Category Archives: Movies Based on Novels

The Getaway (1972)

Posted on February 1, 2015 | 10 comments

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By Richard Winters

My Rating: 8 out of 10

4-Word Review: Bank robbery goes bad.

Based on pulp writer Jim Thompson’s novel the story centers on Doc McCoy (Steve McQueen) who is stuck in the Texas State Prison and itching to get out. He gets his wife Carol (Ali MacGraw) who is on the outside to strike a deal with Sheriff Jack Benyon (Ben Johnson) where he will get a release as long as he agrees to rob a bank using Benyon’s men. Doc is somewhat reluctant, but agrees to go along with it only to find that after the robbery he has been double-crossed and now along with his wife must make a dash for Mexico while being chased by the cops and going through a wide assortment of unexpected obstacles.

Action director guru Sam Peckinpah has done many classic films most notably The Wild Bunch and Straw Dogs, but this one has always been my favorite as it’s a nice mix of action, character study and comedy. In fact it’s the subtle humor that I like best. I get a kick out of the shot showing Benyon’s brother’s henchman riding in a convertible down a highway while having their hands on their cowboy hats in order to keep them from blowing off. I also chuckled at the book actor Dub Taylor has in his back pocket while cowering under a table during a shootout or what actor Al Lettieri immediately does after finding a dead man hanging in a bathroom.

Peckinpah also makes great use of sound particularly at the beginning where during the opening credits we hear no music, but instead the monotonous sounds of the machines inside the prison workshop, which helps convey Doc’s increasing frustration and this sound doesn’t stop until the exact second that the prison doors open up and allows him out. When there is music it’s effective and distinct particularly the harmonica solos by Toots Thielemans.

Of course Peckinpah’s trademark action sequences are excellent and maybe even superior to his other films because the situations are more unique including an exciting segment showing the couple trapped inside a garbage truck as well as an impromptu shootout along the main street of Fabens, Texas. The only complaint is the scene where Doc’s car goes crashing through someone’s front porch and yet the car shows no visible damage; one shot does show a crack in the corner of the windshield, but then in the next shot it has magically disappeared.

McQueen’s ability to show effortless cool and make an edgy character likable proves what a legendary actor he is and it’s a shame that he doesn’t get placed with the best of them amongst casual movie fans because he really should. MacGraw is at the peak of her beauty here and her moments of vulnerability are great. Struthers gives the best performance of her career as an unfaithful wife of a kindly veterinarian (Jack Dodson) and Lettieri, who unfortunately died at the young age of 47 just 3 years after this film’s release by a heart attack brought on by severe alcoholism, which was already painfully apparent to the cast and crew during the filming of this adds great tension as Doc’s double-crossing partner.

The film also makes great use of its Texas locations bringing out the ruggedness of the region without overdoing it. I particularly liked the scenes in the junkyard as well as footage shot on-location inside the Huntsville prison using actual prisoners and the longshot showing the flat, barren landscape that Doc first sees when he gets out.

I’ve watched this movie many times and never cease to grow tired of it. In fact it seems even more original after multiple viewings. It was unwisely remade in 1994 that starred Alec Baldwin, who doesn’t come close to McQueen’s stature. This version is by far the better one and the other should be avoided.

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My Rating: 8 out of 10

Released: December 13, 1972

Runtime: 2Hours 2Minutes

Rated PG

Director: Sam Peckinpah

Studio: National General Pictures

Available: VHS, DVD, Blu-ray, Amazon Instant Video, YouTube

10 Comments

Posted in 70's Movies, Action/Adventure, Black Comedy, Fast Cars/Car Chase, Movies Based on Novels, Movies that take place in Texas, Robbing Banks

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Nobody’s Perfekt (1981)

Posted on January 10, 2015 | 3 comments

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By Richard Winters

My Rating: 0 out of 10

4-Word Review: Crazies fight city hall.

Dibley (Gabe Kaplan) who suffers from unpredictable memory loss, Swaboda (Alex Karras) who thinks his mother is still alive and with him at all times even when she really isn’t and Walter (Robert Klein) who has a split personality that can turn him from a gangster to Bette Davis at any given moment decide to steal an army tank and use it to force the mayor (Arthur Rosenberg) to pay for a new car when their old one gets damaged after driving through one of the city’s potholes. They get Dibley’s girlfriend Carol (Susan Clark) to go along with the scheme and in the process get caught up with a robbery of an armed bankroll truck.

If it was possible to give this thing a negative number rating I would and I seriously considered it, but decided to be generous and give it a 0 even though this thing has to be one of the dumbest comedies ever made. I’ve seen a lot of them, but at least they usually had one or two funny gags even if the rest fell flat, but this one has none. The humor is at a 6-year-old’s level and is painfully stupid from beginning to end without a shred of believability. It also features what has to be one of the slowest, most drawn out and boring car chases ever to be put on film

Mental illness is no laughing matter and the way it gets portrayed here could be considered offensive. Screenwriter Tony Kenrick, who also wrote the novel from which this film is based as well as director Peter Bonerz have clearly not done any research on the topic and portray those afflicted with it in the most sophomoric and benign way possible. In reality these characters would not have been able to hold down regular jobs like they do here and even if they did they would have been quickly fired once their mental problems became easily apparent. They would also most likely be on medications and even institutionalized instead of freely gallivanting around and only seeing an inept shrink (portrayed by Paul Stewart in a very clichéd send-up of Sigmund Freud) once a week who seems to have no insight on how to help them.

The ‘normal’ characters are just as annoyingly stupid. When the trio decide they want to steal a tank from a local plant that makes them they have Kaplan pretend to be from a ‘top secret’ government organization that tricks one of the employees, which is played here by director Bonerz, into believing that his company is secretly selling the tanks to the Soviets without him ever demanding any evidence or proof.

Kaplan may have been a great stand-up comedian and in recent years a good poker player, but as an actor he is one of the worst. In fact I always felt he was  the weakest link in the Welcome Back Kotter show as he always said his lines like he was reading them off of cue cards while constantly conveying a sheepish grin and here he is no better. Former football player Karras and fellow comedian Klein are equally weak. Only Clark is good, but why she would choose to do this after appearing in so much critical acclaimed stuff during the 70’s is a mystery, but she most likely did it to stay close to her then husband Karras and still manages to look great in a bikini.

If the filmmakers really thought that the American public would find this funny then they are the ones suffering from mental illness as only a mentally ill person could possibly find it amusing and if you watch it all the way through you more than likely will become one.

My Rating: 0 out of 10

Released: August 7, 1981

Runtime: 1Hour 36Minutes

Rated PG

Director: Peter Bonerz

Studio: Columbia Pictures

Available: VHS, DVD-R, Amazon Instant Video

3 Comments

Posted in 80's Movies, Farce, Fast Cars/Car Chase, Movies Based on Novels, Movies that take place in Florida, Obscure Movies

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The Adventures of Baron Munchausen (1989)

Posted on December 30, 2014 | Leave a comment

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By Richard Winters

My Rating: 7 out of 10

4-Word Review: Where fantasy meets silliness.

A touring stage company in some unnamed European city during the 18th century is putting on a production of fictional character Baron Munchausen’s fanciful life when it gets interrupted by an elderly man (John Neville) insisting that he is the real Baron and who then takes center stage to narrate his adventures from his perspective. Unfortunately an army of Turks are also invading the city at the same time, which forces him to escape via a hot air balloon made of women’s undergarments.  With him is a young stowaway named Sally (Sarah Polley) and together they try to round up a group of elite men with unique abilities, which they will use to team up against the Turks and hopefully win back the city while also meeting many odd characters and going through a myriad of zany, mystical scenarios.

The film’s dazzling production ran 24 million over budget only to then bomb at the box office but the intoxicating special effects almost make it worth it while it also remains kid friendly with action sequences that are pleasantly cartoonish and innuendos that are too subtle for them to catch. The balloon made of women’s underwear is great and as well as watching the trio get swallowed up by a giant sea monster whose head resembles that of an island. I also liked the angel of death scenes and wished those had been played up more. Even the little things like seeing a tiny grain of sand slither its way down the thin glass tube of an hourglass is fun. The colorful sets are dazzling and the whole thing gets saturated with a visual flair that is quite impressive.

Although she has complained in subsequent interviews about her experience working in this film and dealing with director Terry Gilliam Polley’s presence adds a lot with a performance that is completely on-target the whole way. She’s one of those child characters that is cute without it being forced, which is a major feat in itself. Robin Williams is hilarious as a giant floating head in a part that was intended for Sean Connery who I don’t think would have done it half as well.  I also got a real kick out of Oliver Reed as a jealous god and Uma Thurman as his stunning wife Venus, which is technically her film debut, but due to budget delays this came out after two of her other films had already released.

The only real complaint about the movie is the plot or lack thereof. I loved the creativity, but after a while it starts to become dizzying and senseless. Gilliam’s other films like Time Bandits, which like this movie is part of his trilogy of imagination, at least had a discernable story that sucked you in and in Brazil it made great satirical jabs at modern day society, but here we get none of that. It becomes silly and surreal for no reason, which when factored in with its giant production cost and manpower turns it into a supremely wasted effort. Don’t get me wrong it’s amusing and engaging enough to be entertaining, but when it’s all over it is also quite forgettable.

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My Rating: 7 out of 10

Released: March 10, 1989

Runtime: 2Hours 6Minutes

Rated PG

Director: Terry Gilliam

Studio: Columbia Pictures

Available: DVD, Blu-ray, Amazon Instant Video, YouTube

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Posted in 80's Movies, Action/Adventure, Campy Comedy, Movies Based on Novels, Movies for the Whole Family, Surreal/Fantasy

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Cruising (1980)

Posted on December 8, 2014 | 1 comment

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: Cop infiltrates gay underground.

A serial killer is attacking gay men who frequent New York’s S&M bars and young cop Steve Burns (Al Pacino) is chosen to go undercover as a gay and infiltrate these ‘leather clubs’ in order to bring out the killer. However, the job requirements demand that he must be completely isolated from the rest of the force and not carry a gun, which eventually causes a strain on his personal life particularly in his relationship with his girlfriend Nancy (Karen Allen).

The film, which is loosely based on actual events that occurred during the late 70’s and captured in Gerald Walker’s novel of the same name, was considered quite controversial at the time of its production. Protestors who felt the film accentuated the gay stereotype tried to create loud noises during filming and even shine reflective lights on the actors in an attempt to mess up the scenes. In retrospect it is hard to imagine that director William Friedkin is in anyway homophobic as just ten years earlier he did the brilliant adaptation of The Boys in the Band, which remains to this day one of the better films dealing with gay issues. The story certainly does wallow in ugly elements, but also makes the point to describe this as an extreme subculture and  not reflective of the gay lifestyle as a whole, which in my opinion made the film seem more enlightening to New York’s gay underground of a bygone era and less propaganda as its critics ascertained.

To some degree I liked the explicit uncompromising approach, but after a while it became one-dimensional and predictable. The scenes of the killings are unnecessarily prolonged and some of the segments showing large groups of men having sex at a bar come off as overly-stylized and looking reminiscent of a homoerotic scene from a Fassbinder film.

Friedkin does manage to add a few unique touches including having a well-built black man wearing nothing but a jock strap enter the room during police interrogations and violently slap suspects who he felt weren’t telling the truth, which according to one of the film’s advisors was an actual technique used by police at the time.  The way the movie captures the monotony and frustrations of investigating a complex case such as this and leaving open that there may have been more than one killer is also well done and helps elevate this a bit from the usual formulaic cop thriller.

Pacino gives a gutsy performance including one scene showing him tied up in bed naked during some kinky S&M play, but the character’s motivations are confusing particularly the way he so quickly accepts this difficult assignment that most others would be very reluctant to do. The fact that his experiences ends up affecting him psychologically isn’t compelling since that becomes a foregone conclusion right from the start.

Paul Sorvino is perfect as the police captain. His gray hair dye was a little overdone, but his limp was great. Allen has a good moment at the end when she tries on Pacino’s leather hat and coat that he brought home with him and Joe Spinell makes the most of his small role as a corrupt cop who harasses gays only to end up patronizing gay bars on his off hours. You can also spot Powers Boothe in an early role as a hankie salesman and Ed O’Neil as a police detective.

The idea of exposing the dark side of police life is no longer original or interesting and the film’s shock value has lessened through the years and thus failing to leave any type of lasting impression or message.

My Rating: 4 out of 10

Released: February 15, 1980

Runtime: 1Hour 42Minutes

Rated R

Director: William Friedkin

Studio: United Artists

Available: VHS, DVD, Amazon Instant Video

1 Comment

Posted in 80's Movies, Gay/Lesbian, Movies Based on Actual Events, Movies Based on Novels, Movies that take place in the Big Apple, Movies with Nudity, Mystery, Police Drama

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The Midnight Man (1974)

Posted on November 22, 2014 | 1 comment

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: Security guard solves case.

Jim Slade is a 60-year-old out on parole after serving time for killing his wife’s lover. He finds a ho-hum job as a security guard at a local university and soon gets swept up in a murder mystery when a coed (Catherine Bach) is found dead. The local cops nab the town pervert (Charles Tyner) and take him into custody, but Slade is convinced they have the wrong man and goes on a crusade to find the right one only to realize that there are far more suspects than he initially expected and no one no matter who they are is quite innocent.

Many critics at the time and some viewers complained that the mystery was too involved and a bit confusing however I was able to follow it and it manages to remain intriguing enough to be entertaining, but it’s still no better than an average episode of Columbo. The film also doesn’t have enough action although the part where Lancaster finds himself trapped in a rural barn and must use whatever implement he can find to fight off a trio of rednecks and their ferocious dog is nifty.

On the technical end the film is a bore and looks unsuitable for the big screen. Writer Roland Kibbee in his only directorial effort shows no flair for visual style filming scenes in places with dull and ordinary backdrops and fails to capitalize on its South Carolina location where it was shot. The soundtrack though by Dave Grusin is distinctive and the one thing that shows verve, energy and I wished it had been played more, particularly the part at the beginning.

Lancaster, who also co-produced and co-wrote the script, walks through his part in an almost comatose state and the fact that his character seems so very on-top of his game in this investigation leaves little doubt in the viewer’s mind that he will ultimately solve the case, which isn’t as interesting. For a character that is so savvy he does make one glaring error when he finds a dead body in his car and fearing that he will be fingered for it decides to put the body inside a nearby hotel room, which seems foolish. For one thing to check into the room he would have to have faced a hotel clerk who could’ve easily recognized him for the police later and he also doesn’t wear any gloves leaving his fingerprints all over the room when simply dumping the body in a wooded area would have made much more sense.

Out of the entire cast Cameron Mitchell shows the most energy and it certainly is fun to see Bach in her film debut and years before she became Daisy Duke playing a foul-mouthed, snippy college student. Although she has no nude scenes there is a painting of her naked likeness shown at one point, which may be good enough for some viewers.

My Rating: 4 out of 10

Released: June 14, 1974

Runtime: 1Hour 54Minutes

Rated R

Director: Roland Kibbee

Studio: Universal

Available: None at this time.

1 Comment

Posted in 70's Movies, College Life, Gay/Lesbian, Movies Based on Novels, Movies that take place in the South, Mystery, Obscure Movies

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To Find a Man (1972)

Posted on November 19, 2014 | 4 comments

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By Richard Winters

My Rating: 8 out of 10

4-Word Review: Teen wants an abortion.

Rosalind (Pamela Sue Martin) is a teenager attending an all-girls Catholic school who finds out that she is pregnant. She can’t tell her parents (Lloyd Bridges, Phyllis Newman) and some of the advice that her girlfriends give prove to be useless. She decides she wants an abortion, but doesn’t know where to go so she turns to one of her guy friends named Andy (Darren O’Connor) who is a bright student and a little more sophisticated. After being scolded by his family’s live-in maid Modesta (Antonia Rey) as being too selfish he decides to go out of his way to help Rosalind with her problem even if at times she seems to have no appreciation for it.

I know the phrase ‘they don’t make movies like this anymore’ has become a modern-day axiom especially when reviewing films from this era, but in this case it fits, but not for the expected reasons. In a lot of ways this is far more open-minded about the controversial subject than anything you might see today. It manages to nicely avoid the political issues and instead tells a refreshingly realistic story about teenage friendship that respects the intelligence of its intended audience without ever getting preachy or overly-sanitized.

The film also manages to be surprisingly funny particularly at the beginning when Rosalind and her naïve friends come up with all sorts of insane ways to try to terminate the pregnancy on their own, which may sound potentially offensive to some, but somehow scriptwriter Arnold Schulman and director Buzz Kulick balance it well enough to keep it at an innocuous level. They also manage later on to shift it seamlessly towards the serious side as it shows in vivid detail the cold, ‘business-like’ attitude of those working at an abortion clinic and the impersonal way they treat people that come to it.

Martin in her film debut is excellent playing a character that is not necessarily likable, but still quite human and believable for that age. O’Connor in his one and only film appearance is equally good and it’s great to see a teen lead that is smart without being particularly fashionable, trendy or attractive.

Bridges is excellent as the girl’s father and the unique friendship that he has with O’Connor is quite interesting. Ewell is a standout as the abortionist in the final sequence that manages to be stark, compelling and strangely moving.

In a lot of ways this is more a story about the flawed human beings that we all are and how sometimes when it’s least expected they can do some amazingly selfless acts in this slice-of-life film that is surprisingly both touching and upbeat. It’s also quite similar to Our Time, which came out 2 years later and also starred Martin.

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My Rating: 8 out of 10

Released: January 20, 1972

Runtime: 1Hour 30Minutes

Rated GP

Director: Buzz Kulik

Studio: Columbia Pictures

Available: Amazon Instant Video

4 Comments

Posted in 70's Movies, Adolescence/High School, Cold Climate/Wintertime Movies, Comedy/Drama, Movies Based on Novels, Movies that take place in the Big Apple, Obscure Movies

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The Thief Who Came to Dinner (1973)

Posted on November 15, 2014 | Leave a comment

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By Richard Winters

My Rating: 5 out of 10

4-Word Review: Detective hounds jewel thief.

Webster (Ryan O’Neal) is a bored computer programmer who has grown cynical of the business world and decides to become a modern day Robin Hood. He does so by stealing paperwork listing illegal activities of a corrupt politician (Charles Cioffi) and uses this to blackmail him into giving the addresses of his rich and equally corrupt pals. He then robs them of their jewels while with the help of a local fence (Ned Beatty) resells them and keeps half the profits. He even manages to get into a hot relationship with a beautiful woman (Jacqueline Bisset), but just as things start to click insurance investigator Dave Reilly (Warren Oates) gets on the case who’s determined to expose and nab Webster anyway he can.

The film, which was written by Walter Hill and based on a novel by Terence Lore Smith, has a slick even smug attitude about it. It has some interesting ingredients, but never really gels. Webster pulls off these robberies with such relative ease that they are barely interesting to watch. The scene where he gets rear-ended by an old lady and then chased throughout the streets of Houston when he cannot produce proper identification to the police is fun, but there needed to be more of this and the otherwise laid-back pace does not help.

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Despite his good looks O’Neal is a weak leading man although here he isn’t too bad. Still the supporting cast easily upstages him especially Oates and had he been made the star this film would’ve been far better. The scene where his car breaks down while tailing O’Neal and then having O’Neal turn around to help him fix it is quite amusing as is Oates’ final act of defiance towards his superiors after he gets fired.

Austin Pendleton is quite funny as an obsessed chess player and Beatty is great as a caricature of a ‘good ole’ boy’ Texas con-man and he really deserved more screen time. Bisset is wasted, but looks beautiful as always and I really digged her ritzy, spacious house that outside of a two lamps had no furniture at all.

The production has very much of a European flair, but its sophisticated façade quickly wears thin. You keep waiting for it to catch its stride, but it never does making it fluffy and forgettable including its wide-open non-ending.

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My Rating: 5 out of 10

Released: March 1, 1973

Runtime: 1Hour 40Minutes

Rated PG

Director: Bud Yorkin

Studio: Warner Brothers

Available: VHS

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Posted in 70's Movies, Comedy, Fast Cars/Car Chase, Heist Movies, Movies Based on Novels, Movies that take place in Texas, Obscure Movies

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Making It (1971)

Posted on November 8, 2014 | 10 comments

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By Richard Winters

My Rating: 5 out of 10

4-Word Review: Teen enjoys seducing women.

Phil (Kristoffer Tabori) is a cocky, self-centered teen who uses his good looks to get practically any girl he wants into bed with him. He even has a fling with the wife of his basketball coach, but when he thinks he has gotten one of them pregnant things begin to spiral out-of-control especially when his emotionally fragile mother (Joyce Van Patten) starts to have some ‘problems’ of her own.

Peter Bart’s script, which is based on James Leigh’s novel ‘What Can You Do?’ has some incisive comments, but surprisingly it’s more on being middle age than adolescence. It shows with a depressing clarity what a thankless, pain-in-the-ass the middle age years can be and how people at that stage secretly wish to go back to their teens if only to experience for a fleeting moment the carefreeness and idealism once again.

The on-location shooting done at West Mesa High School in Albuquerque, New Mexico nicely captures the gorgeous, crystal blue skies of that region. The students are made up of actual teens that look and behave very much like teens of today. However, John Erman’s direction is lackluster and flat. Everything is shot in a conventional, unimaginative way with a pace that is slow and only manages to improve towards the end when it becomes dramatic.

Phil’s spirited debate with his English teacher, played by Lawrence Pressman, is engaging as is a rebellious student played by Bob Balaban arguing with his beleaguered principal (David Doyle) about his right not to have to stand at attention during the pledge of allegiance. The film is also famous for the novelty of casting real-life siblings Dick and Joyce Van Patten as lovers and includes a sequence showing him kissing her on the mouth, which had to be awkward to perform let alone rehearse.

Tabori, who is the son of actress Viveca Lindfors and Dirty Harry director Don Siegel shows an impressive amount of composure and maturity for such a young age, but I wasn’t so sure I liked the sound of his voice. Louise Latham, who plays the mother of the girl Phil thinks he might have impregnated, is memorable and had her part been just a wee bit bigger she would have easily stolen the whole thing. She is also involved in the film’s funniest moment where she asks Phil for some weed and thinking she doesn’t know “grass from her ass” he decides to take a regular cigarette, roll it up like a joint, light it and then let her smoke it where she  ends up getting a ‘high’ anyways.

The film’s staple though is its twist ending that is genuinely shocking and most likely to leave even the most jaded viewer’s mouth agape. It could’ve been played out a little more, but remains nasty nonetheless and it’s something you’re guaranteed not to see in any other movie. It is also the one thing that gives this otherwise undistinguished teen flick a kick and probably explains why it has never been released on either VHS or DVD nor ever shown on broadcast network television.

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My Rating: 5 out of 10

Released: March 21, 1971

Runtime: 1Hour 31Minutes

Rated R

Director: John Erman

Studio: 20th Century Fox

Available: None at this time.

10 Comments

Posted in 70's Movies, Adolescence/High School, Comedy/Drama, Movies Based on Novels, Movies with Nudity, Obscure Movies

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Suspiria (1977)

Posted on October 31, 2014 | 6 comments

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: Ballet dancer battles witches.

Suzy (Jessica Harper) is an American from New York who aspires to be a ballet dancer and travels to Freiburg, Germany to enroll at the dancer academy there. When she arrives she confronts another young lady who shouts something about a ‘blue iris flower’ before running out into the stormy night and then later turning up murdered. As the days progress strange events begin to occur convincing Suzy that the dance school may really be a cover for a coven of witches.

I first saw this film back in the late 80’s and it left me cold, but after reading a few other movie blogs where the critics insisted this was ‘brilliant’ I decided to give it another chance and approached it with a completely open mind only to end up liking it even less. The majority of the problem is Dario Argento’s over-direction. The sets and color schemes are wildly over-the-top bordering on camp. Had he pulled back even a little it might have been visually impressive, but instead gets obnoxious. The atmosphere, like everything else, is overdone creating a dream-like fantasy feel that has no connection to reality and therefore not very compelling.

The music, which was done by a group called Goblin, is interesting to some extent. I like the effect that to me sounded like hissing demons, but the other parts of it too closely resembled the ‘Tubular Bells’ music that was used in The Exorcist. It also gets overplayed and is too loud coming off like a spoiled child demanding your attention, which creates less tension and more distraction instead.

The special effects don’t live up to billing. When a man gets attacked and then eaten by his own dog is the only good part simply because it’s unexpected. Otherwise the blood and gore is average and even lacking. The majority of it is at the beginning where we see a young, frightened woman squirmy around on the floor while she gets stabbed and to a degree looks like some interpretive dance routine. The shot of a body coming out of a ceiling and then hung from a rope doesn’t work because it is clearly a mannequin and if you look real closely her face already has a strangled expression on it before the head goes through the noose.

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Harper is a good protagonist and its fun seeing classic film star Joan Bennett in her last film role. I also really liked Alida Valli as Miss Tanner the dance instructor. During the 40’s and 50’s she was a stunningly beautiful leading lady, but here looks very witchy with the way her hair is cropped up into a tight bun as well as with her eyes and voice. The rest of the supporting cast have their voices dubbed, something that Italian productions during this period were notorious for and gives the already wooden dialogue a cheesy, amateurish sounding banter.

Spoiler Alert!

The climactic finish is a big letdown. For such an extravagant, garish build-up I was expecting much more of a bloody, drawn-out battle. Instead Harper just picks up a sharp object and stabs the head witch, who looks dead already, and it immediately kills her along with the others, but to me this didn’t make sense. This is supposedly some otherworldly demon, so the same laws of physics wouldn’t necessarily apply to her like it does to humans and a simple stab wound wouldn’t have the same effect like it would to regular people.

End of Spoiler Alert!

I was glad to see that other viewers on IMDB particularly those on the message board felt the same way about this ‘classic’ as I did. In my opinion the only way to enjoy it is for its excessive camp value and nothing more.

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My Rating: 4 out of 10

Released: February 1, 1977

Runtime: 1Hour 38Minutes (Blue Underground 2-Disc Special Edition)

Rated R (Originally rated X)

Director: Dario Argento

Studio: International Classics (Dubbed Version)

Available: VHS, DVD, Blu-ray

6 Comments

Posted in 70's Movies, Cult, Foreign Films, Horror, Italian Films, Moody/Stylish, Movies Based on Novels, Slasher/Gore

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The Sentinel (1977)

Posted on October 28, 2014 | 4 comments

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By Richard Winters

My Rating: 3 out of 10

4-Word Review: The Gateway to Hell.

Alison (Cristina Raines) is a fashion model looking for a place of her own. She is dating Michael (Chris Sarandon) and living with him, but has decided she is not ready for marriage and wants her own apartment. She finds an old, but stylish place in the Brooklyn Heights area of New York City that is already furnished and decides to move in, but then strange things begin to occur convincing her that the place may be haunted and when she starts to have physical maladies she is sure that something within the building is trying to possess her and the other residents she sees are really evil demons.

From the very first scene still film reeks of being just another, tired rip-off of The Exorcist. The first hour features no real scares and it is only during the second part that it becomes a full-fledged horror movie giving the film an overall disjointed feel. The much hyped final, which features severely deformed people who are not wearing make-up isn’t that impressive and unable to equal any of today’s horror movies. If anything I wished they had played this part up even more as it is the only time this otherwise generic thing gets even slightly diverting.

Rains, who by her own admission has never ever actually watched the movie, makes for a weak lead. Sure she is beautiful, but the character is dull and ordinary and she gets easily upstaged by co-star Sarandon who clearly shows how to carry a scene and deserves top billing over her for that reason alone. Her characters motivations didn’t make much sense either. Why would such a young woman want to move into a place filled with antique furniture and inhabited by senior citizens that she has nothing in common with? Also, when creepy things start to occur she doesn’t just move out right away like a normal person would, but instead goes back to the place several more times. There is also a moment when she hears strange noises from the upstairs apartment and then gets out of her bed and locks her front door, which seemed crazy because she is living in New York City and should be locking her doors ALL the time to begin with.

The only real interesting thing about this film for me was seeing older stars at the end of their careers in bit parts. Ava Gardner is fun as the leasing agent and Arthur Kennedy is solid as a mysterious priest as well as John Carradine as an older blind priest who lives upstairs and wearing creepy contacts. There is also Sylvia Miles who appears topless and camps it up as a lesbian neighbor with a Russian accent at least I think it was Russian. Christopher Walken can be seen briefly as a detective giving his gum a workout and Beverly D’Angelo plays a nubile lesbian who doesn’t say a single word, but more than makes up for it with her masturbation scene.

My Rating: 3 out of 10

Released: January 7, 1977

Runtime: 1Hour 34Minutes

Rated R

Director: Michael Winner

Studio: Universal

Available: VHS, DVD

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Posted in 70's Movies, Gay/Lesbian, Horror, Movies Based on Novels, Movies that take place in the Big Apple, Movies with Nudity

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