Tag Archives: Movies

Burglar (1987)

burglar

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Burglar witnesses a murder.

Bernice who goes by the nickname of Bernie (Whoopi Goldberg) is a cat burglar who gets hired by a dentist named Cynthia Sheldrake (Lesley Ann Warren) who wants Bernie to rob her ex-husband’s apartment and steal back her jewelry. When Bernie enters the apartment she has to hide in the closet when the ex-husband comes home earlier than expected and it is there that she hears him get murdered. Cynthia implicates Bernie in the crime and it is up to Bernie to track down the real killer before the police catch up with her.

The usually entertaining Goldberg doesn’t seem right for the part, which was originally intended for Bruce Willis. Except for a few amusing moments she is not all that funny and seems to be coasting most of the way and even out-of-place. For some reason she wears blue contacts and they look hideous. She also seems just a bit too nice for a career criminal that has spent time in jail and should be little more rough-around-the-edges. Having her constantly concerned about doing the ‘ethical’ thing and only robbing those that ‘deserve’ it doesn’t quite jive.

Bobcat Goldthwait as her dog groomer friend Carl is more of distraction than anything. His quivering, high pitch schtick comes off like someone with a serious psychological or physical problem and more creepy than funny. His line stating that drinking olive oil before drinking alcohol will prevent one from getting drunk later became the amusing basis for the film Calling Bobcat.

The supporting cast ends up being funnier than the two leads. John Goodman and Anne De Salvo have a few good moments as a bickering and perpetually perplexed cop duo. Warren is also good as an all-around bitch and all three performers deserved more screen time.

The film features Whoopi riding a motorcycle and being chased by police down the hilly, winding streets of San Francisco, which to an extent resembled the chase sequence in What’s Up Doc?. However, the chase is so poorly photographed and edited that it becomes hard to follow and nothing more than a collage of jump cuts.

There is another scene where the police try to enter her apartment which is equipped with a steal door, all sorts of booby traps and even a hidden room. On one hand this is kind of funny, but on the other it is wholly unrealistic. If this had occurred in a house that she owned I might have bought into it, but I would think that the noisy construction of all these contraptions would have had her reported to the landlord and she would have been evicted. Also, how is one able to build a hidden room in an apartment building without it affecting the neighboring tenants? There is also the issue that she states earlier that she had just been released from jail, so where did she find the time to build all this stuff?

The story itself lacks intrigue, relies too much on coincidence and eventually becomes implausible. I liked the use of the Bay area locations particularly the fog setting at the end, but otherwise this is just a bunch of overblown nonsense.

My Rating: 3 out of 10

Released: March 20, 1987

Runtime: 1Hour 44Minutes

Rated R

Director: Hugh Wilson

Studio: Warner Brothers

Available: VHS, DVD, Amazon Instant Video

Our Mother’s House (1967)

our mothers house 1

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Life after mother dies.

Seven children live with their mother inside a large English house. She is sickly and when she dies they decide to keep it a secret by burying her body in the back garden and then continuing on as normal as they fear they will otherwise be sent off to an orphanage. Things go surprisingly well for the most part, but then their alcoholic father Charlie (Dirk Bogarde) reappears after a long absence, which sends everything spiraling out of control.

Director Jack Clayton lends an amazing amount of control and freedom to the child performers and the result is fantastic. The kids give solid performances and really carry the movie. Margaret Brooks as Elsa is a standout and shows great maturity especially with the way she stands up to the Bogarde character. Phoebe Nicholls is also terrific and looks like a young Sandy Dennis. Mark Lester did this just before doing his star turn in Oliver and he is cute, but his stuttering is annoying.

Although the character is obnoxious, one-dimensional and predictable Bogarde does a fine job as always in his part in what was a bit of an offbeat turn for him as he doesn’t appear until about forty-five minutes in. Yootha Joyce is entertaining with her bit as the children’s callous nanny. She has interesting facial expressions and voice tones, which makes the most of her otherwise small role. She is probably most famous for playing the equivalent of the Mrs. Roper character in the British version of ‘Three’s a Company’, which was ‘Man about the House’ and it is a shame that alcoholism cut both her career and life short.

The film weaves an interesting atmosphere and this is the type of story where you have no idea where it is going. I also liked some of the side diversions that Clayton incorporates including having the children take a boat ride around the famous Dinosaur Court in the Crystal Palace Park. Erected in 1854 these were the very first dinosaur sculptures ever made in the world.

I also found it interesting that there are scenes showing the children praying and even reading Bible verses. This is not a spiritual film in any way and I personally have no stand on the issue, but it brought to mind how mainstream films today never show anyone ever praying even though a lot of regular people still do it and by putting it into the story it makes it more realistic instead of less.

The only real issue that I had with the movie that otherwise has some very intriguing elements is the ending, which comes pretty close to being a copout and leaves way too many loose ends open.

My Rating: 6 out of 10

Released: October 9, 1967

Runtime: 1Hour 44Minutes

Not Rated

Director: Jack Clayton

Studio: MGM

Available: YouTube

The Magic Garden of Stanley Sweetheart (1970)

the magic garden of stanley sweeheart

By Richard Winters

My Rating: 3 out of 10

4-Word Review: An aimless, carefree lifestyle.

Based on the novel by Robert T. Westbrook who also wrote the screenplay the film centers on Stanley (Don Johnson in his film debut) an underground filmmaker living in an apartment that is almost continually bombarded with the noise of a construction site next door. He has big dreams and ambitions, but at times seems awkward and unsure of himself. He meets Cathy (Dianne Hull) who he initially is just interested in for sex, but then he starts to fall-in-love with her and when she breaks up with him he finds it hard to handle.

The movie starts out well. I enjoyed the free-style direction and narrative. Cutting back and forth showing things as they are versus how Stanley would like them to be is fun, but the film deviates away from this when it would have been more interesting had it stayed this course all the way through. There is a certain element of one of Andy Warhol’s anti-movie movies here where the film tries to challenge the viewer’s conventional understanding of protagonists, plot, character development and all around narrative structure and it is no surprise that Warhol really liked this movie. It does have a strong cinema vertite approach that gives you a feeling like you are right there with the characters and to a certain extent helps bring the 60’s back to life.

Unfortunately the direction is too lackadaisical and unfocused and the story is uninteresting. Looking more at Stanley’s underground films could have given it a little more bite, but we only get a glimpse of one of his movies and then that thread is pretty much forgotten. The second half of the film centers on Stanley’s relationship and ultimate break-up with Cathy, which is too contrived and does not compliment the film’s otherwise offbeat approach. Funky and irreverent moments of humor are lost with a storyline that doesn’t seem to know where it wants to go or what to say. Tighter editing could’ve helped avoid some long stretches where nothing seems to happen.

The film though still has some interesting and unique scenes. I got a kick out of Stanley’s cluttered apartment and how he has to smell his food in his refrigerator to see what is still edible and for entertainment he stamps on cockroaches crawling across his floor. The part where he masturbates in a bathtub while reading a letter written by his mother is hilarious. His attempts at making a porno by getting his actress (Holly Near) good and drunk only to get her hornier than he is amusing. The naked body painting sex orgy that he has with two young nubile roommates has a nice sensual quality.

Don Johnson is excellent and the one thing that keeps this wandering film together and he can be seen totally nude from both the front and back. Hull allows for some diversion as a sheltered young lady who is initially shocked by the open sexuality around her, but eventually learns to embrace it. Native American actress Victoria Racimo is hot with her clothes on and off and reminded me a lot of 70’s adult film star Hypathia Lee. Brandon Maggart makes the most of his small bit as a gay man trying to come onto Stanley while inside a café. Michael Greer offers some edginess as Stanley’s slightly menacing friend Danny. His violent death that occurs near the end of the film and in front of his shocked mother does leave an impression, but we don’t know enough about the character for it to make much sense and just another thing put into the film without seemingly much thought.

My Rating: 3 out of 10

Released: May 26, 1970

Runtime: 1Hour 50Minutes

Rated R

Director: Leonard Horn

Studio: MGM

Available: None at this time.

Ginger and Fred (1986)

ginger and fred

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Aging dance partners reunite.

Amelia (Giulietta Masina) and Pippo (Marcello Mastroianni) are two aging dance partners who haven’t worked together for years. They are asked to reunite for a TV-show special and do a famous Fred Astaire and Ginger Rogers routine, but things have changed in their many years apart and the situation becomes more awkward than they imagined.

This is a genuinely amusing satire on television and celebrity status with Mastroisanni being absolutely engaging in every scene that he is in. Masina, who was director Federico Fellini’s wife in real-life, also gives a good performance and together they make a real fun team. The final dance sequence is terrific and the film manages to really come together at that point. The film is also sprinkled with some funny satirical snippets with the best ones including goofy billboards and a woman wearing edible panties.

On the negative end I found the techno music score to be overplayed and it becomes irritating especially at the beginning.  The film is also about a half-hour too long and it takes almost thirty minutes for Mastroianni’s character to even appear.

Overall I found the film to be enjoyable and mainly because the two leads are old pros who know how to work their magic although this is definitely not one of Fellini’s best films and at times it seems like he is just coasting.

My Rating: 6 out of 10

Released: January 13, 1986

Runtime: 2Hours 5Minutes

Rated PG-13

Director: Frederico Fellini

Studio: MGM

Available: DVD, Amazon Instant Video

Is There Sex After Death? (1971)

is there sex after death 2

By Richard Winters

My Rating: 4 out of 10

4-Word Review: It’s all about sex.

This is basically a compilation of vignettes all satirizing America’s new found sexual revolution and is not all that different from other similar ‘underground’ films of that period and should best be viewed as simply a relic of its era.

Some of the bits could be considered clever, but they fail to build any momentum. The one joke premise loses steam halfway through eventually making the constantly quirky insights by the constantly quirky characters tiresome and redundant. The sex and nudity, while in abundance, also become a turn-off. The majority of the participants, especially those in the nudist colony, are so old and out of shape you really wish they would have just left their clothes on.

Writer/director Alan Abel who also acts as the host and interviewer comes off best. His unblinking deadpan seriousness, even when in the middle of complete perversity, is right on target. It also features a funny interview with transvestite Holly Woodlawn, some spontaneous on the street moments and a climatic ‘Sex Olympics’. In fact if you get this on video it might be worth it to just fast forward it to that point.

My Rating: 4 out of 10

Released: October 24, 1971

Runtime: 1Hour 42Minutes

Rated X

Director: Alan Abel

Studio: Abel-Child Productions

Available: VHS

Homer and Eddie (1989)

homer and eddie

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Losers go road-trippin’

Homer (James Belushi) is a mentally challenged man suffering brain damage from being hit in the head by a baseball when he was a kid. He decides to go on a road trip to visit his sick father, but along the way he gets robbed and has to sleep in an abandoned car. It is there that he meets Eddie (Whoopi Goldberg) an embittered, volatile women who is supposedly suffering from a brain tumor. The two trek off in her car to Oregon to meet up with Homer’s parents and also try to track down the men who robbed him.

I was impressed with the acting range shown here by Goldberg. Usually she is so likable, but here she is quite edgy and does it in an effective way. I applaud her attempts to work outside of her comfort zone although her fits of anger make the viewer uncomfortable and her crying does not sound authentic.

Belushi is good in atypical role and for the most part he is the best thing about the movie. His lines are consistently amusing, but the film walks an uncomfortable line between making him a sympathetic character to also making fun of him. Despite the fact that these two already worked together in Jumpin’ Jack Flash the chemistry between them doesn’t work.

The supporting cast is interesting in cameo roles. Casting 70-year-old 200 pound Ernestine McClendon as a prostitute gets points simply for its novelty, but seeing her in her grossly oversized panties is a bit much. Karen Black as her pimp has such a small, meaningless role that I was surprised that she even took it. Nancy Parsons has an interesting part as a cold and aloof woman who becomes sympathetic, which is a rarity for her. Director John Waters appears briefly as a robber and I kind of got a kick out of Don Hanmer as a very nervous cashier. Belushi’s real-life second wife Marjorie Bransfield can be spotted in the character of Betsy and this also marked the final film appearance for both Fritz Feld and Anne Ramsey.

The film features a wide-array of musical styles, which works against it. I liked Richie Havens rendition of ‘Home’, which had the nice laid-back beat and folk tinged sound that you expect for a road movie. Some of the more hard rock, heavy metal stuff became too loud and obnoxious and takes the viewer out of the picture instead of wrapping them in.

I liked the scenery and there are a few interesting moments, but trying to mix the surreal with the gritty is misguided. The comical bits get drowned out by the scenes of violence and a very maudlin theme. The result is an uneven film that pales in comparison to the classic road movies.

My Rating: 4 out of 10

Released: December 1, 1989

Runtime: 1Hour 40Minutes

Rated R

Director: Andrei Konchalovskiy

Studio: Skouras Pictures

Available: VHS, DVD, Amazon Instant Video, Hulu

Mr. Hobbs Takes a Vacation (1962)

mr hobbs takes a vacation

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Calamity filled family vacation.

Roger Hobbs (James Stewart) is a slightly cantankerous man in his 50’s who is tired of family vacations as he finds them to be more stress than they are worth. He loves his family, but hates going on trips with them. He dictates a letter to his secretary that is to be opened by his wife (Maureen O’Hara) upon his death detailing his many grievances of one particular trip that they took to a beach-side house that ended up being one catastrophe after another and through flashbacks the viewer relives them along with him.

Stewart is a real blast and the best thing about the movie. He doesn’t have that wide-eyed country boy charm like in some of past roles, but instead is a world-weary cynical man whose constant flow of acerbic comments and observations are quite funny. O’Hara is beautiful and engaging as his wife and helps as a sort of anchor between him and the rest of the family although I thought she looked much too young to be playing a grandmother. 60’s teen-heartthrob singer Fabian can also be seen as Joe a young man who takes a liking to one of Hobbs’ daughters. I liked the beatnik beard that he grows, but the part where he breaks out into a duet with his date in a film that is otherwise not a musical is very weird.

The actual beach house is a crazy sight and looks creepier than the Psycho house and sits literally right on the sandy beach and looking vulnerable to getting flooded during high tide. Beachgoers sit and sunbathe all around it and I would have thought many of them might walk into the house, or peer through the windows, but that angle does not get played up. Some of the myriad mechanical issues that Hobbs has with the building are the film’s funniest moments especially his difficulty getting the water pump going. The film should’ve continued to focus on this story thread all the way till the end, but doesn’t, which is a weakness.

While the movie is cute and pleasing it is also contrived and unoriginal. Many of the scenarios that they have could have easily occurred had they stayed home and the whole vacation concept seems to get lost. The writing and humor are better suited for television and the plot is threadbare. In a lot of ways this could better be described as an ordinary family sitcom with several different episodes strung together.

The visit that they have with a boring couple (John McGiver, Marie Wilson) near the end doesn’t work at all and should’ve been cut as a two hour running time is too long for this type of film to begin with. The scene where Hobbs get stuck in the bathroom with the tipsy and nude visiting wife elicits a few chuckles, but the bird spotting trek that he takes with the husband becomes too much of a pointless tangent. The scene also has a glaring goof because the two men decide to wake up at 4:30 in the morning to start their trek but when they first get outside the sun is already high in the sky and looking like it is the middle of the afternoon.

My Rating: 5 out of 10

Released: June 15, 1962

Runtime: 1Hour 56Minutes

Not Rated

Director: Henry Koster

Studio: 20th Century Fox

Available: VHS, DVD, Amazon Instant Video

Kramer vs. Kramer (1979)

kramer vs kramer

By Richard Winters

My Rating: 10 out of 10

4-Word Review: Life after wife leaves.

This is a solid drama detailing the divorce and subsequent custody battle between two young, educated and upper middle class parents (Dustin Hoffman, Meryl Streep).

To say that this is simply an examination of divorce and its effects on both the child and parents do not do the film justice as this is a very richly textured story that brings out the many variables that come with being a modern day parent. One of the best is the examination of Hoffman’s character’s job and how ‘moving up the corporate ladder’ can have an adverse effect on a man’s home life and his family members. In fact this is a major factor to his break-up and emotional detachment with his wife.

The film also offers a nice glimpse between father and son and the scenes showing this relationship are quite touching especially as they learn to coexist with one another after the mother leaves. Justin Henry doesn’t get enough credit for his performance as the son. Yes, he is adorable in the typical child-like way, but he also manages to create a child character that is diverse and memorable.

Hoffman gives a superior performance and in many ways it is all about him and his adjustment at playing the dual roles of being both a father and mother. He has his aggressive New Yorker persona, but you understand it and really feel for what he is going through. Even watching him frantically running around from place-to-place is interesting.

Streep is also outstanding in what is kind of an unusual role for her. Typically she plays strong-willed women with a strong on-screen presence, but here her character is rather weak and suffers from problems that are elusive, but still intriguing.

Howard Duff is solid as Hoffman’s attorney and Jane Alexander offers good support as the next-door-neighbor although her character is a bit too ordinary and could have been supplied with a few interesting quirks.

The subject itself is still quite topical and everything is kept in a real perspective with nothing getting overblown or clichéd.  Robert Benton’s direction is flawless as it pays attention to the smallest of details and makes them special.  A good example of this is the poor way the father and son try to make French toast when they first find themselves alone together and then the very efficient way they learn to make them at the end. It is also not all serious as there is a really hilarious scene involving Jobeth Williams who plays Hoffman’s new girlfriend and the unusual circumstances onto which she first meets Henry.

There are a few issues to quibble about, but they are minor. One is that you hear Hoffman and Henry peeing in the toilet a lot, but they never seem able to flush it! There is also a scene where Hoffman who is in desperate need for a job applies for one during a holiday party and when he gets it he runs out, grabs a woman he does not know and kisses her right on the lips. If he tried something like that today he would not only be fired on the spot, but have a sexual harassment lawsuit as well.

My Rating: 10 out of 10

Released: December 19, 1979

Runtime: 1Hour 45Minutes

Rated PG

Director: Robert Benton

Studio: Columbia Pictures

Available: VHS, DVD, Blu-ray, Amazon Instant Video

La Grande Bouffe (1973)

la grande bouffe 1

By Richard Winters

My Rating: 3 out of 10

4-Word Review: They stuff their faces.

This film will start an annual Thanksgiving Day theme of reviewing movies that have something to do with food and eating. This one may be the most notorious of them all and despite its offbeat plot and crude scenes won the Cannes Film Festival’s International Critics award as well as attaining a large cult following and be one of the highest grossing movies in the history of Italian cinema.

The story deals with four middle-aged men (Marcello Mastroianni, Ugo Tognazzi, Philippe Noiret, Michel Piccoli) who despite attaining affluence and wealth are bored with life and decide their only recourse is to get together for a weekend and commit group suicide by eating themselves to death.

At first the movie will make you hungry.  After an initial set-up the characters can be seen eating in just about every shot. The variety of foods and menu that is served is almost mouth-watering and features a wide array of exquisite dishes seen only in the most fanciest of restaurants. However, after visually seeing these people overeat I felt myself feeling as bloated as the characters and almost sick. The film also gets quite gross with several segments featuring loud sounds of flatulence and a scene where the toilet bursts and covers the men and room with feces that even drips down and gets into the kitchen.

Some may find this ‘hilarious’ while others will think it’s disgusting. For me despite the moments of over-the-top crudeness the strongest scene may actually be when the characters start dying and their dead bodies are carried into a freezer while the rest of them continue to make food and stuff their mouths like it is a compulsion.

la grande bouffe 2

The four leads are old pros who couldn’t give a bad performance if they tried. I started to wonder though how they could eat so much and whether the scenes were all done in one take with no retake as eventually I think they would all start puking. Mastroianni’s death scene is a stand-out simply because it manages to keep his expression completely frozen and does not manage to blink for several minutes, which I found impressive. Tognazzi’s death moment is also fun although it’s Andrea Ferreol who starts out as a proper school teacher, but ends up becoming as decadent and hedonistic as all the men combined that steals it.

The film makes a strong if not impactful statement about gluttony and how a life of prestige and luxury may actually be more of a trap and curse. The more some people get of it the more they want until it is never enough and death may end up being their only true source of salvation and escape.

The idea is outrageous and clever and I loved the concept, but the execution is lacking. The direction is too loose with scenes going on longer than they should. Some tighter editing would have helped the pace and momentum.  I also don’t think it is possible for a person to stuff themselves with food and then die as I think instead they would just vomit it all out.

la grande bouffe 3

My Rating: 3 out of 10

Released: May 17, 1973

Runtime: 2Hours 4Minutes

Rated NC-17

Director: Marco Ferreri

Studio: Films 66

Available: VHS, DVD

The House of God (1984)

the house of God 2

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Caustic look at medicine.

This is an interesting, honest, and incisive look at the inner-workings of an average, everyday hospital. Here we have a group of interns fresh out of medical school that come face-to-face with the harsh realities of the hospital ‘business’. Their youthful ideals and energy is soon stamped out and replaced by apathy and indifference because of the ‘system’.

Even if you have no connection to the medical field you may still find this relatable. The hospital business really is just like the everyday business world with the same politics and contrasting personalities. In particular there’s the Jo character, which is well played by Lisa Pelikan. She is called a ‘slurpy’ and can best be described as a ‘company person’ someone with no outside life and thus becomes married to her job. She goes “all out” for every patient, even if they don’t want it, simply to hide her own emptiness and need for approval. You can find one in any office as well as an administrator who is completely oblivious to what is going on and tries to solve all issues by simply talking in circles.

The core group of interns is very identifiable. They start out as one, but eventually break apart. Some adopt the system and even play into it. Others begrudgingly learn to accept it while still others decide to simply drop-out altogether.

It is hard to put this film into any one type of category. It starts out as a sort of absurdist comedy, but then becomes much more realistic. There are moments of both satire and drama, but the second half becomes all serious.

There’s no real cinematic style and the overall visual quality is blah. The film can’t really be described as entertaining either. It’s more like an informative film by someone in the know. If you want to be ‘educated’ about what a hospital environment is really like then this needs watching. Charles Haid’s “Fatman” character alone makes it worth it.

Based on the novel by Samuel Shem this film was shelved by its studio and never released either theatrically or on video, which was unusual since this is a quality picture. This was supposedly from pressure by the American Medical Association who felt it painted too much of an unflattering light on hospitals although the book was even more critical. Finding a copy can be difficult although recently it has been broadcast sporadically on THISTV network.

house of God 1

My Rating: 7 out of 10

Released: None

Runtime: 1Hour 48Minutes

Rated R

Director: Donald Wrye

Studio: MGM

Not available at this time.