Category Archives: 80’s Movies

The Color Purple (1985)

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: Sisters try to reunite.

Celie (Whoopi Goldberg) is a young black woman living in rural Georgia during the early 1900’s. She gets stuck in an arranged marriage to Albert (Danny Glover) who is abusive and has more of an interest in her younger sister Nettie (Akosua Busia).  When Nettie comes to visit them Albert tries to rape her and when she is able to fight him off it enrages him and her throws her out of the house and refuses to let the two sisters ever talk to each other again. Nettie makes efforts to contact Celie through letters, but Albert seizes them and takes them away before Celie can read them. Eventually Celie adjusts to the domineering ways of her husband until she becomes friends with Shug (Margaret Avery) who gives her the strength and confidence to stand up to him.

I have never read the Alice Walker novel from which this film is based, but I feel it would’ve worked better had Steven Spielberg not directed it as it unfortunately gets too much of the patented Spielberg treatment. Every scene reeks of a Hollywoodnized glossiness and certain scenes are so manipulative sappy that it becomes almost painful to watch. The musical score is overplayed and not reminiscent of the time period. A similar film like Sounder worked better because most of the scenes had no background music and was a better reflection of a quieter and slower paced era.

There are also moments of cute comedy, which seems a bit out-of-place and confuses what the underlying intent of the production was. Are the filmmakers trying to make a genuine recreation of a bygone era, or simply entertainment fluff and at points it gets very merged and hard to tell. This film also had some of the tackiest snow scenes I have ever seen. It looks like white stuff that was simply spray painted onto the ground and the shot showing snow falling while there is bright green foliage on all of the trees looks so ridiculous and I wondered why they had even bothered. Also, when talking about someone in a mocking manner as Celie and Nette do about Albert it is probably wise to at least close the bedroom door and make sure the source of your mockery isn’t standing right outside listening in.

Goldberg is good in an uncharacteristically restrained performance although her character is so extremely submissive that it frustrates the viewer and makes you want to reach out and shake her. Oprah Winfrey is quite engaging and simply watching the way she walks up the dirt road driveway when she first appears is a hoot. The scene where she is attacked by an angry mob of white people is the best dramatic moment of the whole film. Avery is also good simply because of her great singing voice and her vibrant rendition of ‘Sister’ is excellent although the ‘sing-off’ that she has near the end with a gospel church choir gets to be too much.

Glover gives one of his best performances and looks so much younger especially at the beginning that I had to do a double-take when I first spotted him. I liked the way that he is shown as domineering and cruel with Celie, but when out in the public he is quite intimidated and quiet with everyone else. Adolph Caesar who plays Albert’s father is a real scene stealer especially with his reaction to a glass of water that has Celie’s spit in it and the glib comments that he makes at the dinner table during a family confrontation.

The production values are great, but Spielberg over-directs and it becomes too slick for its own good. The story is never allowed to breathe on its own and a little more of a gritty, raw style was needed. The movie also goes on too long and takes a few too many tangents.

My Rating: 4 out of 10

Released: December 18, 1985

Runtime: 2Hours 34Minutes

Rated PG-13

Director: Steven Spielberg

Studio: Amblin Entertainment

Available: VHS, DVD, Blu-ray

Streetwalkin’ (1985)

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By Richard Winters

My Rating:  6 out of 10

4-Word Review: Runaway turns to prostitution.

The actress I had a crush on when I was growing up was Julie Newmar best known as Catwoman from the old ‘Batman’ TV-series. I know that there have been several other actresses that have played the part, but Julie always brought in a sensual level that the others didn’t.  She also had a perfect hour glass figure and in that skin tight costume what man young or old could resist her. The fact that she balanced her performances with a hammy side, which the producers allowed her to freely ad-lib, is what always made her appearances on the show for me as an 11-year old kid, much anticipated and special.

Her Catwoman role was by far not the only thing that she did as she also starred in her own series as Rhoda the Robot in the TV-show ‘My Living Doll’ with Bob Cummings. She was also nominated for an Emmy for her performance in two memorable episodes of the classic series ‘Route 66’. In fact her performance here as the quirky non-conformist Vicki Russell I feel is the best of her career and now that this great show is finally available on DVD it would be well worth checking out.

Her movie credits aren’t too bad either. She co-starred in the classic 50’s musical ‘Seven Brides for Seven Brothers’ and also recreated her Tony award winning role as an over-sexed Swedish woman tempting her staid American host (James Mason) into fathering her baby. She also starred in ‘For Love or Money’ with Kirk Douglas and ‘Mackenna’s Gold’ with Gregory Peck. This was probably her best film performance as she plays a volatile and aggressive Indian woman and has no dialogue, but does appear nude from the backside.

In 1977 she married for the first time and dropped out of the business in order to spend more time with her husband. However, by 1983 it had ended in divorce and when she tried to get back into the movies she found the pickings to be slim. She co-starred with Tina Louise (Ginger from ‘Gilligan’s Island) in a film called ‘Evils of the Night’ that looked like it was made on a budget that wouldn’t be enough to buy a happy meal at McDonald’s. Her other film roles from the 80’s and 90’s weren’t much better with the possible exception being this one.

Here she plays the part of Queen Bee an older prostitute who befriends Cookie (Melissa Leo) who has run away from home with her brother and just starting out as a streetwalker. When Cookie realizes that her pimp/boyfriend Duke (Dale Midkiff) has beaten up her friend Heather (Deborah Offner) she becomes afraid of him and decides to start working for a new pimp. When the vengeful Duke becomes aware of the betrayal he begins to stalk her, which forces her to go on the run.

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For the most part I found this film to be redundant. Yes it is hard hitting and at times quite vulgar and graphic, but it really doesn’t show anything we haven’t seen before. The storyline is basic and predictable. The scene where Duke beats up Heather is unpleasant and a bit unsettling. If this film managed to give us some new insight into the life of a prostitute I might have given it some credit, but it doesn’t and instead becomes intent in wallowing in its own sordidness.

Of course if you’re into trashy cinema then this thing might do the trick (no pun intended). The film has a tight pace and it is never boring. The fight scenes are well choreographed and for the most part realistic looking and for whatever reason I found myself caught up in the story during the second half and seeing whether our heroine would escape the relentless psycho.

Leo is excellent and it is no surprise that she would later go on to have an impressive acting career and even win the Oscar. She shows a nice vulnerability and creates a character that is real and appealing.

Midkiff is impressive as the brutal pimp. The part where he tears up Cookie’s apartment in a psychotic rage is intense and well handled.

Newmar isn’t seen much in the first half, but comes on strong at the end. I loved seeing her shooting at Duke with a gun and when he escapes out onto the streets she gets into a car and tries running him down, which is pretty cool.  Having an older actress mixed in with a lot of younger ones creates a nice balance and hearing an actress who I grew up seeing on a kid’s show and now hearing her spew out the F-bomb is kind of funny.

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Like I said personal taste will dictate whether you like this or not, but it is interesting to note that besides Leo and Midkiff a lot of other young performers got their start here, which then blossomed into successful careers. The others include: Randall Batinkoff, Greg Germann, Khandi Alexander and Leon, which is impressive and should make this a much sought after curio by fans who wish to see their favorite actor when they were just starting out.

My Rating: 6 out of 10

Released: September 20, 1985

Runtime: 1Hour 26Minutes

Rated R

Director: Joan Freeman

Studio: Concorde Pictures

Available: VHS, DVD

Burglar (1987)

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By Richard Winters

My Rating: 3 out of 10

4-Word Review: Burglar witnesses a murder.

Bernice who goes by the nickname of Bernie (Whoopi Goldberg) is a cat burglar who gets hired by a dentist named Cynthia Sheldrake (Lesley Ann Warren) who wants Bernie to rob her ex-husband’s apartment and steal back her jewelry. When Bernie enters the apartment she has to hide in the closet when the ex-husband comes home earlier than expected and it is there that she hears him get murdered. Cynthia implicates Bernie in the crime and it is up to Bernie to track down the real killer before the police catch up with her.

The usually entertaining Goldberg doesn’t seem right for the part, which was originally intended for Bruce Willis. Except for a few amusing moments she is not all that funny and seems to be coasting most of the way and even out-of-place. For some reason she wears blue contacts and they look hideous. She also seems just a bit too nice for a career criminal that has spent time in jail and should be little more rough-around-the-edges. Having her constantly concerned about doing the ‘ethical’ thing and only robbing those that ‘deserve’ it doesn’t quite jive.

Bobcat Goldthwait as her dog groomer friend Carl is more of distraction than anything. His quivering, high pitch schtick comes off like someone with a serious psychological or physical problem and more creepy than funny. His line stating that drinking olive oil before drinking alcohol will prevent one from getting drunk later became the amusing basis for the film Calling Bobcat.

The supporting cast ends up being funnier than the two leads. John Goodman and Anne De Salvo have a few good moments as a bickering and perpetually perplexed cop duo. Warren is also good as an all-around bitch and all three performers deserved more screen time.

The film features Whoopi riding a motorcycle and being chased by police down the hilly, winding streets of San Francisco, which to an extent resembled the chase sequence in What’s Up Doc?. However, the chase is so poorly photographed and edited that it becomes hard to follow and nothing more than a collage of jump cuts.

There is another scene where the police try to enter her apartment which is equipped with a steal door, all sorts of booby traps and even a hidden room. On one hand this is kind of funny, but on the other it is wholly unrealistic. If this had occurred in a house that she owned I might have bought into it, but I would think that the noisy construction of all these contraptions would have had her reported to the landlord and she would have been evicted. Also, how is one able to build a hidden room in an apartment building without it affecting the neighboring tenants? There is also the issue that she states earlier that she had just been released from jail, so where did she find the time to build all this stuff?

The story itself lacks intrigue, relies too much on coincidence and eventually becomes implausible. I liked the use of the Bay area locations particularly the fog setting at the end, but otherwise this is just a bunch of overblown nonsense.

My Rating: 3 out of 10

Released: March 20, 1987

Runtime: 1Hour 44Minutes

Rated R

Director: Hugh Wilson

Studio: Warner Brothers

Available: VHS, DVD, Amazon Instant Video

Ginger and Fred (1986)

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: Aging dance partners reunite.

Amelia (Giulietta Masina) and Pippo (Marcello Mastroianni) are two aging dance partners who haven’t worked together for years. They are asked to reunite for a TV-show special and do a famous Fred Astaire and Ginger Rogers routine, but things have changed in their many years apart and the situation becomes more awkward than they imagined.

This is a genuinely amusing satire on television and celebrity status with Mastroisanni being absolutely engaging in every scene that he is in. Masina, who was director Federico Fellini’s wife in real-life, also gives a good performance and together they make a real fun team. The final dance sequence is terrific and the film manages to really come together at that point. The film is also sprinkled with some funny satirical snippets with the best ones including goofy billboards and a woman wearing edible panties.

On the negative end I found the techno music score to be overplayed and it becomes irritating especially at the beginning.  The film is also about a half-hour too long and it takes almost thirty minutes for Mastroianni’s character to even appear.

Overall I found the film to be enjoyable and mainly because the two leads are old pros who know how to work their magic although this is definitely not one of Fellini’s best films and at times it seems like he is just coasting.

My Rating: 6 out of 10

Released: January 13, 1986

Runtime: 2Hours 5Minutes

Rated PG-13

Director: Frederico Fellini

Studio: MGM

Available: DVD, Amazon Instant Video

Homer and Eddie (1989)

homer and eddie

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Losers go road-trippin’

Homer (James Belushi) is a mentally challenged man suffering brain damage from being hit in the head by a baseball when he was a kid. He decides to go on a road trip to visit his sick father, but along the way he gets robbed and has to sleep in an abandoned car. It is there that he meets Eddie (Whoopi Goldberg) an embittered, volatile women who is supposedly suffering from a brain tumor. The two trek off in her car to Oregon to meet up with Homer’s parents and also try to track down the men who robbed him.

I was impressed with the acting range shown here by Goldberg. Usually she is so likable, but here she is quite edgy and does it in an effective way. I applaud her attempts to work outside of her comfort zone although her fits of anger make the viewer uncomfortable and her crying does not sound authentic.

Belushi is good in atypical role and for the most part he is the best thing about the movie. His lines are consistently amusing, but the film walks an uncomfortable line between making him a sympathetic character to also making fun of him. Despite the fact that these two already worked together in Jumpin’ Jack Flash the chemistry between them doesn’t work.

The supporting cast is interesting in cameo roles. Casting 70-year-old 200 pound Ernestine McClendon as a prostitute gets points simply for its novelty, but seeing her in her grossly oversized panties is a bit much. Karen Black as her pimp has such a small, meaningless role that I was surprised that she even took it. Nancy Parsons has an interesting part as a cold and aloof woman who becomes sympathetic, which is a rarity for her. Director John Waters appears briefly as a robber and I kind of got a kick out of Don Hanmer as a very nervous cashier. Belushi’s real-life second wife Marjorie Bransfield can be spotted in the character of Betsy and this also marked the final film appearance for both Fritz Feld and Anne Ramsey.

The film features a wide-array of musical styles, which works against it. I liked Richie Havens rendition of ‘Home’, which had the nice laid-back beat and folk tinged sound that you expect for a road movie. Some of the more hard rock, heavy metal stuff became too loud and obnoxious and takes the viewer out of the picture instead of wrapping them in.

I liked the scenery and there are a few interesting moments, but trying to mix the surreal with the gritty is misguided. The comical bits get drowned out by the scenes of violence and a very maudlin theme. The result is an uneven film that pales in comparison to the classic road movies.

My Rating: 4 out of 10

Released: December 1, 1989

Runtime: 1Hour 40Minutes

Rated R

Director: Andrei Konchalovskiy

Studio: Skouras Pictures

Available: VHS, DVD, Amazon Instant Video, Hulu

The House of God (1984)

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By Richard Winters

My Rating: 7 out of 10

4-Word Review: Caustic look at medicine.

This is an interesting, honest, and incisive look at the inner-workings of an average, everyday hospital. Here we have a group of interns fresh out of medical school that come face-to-face with the harsh realities of the hospital ‘business’. Their youthful ideals and energy is soon stamped out and replaced by apathy and indifference because of the ‘system’.

Even if you have no connection to the medical field you may still find this relatable. The hospital business really is just like the everyday business world with the same politics and contrasting personalities. In particular there’s the Jo character, which is well played by Lisa Pelikan. She is called a ‘slurpy’ and can best be described as a ‘company person’ someone with no outside life and thus becomes married to her job. She goes “all out” for every patient, even if they don’t want it, simply to hide her own emptiness and need for approval. You can find one in any office as well as an administrator who is completely oblivious to what is going on and tries to solve all issues by simply talking in circles.

The core group of interns is very identifiable. They start out as one, but eventually break apart. Some adopt the system and even play into it. Others begrudgingly learn to accept it while still others decide to simply drop-out altogether.

It is hard to put this film into any one type of category. It starts out as a sort of absurdist comedy, but then becomes much more realistic. There are moments of both satire and drama, but the second half becomes all serious.

There’s no real cinematic style and the overall visual quality is blah. The film can’t really be described as entertaining either. It’s more like an informative film by someone in the know. If you want to be ‘educated’ about what a hospital environment is really like then this needs watching. Charles Haid’s “Fatman” character alone makes it worth it.

Based on the novel by Samuel Shem this film was shelved by its studio and never released either theatrically or on video, which was unusual since this is a quality picture. This was supposedly from pressure by the American Medical Association who felt it painted too much of an unflattering light on hospitals although the book was even more critical. Finding a copy can be difficult although recently it has been broadcast sporadically on THISTV network.

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My Rating: 7 out of 10

Released: None

Runtime: 1Hour 48Minutes

Rated R

Director: Donald Wrye

Studio: MGM

Not available at this time.

Fatal Beauty (1987)

fatal beauty

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Whoopi hates drug dealers.

Rita Rizzoli (Whoopi Goldberg) is a narcotics cop out to nab Conrad Kroll (Harris Yulin) who she believes is behind a recent shipment of a drug called ‘fatal beauty’ that is an unusually pure type of cocaine that can prove to be instantly deadly to those who unwittingly take it. Unfortunately Kroll has too much money and connections and proves to be untouchable, so she starts an uneasy alliance with Kroll’s security man Mike (Sam Elliot) that is amusing, interesting and revealing for both parties.

Goldberg is fantastic in the lead and one of the reasons this movie works. Her personality and streetwise humor is engaging.  The role was originally intended for Cher who had enjoyed working with Elliot in Mask and wanted to do another project with him, but for some reason when the part finally got offered she turned it down. I actually had a hard time seeing Cher in the part and felt Whoopi did it better. The only issue of course is that the character is a black woman, but also supposedly Italian, which doesn’t make much sense. The part where Mike tells her how much he enjoys an Italian women’s eyes seems absurd and you would have thought somebody would have realized this and altered the dialogue and the character’s name, but didn’t and this becomes the film’s biggest loophole although it is a relatively minor one that doesn’t interfere with the overall enjoyment.

The pairing of Elliot and Goldberg may initially seem odd, but for me it worked and their ongoing banter is the most entertaining thing about the movie. My only quibble is that as a sort of reconciliation gift the Elliot character buys Rita a $5,000 dress, which seemed way overboard especially when a relationship between the two had not been established.

Brad Dourif is terrific as the bad guy and weaves a nice balance between being campy and sinister. Ruben Blades is fun as Rita’s rather inept police partner and Jennifer Warren gets a funky moment when she gets into a big drawn out physical fight with Rita while in front of some shocked and refined guests at a garden party.

The only part that doesn’t really work is John P. Ryan’s as an overly-stressed police sergeant, which doesn’t gel and is not funny. Cheech Marin can be spotted in a brief bit as a bartender.

The story itself lacks originality and at times gets convoluted and even confusing. Mixing moments of humor with gritty scenes of graphic violence gives the whole thing a very uneven feel. Yet there were still some segments that I like and even got into including the part where Rita finds herself trapped and surrounded while inside a crack house. I found the dialogue to be sharp and witty and am at a loss as to why critic Leonard Maltin describes it as being ‘mind-bogglingly awful’ in his book and my only conclusion is that he just didn’t get the humor and should probably give it another view.

My Rating: 6 out of 10

Released: October 30, 1987

Runtime: 1Hour 44Minutes

Rated R

Director: Tom Holland

Studio: MGM

Available: DVD, Amazon Instant Video

Chan is Missing (1982)

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By Richard Winters

My Rating: 3 out of 10

4-Word Review: Chan has their money.

This is a story about Jo (Wood Moy) and Steve (Marc Hayasi) two cab drivers who go throughout Chinatown looking for a man named Chan who took their money and then disappeared. If you have never been to San Francisco’s Chinatown district then this film gives you an illuminating look of what it is like. It shows you everything from its atmosphere, to the landscape, and even its people and their attitudes. At times it is almost like a documentary, which this probably should have been in the first place.

The main cab driver who we follow around in his search is fun in a sort of offbeat way. He is old, short, and very dopey looking. He goes about his investigation in a low key sort of way. After a while he starts to grow on you especially when he makes his wry observations.

Unfortunately these are the only two good things about this film, which on the whole is boring and heavy-handed. The search for Chan is merely an excuse by director Wayne Wang to show how difficult it is for Chinese to assimilate into American society and how they are always looked upon as ‘foreigners’, and the lack of opportunities. It is sort of like one of those movies you watched when you were in grade school where the flimsy plot was just an excuse to try to teach you something. This one works the same way where it seems more like a lecture than a movie.

Technically it is inadequate. The majority of the characters are non-actors who seem to be just mouthing the lines that they have memorized. There is also no action and a desperate need for some humor even the low-key kind could’ve helped the flow.

Certainly director Wang has gone on to do bigger, better, more sophisticated things. This film can best be viewed as an early student project, which it resembles in many ways.

My Rating: 3 out of 10

Released: June 4, 1982

Runtime: 1Hour 20Minutes

Not Rated

Director: Wayne Wang

Studio: New Yorker Films

Available: VHS, DVD

Clara’s Heart (1988)

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By Richard Winters

My Rating: 3 out of 10

4-Word Review: Clara dispenses her wisdom.

Leona (Kathleen Quinlan) is spending some time at a Jamaican resort trying to recuperate from the sudden loss of her infant daughter. There she meets Clara (Whoopi Goldberg) who is working as a maid there. The two quickly strike up a friendship and Leona then hires Clara to come home with her and take care of her 10-year-old son David (Neil Patrick Harris). David does not like Clara at first, but the two eventually attain a strong bond especially after his parent’s divorce.

After some box office failures with her comical films Goldberg decided to go back to doing drama with so-so results. The whole way that Clara gets hired on as a nanny seems awkward, forced and too quick and screenwriter Mark Medoff should have thought up a better scenario. Clara isn’t completely likable as she has a pushy personality and dispenses her opinions on her employers whether they ask for it or not. Eventually David’s father Bill (Michael Ontkean) stands up to her, but I think others would have confronted her sooner or even fired her.

The runtime is much too long for such slight and predictable material. The whole second half gets consumed with this deep dark secret about the death of Clara’s son Robbie and when she does finally tell David the story it is a nasty one especially for a supposedly ‘family friendly’ film such as this one. It also brings out the question that if Clara raised a son that was so very troubled why then would she be so confident about knowing how to raise someone else’s?

Harris is outstanding in his film debut and really helps to carry the movie along. The sarcastic and glib comments that he spews out is the film’s highlight.  The big glasses that he wears seemed too reminiscent to the Corey Haim character in Lucas, which came out just a couple of years before this one. I was also confused why during a school swim meet he would be the only one wearing a T-shirt when all the other swimmers weren’t.

Spalding Gray appears in support as Leona’s new boyfriend. The script though does not take advantage of Gray’s unique talents and the film would have been better served had they allowed him to ad-lib and improvise.  Also, the woman who plays Bill’s new love interest looks too much like Leona and in a visual medium such as this it is usually better to emphasize contrast.

The production values are good and I loved the large home that David’s family lives in and the by-the-lake location. However, the material is too formulaic and Clara’s and David’s bonding sessions become strained and corny. The film’s ‘feel-good’ message is lost in an approach that is sterile, mechanical, and by-the-numbers.

My Rating: 3 out of 10

Released: October 7, 1988

Runtime: 1Hour 48Minutes

Rated PG-13

Director: Robert Mulligan

Available: VHS, Amazon Instant Video

The Telephone (1988)

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By Richard Winters

My Rating: 1 out of 10

4-Word Review: I liked the owl.

Vashti Blue (Whoopi Goldberg) is an out-of-work actress sitting inside her dreary small apartment and having conversations with people over the phone. She also argues through a locked door that she shares with the women next door while waiting for a call from an agent for a job opportunity that never comes.

I am all for experimental cinema, which is the best way to describe this misguided project, but to work it still needs an artistic design and focus and this has none. It pretty much comes off as somebody’s cheap home video where a camera is turned on and then someone is allowed to rant and rave without pause for eighty minutes. Some could blame Rip Torn who is an actor turned first-time director here, but in subsequent interviews he has complained that Whoopi wouldn’t listen to any advice or direction that he gave and pretty much made his presence insignificant.  You could also blame the screenplay, which was written by the very odd pairing of Terry Southern and Harry Nilsson. Southern is best known for penning the screenplay for Dr. Strangelove while Nilsson is a famous singer/songwriter whose best work was doing the song ‘Everybody’s Talking’ that was the theme for the classic film Midnight Cowboy. However, Whoopi took great liberties with the material and ad-libbed a lot, so what was originally put down on paper and what is left on the screen could be minimal.

The conversations that Whoopi has over the phone ranges from lame to ridiculous. One includes calling the police and trying to get them to arrest a video store owner because he rented her a tape of Christmas in July with a scene excised is too absurd to be even remotely amusing. The Whoopi character also incorrectly stated that Frank Capra was the director of the film when it reality it was Preston Sturges.  Goldberg puts on a variety of accents including British, Japanese, Indian, and Southern as well as a few others, but her Irish one is suspect and her impression of John Wayne is terrible.

The apartment set is dull and bleak. The viewer feels trapped and with such little visual design their eyes and thoughts are apt to wander. Cutaways are sorely needed, but there are none. An infuriating moment is when there is a sound of a loud car pile-up outside, but despite this being a visual medium the camera never cuts away to show any of it. This was probably due to budget constraints, but what is even more perplexing is that there are sounds of people screaming, police sirens and even rioting and then a half minute later it all suddenly stops for no explained reason.

The supporting cast is eclectic but wasted. Noted character actor Severn Darden, in his last film role, appears in a brief bland bit as Whoopi’s neighbor. Elliot Gould gets a few minutes as Whoopi’s former agent and seems to be seriously slumming as he was a headline star during the seventies and now sadly stuck in this. John Heard is the only one who comes off best as a caustic, brash telephone repairman.

Whoopi’s two pets upstage the human cast by a mile. Her pet owl is very cute and I dug the goldfish particularly when he gets sucked down the drain of her bathtub and she must use a plunger to save him, which is the only time there is any action in the entire movie.

My Rating: 1 out of 10

Released: January 22, 1988

Runtime: 1Hour 20Minutes (The DVD cover states it’s 1Hour 36Minutes, but it is wrong.)

Rated R

Director: Rip Torn

Studio: New World Pictures

Available: VHS, DVD