Tag Archives: Cybill Shepherd

Irreconcilable Differences (1984)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Girl divorces her parents.

Nine-year-old Casey (Drew Barrymore) has decided she’s had enough of her parents (Shelley Long, Ryan O’Neal) and wants to get a divorce from them by using the emancipation law, which states that a minor can be freed of their parents if it is found that they have not meet their legal or equitable duty. Her mother and father fight this in court, but in the process are forced to expose all their skeletons including the awkward way they first meet, their affairs and eventual disdain for the other.

What surprised me most is O’Neal’s presence. His career has become so tarnished by his own real-life accusations of poor parenting that I would’ve thought this material would hit too close-to-home and he’d avoid it, but at the time this was considered a career resuscitator for him even though it ended up being only a brief one. His performance is actually quite funny making this his best work since What’s Up Doc?

I was equally impressed with Long who plays completely against type. Normally she’s best as snotty, prissy types, but here she reveals a much more vulnerable side and does quite well. At one point I even felt some genuine sympathy for her, which is something I’ve never felt at any other time with any of the other parts that she has played.

Sharon Stone, who gets listed in the opening credits as being ‘introduced’ even though she had already had a part in another theatrical feature Deadly Blessing that came out three years earlier, lends strong support. The way her character transitions from a wide-eyed free-spirit to bitchy Hollywood diva is quite entertaining and she looks great especially when topless. However, the bit where she exposes her excessively hairy armpits is gross and kind of tainted my image of her the rest of the way.

The script, which is based loosely on the relationship between Peter Bogdanovich and his wife Polly Platt with the Sharon Stone character representing Cybill Shephard who became the other woman, is sharp and filled with a lot of Hollywood in-jokes. The two funniest bits are the conversations between the guests at a chic Hollywood party as well as a glimpse of O’Neal’s disastrous attempt to direct a big budget rip-off of Gone With the Wind by trying to turn it into a musical.

The film though spends too much time on the parents while almost forgetting about Barrymore who’s only seen sporadically. The story also takes too long to play out with a final reconciliation segment that is overdone and sappy and helps to lose the wonderfully cynical tone that the film had earlier.

The only truly interesting aspect about the film is that Barrymore later used this same emancipation law to divorce herself from her real parents when she turned 15 and stated in interviews that she did it based off of the idea that she got from doing this movie.

My Rating: 6 out of 10

Released: September 28, 1984

Runtime: 1Hour 53Minutes

Rated PG

Director: Charles Shyer

Studio: Warner Brothers

Available: DVD

The Last Picture Show (1971)

last picture show 1

By Richard Winters

My Rating: 9 out of 10

4-Word Review: A Texas sized drama.

Based on the Larry McMurtry novel, who also co-wrote the screenplay, the story deals with the inter-workings and relationships of a people living in a small Texas town known as Anarene during the years of 1951 and 1952.  There’s Duane (Jeff Bridges) and Sonny (Timothy Bottoms) two high school seniors who are also best friends. Duane dates the highly attractive Jacey (Cybill Shepherd) who seems more geared to playing the field with every guy in town and even makes a play for Sonny, which seriously affects his relationship with Duane. There’s also Ruth (Cloris Leachman) the lonely coach’s wife who begins a brief affair with Sonny until he decides to bail-out for the more attractive Jacey. Sam (Ben Johnson) makes up part of the older generation still stuck in the dusty town and trying to make ends meet by running the local movie theater and pool hall both of which come to a halt when he dies suddenly.

I saw this film just recently outside on the big screen as part of the Texas Film Heritage and Preservation Society here in Austin. Although I had seen it before I was hit with how much more impressive and visually sumptuous it is on the big screen. Robert Surtees’ black and white cinematography is top-notch and the main ingredient to what makes it so spellbinding, so much meticulous attention is taken into each and every shot that one could almost watch this with the sound down and still find it thoroughly compelling.

Director Peter Bogdanovich takes great care to make sure that all of the elements are there and spins them together like a well-crafted machine so the viewer learns bit and pieces about these characters and their attitudes through each shot and camera angle that comes along. Filming it on-location in Archer City where McMurtry grew up helps accentuate the authenticity as does playing the country music from the period although I could’ve done with a little less of that and more of the sound of the wind and dust crackling across the barren region instead.

What surprised me most was how interesting and varied the love making scenes where and how instrumental they became to the film as a whole. One of the most memorable ones is when Sonny first tries to make love to Ruth, but is quite awkward about it. We see the pained expressions on both of their faces, hear the rusty springs of the mattress, and then finally witness Ruth’s attempts to shield her crying and frustration from Sonny. Duane’s futile attempt at sex with Jacey later on is also good particularly the fiery look of anger spewing from Jacey’s eyes when he is unable to perform. The scene involving a mentally challenged young man pushed into attempting sex with an obese and caustic prostitute inside the backseat of a cramped car is both darkly funny and sad, but the most provocative love making moment comes near the end when Jacey has sex with her mother’s boyfriend (Clu Gulager) on top of a pool table inside a dark and lonely pool hall while bracing the table’s side pockets with her hands for leverage.

The performances are all-around outstanding and both Leachman and Johnson won the Academy Award for their work here, but I still came away feeling, just like I did twenty years ago when I first saw this film, that Shepherd does the best job and leaves the most lasting impression. I love how her character slips between being insecure and indecisive to cunning and conniving and Shepherd’s facial expressions are completely on-target all the way. Her striptease done on top of a diving board is still pretty hot and my only complaint about the character is the way she elopes with Sonny and then completely bails on him the next day. I realize she didn’t love the guy and she’s just used him like she did others, but I didn’t understand what her motivation was in this instance as she seemed to get little if anything out of it.

I was also a bit disappointed that the Coach Popper character played by Bill Thurman didn’t have a bigger role in the story. The way he berates his players during practice is amusing and would most likely get coaches in today’s more sensitive world in hot water. I also found his constant spitting of tobacco juice into a cup that he carries around with him to be grotesquely amusing, but my biggest beef is the fact that we have a main character screwing his wife and the whole town knows about it, but never any reaction from the man himself. Maybe he was aware and didn’t care, but the movie should’ve made an attempt to show this, or at least some interaction between Sonny and the Coach since Sonny was at one time one of his players, which would have to make things quite awkward whenever they would bump into each other and in a small town that would most likely happen on more than a few occasions.

Overall though this is a great movie and I was surprised at how frank and explicit it was despite its 1950’s setting. Some may argue that it was done with too much of a revisionist mindset and things weren’t quite this wild, but others, like myself, will insist that it probably was, but just not talked about as much.

My Rating: 9 out of 10

Released: October 22, 1971

Runtime: 2Hours 6Minutes (Director’s Cut)

Rated R

Director: Peter Bogdanovich

Studio: Columbia Pictures

Available: DVD, Blu-ray, Amazon Instant Video

The Heartbreak Kid (1972)

the heartbreak kid 2

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Newlywed cheats during honeymoon.

Lenny (Charles Grodin) meets Lila (Jeannie Berlin) at a bar and after a brief courtship decides to take the plunge. However, while traveling to Florida for their honeymoon he becomes aware of all of her annoying habits and quickly realizes he’s made a terrible mistake especially after coming into contact with Kelly (Cybill Shepherd) a statuesque blonde college girl who appears to have the hots for him.

It’s hard to tell what the moral of the story is supposed to be whether its date someone for an extended period of time before jumping into marriage or the idea that being with someone for ’40 or 50 years’ as the Lila character says constantly throughout is just not a sexy or romantic notion for some. Either way it’s a funny concept and the Lenny character with his self-serving needs is highly relatable. Grodin is perfect for the part and one of the main reasons the film succeeds. His facial expressions are great and his running excuse about visiting an ‘old army buddy’ every time he wants to see Kelly is hilarious.

Shepherd is good as well playing a snarky character that seems to closely resemble her persona. However, the motivations of her character seem all wrong. Had Lenny initially approached her I might have bought into it, but instead she is the one who makes the first move, which seemed hard to believe that this beautiful young woman would be attracted to such an average looking guy or why he even caught her attention out of the hundreds of other men already on the beach. Her character also comes off as a bona fide cocktease, someone who enjoys leading a guy on for the attention it gets her, but will quickly bail once it gets serious, which makes their eventual dreamy relationship seem all the more farfetched.

Eddie Albert gets one of his best latter career roles here and was even nominated for the Academy Award in the part as Kelly’s stubborn father who takes an intense dislike to Lenny. However, I wished their confrontations had been played up a bit more and felt cheated when Albert tells Grodin he will never agree to him marrying his daughter only to have the film immediately cut to showing him giving Kelly away to him at their wedding, but what exactly did Grodin do to win Albert over? We are never shown what it is and this in the process makes the viewer feel frustrated and confused and the film seem incomplete.

This same story was remade in 2007 by the Farrelly brothers with Ben Stiller playing the Grodin role and although that movie was overlong, poorly paced and filled with a lot of running jokes that weren’t funny it at least was a little more plausible especially with the way Stiller meets the other woman.

the heartbreak kid 1

My Rating: 5 out of 10

Released: December 17, 1972

Runtime: 1Hour 45Minutes

Rated PG

Director: Elaine May

Studio: 20th Century Fox

Available: VHS