elm Street 2: Freddy’s Revenge (1985)

Posted on October 14, 2013 | 1 comment

nightmare on elm street 2

By Richard Winters

My Rating: 4 out of 10

4-Word Review: More dreams more Freddy.

A new family has moved into the house on Elm Street where Nancy from the first film once lived and who is now locked away in a mental institution. The family’s son Jesse (Mark Patton) starts to have the same reoccurring nightmares dealing with child murderer Freddy Krueger (Robert Englund), but this time Freddy wants to overtake Mark’s entire body and use it as a killing machine to the other youths in the area.

As sequels go this one is okay. I liked the idea that it is a continuation from the first one and not just a reworking of it. Trying to evolve the idea to the next level by having Krueger actually possessing the kid is interesting and the scene where Kruger’s head pushes out of Jesse’s stomach is good. However, it also gets away from the whole dream element that made the first one unique and turns the thing into just another slasher formula. Freddy only appears for 13 minutes during the 84 minute runtime, which isn’t enough as the pace and tension starts to ebb towards the middle. A little too much focus is put on Jesse and his emotional quandary at knowing what this evil spirit is trying to do, which turns it into more of a drama than a horror film. The climatic sequence that takes place in the boiler room where Freddy used to work when he was still alive becomes a bit too melodramatic and not that scary.

I would have liked some flashbacks showing what Freddy was like when he was alive and before he got burned and some history showing what might have lead him into becoming a child murderer in the first place. I also couldn’t help but wonder why Freddy only seems to torment the dreams of the teen characters. Why not Jesse’s parents as well? One could argue that as a child murderer Freddy was only interested in terrorizing young people, but then why not get into the dreams of Jesse’s younger sister Christie (Angela Walsh), which he never does.

Spoiler Alert!

This film also has one of the biggest plot holes I have ever seen and far more glaring than the ones you usually see in most other films of this genre. It all has to do with a party sequence in which Jesse turns into Freddy and starts killing off the other teen attendees. This was not dream, but reality, which was witnessed by many other people including Lisa’s parents. Yet at the end when Jesse somehow returns to ‘normal’ he boards the school bus where his friends make statements to the effect that he should just ‘forget about’ the party incident and everyone is ready to move on, but how does that happen? With the amount of carnage seen by the viewer the police and media would certainly have to investigate and the parents of the victims would want answers. Just ‘forgetting about’ something like that would not be a realistic option and the filmmakers attempts to gloss over what ends up being the movie’s biggest event is patently ridiculous.

End of Spoiler Alert!

Director Jack Sholder spends a lot of time focusing in on Krueger’s glove with its finger-like blades, but the more I saw them the less scary they became. The blades look awfully thin and flimsy and have no ridges or teeth on them. They look so dull that they would barely be able to cut through butter let alone human skin.

I did like that the lead victim was a male this time and it was nice seeing a teen character with sophisticated tastes as I spotted Jack Kerouac’s ‘On the Road’ novel laying on his bedside table. The scenes inside the high school and some of his conversations with his friends seemed less cardboard than usual. I also liked that Jesse manages to make friends with Grady (Robert Rusler) who initially comes-off as a stereotypical bully, but the scene where Grady speaks with his mouth full of food during a cafeteria sequence is a bit gross.

Jesse’s dealings with his harsh baseball coach (Marshall Bell) gets a bit over-the-top and forcing the boys to do pushups for hours underneath the hot sun would most likely get him fired especially these days. However, watching him get tied up and stripped naked and then whipped by towels in a sort of S & M death sequence is a highlight.

The story and special effects is still creative enough to raise this above the average 80’s slasher film although not all of them are effective. David Chaskin’s screenplay has some intriguing elements, but ends up biting-off-more-than-it-can-chew and creates too many loopholes to be satisfying.

My Rating: 4 out of 10

Released: November 1, 1985

Runtime: 1Hour 24Minutes

Rated R

Director: Jack Sholder

Studio: New Line Cinema

Available: VHS, DVD, Blu-ray, Amazon Instant Video

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Posted in 80's Movies, Adolescence/High School, Cult, Horror, Movies with Nudity, Sequels, Slasher/Gore

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Graduation Day (1981)

Posted on October 3, 2013 | Leave a comment

graduation day

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Killer slashes track team.

When the high school’s top track star Laura (Ruth Ann Llorens) collapses mysteriously after winning a race strange things start happening to her teammates. One-by-one they get knocked-off by a killer who has a way with swords, but who could it be? Her brash, driven coach (Christopher George) who pushes his players past their breaking point or maybe it’s her strange sister Anne (Patch Mackenzie) who comes back home from the military. The clues and suspects keep piling up, but can the police find the culprit before the entire team gets killed?

Writer Anne Marisse and director Herb Freed teamed up four years earlier to make the very original one-of-a-kind horror film Haunts where they created an excellent atmosphere on a nickel-and-dime budget that is completely lacking here. The scares and suspense even on a cheap level is non-existent. What is even worse is that there is no central character just a mishmash of uninteresting people and scenes that does not help to create any empathy from the viewer nor story momentum.

Freed’s direction is lively to some extent as he does inject some humor and a couple moments were he uses quick flash editing, but his other camera work is off-putting. I particularly got annoyed with a tracking shot showing a person running alongside a moving camera that seemed to make them look like they were on a treadmill, or going unnaturally slow in order to not outrun the camera. This is done several times throughout the film with different characters and the result is very artificial looking. He also features a band named Felony that sings a long seven minute song called ‘Gangster Rock’ that almost turns this thing into a music video. A scene showing a woman being chased by the killer is intercut between the band playing and this takes the viewer out of the film completely and kills what little suspense there already is.

The killings themselves are unimpressive. The scene showing a victim getting beheaded looks too much like it is a mannequin and it is highly doubtful that any sword could make that type of precise and quick cut. Another death features a pole- vaulter  being impaled by a mat full of sharp spikes, which is pretty much ruined when we can clearly seeing that the victim is still breathing even as he lays there with the spikes having gone right through him.

There is logic loopholes as well including having the killer store the Laura’s dead body inside his bedroom and pretend she is still alive, which is too reminiscent to Psycho to be effective or interesting. I also didn’t know how somebody could dig up a dead body from a cemetery and not have the victim’s family, or the cemetery workers not notice. The make-up used to try to make her appear decomposed instead made her look more like she was a member of the KISS rock group.

Michael Pataki hams it up nicely as the school’s beleaguered principal and becomes a scene stealer in the process. Christopher George is so irritable and belligerent with anyone who makes contact with him that he becomes fun as well. Linnea Quigley has a nice topless scene as the horny Delores and Virgil Frye who is the father of Soleil Moor Frye of Punky Brewster fame has a few goofy moments as the school’s incompetent security guard. The funniest though is Patrick Wright as a grungy, overweight truck driver who feels that he is entitled to take liberties with Ann who is returning home from the service simply because he is a ‘taxpayer’.

Sources list Vanna White as the character of Doris, but I didn’t spot her and I don’t feel like going all the back through this cardboard thing again just to see if I can.

My Rating: 2 out of 10

Released: May 1, 1981

Runtime: 1Hour 36Minutes

Rated R

Director: Herb Freed

Studio: IFI

Available: DVD, Amazon Instant Video, YouTube 

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Posted in 80's Movies, Adolescence/High School, Horror, Low Budget, Movies with Nudity, Slasher/Gore

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Dixie Lanes (1988)

Posted on September 30, 2013 | Leave a comment

dixie lanes 2

By Richard Winters

My Rating: 3 out of 10

4-Word Review:  Karen Black is funny.

Clarence Laidlaw (Hoyt Axton) returns home from the war to find that is his son Everett (Christopher Rydell) does not want to speak to him due to certain felonies that he supposedly committed before he left. Meanwhile Everett romances Judy (Pamela Springsteen) while also agreeing to deliver a hatbox filled with secret items for his kooky Aunt Zelma (Karen Black) that may entail the transfer of stolen money.

The film moves along too slowly with a storyline that borders on being almost nonexistent. The movie seems to want to focus on the interactions of the slightly offbeat small town characters, but none of them are interesting enough and their dialogue is not funny enough to be engaging.  The recreation of the 1940’s is okay on a low budget level, but there have been so many more bigger budgeted movies that have created a much richer more vivid portrait of Americana that watching this or even the reason behind making it seems unnecessary.

The eclectic cast is interesting, but straddled with such limp material that they have nowhere to go with it. Art Hindle, Moses Gunn, Ruth Buzzi, Nina Foch, and even Tina Louise appear although it is in a very small role. Rydell as the young lead seems misplaced as his hairstyle looks more like an 80’s cut and his pouty, moody, detached behavior seems suited for a more modern era.

Black is a lot of fun and is the one good thing about the movie as she adds a lot of much needed energy. Her over-the-top screams and mannerisms even had me chuckling in a few places particularly at her attempts at bowling. She also had me convinced that she had a knack for comedy and should’ve done more of it. However, like with Rydell her character didn’t seem right for the time period especially with her bleached frizzy hair and her flirtatious and outspoken manner.

Axton’s laid-back style and smooth sounding voice is great for when he is doing one of his ballads, but as a lead actor he is almost lifeless. His graying hair made him seem more like Foch’s husband instead of her son.

There is almost no action to speak of until the very end when director Don Cato implements a forced, slapstick-like car chase that is out-of-sync with the tone of the rest of the film. This takes place during some unexplained supernatural wind storm that makes no sense and pretty much cements this thing as being a poorly realized waste of celluloid.

My Rating: 3 out of 10

Released: May 3, 1988

Runtime: 1Hour 23Minutes

Rating: PG-13

Director: Don Cato

Studio: Miramax

Available: DVD

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Posted in 80's Movies, Comedy/Drama, Low Budget, Movies with a rural setting, Movies with Nudity

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