Tag Archives: Rod Amateau

Drive-In (1976)

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Mayhem at the movies.

It’s just another evening at the drive-in movies in a small Texas town except this time there’s more action in the theater than in the movie being shown. As the people watch the latest action flick known as ‘Disaster ’76’ on the big-screen there’s all sorts of commotion going on around them. Gifford (Trey Wilson) and Will (Gordon Hurst) are two bumbling amateur crooks who plan on robbing the concession stand during the show. Glowie (Lisa Lemole) is the fed-up girlfriend of Enoch (Billy Milliken), who leads the local teen gang, and who desires a more clean-cut guy like Orville (Glenn Morshower), but Enoch and his obedient thugs try to prevent this potential union from happening. There’s also the paranoid African American Dr. Demars  (Bill McGhee) who frets about having to live in the middle of ‘Klan Country’, but still manages to take his wife (Gloria Shaw) to the show, but also ends up in the process having several inadvertent encounters with the volatile Enoch.

Rod Amateau’s name may not be as well known as other notoriously bad filmmaker’s like Ed Wood Jr. or Tommy Wiseau who helmed the infamously awful The Room, but he probably should be. Not only did Amateau create ‘My Mother the Car’, but he also did ‘Supertrain’, which are considered two of the worst TV-shows ever produced. He also wrote and directed The Garbage Pail Kids, which usually lands high on everyone’s terrible movie list. However, his directorial effort here isn’t bad and for awhile even engaging. My favorite part is a scene done inside a roller skating rink where we see real teenagers, that are age appropriate and with varying body-types, behaving very much like small town teens of that era would. It’s like a taking a time machine back to the simpler times and seeing how things really were, but without the pretension.

The performances are if anything quite lively including Morshower, best known as Aaron Pierce from the series ’24’, in his film debut and sporting a full, bushy head of red hair. It’s also great seeing Lisa Lemole in a prominent role as she later left acting in 1985 when she married Mehmet Oz better known as Dr. Oz. This also marks the acting debut of Trey Wilson, who went on to play many colorful supporting characters before having his career cut short by an unexpected death at the young age of only 40. Gary Lee Cavagnaro, who’s more famous for playing Engelbert in The Bad News Bears, is amusing too as Morshower’s younger brother.

Unfortunately despite a promising start the film ultimately flounders especially during the second act as too much cartoonish silliness gets in the way of any subtle realism. At the end the cars of the customers slowly file out of the drive-in like what had occurred was no big deal and the viewer is left feeling the same way. The stakes needed to be higher and the event needed more of a long-lasting consequence. A funny idea would’ve had the mayhem cause actual destruction to the drive-in while the disaster flick played perhaps even having it burn down to a cinder. Since the theater in real-life got demolished just a few years after this was shot it might’ve been possible and thus allowed the film to leave more of lasting visual impression than it does.

The Drive-in theater in Terrell, Texas as it looked in 1975 when the film was shot.

The same location as it looks now.

My Rating: 5 out of 10

Released: May 26, 1976

Runtime: 1 Hour 36 Minutes

Rated PG

Director: Rod Amateau

Studio: Columbia Pictures

Available: DVD-R (Sony Choice Collection)

Where Does It Hurt? (1972)

where does it hurt 1

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Corruption at a hospital.

It’s funny how names like Ed Wood Jr. or Tommy Wiseau get mentioned in just about anyone’s list of bad movie director’s, but Rod Amateau’s never does, but should. Not only did he produce ‘My Mother the Car’ and ‘Supertrain’, which are considered two of the worst TV-series ever to be broadcast, but he also directed the notorious Garbage Pail Kids as well as Son of Hitler and The Statue, which featured a jealous David Niven going around the bathrooms and gay bathhouses of London looking for a man whose penis matches the one that his wife created for a life-sized statue that she says replicates her lovers.

While this film isn’t quite as bad as those it comes close. It stars Peter Sellers who was at a career nadir due to financial mismanagement and willing to take on any low budget job offer he was given. Here he plays the corrupt head of a hospital that uses an array of schemes to bilk patients and insurance companies out of thousands of dollars. Rick Lenz plays a patient who becomes aware of the shenanigans going on and tries to bring Sellers and his staff down, but finds that they seem to have a trick up their proverbial sleeves at every turn.

The film manages to have a few amusing moments, but comes off more like a gag reel than a story. The characters are exaggerated and unlikable. We are supposed to side with Lenz and his predicament, but he so stupidly allows the doctors to take advantage of him at the beginning that it becomes hard to. The whole thing gets sillier by the second until by the end it’s completely inane. It also makes light of some serious issues that were handled better in Paddy Chayefsky’s The Hospital, which came out just 8 months before this one.

To some degree it’s fun seeing Sellers, who was noted for his wide range of dialects, taking a stab at an American accent and he almost pulls it off except for a few moments including the one where he pronounces orifice as AW-ifice.

The supporting cast made up of lesser known talents proves to be game here. Pat Morita, still years away from his breakout role in The Karate Kid, is genuinely amusing as a lab tech with an inferiority complex and at one point even speaks in a British accent. Harold Gould is good as an incompetent Dr. and J. Edward McKinley, best known for his many appearances on ‘Bewitched’ as one of McMahon and Tate’s primary clients, is funny as the Hospital commissioner who relentlessly tries to nab Sellers and eventually after repeated missed opportunities is able to.

In better hands this might’ve had a chance, but the low budget, irritating country music soundtrack and cheap jokes pretty much sink this thing before it even has a chance to get started.

My Rating: 4 out of 10

Released: September 29, 1972

Runtime: 1Hour 28Minutes

Rated R

Director: Rod Amateau

Studio: Cinerama Releasing Corporation

Available: None at this time.