Tag Archives: Robert De Niro

The Gang That Couldn’t Shoot Straight (1971)

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: Challenging a crime boss.

Kid Sally (Jerry Orbach), who works within a crime family where he’s in charge of a small group of crooks, becomes increasingly frustrated at what he feels is a lack of respect that he gets from mobster boss Baccala (Lionel Stander). When Kid is put in charge of supervising a bicycle race that does not go over well he gets demoted, which convinces him to take down Baccala and become the mob boss himself, but the men under him prove inept at every turn. Each time they try to kill-off Baccala the only ones who die are Kid Sally’s guys.

The film is based on the novel of the same name written by Jimmy Breslin and inspired by real-life mobster Joe Gallo who was also the inspiration for Crazy Joe that starred Peter Boyle. However, the Boyle film approached the material in a serious way and tried to keep things more closely tied-in with the actual events while this thing veers-off from what really happened and instead simply uses the situation as a springboard for a lot of zany, comical antics.

One of the main problems is the casting of Orbach who looks nothing like the real Gallo, Boyle was not a perfect match for him either, but he was at least in the same ballpark while Orbach appears too old and without any signs of the mental health issues that had afflicted Gallo who had been diagnosed with schizophrenia in his youth. There are also too many characters to keep track of and Orbach half the time is barely even seen becoming more like a supporting player in his own movie.

The film does have a few amusing moments including the gang’s attempts to bring in a lion, which they use to blackmail the client’s of their opposition. Van Fleet is also quite funny as Kid’s mother who looks and walks like she’s ready to die from old age, but speaks as if she’s a young tough guy. The location shooting isn’t bad either and seeing the entire group of men crammed into Joe’s mother’s apartment as they partake in their weekly spaghetti dinner brings the Italian ambience to a nice head, but director James Goldstone approaches the material in a haphazard fashion and it’s edited in a way that makes it seem more like a collection of vignettes than a story.

The only interesting element is seeing Robert De Niro, complete with long hair, as this young con who comes to New York straight from Italy. He speaks with an authentic accent, which he acquired by going to Italy for a week and recording the people around him and then playing back their voices while he rehearsed. He even prepared for his role as a thief by stealing 2 shirts from a Macy’s department store requiring producer Irwin Winkler to intervene in order to keep him out of jail. Leigh Taylor-Young is excellent as his love interest and her performance as the Kid’s younger more idealistic sister has an organic quality and a far cry from the psycho role that she played in The Big Bounce just 2 years earlier. The romance between her and De Niro and their attempts to forge a relationship while living in a cramped, rundown apartment is kind of touching and had the film focused on these two it would’ve worked better.

My Rating: 4 out of 10

Released: December 22, 1971

Runtime: 1 Hour 36 Minutes

Rated: PG

Director: James Goldstone

Studio: MGM

Available: DVD, Amazon Video, YouTube

Jennifer on My Mind (1971)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Girlfriend becomes heroin addict.

While vacationing in Venice Marcus (Michael Brandon) meets up with Jennifer (Tippy Walker) a young free-spirit whose beauty and carefree ways immediately smitten him and the two begin a relationship, but Jennifer’s impulsive ways doesn’t allow it to last. He later learns that she’s a heroin addict and tries to help her overcome it, but to no avail. After she disappears for several months she then suddenly shows up at his doorstep wanting to rekindle old-times. At first he’s happy to see her, but then learns that her addiction has grown worse and after reluctantly giving her an injection that turns out to being fatal he then goes into a panic and tries to get rid of the dead body as he fears he’ll be implicated for her death otherwise.

After the success of Love Story screenwriter Erich Segal was a hot commodity and given free-reign to write any concoction he wanted and this script, which is based on the Robert L. Simon novel ‘Heir’ is the result.  The story though is poorly structured and seems to focus more on Marcus and his efforts to get rid of the body than on giving any meaningful insight to the drug addiction experience. There’s also severe shifts in tone where it’s dramatic one minute and then has weird dream-like humorous segues where Marcus sees visions of his dead grandfather (Lou Gilbert) who cracks corny jokes.

Director Noel Black, whose career looked bright after doing the critically acclaimed cult hit Pretty Poison, manages to infuse some nice on-location scenery, particularly that of Venice,  but technically botches many other moments. The worst comes when Jennifer tries to jump off the roof of her house, but she goes from being in her backyard to on the rooftop in a matter of seconds, which isn’t realistic. She then jumps off it even though it’s a 2-story building with another rooftop of a different section of the home beneath her, which is where she should’ve landed, but instead the film in a poorly edited bit that doesn’t even show the actual jump has her landing in a flower bed.

The Marcus character, who has inherited his grandfather’s fortune and therefore doesn’t have to work for a living, is too smug to be likable and most viewers will find his privileged situation off-putting. He also doesn’t seem, despite his insistence, to be all that ‘in-love’ with Jennifer especially with the callous ways he tries to get rid of her body and in one really creepy moment even professes to the corpse that he feels closer to her now than when she was alive. I also couldn’t understand why this non-descript guy would be constantly attracting the attention of violent bikers and hippies. One instance occurs when he is doing nothing more than standing at a pier of a lake and within seconds finds himself surrounded by three bikers who come out of nowhere and then later on as he’s driving down a busy highway some hippies decide to harass him at random but no one else.

Jennifer character is equally annoying as the viewer learns little about what makes her tick. Walker’s acting career ended after this film as she left Hollywood disillusioned with the business after having an affair with George Roy Hill when she was only 16 and he was 42 while filming The World of Henry Orient. Her life, like the character in the film, then  took a strong downward spiral as she opened up an art gallery in New Haven, Connecticut which eventually closed. In a 2015 interview published in the New Haven Register she was living in a cramped 1-bedroom apartment that was infested with cockroaches after having spent several years being homeless and surviving off of social security and what little monthly money her brother in Texas sent her.

The film’s  only saving grace are the performances of its supporting cast . I enjoyed Peter Bonerz as a psychiatrist who barrages into Marcus’ home and tries to give him an impromptu therapy session. Chuck McCann is amusing too as a motorist who tries to help Marcus change a flat, Barry Bostwick and Jeff Conaway enliven things as two antagonistic minstrels and Robert De Niro is great as a gypsy cab driver. Otherwise this thing is a complete mess that like a bad car accident is garish enough to keep you watching, but offers nothing in return.

My Rating: 3 out of 10

Released: November 10, 1971

Runtime: 1 Hour 30 Minutes

Rated R

Director: Noel Black

Studio: United Artists

Available: DVD-R (MGM Limited Edition Collection), Amazon Video

The King of Comedy (1983)

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By Richard Winters

My Rating: 9 out of 10

4-Word Review: Struggling comic craves fame.

Rupert Pupkin (Robert De Niro) is a lonely 34-year-old still living in the basement of his mother’s home while fantasizing about one day appearing on the top-rated Jerry Langford show as a stand-up comedian. When he tries to contact Langford (Jerry Lewis) he’s given the blow off, so he decides to plot an elaborate plan with an equally obsessed fan named Masha (Sandra Bernhard). Together they kidnap Jerry at gunpoint and take him back to her apartment where they tie him up with duct tape. They then call the show’s producers and demand that Rupert appear that night as a guest comedian on the show or Jerry’s life will be ended.

Paul D. Zimmerman’s script, which was originally written in the late ‘60s and intended as a vehicle for talk show host Dick Cavett, is nothing short of brilliant and the main reason for its success is that it takes an outrageous idea and adapts it to realities of modern day life while pinpointing with amazing clarity all the absurdities of today’s celebrity worship culture. The story is told by people who’ve worked in the entertainment business, which makes the viewer feel like they’ve experienced life from inside after watching it.

There are so many ingeniously funny moments that it is hard to pick only one in fact you have to watch the movie several times in order to appreciate all of its subtly and satirical nuances. I loved the scene where Rupert talks to cardboard cutouts of Liza Minnelli and Langford as he pretends to be on their show or when he imagines doing his routine in front of an audience while speaking to a blown-up picture of a crowd of people. The segment in which Rupert arrives at Langford’s home unannounced is equally good and was entirely ad-libbed by the cast. The scene involving Langford’s kidnapping and subsequent ‘ransom’ note, which he must read from cue cards is also hilarious and Rupert’s wedding that he imagines being done live on the Langford show is a terrific send-up of the real-life wedding between Tiny Tim and Miss Vicki that occurred on ‘The Tonight Show’ on December 17, 1969.

Director Scorsese does a masterful job of jumping from the real to surreal as well as allowing the viewer to get inside Rupert’s head and appreciating the warped logic that many obsessed fans like him have. I also enjoyed the inspired casting including having Scorsese’s own mother playing the voice of Rupert’s mom and De Niro’s real-life wife at the time playing Rupert’s would-be girlfriend. Frederick De Cordova who was the producer of ‘ The Tonight Show’ during its run with Johnny Carson essentially plays himself as Langford’s producer and even Scorsese can be spotted during a brief bit with actor Tony Randall.

Lewis is interesting in his first serious role and it’s fun seeing a picture of him when he was only 12-years-old. Comedian Sandra Bernhard is surprisingly good and I enjoyed the fact that even though her character was nutty she still came off as being quite sensible when compared to Pupkin. De Niro though steals it by making psychotic character seem strangely likable.

The few drawbacks include why at 34 would Rupert suddenly decided to break into the entertainment business and what was he doing before this. The Bernhard character also needed more of a backstory especially when we find that she’s living in a luxurious apartment and apparently loaded with money, which goes against the grain of most celebrity stalkers who are almost always on society’s fringe.

The humor may not resonate with everyone, but if one is a fan of dark comedy then it doesn’t get much darker than this. The twist ending, which blew me away when I first saw this years ago, now doesn’t seem quite as believable, but the rest of it is on-target in what is clearly a top comedy to of the ‘80s.

My Rating: 9 out of 10

Released: February 18, 1983

Runtime: 1Hour 49Minutes

Rated PG

Director: Martin Scorsese

Studio: 20th Century Fox

Available: VHS, DVD, Blu-ray, Amazon Instant Video