By Richard Winters
My Rating: 6 out of 10
4-Word Review: Girl divorces her parents.
Nine-year-old Casey (Drew Barrymore) has decided she’s had enough of her parents (Shelley Long, Ryan O’Neal) and wants to get a divorce from them by using the emancipation law, which states that a minor can be freed of their parents if it is found that they have not meet their legal or equitable duty. Her mother and father fight this in court, but in the process are forced to expose all their skeletons including the awkward way they first meet, their affairs and eventual disdain for the other.
What surprised me most is O’Neal’s presence. His career has become so tarnished by his own real-life accusations of poor parenting that I would’ve thought this material would hit too close-to-home and he’d avoid it, but at the time this was considered a career resuscitator for him even though it ended up being only a brief one. His performance is actually quite funny making this his best work since What’s Up Doc?
I was equally impressed with Long who plays completely against type. Normally she’s best as snotty, prissy types, but here she reveals a much more vulnerable side and does quite well. At one point I even felt some genuine sympathy for her, which is something I’ve never felt at any other time with any of the other parts that she has played.
Sharon Stone, who gets listed in the opening credits as being ‘introduced’ even though she had already had a part in another theatrical feature Deadly Blessing that came out three years earlier, lends strong support. The way her character transitions from a wide-eyed free-spirit to bitchy Hollywood diva is quite entertaining and she looks great especially when topless. However, the bit where she exposes her excessively hairy armpits is gross and kind of tainted my image of her the rest of the way.
The script, which is based loosely on the relationship between Peter Bogdanovich and his wife Polly Platt with the Sharon Stone character representing Cybill Shephard who became the other woman, is sharp and filled with a lot of Hollywood in-jokes. The two funniest bits are the conversations between the guests at a chic Hollywood party as well as a glimpse of O’Neal’s disastrous attempt to direct a big budget rip-off of Gone With the Wind by trying to turn it into a musical.
The film though spends too much time on the parents while almost forgetting about Barrymore who’s only seen sporadically. The story also takes too long to play out with a final reconciliation segment that is overdone and sappy and helps to lose the wonderfully cynical tone that the film had earlier.
The only truly interesting aspect about the film is that Barrymore later used this same emancipation law to divorce herself from her real parents when she turned 15 and stated in interviews that she did it based off of the idea that she got from doing this movie.
My Rating: 6 out of 10
Released: September 28, 1984
Runtime: 1Hour 53Minutes
Director: Charles Shyer
Studio: Warner Brothers
Posted in 80's Movies, Movies with Nudity, Romance, Satire
Tagged Cybill Shepherd, Drew Barrymore, Entertainment, Movies, Peter Bogdanovich, Polly Platt, Review, Ryan O' Neal, Sharon Stone, Shelley Long
By Richard Winters
My Rating: 5 out of 10
4-Word Review: Girl has fire power.
Andrew (David Keith) and Victoria (Heather Locklear) are two struggling college students who in an attempt to make some extra money decide to take part in medical study where they receive injections of a drug that give them telepathic abilities. They later get married and have a child named Charlene (Drew Barrymore) who has the same type of abilities except hers allows her to start fires using only her mind. Now a secret governmental agency known as The Shop seeks to kidnap Charlene so they can use her abilities for their own nefarious means, which sends Charlene and her father on a cross-country run to try and escape the agency’s clutches.
If there is one thing that really stands out in this movie and makes it worth the watch it’s Drew’s performance. She was only 8 at the time, but has a presence and acting awareness that was well beyond her years and she easily upstages her more seasoned co-stars. Her character isn’t completely fleshed-out and I’ll agree with Roger Ebert in his review that she was created more like a “plot gimmick”, than anything, but Drew still makes it engaging nonetheless. My only real complaint with her character is why, when she does get apprehended by the governmental agency, that she doesn’t she just use her fire ability to burn down the door of the room that she is trapped in to escape?
George C. Scott is an equally interesting as the bad guy even though he ends up being trapped into the same type of contrived character with motivations, particularly his reasons for befriending the girl, that seem quite nebulous and even illogical. However, his presence lends an added edge and I loved his ponytail as well as the contact lens put into his left eye that gives him an android-type appearance.
The rest of the cast though does not fare as well. Art Carney and Louise Fletcher, two Academy Award winners, get stuck in a small, almost insignificant roles as a father and daughter farm family who temporarily takes in Andrew and Charlene when they are on the run, which is okay, but the idea that this same couple would later happily take in Charlene again after they had witnessed her frightening ability first-hand and the burning deaths of several people that she helped create is ridiculous. In reality they would’ve seen her as some sort of ‘freak’ to be wary of and scared that she might do the same thing to them one day and thus want nothing to do with and certainly not welcomed back into their home.
As for the plot it’s okay, but it takes quite a while to get going and only becomes moderately gripping during the second-half. The script is based of course on a Stephen King novel and the scenes showing Charlene setting various people and things on fire seemed too much like an offshoot to King’s more famous Carrie character and thus the originality is lost. There’s also just so much objects/people being set on fire one can watch before it starts getting redundant, which makes the climactic finish boring, lame and even laughable.
I also wasn’t sure how Charlene was able to stop bullets from hitting her. This subject gets discussed in a thread on IMDb with some posters surmising that it was apparently a ‘heat shield’ that she was able to create through her pyrokinesis. However, if that was the case then it should’ve gotten explained earlier otherwise it comes off looking like the filmmakers were just making up the rules as they went whenever it was convenient for them.
My Rating: 5 out of 10
Released: May 11, 1984
Runtime: 1Hour 54Minutes
Director: Mark L. Lester
Available: DVD, Amazon Video, YouTube
Posted in 80's Movies, Movies Based on Novels, Movies that take place in the South, Sci-Fi, Thrillers/Suspense
Tagged Art Carney, Drew Barrymore, Entertainment, George C. Scott, Louise Fletcher, Movies, Review