Roxanne (1987)

roxanne

By Richard Winters

My Rating: 7 out of 10

4-Word Review: His nose is big.

Charley (Steve Martin) runs the local fire department and just happens to have a really long nose, which at times causes him to be the butt of jokes. Roxanne (Daryl Hannah) is a beautiful student of astronomy who is spending the summer in the small town of Nelson studying a comet. Charley becomes smitten with her, but doesn’t dare ask her out due to his fear that she will reject him. Chris (Rick Rossovich) is the good looking guy who moves to the area and immediately catches Roxanne’s eye. The problem is that he is very shy with women, so Charley helps him out by writing letters to her while pretending that they were done by Chris, which captures Roxanne’s heart without her realizing that the man she is really in love with is Charley.

There have been many remakes old movies and in this case an old stage play named Cyrano De Begerac and for the most part they fail and only help to make the viewer long for the original, but this is the rare case where the updating of the story actually works. One of the main reasons is that it doesn’t try, in an effort to be ‘hip’, to go for the crude angle like a lot of modern remakes do and instead keeps it charming and breezy while having a main character with a sense of humor and not drowning in self-pity.

The on-location shooting, which was done in the small town of Nelson, British Columbia, helps as well. The hilly, green landscape gives the film a serene feeling and the quirky supporting characters seem very much like people you’d bump into when passing through one of these places. The humor is also top notch particularly the running gag involving the incompetent fire department.

Martin remains the film’s biggest selling point particularly the scene where he tries to use eye shadow to help darken his nose and make it less conspicuous or the moment when he lets a parakeet perch itself on it. His best part though comes when tries to come up with 20 insults to say to someone with a big nose.

Hannah is stunningly beautiful to the point of being breathtaking and fortunately this was years before she had her ill-advised plastic surgery, which now makes her looks far less appealing. Rossovich is also quite good and tends to be overlooked due to Martin’s presence, but manages to be quite funny as well especially the scene where he tries to meet Roxanne in person while having Charley telling him what to say through a radio transmitter.

Shelley Duvall, Michael J. Pollard and Fred Willard also deserve mention for their supporting work here and this marks the film debut for Kevin Nealon who appears in an early bit as a bully who tries to make fun of Charley’s nose, but learns the hard way that he shouldn’t.

My Rating: 7 out of 10

Released: June 19, 1987

Runtime: 1Hour 47Minutes

Rated PG

Director: Fred Schepisi

Studio: Columbia Pictures

Available: VHS, DVD, Blu-ray, Amazon Instant Video, YouTube

Dear Heart (1964)

dear heart 3

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Love at a convention.

Harry Mork (Glenn Ford) is a greeting card salesman traveling through New York on business when he bumps into the quirky and very lonely Elvie (Geraldine Page) who’s attending a convention there and eyes Harry as a potential catch. Harry though is already engaged to Phyllis (Angela Lansbury) a woman he has only known through correspondence, but is starting to have second thoughts about when he meets her grown son (Michael Anderson Jr.). Elvie tries putting on some moves, but Harry keeps backing away unsure at age 48 if he even wants to settle down at all as he has at times still feels the itch for the occasional fling.

One of this film’s crowning achievements and something that becomes like a third character are the crowd scenes. This may sound inconsequential, but many films have a hard time getting background extras to behave like people amidst large groups of strangers do, but here for whatever reason it gets it right and seeing the dizzying stream of people going back and forth leaves a strong impression and helps accentuate the loneliness and isolation of the main characters particularly Elvie.

I also liked the way the characters hemmed and hawed with each other during the beginning stages. At times Elvie seems more into Harry than he is with her and then other times it gets reversed. Both characters at different points put up an array of defenses and it takes a while for either of them to trust the other and come out of their shells and move into an actual relationship, which is far more realistic than most movies that usually jumps ahead too quickly and never shows the awkward phase that most anyone else goes when testing the waters with someone that they’ve just met.

Page is excellent as always playing the eccentric type of character that she’s proven to be quite adept at, however her myriad of strange quirks got a bit ridiculous and overdone.

Ford is equally good especially with this type of comedy where he plays nervous characters unsure of how to deal with some of the offbeat people around him. I was disappointed though that there was a long drawn out sequence where he tries to get a clerk at the gift card shop (Barbara Nichols) up to his hotel room for a fling, but the film then cuts away and never follows through with what occurred once they got up to the room even though it is later intimated that things didn’t go too well.

The supporting cast of familiar faces lends great comic support, but the most memorable thing about the film is that it features both actresses who went on to play the Mrs. Kravitz character in the ‘Bewitched’ TV-Show. There’s Alice Pearce, who played Mrs. Kravitz for the first two seasons before she died of cancer and then Sandra Gould who replaced her and there’s even a surreal moment where the two have a bit of a confrontation, which I found to be pretty cool.

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My Rating: 7 out of 10

Released: December 2, 1964

Runtime: 1Hour 54Minutes

Not Rated

Director: Delbert Mann

Studio: Warner Brothers

Available: VHS, DVD (Warner Archive), Amazon Instant Video

Serpico (1973)

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By Richard Winters

My Rating: 8 out of 10

4-Word Review: A cop fights corruption.

One of the followers of this blog has requested that I review this movie, so today we take a look at Frank Serpico (Al Pacino) a policeman who fought against corruption that plagued New York’s police department during the ‘60s. Even though many of his partners on the force would accept under-the-table payouts from criminal elements in exchange for ‘looking-the-other-way’ he wouldn’t and when he would tell his superiors about it nothing would get done. Instead they would transfer him to other precincts only for him to find the same problems there. It was only when he decided to report the issue to the New York Times that people started to take action, but in the process he also made himself a mark and vulnerable to having his unhappy comrades set him up to be shot while on-duty.

The film is based on the Peter Maas novel, which in turn recounts the life of the actual Frank Serpico and the events he went through while working on the force between the years of 1959 to 1972. Not only does he remain alive today, but according to recent reports is even considering, at the ripe old age of 79, a run at political office. Equally interesting is that he and Pacino roomed together during the summer that this was filmed and became close friends.

It’s been years since I’ve read the novel, but I felt this film sticks closely to what actually happened and the always reliable Sidney Lumet manages to keep things exciting and insightful. The dialogue is sharp and the on-location shooting, which was done in every borough of New York except Staten Island, gives the viewer an authentic feel of the city as well as the police environment.

The film also does a successful job at showing the drawbacks of accepting bribes without ever getting preachy or heavy-handed. One might think, like many of Serpico’s partners do, that taking some kickbacks isn’t that big of a deal, but then the film shows in one brief moment a policeman shoving another man’s head into a toilet when he doesn’t ‘pay up’, which hits home how the police become no better than organized crime who would notoriously demand ‘protection money’ from business owners.

The only thing I didn’t like was the music, which was too loud and jarring. Fortunately it’s put in only sparingly, but its melodic quality takes away from the grittiness and the film works far better by simply relying on the ambient sounds of the locations that the scenes are in. In fact this is one movie that could’ve done fine without any music at all.

Pacino is fantastic and I loved how the character starts out as this clean shaven, boyish looking fellow only to grow into a bearded, long haired guy as the story progresses, which symbolically connects with the way he becomes savvier to the system. The character also sports earrings long before it became vogue for males to wear them.

Tony Roberts does well as one of the few cops that sides with Serpico and tries to help him in his fight and F. Murray Abraham can be spotted near the end as a member of a vice squad who tries setting Serpico up to be killed. This movie also marks the film debuts of character actors Alan Rich and Kenneth McMillan. In my mind this is also the debut of Judd Hirsh. Some sources state that his first onscreen appearance is in Jump, which came out two years earlier, but I watched that film and couldn’t spot him anywhere, but her I was able to spot him right away.

My Rating: 8 out of 10

Released: December 5, 1973

Runtime: 2Hours 10Minutes

Rated R

Director: Sidney Lumet

Studio: Paramount

Available: VHS, DVD, Blu-ray, Amazon Instant Video, YouTube

When You Comin’ Back, Red Ryder? (1979)

when you comin back red ryder 2

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Terror at a diner.

The year is 1968 and the setting is a small, lonely diner nestled at the border of Texas and New Mexico. Richard (Hal Linden) and his violinist wife Clarissa (Lee Grant) arrive for a morning cup of coffee. There is also Angel (Stephanie Faracy) the diner’s lone waitress and Stephen (Peter Firth), who was nicknamed Red during his youth due to his red hair at the time, but besides them the place is empty and peaceful. Then Teddy (Marjoe Gortner), an unhinged Vietnam vet and his hippie girlfriend Chery (Candy Clark) enter. They are without money and stranded with a broken down van, which makes Teddy particularly volatile as he begins harassing the others with evasive questions before eventually terrorizing them all by trapping them inside the place and forcing them to do whatever weird, sick thing he asks.

The film is based on the 1973 Off Broadway play by Mark Medoff, who also wrote the screenplay. In many ways it’s similar to the 1967 black-and-white drama The Incident in which Tony Musante and a young Martin Sheen trap several subway riders inside a subway car and spend the rest of the night terrorizing them simply for their own personal amusement.  Both films are structured the same with the first part examining the characters before they arrive at the scene and revealing a bit of the personal dramas that each of them face and then spending the second half showing them trapped in a claustrophobic setting and forced to deal with their reluctance at confronting their fears.

The 1967 film though outshines this one as there were more characters, which gave it a better variety of personalities as well as bad guys that were menacing and believable. Gortner is too much of a ham making him more irritating than scary. The part was originally played by Kevin Conway during its Off Broadway run and his performance won many accolades, which should’ve been enough for them to have offered him the chance to reprise the role here. Gortner, who also produced seemed intent at trying to use this as a vehicle to promote himself as being a ‘serious’ actor, but he was too old for the role from the beginning since he was already in his mid-30’s at the time this was shot while vets coming back from the war during the ‘60s where only in their late teens or early 20’s.

The film only gets mildly interesting during the confrontation sequence inside the diner, which takes 45 minutes of the film’s 2-hour runtime just to get there. The way the characters respond to Gortner’s scare tactics and the supporting cast’s performances, who are all far better actors than Gortner, is the movie’s only compelling element, but even here there are issues. The biggest one being that the people seem too wimpy and today’s viewers will get frustrated at how overly compliant they are to Gortner’s demands and never once try to overpower him despite having ample opportunity.

The movie is also notorious for featuring some rather shocking moments of nudity. It starts out with a full body shot of Candy Clark in the buff, who was married to Gortner in real-life at the time this was made and that isn’t too bad, but then it proceeds to later show 48-year-old Linden in nothing but speedo shorts doing sit ups with his butt crack clearly exposed. Still later there is a scene where 52-year-old Lee Grant has her shirt hoisted all the way over her head with her breasts in full view and then paraded around the diner in mocking fashion. The film’s most over-the-top moment though comes when Gortner himself is stripped naked and bent over a table while having a proctoscope shoved up his rectum as he continues to have a conversation with the man who’s doing it.

Filmed on-location in Fabens, Texas, which was also the site of a famous scene in The Gateway, and Las Cruces, New Mexico the movie just doesn’t convey enough tension to make it compelling or worth catching. It would’ve worked better had it skipped the first half dealing with the backstories of the characters, which was never a part of the original play anyways and just gone straight into the diner sequence while also casting a leading actor that had some actual acting training.

when you comin back red ryder 1

My Rating: 5 out of 10

Released: February 9, 1979

Runtime: 1Hour 58Minutes

Rated R

Director: Milton Katselas

Studio: Columbia Pictures

Available: VHS

A Zed & Two Noughts (1985)

zed 3

By Richard Winters

My Rating: 6 out of 10

4-Word Review: They’re really into decay.

Oswald and Oliver (Brian and Eric Deacon) are twin brothers working at a zoo who become devastated to learn that both of their wives have died in the same freak accident in a car driven by Alba (Andrea Ferreol) who survives, but without her leg. Initially the brothers’ are angered with her, but this slowly grows into a strange attraction, which eventually forms into a ménage a trois. To help with their grief they begin doing time-lapse photography of the decaying process. They start with dead animals before deciding on a human subject with Alba as their chosen ‘star’.

From a completely visual level this film can be considered a great success. This was the first of ten projects that Director Peter Greenaway and cinematographer Sacha Vierny collaborated on and the result is stunning. The vivid contrasting colors, lighting and symmetrically designed sets make each and every shot look like its own painting. This is also one of the few films that completely transcend its era. Usually one can tell what decade a movie is from by watching it for only a few minutes, but this film is unlike any other ‘80s movie made, which is an achievement unto itself.

The best part of the movie is its depiction of the real-life decaying process captured in time-lapse form. I realize this may sound extremely morbid and ‘sick’, but it’s a natural process of the world we live in and if taken from a purely scientific perspective quite an interesting and fascinating phenomenon to watch. It gives the film a unique one-of-a-kind edge and something I wished had been shown even more.

The film’s drawbacks are the characters that come off as too weird and twisted, which is an issue in a lot of Greenaway’s movies that are always technically brilliant, but lacking in emotion or empathy. A good movie, no matter how ‘artistic’ it may be still needs relatable characters to help propel it and instead this movie has what amounts to mouth pieces in disguise as people who are simply used to relay a concept, but in no way connected to anyone you’d ever meet in real life. This results in leaving the viewer cold and making the film more of an ‘Avant-garde experiment’ than an actual story.

My Rating: 6 out of 10

Released: October 4, 1985

Runtime: 1Hour 55Minutes

Not Rated

Director: Peter Greenaway

Studio: British Film Institute

Available: VHS, DVD, Blu-ray

Harrad Summer (1974)

harrad summer

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Bringing sexual liberation home.

The school year is over and now the students of Harrad, which is the college that teaches and promotes open sexuality, go home for the summer and put what they’ve learned into action in their everyday lives. Like in the first film this sequel focuses on just four of the students who find that their parents and friends are not as broad minded as they are, which causes friction in not only their relations with them, but with each other as well.

This film for the most part works surprisingly well. Director Steven Hilliard Stern takes more of a playful approach to the material and mixes in some funny moments that overall are quite entertaining. The wide variety of locales elevates the stagnant feeling that the first one had and it also manages to address a wider variety of issues.

The story is broken up into three segments with each one focusing on the student’s home lives as they visit each of their parents for 2-weeks at a time as a group. The first part, which deals with Stanley’s (Robert Reiser) folks isn’t too interesting and is fortunately pretty brief. The visit to Harry’s (Richard Doran) is the most comical and the film’s highlight while Stanley’s conflicts with Sheila’s (Laurie Walters) father (Walter Brooke) during their visit to her folks seem contrived and pointless. The film never manages to get to Beth’s (Victoria Thompson) parents, which is probably just as well.

The film’s biggest drawback is that neither Don Johnson nor Bruno Kirby, who were so good in the first film, reprises their roles here and their absence is sorely missed as  Reiser and Doran don’t have the same acting talents and are quite weak in comparison. Thompson, who was blonde in the first film, now has, with no explanation, jet black hair, which makes her look exactly like her sister and fellow actress Hilary Thompson. Also, Emmaline Henry, who was best known for playing Mrs. Bellows in the ‘60s show ‘I Dream of Jeannie’ replaces Tippi Hedren who was unavailable for the sequel and James Whitmore’s role gets taken out completely.

The supporting cast is what gives the film its spark. Comedian Marty Allen, whose hair looks like the ultimate bird’s nest and usually gets more attention than his comic ability, is fun as a drunken party guest. However, Pearl Shear, who plays his wife, is the real scene stealer as an overweight middle-aged woman, who in Mrs. Roper-like fashion, eagerly wants to get involved with the kids and their new found sexual liberation and even takes part in a nudist session with them.

Bill Dana, famous for creating the Jose Jimenez character, is quite good as well playing Harry’s staunchly conservative father who can’t deal with the open sexuality of the younger generation only to surprisingly come around to it at the very end. He also gets the film’s best line when after denying to Harry that he ever had any affairs finally admits “Maybe I did a couple (women) in Vegas and a few in Cleveland, but what else is there to do in Cleveland.”

My Rating: 6 out of 10

Alternate Title: Love All Summer

Released: August 6, 1974

Runtime: 1Hour 43Minutes

Rated R

Director: Steven Hilliard Stern

Studio: Cinerama Releasing Corporation

Available: DVD

Hamburger: The Motion Picture (1986)

hamburger

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Receiving a hamburger education.

Russell (Leigh McCloskey) has flunked out of several colleges and has no future plans while being deemed a failure by his parents (Robert Hogan, Lillian Garrett). Then he meets a franchise owner of Busterburger who tells him about how much money he can make as an owner of one of their restaurants, which convinces him to train to become a franchisee. The problem is that he must attend Burger U, which is run by the no-nonsense Drootin (Dick Butkus) who has strict rules and won’t even allow the students to leave the campus during the school semester. They are forced to sleep in beds that look like giant hamburgers and if they do get into trouble they are locked into cells made to resemble giant pickles and sprayed with hot sauce.

There are schools out there that train people on how to own their own fast food franchise and had this film toned down the silliness and keep it solely on a satirical level it might’ve worked. The opening 10 minutes has an over-the-top campy quality, which isn’t bad, but then it devolves into the crude, cartoonish mindset that drags the thing down until it becomes a forgettable waste of time.

The film was written by Donald Ross who penned many teleplays for TV-series from the ‘70s through the ‘90s. He is also the husband of Patti Deutsch a red haired, nasal voiced woman who was a quirky contestant on game shows during the ‘70s including ‘Match Game’, which is my favorite. They also appeared together as a couple on ‘Tattletales’ and in those instances he came off as a reasonably intelligent person, so I was expecting a little bit more from this than what I got.

Unfortunately there’s nothing funny about it and just proceeds to get dumber and dumber as it progresses. It’s also insulting to overweight people as it includes a highly offensive and gross scene where a busload of them come into a restaurant and eat everything in sight like they’re animals instead of humans and then proceed to all have a flatulence attack, which ultimately blows the whole place up.

Former Chicago Bears linebacker Butkus is alright and the one highpoint of both the film and his otherwise unimpressive acting career. Chuck McCann, who is almost unrecognizable as an eccentric professor, is okay too, but star McCloskey is dull and looks more like a man in his 30’s, which he was, than a college aged student while the rest of the cast of characters are too exaggerated to be either interesting or funny.

Clearly the producers were trying to tap into the Police Academy formula, but it doesn’t work and is a complete embarrassment to all those involved.

My Rating: 1 out of 10

Released: January 14, 1986

Runtime: 1Hour 29Minutes

Rated R

Director: Mike Marvin

Studio: Busterburger Limited Partnership

Available: VHS

The Leather Boys (1964)

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: Befriending a gay biker.

Reggie and Dot (Colin Campbell, Rita Tushingham) are young and in love, at least they think they are. They want to rush off and get married, but Reggie’s father (Lockwood West) feels that they ‘don’t know the meaning of the word’ and he gets proven right as immediately after they tie the knot they are at odds with each other. Reggie begins looking for companionship elsewhere and meets up with a fellow biker named Pete (Dudley Sutton). Pete and Reggie quickly become best friends and begin hanging out together, but Pete is secretly gay and has more of an interest in Reggie than just a friendship.

Director Sidney J. Furie, whose career has now spanned 6 decades, has done a lot of duds in his time, but this isn’t one of them. The stark black-and-white photography helps bring out the bleak working class existence of the characters and the variety of locales used including a nicely captured cross country motorbike race make the story captivating and believable.

The performances are outstanding. Tushingham is especially good at displaying a genuinely nasty side to her character at the most unexpected times. Gladys Henson, who plays the widowed grandmother, is also excellent and the scene where the others argue while right in front of her about how they consider her to be ‘an elderly inconvenience’ who needs to be sent away to a retirement home is downright heart wrenching. Sutton though is the most dynamic in a risky role that helped jettison him to stardom. His distinctive facial features galvanize the viewer’s attention and the ambivalent expressions that he makes particularly when in the presence of Dot are priceless.

Spoiler Alert!

The film though takes too long to get to its obvious conclusion as we have a pretty good idea from the beginning that Pete is gay, so having to wait until the very end for this to finally get revealed seems to be stretching the story out longer than necessary. Most likely Pete would’ve made some sort of pass at Reggie at some point earlier anyways especially since the men shared the same bed. The film also ends with Reggie walking away from Pete and essentially ‘abandoning’ him once he realizes that he is gay. The music that is played over the scene conveys the idea that this is the ‘right’ thing to do and parlays the conventional attitude of the time that there is something ‘wrong’ with Pete, which doesn’t make this as much of a landmark movie as it’s widely considered since its ultimate message is still entrenched with the biases and bigotry of that era.

End of Spoiler Alert!

My Rating: 6 out of 10

Released: March 8, 1964

Runtime: 1Hour 48Minutes

Not Rated

Director: Sidney J. Furie

Studio: Allied Artists

Available: DVD, Amazon Instant Video

 

The Harrad Experiment (1973)

the harrad experiment

By Richard Winters

My Rating: 6 out of 10

4-Word Review: College promotes sexual freedom.

Based on the novel by Robert H. Rimmer the story centers on a group of students who attend a socially progressive college where sex between multiple partners is expected and promoted. The school is run by Phillip and Margaret (James Whitmore, Tippi Hedren) who feel conventional marriage is an unrealistic ideal that creates the idea of ‘ownership’ over someone else, which in turn causes jealousy. They hope to end these problems and change the cultural norms by having the next generation accept more of a group marriage mentality.

The film nicely avoids the smarmy T&A factor by portraying nudity in a natural non exploitative way while also having characters that are believable and a good representation of the young generation from that era. The different ways that the students respond to the unique environment and the realization that they aren’t quite as sexually liberated as they thought remains the story’s focal point of interest.

The film also allows for a great chance to see young stars in the making. Laurie Walters, who later went on to star in the TV-show ‘Eight is Enough’, gives a sensitive portrayal of a young woman who’s still shy about her body and not quite ready to enjoy sex outside of the bounds of romance as she had initially thought. Bruno Kirby is good as well playing a student who’s so filled with insecurities that it prevents him from having any sex at all. Don Johnson though gives the best performance as a cocky student who uses the program simply as a way to ‘score’ with women only to later learn that even he needs some emotional bonding too.

The always reliable Whitmore is solid as the stoic instructor and Hedren gets one of her best roles outside of her most famous one in The Birds with her titillating moment coming near the end when she strips off her clothes and tries to entice Johnson to make love to her right out in the open and in front of everyone. Actor Ted Cassidy, who co-wrote the script, can also be seen briefly sitting at the counter of the local café.

Although the film does manage to bring out a few provocative elements I still felt even without having read the novel that is was only skimming the surface. Having the story focus on only a few of the couples isn’t as captivating as it could’ve been had it instead taken a broader look at all of the students. The low budget gives the production a cheap look and a few too many sappy love songs get thrown in an attempt to turn it into a ‘70s romance instead of keeping it more of a psychological drama that it should’ve been.

A sequel called Harrad Summer, which follows these same students who take what they’ve learned and try to implement it into their adult lives, was released one year later and that will be reviewed later on this week.

My Rating: 6 out of 10

Released: May 11, 1973

Runtime: 1Hour 37Minutes

Rated R

Director: Ted Post

Studio: Cinerama Releasing Corporation

Available: VHS, DVD

The King of Comedy (1983)

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By Richard Winters

My Rating: 9 out of 10

4-Word Review: Struggling comic craves fame.

Rupert Pupkin (Robert De Niro) is a lonely 34-year-old still living in the basement of his mother’s home while fantasizing about one day appearing on the top-rated Jerry Langford show as a stand-up comedian. When he tries to contact Langford (Jerry Lewis) he’s given the blow off, so he decides to plot an elaborate plan with an equally obsessed fan named Masha (Sandra Bernhard). Together they kidnap Jerry at gunpoint and take him back to her apartment where they tie him up with duct tape. They then call the show’s producers and demand that Rupert appear that night as a guest comedian on the show or Jerry’s life will be ended.

Paul D. Zimmerman’s script, which was originally written in the late ‘60s and intended as a vehicle for talk show host Dick Cavett, is nothing short of brilliant and the main reason for its success is that it takes an outrageous idea and adapts it to realities of modern day life while pinpointing with amazing clarity all the absurdities of today’s celebrity worship culture. The story is told by people who’ve worked in the entertainment business, which makes the viewer feel like they’ve experienced life from inside after watching it.

There are so many ingeniously funny moments that it is hard to pick only one in fact you have to watch the movie several times in order to appreciate all of its subtly and satirical nuances. I loved the scene where Rupert talks to cardboard cutouts of Liza Minnelli and Langford as he pretends to be on their show or when he imagines doing his routine in front of an audience while speaking to a blown-up picture of a crowd of people. The segment in which Rupert arrives at Langford’s home unannounced is equally good and was entirely ad-libbed by the cast. The scene involving Langford’s kidnapping and subsequent ‘ransom’ note, which he must read from cue cards is also hilarious and Rupert’s wedding that he imagines being done live on the Langford show is a terrific send-up of the real-life wedding between Tiny Tim and Miss Vicki that occurred on ‘The Tonight Show’ on December 17, 1969.

Director Scorsese does a masterful job of jumping from the real to surreal as well as allowing the viewer to get inside Rupert’s head and appreciating the warped logic that many obsessed fans like him have. I also enjoyed the inspired casting including having Scorsese’s own mother playing the voice of Rupert’s mom and De Niro’s real-life wife at the time playing Rupert’s would-be girlfriend. Frederick De Cordova who was the producer of ‘ The Tonight Show’ during its run with Johnny Carson essentially plays himself as Langford’s producer and even Scorsese can be spotted during a brief bit with actor Tony Randall.

Lewis is interesting in his first serious role and it’s fun seeing a picture of him when he was only 12-years-old. Comedian Sandra Bernhard is surprisingly good and I enjoyed the fact that even though her character was nutty she still came off as being quite sensible when compared to Pupkin. De Niro though steals it by making psychotic character seem strangely likable.

The few drawbacks include why at 34 would Rupert suddenly decided to break into the entertainment business and what was he doing before this. The Bernhard character also needed more of a backstory especially when we find that she’s living in a luxurious apartment and apparently loaded with money, which goes against the grain of most celebrity stalkers who are almost always on society’s fringe.

The humor may not resonate with everyone, but if one is a fan of dark comedy then it doesn’t get much darker than this. The twist ending, which blew me away when I first saw this years ago, now doesn’t seem quite as believable, but the rest of it is on-target in what is clearly a top comedy to of the ‘80s.

My Rating: 9 out of 10

Released: February 18, 1983

Runtime: 1Hour 49Minutes

Rated PG

Director: Martin Scorsese

Studio: 20th Century Fox

Available: VHS, DVD, Blu-ray, Amazon Instant Video