Category Archives: Slasher/Gore

Rock ‘n’ Roll Nightmare (1987)

rock n roll nightmare 1

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Rock band gets slaughtered.

In a remote Canadian farmhouse a family is killed by some evil spirits from hell. Now, years later a rock band called The Tritons uses the place as a recording studio, but soon both they and their girlfriends start getting killed off one-by-one by the same spirits. Eventually only lead singer John (Jon Mikl Thor) remains and with his big muscular physique and fashionably long hair decides to take them on singlehandedly.

This low budget cheapie was shot at an isolated farmhouse near Markham, Ontario in a mere seven days and suffers from an excessive amount of footage on stuff that doesn’t matter like spending the first five minutes watching the group’s van driving down the highway. The dialogue and characters are predictably cardboard and the special effects unimpressive except for the moment where a monster’s hand pops out of a guy’s stomach, which wasn’t bad.

The film, which ends up being nothing more than a vanity project of its star who also wrote and produced it, has a million and one holes. For one thing it is never explained why these spirits attack this farmhouse or why a big sound studio was built in a place that had a family slaughtered in it or even why the people that constructed the studio weren’t killed just like the family and band members were.

If you are going to watch it then do like I did with a few beers at hand and a group of people who make jokes at it much of which are  far more entertaining than anything on the screen.

rock n roll nightmare 2

My Rating: 1 out of 10

Alternate Title: The Edge of Hell

Released: July, 1987

Runtime: 1Hour 23Minutes

Rated R

Director: John Fasano

Studio: Shapiro Entertainment

Available: DVD

Killer Workout (1987)

killer workout 3

By Richard Winters

My Rating: 0 out of 10

4-Word Review: Safety pins aren’t safe.

Years earlier a woman is badly burned during a tanning salon mishap. Now her sister Rhonda (Marcia Karr) is running a fitness center where the women are systematically being killed off. Could the two be in some way connected? Detective Morgan (David James Campbell) thinks so and will stop at nothing to get the truth out of his main suspect even if it means resorting to unethical methods.

This cliché ridden formulaic late 80’s slasher has achieved some cult status simply for its mind numbing stupidity. The film’s most ridiculous aspect is that the killer murders his victims with a SAFETY PIN! That’s right a safety pin that is a little bit larger than your typical one, but not by much. Some of the victims go down after being stabbed by it only a couple of times and in one instance it manages to somehow go through a man’s skull!

killer workout 1

You have to wonder why no one on the cast or crew alerted the director to how stupid this was, or who even came up with the insane idea, but it does to some degree ponder the imagination and the only thing one goes away thinking about afterwards.

There are a lot of shots of female derrieres in thong bikinis, which normally for most male viewers is a good thing and certainly something that the producers thought would be enough to hide its otherwise lame production values, but it isn’t. Only for those who get a kick out of cheesy 80’s fashions and attitudes of which there is plenty.

My Rating: 0 out of 10

Alternate Title: Aerobicide

Released: April 16, 1987

Runtime: 1Hour 25Minutes

Rated R

Director: Mark A. Prior

Studio: Shapiro Entertainment

Available: VHS

Terror Train (1980)

terror train 1

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Killer wears different disguises.

Some frat boys decide to play a nasty prank on a vulnerable student named Kenny Hampson (Derek McKinnon) which causes him to have a mental breakdown and be sent away. Now, three years later the same group of college kids gets together on a train for a raucous New Year’s Eve costume party. The problem is so does a mysterious killer who after killing each of his victims puts on the disguise that they were wearing making it impossible to track him.

Supposedly the idea for the film is the brainstorm of executive producer Daniel Grodnik who after seeing both Halloween and Silver Streak woke up one night with the inspiration of combining the two films and making a slasher movie aboard a train.  I admit when I first saw this film many years ago I thought it was pretty cool, but now upon second viewing it seems formulaic and predictable. It takes too long to get going with the first hour spent focusing on the doings of stereotypically jaded college kids who aren’t very appealing. The scares are few with the only real intense part coming at the end when the Jaimie Lee Curtis character locks herself in a cage and the killer tries desperately to get into it. The gore is also sparse and not impressive including a decapitated head that doesn’t look anything like the victim’s.

There is also a lot of glaring loopholes including having the killer murder someone inside one of the train’s cramped bathrooms and then managing to clean up all the blood, which would have taken a lot of time seeing how much there was of it, and then carting off the dead body without anyone noticing. During the climactic sequence Curtis’s character stabs the psycho in his eye, but later when the killer gets unmasked his eye and face look fine without any indication of scratches or cuts.

Curtis is a fine actress, but her presence did nothing but remind me of Halloween and they would have been better off casting someone else. Ben Johnson, who is technically listed as the star, adds some much needed stature and it is nice having a middle-aged character not portrayed as a clueless out-of-touch drip like they usually are in these types of films. Hart Bochner looks and acts like the perfect caricature of a smart-ass frat boy and its fun seeing him turn from cocky and arrogant at the beginning to desperate and frightened at the end. Magician David Copperfield is on hand essentially playing himself and some of his magic tricks are the most interesting part of the movie.

My Rating: 4 out of 10

Released: October 3, 1980

Runtime: 1Hour 37Minutes

Rated R

Director: Roger Spottiswoode

Studio: 20th Century Fox

Available: VHS, DVD, Blu-ray

The Centerfold Girls (1974)

the centerfold girls

By Richard Winters

My Rating: 5 out of 10

4-Word Review: He doesn’t like models.

A psycho (Andrew Prine) who believes it is wrong to pose nude for a men’s magazine stalks several models that have appeared in a particular pin-up calendar and proceeds to kill them off one-by-one.

If you can get by its low budget roots you may find it entertaining as the acting is generally good and the scenes lively. There are a few good twists and nice looking ladies with an abundance of nudity. The best part about the film is that it creates a sinister atmosphere where everyone ends up being twisted in some way. It also creates the impression that being beautiful may actually be a curse as these girls are either getting snubbed by other women who are jealous, lustfully attacked, or exploited in every direction.

The film has the psycho stalking three different models and is therefore broken up into three different segments. The first has definite shades of Last House on the Left as the young lady falls prey not only to this psycho but also a gang of wild hippies who harass and humiliate her. The second part works like a variation of And Then There Were None as the killer follows a group going to a castle on a deserted island to do a photo shoot and then kills them all off one-by-one. Although the interior shots in this segment are too dark and too much emphasis given to a howling wind sound it is still compactly done. The third story is the best because the model is more aggressive and fights back as well as featuring a surreal shot of a foot chase amongst a large grove of dead trees.

Prine is perfect for the psycho role. He puts verve in his deliveries and wears horn rimmed glasses that definitely makes him look the part. However, it would have been nice to have seen some background to his character and learn why he became the way he was as well as an explanation for how he manages to obtain the model’s phone numbers and addresses. Also, where does he get the money to do all the traveling around and why must he wear the same black suit throughout the entire film as even nut cases know how to shower and change their clothes.

My Rating: 5 out of 10

Released: August 8, 1974

Runtime: 1Hour 31Minutes

Rated R

Director: John Peyser

Studio: General Film Corporation

Available: VHS, DVD

To All a Goodnight (1980)

to all a goodnight

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Santa stalks sorority babes.

An initiation stunt at a girl’s sorority house goes horribly wrong and one young woman falls to her death off of a balcony. Two years later the girls get ready for a Christmas party by inviting some boys over and soon they are all getting down-and-dirty, but then someone dressed in a Santa Claus suit begins hacking them off one-by-one.

I’m a big fan of David Hess who directed this feature as I feel his performance as Krug in the classic horror movie Last House on the Left was effectively intense and this film is also written by Alex Rebar who starred in the cheesy cult flick The Incredible Melting Man, so I wanted to cut this movie some slack, but found that I couldn’t. Things start out bad from the very beginning with a tacky flashback sequence that is wretchedly acted and photographed and then things go straight downhill from there. Part of the problem is that the scenes featuring extraneous dialogue between a lot of bland, cardboard characters that is usually used at the beginning of most 80’s slasher flicks as a sort of set-up, but here they get strung along throughout the entire movie. The killings themselves are brief and paced so infrequently that you start to forget that this is supposed to be a horror film. The tension is nil and having a setting dealing with snarky, snotty and horny sorority babes is a tiresome cliché.

The killings themselves are poorly photographed in dark lighting, so it is difficult to follow the action. The special effects are cheap and unimpressive. One scene features a couple getting killed while they have sex, which is a poor rip-off of the same scene that was done in Mario Bava’s Bay of Blood. Some fans of the film boast about the scene featuring a death of two people by an airplane propeller, but this is really no big deal because all you see are a few seconds of blood splattering on the outside of the plane and that’s it.

The script is illogical and full of a lot of loopholes. The identity of the killer turns out to be two people using the same disguise, which doesn’t make sense for several different reasons, which is too may to elaborate here. There is also a Leia character played by Judith Bridges who gets accosted by the killer in a shower stall while being completely naked, but for some reason is not killed and instead we see her at the end dancing some nutty dance, but with no explanation as to why. The policemen hired to protect the girls after the first victim is found dead do not dress in uniform and instead look like they are ready to go out to a club to pick up chicks and behave like it, which seemed wholly unprofessional and ridiculous.

Jennifer Runyon makes her film debut here. She had a brief 13-year-run, which included a co-starring role in the 80’s series ‘Charles in Charge’, but has not appeared in anything since 1993’s Carnosaur. She is certainly easy on the eyes, but her voice is too high-pitched and sounds almost like she is 8 or 9 years old or someone who has sucked up helium. Hess also casts his mother Judy Hess in a small role as Mrs. Ronsoni although in the closing credits it gets incorrectly listed as Mr. Ronsoni.

Despite being set at Christmas the action takes place in the warm tropical climate of California, which is okay, but the expectation for a Christmas movie is to have snow and cold. Having the girls trapped in their house because of the frigid weather or being chased by the killer while trudging through deep snow could’ve helped heighten the tension and added an atmosphere.

The pounding electronic music score is the only thing that I liked and helped give this otherwise static and forgettable production a slight distinction.

My Rating: 2 out of 10

Released: January 30, 1980

Runtime: 1Hour 23Minutes (VHS Print)

Rated R

Director: David Hess

Studio: Intercontinental Releasing Corporation

Available: VHS

New Nightmare (1994)

wes cravens new nightmare

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Freddy versus Heather Langenkamp

It’s been 10 years since the original Nightmare on Elm Street was released and actress Heather Langenkamp who played Nancy in the original is now have nightmares about Freddy and receiving strange phone calls. After talking with director Wes Craven, who is working on a new script in the series, the two surmise that some evil entity is using the character of Freddy Krueger as a portal to enter into the real world and it is up to Heather to once again play the character of Nancy in order to stop him.

The film is high on concept, but low on effective delivery. For one thing the film doesn’t go far enough with its original idea. The evil entity should not have been portrayed as just being Freddy all over again, but something much scarier and over-the-top. In my mind it would have been more interesting having Robert Englund being the one to have to go up against his own character instead of Langenkamp.  Despite the initial novelty of seeing the actors playing themselves the whole thing ends up devolving back into a rehashing of the same old formula.

The film is also overlong. It introduces its first act and then seems to take forever to get to the second one. There are too many gimmicks during the first hour including several scenes where a character, mostly Langenkamp, wakes up out of a nightmare only to find that she is in another one. The dream within a dream thing becomes confusing and irritating. The logic is threadbare, poorly thought out and many times a stretch.

The scares or I should say the attempted scares are pretty minor and not too prevalent particularly during the first hour. A lot of them are just stuff that is redone from the earlier films. When Heather’s husband starts falling asleep while driving home and then attacked by Freddy while on the road is very similar to the Dan character having the same type of attack while riding on his motorcycle in A Nightmare on Elm Street 5 and there it was much more creative.  When Heather’s friend Julie (Tracy Middendorf) has her body pushed up the walls of a hospital room and then on the ceiling while being slashed is exactly what happened to the Amanda Wyss character in the first film, but there it was creepy while here it is tacky. The same thing with Heather running up some steps in the climactic sequence only to have the stairs turn into mush just like what happened to her in the original.

The film uses computerized effects that only help to make things more overblown. When Heather’s son Dylan (Miko Hughes) races onto a busy highway and into oncoming traffic it is obvious his body was matted onto another screen and the scene reminded me too much of the Mel Gibson character doing the same thing in Lethal Weapon. The gothic castle-like setting that makes up the finale has an unimaginative Mazes and Monsters feel to it. The Freddy character has also lost his zing. I thought the character was supposed to have been someone suffering from burns, but here it looks like someone who has been skinned and very obviously a mask worn by an actor.

Hughes as the young Dylan character makes up the majority of the screen time. The kid is alright, but started to remind me of Danny Lloyd from The Shining especially when he tried to put on an evil possessed voice, which sounded very similar to Lloyd saying ‘redrum, redrum’.

The idea that this is supposedly a fresh perspective to the series is just an ill- advised gimmick that drapes what has become a very tired, mechanical formula that should have been put to rest. Out of all the sequels I consider this one to be the weakest.

My Rating: 1 out of 10

Released: October 14, 1994

Runtime: 1Hour 52Minutes

Rated R

Director: Wes Craven

Studio: New Line Cinema

Available: DVD, Amazon Instant Video

A Nightmare on Elm Street 5: The Dream Child (1989)

Nightmare on elm street 5

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Freddy’s in the womb.

Alice (Lisa Wilcox) who survived Freddy’s attack from the last film and supposedly killed him is now suffering from those dreaded reoccurring nightmares again. This time she sees herself inside the mental institution where Freddy’s mother Amanda was raped and even witnesses his rebirth. She also finds out that she is pregnant and Freddy is trying to drive his spirit into the fetus so he can be reborn into the real world.

I came into this thing with extremely low expectations, but found myself delightfully surprised and consider this a definite improvement over the previous installment. Director Stephen Hopkins inserts a more artistic visual flair here. Some of the segments even have a certain Salvador Dali look especially near the end when the dimensions in the rooms inside the dreams begin to have all sorts of odd configurations. The use of a moonlit-like lighting accentuates the film’s dark imagery. I saw here the makings of the modern day horror movie that we are used to seeing today with more emphasis on the dark psychological undercurrent and less on the mechanical slasher formula.

The special effects are imaginative. Watching Freddy coming out of his mother’s womb as a baby is excellent as well as having him as a deformed baby run around an abandoned sanctuary as a sort of freak child. The scene showing Alice’s unborn baby inside her womb and attached to an umbilical cord I found to be quite impressive. I also was impressed with the segment where Alice’s skinny model friend Greta (Erika Anderson) gets her mouth stuffed with food by Freddy and her cheeks balloon out excessively, which may sound funny, but the way it is shown gets disturbing and even unsettling as they go back to it several times later on in the film. A segment cut from the theatrical release where Freddy force feeds her the insides of her own stomach can be seen on the unrated version.

The characters seem more like real people and the dialogue is an improvement as well. Wilcox now sports blonde hair and no longer has that reddish hair look that reminded me too much of Carrie. She also seems more confident in her role and gives a solid performance. Anderson, who was a former Elite model, makes for a pleasant addition to the eyes.

Freddy doesn’t have quite as much screen time as he did before, but that works for the best. The pace is slowed down with more emphasis on mood and atmosphere, which gives it a slightly more sophisticated feel.

My only real complaint is the blaring rap song that gets played over the closing credits, which is jarring and out-of-place.  Some fans of the series consider this to be one of the weaker installments, but I don’t agree. However, if you didn’t like it feel free to leave a comment as I would be interested to hear why.

My Rating: 5 out of 10

Released: August 11, 1989

Runtime: 1Hour 30Minutes

Rated R

Director: Stephan Hopkins

Studio: New Line Cinema

Available: VHS, DVD, Blu-ray, Amazon Instant Video

A Nightmare on Elm Street 4: The Dream Master (1988)

nightmare on elm street 4

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Freddy won’t go away.

Freddy Krueger (Robert Englund) tracks down and kills the last of the three remaining Elm Street teens, but Kristen (Tuesday Knight) wills her dream powers to her friend Alice (Lisa Wilcox) who now finds herself taking on the different traits of the past victims.  As Freddy tries to draw on a new batch of teen victims she fights him off with her new found abilities.

What started out as a highly original idea has now become formulaic. I didn’t find any of it scary, or even all that entertaining. The nightmare segments are redundant and the storyline cluttered. I wasn’t wrapped at all in the perils of any of the characters and would be surprised why anyone would. The whole series would’ve worked better had it stuck with the original Nancy character solely being the victim of the dreams and her lifelong battle against Krueger instead of always having some new character being the victim of the nightmares, which starts to make it derivative.

The dialogue is stilted and the characters are cardboard. The acting is also uniformly bad. Past entries in the series have had teen cast member go on to super stardom, but it is easy to see why this one didn’t. Due to being pregnant Patricia Arquette was unable to reprise her role as Kristen and Knight makes for a very weak replacement. I also didn’t like Wilcox because she seemed to resemble Sissy Spacek and started to remind me too much of the original Carrie. I did appreciate Danny Hassel as Dan simply because his wooden acting and one-note facial expressions aptly reflected the dull personality of your average high school jock.

The special effects are okay. The part where Alice is at a movie theater and gets sucked into an old movie is groovy as is watching the attractive Brooke Theiss morph into a giant cockroach. The segment where the souls of Freddy’s victims burst out of his body is excellent and the best moment of the entire film. However, other effects like having the heads of Freddy’s victims on sausages of a giant pizza are too silly.

Englund is in top form and really seems to be having fun. The part where he bursts out of a water bed and asks Joey (Rodney Eastman) “How’s this for a wet dream?” is fun as are his other choice lines. Englund even appears briefly as a female nurse and does as the Freddy character a rap song during the closing credits.

The series at this point looks to be dying a slow death with not enough new elements being added in and too much rehashing of the same old stuff. It seems incredulous to me that another two entries were made before the concept was finally retooled.

My Rating: 3 out of 10

Released: August 19, 1988

Runtime: 1Hour 32Minutes

Rated R

Director: Renny Harlin

Studio: New Line Cinema

Available: VHS, DVD, Blu-ray, Amazon Instant Video

The House of Exorcism (1976)

house of exorcism

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Possessed by the devil.

When Mario Bava’s Lisa and the Devil, which was reviewed yesterday, failed to generate any business at the box office the film was reedited using footage cut from the first film as well as adding some new scenes. In this version Lisa (Elke Sommer) is a tourist in Spain who becomes possessed by the devil right out in broad daylight on the cobbled streets and in front of her fellow tourists. She is taken by ambulance to the nearest hospital and accompanied by Father Michael (Robert Alda). The doctors are unable to explain her condition medically and as she gets worse and more violent it is up to the Father to excise the demon.

This version is an improvement over the Bava one in fact Bava’s name doesn’t appear anywhere on the credits and instead the film’s producer Alfredo Leone is listed as the director under the pseudonym Mickey Lion. Obviously it’s a huge rip-off of The Exorcist and in some ways gets unintentionally funny particularly when the Priest has a conversation with the demon during the exorcism. However, it is still fun and more flamboyant than the original and at least has a coherent plot that helps propel the movie along. The only problem is that the exorcism scenes are intercut with scenes from the original film showing Lisa visiting the mansion and meeting up with the strange characters. Supposedly this is the alternative reality that she is in while the demon possesses her body, but it adds little and bogs down the pace.

Sommer comes off much better here than she did in the first one. The way she contorts her face during the possession sequence is entertaining and she does well under the difficult demands. Telly Savalas as the devil disguised as a butler is still wasted. He doesn’t even seem to be taking the part seriously and seems to give it a tongue-and-cheek approach, which doesn’t work.

Alda’s presence is rather bland, but Carmen Silva who plays Anna his wife before he entered into the priesthood is a stunner. She appears nude in a rather gratuitous flashback segment that should more than appease any self-respecting voyeur.

The ending has a little more pizazz than the original as well where the Father goes into an empty mansion and tries to fight off the demon while having snakes thrown right at him. It’s not the best, but not the worse either.

My Rating: 5 out of 10

Released: July 9, 1976

Runtime: 1Hour 32Minutes

Rated R

Directors: Mario Bava, Alfredo Leone

Studio: Peppercorn-Wormser Film Enterprises

Available: DVD, Blu-ray, Netflix streaming

Nightmare (1981)

nightmare 2

By Richard Winters

My Rating: 4 out of 10

4-Word Review: This one gets grisly.

George Tatum (Baird Stafford) is a middle-aged man tormented by strange nightmares where he sees himself as a young child decapitating with an ax an older man and his female lover. The dreams have had such an adverse effect on him that it has sent him to the mental hospital, but now the doctors consider him cured and send him back out into the real world, but the dreams continue pushing him into a psychotic state where he murders a woman that he meets and then eventually starts menacing a family.

This film while not being a particularly good movie and still straddled with a lot of the expected low budget limitations has managed to achieve a strong cult following as well as a limited Blue Underground 30th Anniversary release due mainly to its explicit violence. While the body count isn’t high the gore is nasty and effective. One scene involves George knifing a woman and the camera cutting in real close to her slashed neck and we hear her literally gurgling on her own blood and then watch as he licks her blood off his hands in an aroused manner. The scene where the boy cuts the head off another woman is also well handled despite the fact that it looks too much like an empty mannequin’s head. Writer/director Romano Scavolini approaches it with an artistic flair and it works. Watching the boy, who couldn’t be much older than 10, drenched in blood and looking menacingly into a mirror is the film’s creepiest moment.

The wide array of locales also helps and takes this a step above most other films of this genre and time period. Scenes are shot on-location all the way from New York to South Carolina, Georgia, and even Florida where there is a nifty segment inside an abandoned house. I found George’s trip to an old-fashioned New York adult theater to be the most captivating. I liked the part where the male customers put a quarter in a slot, which raised a small yellow door that allowed the men to peer through a window at a stripper dancing, but instead of seeing it from the male point-of-view we see it from the stripper’s. I got a kick out of seeing several of these guys looking all wide-eyed at this naked woman through their little windows and as their time ran out and the little yellow door began to slide down over their peep holes they would strained their necks as far as they could through with what little opening was left to continue to gaze at her as long as possible.

The dialogue and characterizations were less cardboard than the usual slasher film. However, outside of the gore it is not very suspenseful. The scares are derivative and too much time is spent on the bratty C.J. trying to spook his babysitter and mother.

Although the film keeps things plausible for the most part I was a bit confused why the doctors at the hospital didn’t know about George’s violent past or why he was menacing the certain family that he was. They were able to track down his whereabouts and car, so why were they not able to do the same with his criminal and family background? Having this loophole hurts the film as it ends up seeming poorly thought out.

nightmare 1

My Rating: 4 out of 10

Released: October 23, 1981

Runtime: 1Hour 37Minutes

Not Rated

Director: Romano Scavolini

Studio: 21st Century Film Corporation

Available: DVD, Amazon Instant Video, YouTube