By Richard Winters
My Rating: 4 out of 10
4-Word Review: A king look-alike.
When King Rudolph IV (Peter Sellers) dies in a hot air ballooning accident his heir apparent, Rudolph (Peter Sellers), who spends his days in casinos gambling and carousing, gets summoned to be the next King. His half-brother, Prince Michael (Jeremy Kemp), feels he’d be more suitable for the throne. He sends out an assassin to kill Rudolph in order to allow Michael to become King. While the assassin tries to carry-out the mission his attempt fails due in large part to the quick thinking of Sydney (Peter Sellers) a local carriage driver. Sydney is actually Rudolph’s half-brother due to an affair that the King had with a British actress years earlier, but he is unaware of this and yet due to his striking resemblance to the new would-be King he gets hired as decoy in order to help prevent any more assassination attempts on Rudolph’s life.
While the film, which is loosely based on the classic Anthony Harvey novel of the same name, was met with a lot of criticism upon its release I did come away impressed with the look of it. This was the last film directed by actor-turned-director Richard Quine whose creative output in the early part of his career fared far better than his films towards the end, which were pretty much all box office bombs and critical duds. This one though has some great looking sets and excellent period piece costumes as well as impressive on-location shooting done at historical castles throughout Austria, which almost makes up for its other inadequacies.
Sellers for his part isn’t bad either at least on the acting end. While the reports were that his health was declining he certainly didn’t look it and his use of accents, particularly Sydney’s Welsh-Scottish one, is excellent. However, on a comic level his presence is quite bland. It’s almost like he put in so much effort into the characterizations that he forgot to be funny. Some may find Rudolph speaking with a lisp and unable to say the ‘R’ sound somewhat amusing though this gets overplayed and ultimately old, but outside of that he has nothing else that he says or does that’s humorous. The audiences are coming in expecting him to be the comic catalyst when instead it’s Gregory Sierra, in a very energetic Wily E. Coyote type role as a vengeful count, and Graham Stark as a prison guard who manage to get any genuine laughs.
Incorporating Sellers’ then wife Lynn Frederick into the proceedings doesn’t help. Frederick was fielding leading role offers for two TV-movies at the time including that of The Torn Birds, but Sellers convinced here that cinema work, even if the role was small, was superior to that of doing something for TV and thus she rejected those and took this one. Their marriage though was already in a rocky stage and their therapist advised them not to work together which resulted in Sellers routinely berating his wife in-between takes to the point that she’d sometimes break down into tears. The coldness between the two really shows onscreen as they share no chemistry and thus making their character’s romantic moments come-off as quite flat. If anything the scenes between Sellers and Elke Sommer, whom he co-starred with years early in A Shot in the Dark, works better.
While the production is polished and even has a nice action moment where the carriage that Sydney is in gets attacked the comedy is completely lacking and the film has a poor pace. You keep waiting for the humor to gel, but it never does. The attempts that you do get are corny and lame, or just too subtle to elicit even a chuckle resulting in yet another Sellers’ misfire.
My Rating: 4 out of 10
Released: May 25, 1979
Runtime: 1 Hour 48 Minutes
Director: Richard Quine