Tag Archives: Barry Brown

Piranha (1978)

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Mutant fish attack swimmers.

When two teenagers disappear late one night while swimming in a pool inside an abandoned military complex it’s up to Maggie (Heather Menzies) a professional skip tracer to find them. She recruits Paul (Bradford Dillman) a drunken backwoods loner to serve as her guide. As their investigation continues they learn that the swimmers were killed by some mutant fish that had been created by the government to be used as a weapon during the Vietnam War. Now that the war was over they were being kept inside a secret underwater tank, but when Maggie inadvertently drained the tank in order to search for the bodies she released the fish down the river where they are set to attack a children’s summer camp of which Paul’s daughter Suzie (Shannon Collins) is in attendance.

This is billed as a spoof of Jaws and supposedly according to Leonard Maltin’s review loaded with in-jokes, but to me I saw very little that was humorous and in many ways this film could work as a legitimate horror film on its own. The only amusing moments I found are when Maggie plays a Jaws video game near the beginning as well as a female beachgoer who is spotted reading ‘Moby Dick’, but otherwise the chuckles are light unless you count Dick Miller as an overzealous promoter who is indeed pretty funny.

The film starts out like I wants to be different from the typical horror film and initially I was intrigued particularly with the two protagonists. Normally the female/male leads in these types of films consist of good-looking teens/college aged kids, but here we get a guy who was near 50 and a female, who although being quite attractive has more of a take-charge attitude that is usually seen in a guy. Having the film play against gender stereotypes was for me the best thing it had going for it and I really liked the way the awkward relationship between Maggie and Paul initially developed.

Unfortunately it doesn’t stay that way and by the halfway mark Paul is the one taking control while Maggie is just tagging along, which I found disappointing. It also tries to sneak in a romance angle, which is ridiculous since the guy was clearly old enough to be her father. Paul is also seen continually drinking alcohol, but he never shows any signs of being inebriated and I realize alcoholics have a higher tolerance to the stuff, but still I doubt he would’ve been able to stay so sharp and heroic as he ends up being while still under the influence as he supposedly is.

The fish attacks become monotonous and consist of the same shot of rubber fish put on strings shown swimming towards their prey and the sound effects used for the fish when they start biting was performed by underwater dental drills, which to me sounded cheesy. There are a lot of pools of blood that form around the victim as he/she are being bitten, but not much else in the way of special effects. Only at the end does it get gorier and there’s even a shot of one of the fish coming straight towards the screen with its toothy mouth wide open, but I felt this should’ve been put in earlier.

The supporting cast of eclectic B-movie stars is interesting but underused and this also marks the final film appearance of Barry Brown who at the age of 27 killed himself just two months after the film wrapped shooting and was already dead by the time it was released to theaters. Overall though, the whole thing, which was remade in 2010, is watchable but disappointing. The humor and offbeat elements should’ve been played-up much more and the characters made to be more eccentric especially the two leads. In the end it becomes just another routine horror flick that’s no better or worse than the hundreds of others that are already out there.

My Rating: 5 out of 10

Released: August 3, 1978

Runtime: 1Hour 34Minutes

Rated R

Director: Joe Dante

Studio: New World Pictures

Available: DVD, Blu-ray, Amazon Video, YouTube

Bad Company (1972)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Two deserters go west.

Drew (Barry Brown) is a young man living in the south during the civil war who manages to avoid going into the army by hiding from the soldiers when they come to his family home to retrieve him. After they’ve left his mother (Jean Allison) gives him $100 and tells him to go west. When he gets to St. Joseph, Missouri he meets up with Jake (Jeff Bridges) and the two form an uneasy alliance with Drew even getting invited into Jake’s young gang (Damon Cofer, John Savage, Jerry Houser, Joshua Hill Lewis) of youthful outlaws. The six ride off into the west hoping to find adventure and opportunity, but instead meet hardship and violence.

The film’s stark tone would’ve been more compelling had there not been so many other westerns coming out at the same time with a similar theme. Instead of being this refreshing change-of-pace from the old western serial it just ends up creating new clichés from the then budding revisionist  genre. At certain points it seems almost like a carbon copy of The Culpepper Cattle Company, or even The Great Northfield Minnesota Raid, which star Brown had been in just before doing this one.

The attempt to mix dry humor with harsh reality works fairly well and placing the setting amidst the sprawling wheat fields of Kansas gives it a distinctive look that is perfectly captured through the lens of cinematographer Gordon Willis although the piano score by Harvey Schmidt gets intrusive. This becomes particularly evident towards the end when the two boys get into a gun battle with a gang of outlaws and the action is choreographed to the beat of the music, which only helped to take me completely out of the story. What’s the use of spending so time creating a gritty realism if you’re just going to suddenly sell-out on it in a cheap attempt to be ‘humorous’ and ‘cute’?

The acrimonious friendship between the two leads is what I liked, but the film misses the mark by not focusing on this enough. The supporting cast wasn’t needed and the film should’ve focused solely on the two stars from the beginning making it like ‘the odd couple of the west’, which could’ve been memorable. Instead it meanders and only starts to gel by the third act, but by then it’s almost too late. I also wasn’t too crazy about the wide-open ending either, which offers no satisfying conclusion.

My Rating: 6 out of 10

Released: October 8, 1972

Runtime: 1Hour 33Minutes

Rated PG

Director: Robert Benton

Studio: Paramount

Available: DVD, Amazon Video, YouTube