Tag Archives: Whoopi Goldberg

The Color Purple (1985)

the color purple 2

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Sisters try to reunite.

Celie (Whoopi Goldberg) is a young black woman living in rural Georgia during the early 1900’s. She gets stuck in an arranged marriage to Albert (Danny Glover) who is abusive and has more of an interest in her younger sister Nettie (Akosua Busia).  When Nettie comes to visit them Albert tries to rape her and when she is able to fight him off it enrages him and her throws her out of the house and refuses to let the two sisters ever talk to each other again. Nettie makes efforts to contact Celie through letters, but Albert seizes them and takes them away before Celie can read them. Eventually Celie adjusts to the domineering ways of her husband until she becomes friends with Shug (Margaret Avery) who gives her the strength and confidence to stand up to him.

I have never read the Alice Walker novel from which this film is based, but I feel it would’ve worked better had Steven Spielberg not directed it as it unfortunately gets too much of the patented Spielberg treatment. Every scene reeks of a Hollywoodnized glossiness and certain scenes are so manipulative sappy that it becomes almost painful to watch. The musical score is overplayed and not reminiscent of the time period. A similar film like Sounder worked better because most of the scenes had no background music and was a better reflection of a quieter and slower paced era.

There are also moments of cute comedy, which seems a bit out-of-place and confuses what the underlying intent of the production was. Are the filmmakers trying to make a genuine recreation of a bygone era, or simply entertainment fluff and at points it gets very merged and hard to tell. This film also had some of the tackiest snow scenes I have ever seen. It looks like white stuff that was simply spray painted onto the ground and the shot showing snow falling while there is bright green foliage on all of the trees looks so ridiculous and I wondered why they had even bothered. Also, when talking about someone in a mocking manner as Celie and Nette do about Albert it is probably wise to at least close the bedroom door and make sure the source of your mockery isn’t standing right outside listening in.

Goldberg is good in an uncharacteristically restrained performance although her character is so extremely submissive that it frustrates the viewer and makes you want to reach out and shake her. Oprah Winfrey is quite engaging and simply watching the way she walks up the dirt road driveway when she first appears is a hoot. The scene where she is attacked by an angry mob of white people is the best dramatic moment of the whole film. Avery is also good simply because of her great singing voice and her vibrant rendition of ‘Sister’ is excellent although the ‘sing-off’ that she has near the end with a gospel church choir gets to be too much.

Glover gives one of his best performances and looks so much younger especially at the beginning that I had to do a double-take when I first spotted him. I liked the way that he is shown as domineering and cruel with Celie, but when out in the public he is quite intimidated and quiet with everyone else. Adolph Caesar who plays Albert’s father is a real scene stealer especially with his reaction to a glass of water that has Celie’s spit in it and the glib comments that he makes at the dinner table during a family confrontation.

The production values are great, but Spielberg over-directs and it becomes too slick for its own good. The story is never allowed to breathe on its own and a little more of a gritty, raw style was needed. The movie also goes on too long and takes a few too many tangents.

My Rating: 4 out of 10

Released: December 18, 1985

Runtime: 2Hours 34Minutes

Rated PG-13

Director: Steven Spielberg

Studio: Amblin Entertainment

Available: VHS, DVD, Blu-ray

Burglar (1987)

burglar

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Burglar witnesses a murder.

Bernice who goes by the nickname of Bernie (Whoopi Goldberg) is a cat burglar who gets hired by a dentist named Cynthia Sheldrake (Lesley Ann Warren) who wants Bernie to rob her ex-husband’s apartment and steal back her jewelry. When Bernie enters the apartment she has to hide in the closet when the ex-husband comes home earlier than expected and it is there that she hears him get murdered. Cynthia implicates Bernie in the crime and it is up to Bernie to track down the real killer before the police catch up with her.

The usually entertaining Goldberg doesn’t seem right for the part, which was originally intended for Bruce Willis. Except for a few amusing moments she is not all that funny and seems to be coasting most of the way and even out-of-place. For some reason she wears blue contacts and they look hideous. She also seems just a bit too nice for a career criminal that has spent time in jail and should be little more rough-around-the-edges. Having her constantly concerned about doing the ‘ethical’ thing and only robbing those that ‘deserve’ it doesn’t quite jive.

Bobcat Goldthwait as her dog groomer friend Carl is more of distraction than anything. His quivering, high pitch schtick comes off like someone with a serious psychological or physical problem and more creepy than funny. His line stating that drinking olive oil before drinking alcohol will prevent one from getting drunk later became the amusing basis for the film Calling Bobcat.

The supporting cast ends up being funnier than the two leads. John Goodman and Anne De Salvo have a few good moments as a bickering and perpetually perplexed cop duo. Warren is also good as an all-around bitch and all three performers deserved more screen time.

The film features Whoopi riding a motorcycle and being chased by police down the hilly, winding streets of San Francisco, which to an extent resembled the chase sequence in What’s Up Doc?. However, the chase is so poorly photographed and edited that it becomes hard to follow and nothing more than a collage of jump cuts.

There is another scene where the police try to enter her apartment which is equipped with a steal door, all sorts of booby traps and even a hidden room. On one hand this is kind of funny, but on the other it is wholly unrealistic. If this had occurred in a house that she owned I might have bought into it, but I would think that the noisy construction of all these contraptions would have had her reported to the landlord and she would have been evicted. Also, how is one able to build a hidden room in an apartment building without it affecting the neighboring tenants? There is also the issue that she states earlier that she had just been released from jail, so where did she find the time to build all this stuff?

The story itself lacks intrigue, relies too much on coincidence and eventually becomes implausible. I liked the use of the Bay area locations particularly the fog setting at the end, but otherwise this is just a bunch of overblown nonsense.

My Rating: 3 out of 10

Released: March 20, 1987

Runtime: 1Hour 44Minutes

Rated R

Director: Hugh Wilson

Studio: Warner Brothers

Available: VHS, DVD, Amazon Instant Video

Homer and Eddie (1989)

homer and eddie

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Losers go road-trippin’

Homer (James Belushi) is a mentally challenged man suffering brain damage from being hit in the head by a baseball when he was a kid. He decides to go on a road trip to visit his sick father, but along the way he gets robbed and has to sleep in an abandoned car. It is there that he meets Eddie (Whoopi Goldberg) an embittered, volatile women who is supposedly suffering from a brain tumor. The two trek off in her car to Oregon to meet up with Homer’s parents and also try to track down the men who robbed him.

I was impressed with the acting range shown here by Goldberg. Usually she is so likable, but here she is quite edgy and does it in an effective way. I applaud her attempts to work outside of her comfort zone although her fits of anger make the viewer uncomfortable and her crying does not sound authentic.

Belushi is good in atypical role and for the most part he is the best thing about the movie. His lines are consistently amusing, but the film walks an uncomfortable line between making him a sympathetic character to also making fun of him. Despite the fact that these two already worked together in Jumpin’ Jack Flash the chemistry between them doesn’t work.

The supporting cast is interesting in cameo roles. Casting 70-year-old 200 pound Ernestine McClendon as a prostitute gets points simply for its novelty, but seeing her in her grossly oversized panties is a bit much. Karen Black as her pimp has such a small, meaningless role that I was surprised that she even took it. Nancy Parsons has an interesting part as a cold and aloof woman who becomes sympathetic, which is a rarity for her. Director John Waters appears briefly as a robber and I kind of got a kick out of Don Hanmer as a very nervous cashier. Belushi’s real-life second wife Marjorie Bransfield can be spotted in the character of Betsy and this also marked the final film appearance for both Fritz Feld and Anne Ramsey.

The film features a wide-array of musical styles, which works against it. I liked Richie Havens rendition of ‘Home’, which had the nice laid-back beat and folk tinged sound that you expect for a road movie. Some of the more hard rock, heavy metal stuff became too loud and obnoxious and takes the viewer out of the picture instead of wrapping them in.

I liked the scenery and there are a few interesting moments, but trying to mix the surreal with the gritty is misguided. The comical bits get drowned out by the scenes of violence and a very maudlin theme. The result is an uneven film that pales in comparison to the classic road movies.

My Rating: 4 out of 10

Released: December 1, 1989

Runtime: 1Hour 40Minutes

Rated R

Director: Andrei Konchalovskiy

Studio: Skouras Pictures

Available: VHS, DVD, Amazon Instant Video, Hulu

Fatal Beauty (1987)

fatal beauty

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Whoopi hates drug dealers.

Rita Rizzoli (Whoopi Goldberg) is a narcotics cop out to nab Conrad Kroll (Harris Yulin) who she believes is behind a recent shipment of a drug called ‘fatal beauty’ that is an unusually pure type of cocaine that can prove to be instantly deadly to those who unwittingly take it. Unfortunately Kroll has too much money and connections and proves to be untouchable, so she starts an uneasy alliance with Kroll’s security man Mike (Sam Elliot) that is amusing, interesting and revealing for both parties.

Goldberg is fantastic in the lead and one of the reasons this movie works. Her personality and streetwise humor is engaging.  The role was originally intended for Cher who had enjoyed working with Elliot in Mask and wanted to do another project with him, but for some reason when the part finally got offered she turned it down. I actually had a hard time seeing Cher in the part and felt Whoopi did it better. The only issue of course is that the character is a black woman, but also supposedly Italian, which doesn’t make much sense. The part where Mike tells her how much he enjoys an Italian women’s eyes seems absurd and you would have thought somebody would have realized this and altered the dialogue and the character’s name, but didn’t and this becomes the film’s biggest loophole although it is a relatively minor one that doesn’t interfere with the overall enjoyment.

The pairing of Elliot and Goldberg may initially seem odd, but for me it worked and their ongoing banter is the most entertaining thing about the movie. My only quibble is that as a sort of reconciliation gift the Elliot character buys Rita a $5,000 dress, which seemed way overboard especially when a relationship between the two had not been established.

Brad Dourif is terrific as the bad guy and weaves a nice balance between being campy and sinister. Ruben Blades is fun as Rita’s rather inept police partner and Jennifer Warren gets a funky moment when she gets into a big drawn out physical fight with Rita while in front of some shocked and refined guests at a garden party.

The only part that doesn’t really work is John P. Ryan’s as an overly-stressed police sergeant, which doesn’t gel and is not funny. Cheech Marin can be spotted in a brief bit as a bartender.

The story itself lacks originality and at times gets convoluted and even confusing. Mixing moments of humor with gritty scenes of graphic violence gives the whole thing a very uneven feel. Yet there were still some segments that I like and even got into including the part where Rita finds herself trapped and surrounded while inside a crack house. I found the dialogue to be sharp and witty and am at a loss as to why critic Leonard Maltin describes it as being ‘mind-bogglingly awful’ in his book and my only conclusion is that he just didn’t get the humor and should probably give it another view.

My Rating: 6 out of 10

Released: October 30, 1987

Runtime: 1Hour 44Minutes

Rated R

Director: Tom Holland

Studio: MGM

Available: DVD, Amazon Instant Video

Clara’s Heart (1988)

claras heart

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Clara dispenses her wisdom.

Leona (Kathleen Quinlan) is spending some time at a Jamaican resort trying to recuperate from the sudden loss of her infant daughter. There she meets Clara (Whoopi Goldberg) who is working as a maid there. The two quickly strike up a friendship and Leona then hires Clara to come home with her and take care of her 10-year-old son David (Neil Patrick Harris). David does not like Clara at first, but the two eventually attain a strong bond especially after his parent’s divorce.

After some box office failures with her comical films Goldberg decided to go back to doing drama with so-so results. The whole way that Clara gets hired on as a nanny seems awkward, forced and too quick and screenwriter Mark Medoff should have thought up a better scenario. Clara isn’t completely likable as she has a pushy personality and dispenses her opinions on her employers whether they ask for it or not. Eventually David’s father Bill (Michael Ontkean) stands up to her, but I think others would have confronted her sooner or even fired her.

The runtime is much too long for such slight and predictable material. The whole second half gets consumed with this deep dark secret about the death of Clara’s son Robbie and when she does finally tell David the story it is a nasty one especially for a supposedly ‘family friendly’ film such as this one. It also brings out the question that if Clara raised a son that was so very troubled why then would she be so confident about knowing how to raise someone else’s?

Harris is outstanding in his film debut and really helps to carry the movie along. The sarcastic and glib comments that he spews out is the film’s highlight.  The big glasses that he wears seemed too reminiscent to the Corey Haim character in Lucas, which came out just a couple of years before this one. I was also confused why during a school swim meet he would be the only one wearing a T-shirt when all the other swimmers weren’t.

Spalding Gray appears in support as Leona’s new boyfriend. The script though does not take advantage of Gray’s unique talents and the film would have been better served had they allowed him to ad-lib and improvise.  Also, the woman who plays Bill’s new love interest looks too much like Leona and in a visual medium such as this it is usually better to emphasize contrast.

The production values are good and I loved the large home that David’s family lives in and the by-the-lake location. However, the material is too formulaic and Clara’s and David’s bonding sessions become strained and corny. The film’s ‘feel-good’ message is lost in an approach that is sterile, mechanical, and by-the-numbers.

My Rating: 3 out of 10

Released: October 7, 1988

Runtime: 1Hour 48Minutes

Rated PG-13

Director: Robert Mulligan

Available: VHS, Amazon Instant Video

Soapdish (1991)

soapdish

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Comedy style soap opera.

Montana Moorehead (Cathy Moriarty) is an ambitious actress playing a supporting role on a popular daytime soap opera. She wants to move up the casting ladder, but realizes that the show’s popular long-time leading Lady Celeste Talbert (Sally Field) must go first. She fakes having an interest in David Seaton Barnes (Robert Downey Jr.) who is the show’s producer as a way to manipulate him to get Celeste off the show or do things to hurt her popularity and yet everything that they try ends up backfiring.

Although soap operas have been parodied hundreds of times before this one is genuinely funny all the way through. It hits all the right targets and has some sharp dialogue. The characters manage to successfully toe the uncomfortable line between being caricatures and real people. Celeste in particular despite being insecure and straddled with all the afflictions of a big time star is still quite likable.

The scene where the Kevin Kline character performs in the play ‘Death of a Salesman’ at a rundown dinner theater and cleans up a customer’s spilled drink while remaining in the Willy Loman character is hilarious. The ending sequence where Kline’s character tries reading the teleprompter without the benefit of his glasses and the performance of a brain transplant operation inside a restaurant is also quite funny.

Field overall is quite good in the lead and it is nice seeing her back to doing comedy as she has a certain frantic affinity for it. The only thing that annoyed me about her performance was her crying which went on too long and sounded phony while never once shedding any tear. I also thought it was strange that the character complains about having to wear a turban on her head during a scene in the show and then later on she is seen wearing one in real life. There is also another part where the character faints and falls backwards. This is something that is quite prevalent in a lot of movies and TV-shows and I don’t know why or what started it, but in reality when people faint they fall forward not backwards.

Whoopi Goldberg is effective as the soap’s head writer. The role suites her talents best because it uses her more as a common sense anchor to the zaniness around her. Elisabeth Shue is engaging as a young woman who tries anything to break into the business. Her young attractive and innocent looking face is perfect for the part and she ends up holding her own quite well with the veteran cast.

Gary Marshall again makes the most of his small bit part and this guy is so good in cameo roles that I feel he should spend more time in front of the camera instead of behind it. Attractive TV reporter Leeza Gibbons, Teri Hatcher, Carrie Fisher, and Ben Stein can also be spotted in bit roles.

Out of the entire cast the only one that I didn’t care for was Moriarty who seemed too one-dimensional and although she was supposedly playing a young woman in her twenties she came off looking a lot older.

I only have a few complaints with this one and the biggest one being the fact that it has the show broadcast live even though soap operas ceased doing that in the early 60’s and had been shown on tape for the past four decades and yet the live broadcast is very crucial to the plot, which creates a loophole. Soap operas have also decreased significantly in popularity since the release of this film, which makes the movie appear dated. I also didn’t care of the musical score, which resembled dance music at a Latin bar and didn’t fit the theme at all. Even with these shortcomings the film is still funny enough to overcome them and is quality viewing for those looking for a good laugh.

My Rating: 7 out of 10

Released: May 31, 1991

Runtime: 1Hour 37Minutes

Rated PG-13

Director: Michael Hoffman

Studio: Paramount

Available: VHS, DVD, Amazon Instant Video, Netflix streaming

The Telephone (1988)

the telephone 2

By Richard Winters

My Rating: 1 out of 10

4-Word Review: I liked the owl.

Vashti Blue (Whoopi Goldberg) is an out-of-work actress sitting inside her dreary small apartment and having conversations with people over the phone. She also argues through a locked door that she shares with the women next door while waiting for a call from an agent for a job opportunity that never comes.

I am all for experimental cinema, which is the best way to describe this misguided project, but to work it still needs an artistic design and focus and this has none. It pretty much comes off as somebody’s cheap home video where a camera is turned on and then someone is allowed to rant and rave without pause for eighty minutes. Some could blame Rip Torn who is an actor turned first-time director here, but in subsequent interviews he has complained that Whoopi wouldn’t listen to any advice or direction that he gave and pretty much made his presence insignificant.  You could also blame the screenplay, which was written by the very odd pairing of Terry Southern and Harry Nilsson. Southern is best known for penning the screenplay for Dr. Strangelove while Nilsson is a famous singer/songwriter whose best work was doing the song ‘Everybody’s Talking’ that was the theme for the classic film Midnight Cowboy. However, Whoopi took great liberties with the material and ad-libbed a lot, so what was originally put down on paper and what is left on the screen could be minimal.

The conversations that Whoopi has over the phone ranges from lame to ridiculous. One includes calling the police and trying to get them to arrest a video store owner because he rented her a tape of Christmas in July with a scene excised is too absurd to be even remotely amusing. The Whoopi character also incorrectly stated that Frank Capra was the director of the film when it reality it was Preston Sturges.  Goldberg puts on a variety of accents including British, Japanese, Indian, and Southern as well as a few others, but her Irish one is suspect and her impression of John Wayne is terrible.

The apartment set is dull and bleak. The viewer feels trapped and with such little visual design their eyes and thoughts are apt to wander. Cutaways are sorely needed, but there are none. An infuriating moment is when there is a sound of a loud car pile-up outside, but despite this being a visual medium the camera never cuts away to show any of it. This was probably due to budget constraints, but what is even more perplexing is that there are sounds of people screaming, police sirens and even rioting and then a half minute later it all suddenly stops for no explained reason.

The supporting cast is eclectic but wasted. Noted character actor Severn Darden, in his last film role, appears in a brief bland bit as Whoopi’s neighbor. Elliot Gould gets a few minutes as Whoopi’s former agent and seems to be seriously slumming as he was a headline star during the seventies and now sadly stuck in this. John Heard is the only one who comes off best as a caustic, brash telephone repairman.

Whoopi’s two pets upstage the human cast by a mile. Her pet owl is very cute and I dug the goldfish particularly when he gets sucked down the drain of her bathtub and she must use a plunger to save him, which is the only time there is any action in the entire movie.

My Rating: 1 out of 10

Released: January 22, 1988

Runtime: 1Hour 20Minutes (The DVD cover states it’s 1Hour 36Minutes, but it is wrong.)

Rated R

Director: Rip Torn

Studio: New World Pictures

Available: VHS, DVD

Jumpin’ Jack Flash (1986)

jumpin jack flashBy Richard Winters

My Rating: 3 out of 10

4-Word Review: Whoopi plays spy game.

Due to Whoopi Goldberg turning 58 on November 13th and because whenever I watch a clip of ‘The View’ on YouTube she tends to be my favorite panelist I have decided to review each of the films she starred in during the 80’s for the next 7 Mondays. Critically her films in that decade did not fare well and she has even disowned a few, but since this is a 80’s movie blog I feel it is my professional duty to review them anyways whether some of them are torturous to sit through or not.

In this one she plays Terry Doolittle a bank employee who does a lot of transactions and communications through her computer. One day she gets a message from someone using the code name Jumpin’ Jack Flash who asks for her help supposedly to save his life. This sets into motion wild adventures in which she puts her life at risk and gets involved with everything from the CIA to foreign government powers.

Whoopi is the best thing about this otherwise silly and contrived plot. Director Penny Marshall nicely allows Whoopi room to flex her comic muscles while also taking advantage of her sassy and streetwise humor. The part where she tries to decipher the lyrics of the ‘Jumpin Jack Flash’ song by the Rolling Stones is full of all sorts of Goldbergisms and it’s great. Her impressions of Ray Charles and Diana Ross are on target as well, but my favorite part is when she is drugged with truth serum and then goes into a beauty salon and tells everyone there exactly what she thinks. My only complaint to her performance is her unnecessary use of the F-bomb, which turns this otherwise kid friendly story into an R-rated movie.

It is also fun to watch a lot of up-and-coming comic stars in small roles including Phil Hartman, Jon Lovitz, James Belushi, Tracy Ullman and Annie Potts. There is even a surprise appearance by Jonathan Pryce at the very end, but my favorite is when Penny casts her older brother Gary as a detective who has a humorously confrontational exchange with Whoopi inside a police station.

Marshall’s directorial debut is limp. I liked all the movie posters that line Whoopi’s apartment, but otherwise the visuals are dull. Her workplace environment and conversations that Whoopi has with her co-workers seems realistic, but not particularly interesting or amusing. The opening segment limps along while barely being engaging. The part where Whoopi gets her dress caught in a shredder has up-tempo cartoon-like music played over it, which puts the thing too much at a kiddie level.

The story itself is convoluted and confusing with little that is plausible. The shootout inside the office gets particularly ridiculous, but the biggest problem I had with the script is the way the Terry character gets herself involved in the mess in the first place. If she knew the person asking for her assistance to this dangerous mission I might understand it, but she doesn’t. After she is shot at and nearly killed, gets her apartment ransacked and is verbally threatened she decides to immerse herself even more into the precarious situation even when she is given the opportunity to get out of it, which most normal people would’ve.  The viewer starts to lose empathy for a protagonist when they act irrationally, which this one does. The idea that she is doing it because she has ‘feelings’ for this other person even though she has never met him, knows nothing about him and doesn’t even know what he looks like is just plain stupid.

Although the Rolling Stones song from which the movie is named after does get briefly played later on I felt it should have been used over the opening credits. I still prefer the Stones version, but Aretha Franklin’s rendition that is used during the closing credits isn’t bad.

My Rating: 3 out of 10

Released: October 10, 1986

Runtime: 1Hour 45Minutes

Rated R

Director: Penny Marshall

Studio: 20th Century Fox

Available: VHS, DVD, Blu-ray, YouTube, Amazon Instant Video