Category Archives: Road Movies

Road Movie (1974)

road movie 3

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Trucker and prostitute clash.

This is a captivating and interesting independent drama filmed on a shoestring budget and loosely based on director Joseph Strick’s own experiences while working one summer as a long haul driver. The story centers on Gil (Robert Drivas) and Hank (Barry Bostwick) a two-man truck driving team that pick up a prostitute named Janice (Regina Baff) who brings out unforeseen tensions and emotions.

The film is compact with characters and situations that are distinct and believable. It also gives the viewer a well-rounded look at the truck driving business and the tough, demanding job that it is.

Baff is convincing as a prostitute who isn’t pretty or educated, but sensible and street smart At times you feel sorry for her, but she proves to be quite a manipulative and shrewd when she has to.

Drivas, as the lead driver, is hardened, caustic, and controlling. He abuses the prostitute the way he feels life has abused him and thinks he can get away with it only to have her constantly outsmart him.

Unlike other road movies the scenery shown along their travels is neither exotic nor beautiful. Instead we are treated to farm fields, factories, and small towns. It’s all the sights and sounds of a working class world as this is really more about the deceptive American dream than anything else. It craftily brings out what an elusive ideal that really is and how no one is ever as independent as they would like to be and ‘moving up’ in the world can be much more difficult than at first perceived.

Strick takes full advantage of his low budget limitations by infusing a type of grittiness that Hollywood rarely touches. The interactions between the characters are interesting and the ending leaves a strong impression. For fans of obscure 70’s movies this one is worth seeking out.

road movie 2

My Rating: 8 out of 10

Released: February 3, 1974

Runtime: 1Hour 28Minutes

Rated R

Director: Joseph Strick

Studio: Laser Film Corporation

Available: DVD, Amazon Instant Video

The Sure Thing (1985)

the sure thing 2

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Love blossoms between opposites.

Walter Gibson (John Cusack) becomes smitten with Alison (Daphne Zuniga). He is a slacker while she is a very studious student. Both attend the same college English class and he uses the ruse of needing help with his studies as a ploy to get closer to her, but it doesn’t work and she ends up hating him. Then his friend Lance (Anthony Edwards) invites him out to California where he has a really hot girl (Nicollette Sheridan) waiting for him and promises that she is a ‘sure thing’. So Walter takes a ride with a couple (Tim Robbins, Mary Jane Persky) that is also going out there only to find that Alison is riding with them as she wants to visit her boyfriend.  Needless to say it is a rocky ride, but after several misadventures love finally begins to blossom between the two.

On a purely romantic level this film scores big time. It nicely recaptures the period in one’s life where everything is still new and exciting and before such things as marital discord, ugly divorces, child custody battles and all that other crap. Instead it emphasizes the rush one feels at being in the presence of someone they are really crazy about and learning to know them through layers. It’s the magical innocence of young love that makes it so endearing and engaging.

Zuniga is beautiful but fortunately not in an overdone, glamorous type of way. My favorite scene with her is when she tries to drink a beer for the first time ‘shotgun style’ and becomes a bit overwhelmed by it. Cusack shows his usual charm, but his social graces seem severely lacking at points near the beginning and I wouldn’t have been surprised if every girl would have found him to be an annoying geek.

In support Edwards is good as his friend and I especially liked his room that is lined with empty bottles of every different brand of beer that he has drunk. Viveca Lindfors is sexy and appealing in her own way as the English teacher and George Memmoli in his last film role has an engaging bit as an overweight man that Walter meets and befriends at a bar in a scene that I wished had been more extended.

The film though does have a few problems. One scene has Walter accusing Alison of being ‘repressed’ and so to prove him wrong she strips off her shirt and bra and then flashes some other cars that they are passing, which to me seemed like too much of an extreme shift in behavior and not realist for that type of character. There is another scene where the two are stranded in the middle of nowhere during a rainstorm and with no money since Alison forgot it at their last hotel stop only to find out that she has a credit card. The film then cuts to showing them eating at a fancy restaurant, which was too much of a jump as a credit card isn’t going to get them from an empty field by itself and the scene needed to show more of a connection on how or who got them out of there.

The biggest problem though is that we have this stunning beautiful, bikini clad blonde in the form of Nicollette Sheridan who apparently can’t get a guy on her own and needs to be ‘set-up’ on a date, which makes no sense. The scenes showing her walking around all alone at a party are absurd because in reality just about every guy in the room would be showing her some attention and she would have no reason to waiting around for an average guy like Cusack to come by to date here. This is the one segment in the movie were it goes dangerously close from being this pleasing slice-of-life romance to a crazy 80’s teen fantasy.

Despite the issues listed above I still thoroughly enjoyed it. It should appeal to the romantic in all of us and nicely balances the old-fashioned love story formula with modern day sensibilities.

My Rating: 7 out of 10

Released: March 1, 1985

Runtime: 1Hour 40Minutes

Rated PG-13

Director: Rob Reiner

Studio: Embassy Pictures

Available: VHS, DVD, Blu-ray

Coast to Coast (1980)

coast to coast

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Kooky couple goes truckin’

Maddie (Dyan Cannon) escapes from a mental hospital after she finds out that her husband (Quinn K. Redeker) had her committed there simply so he could avoid an expensive divorce. On the run she hitches a ride with truck driver Charles Callahan (Robert Blake) who reluctantly takes her in despite having troubles of his own including running from a man named Jules (William Lucking) who is after him for late payments on his truck. Together the two ride all the way from New York to California dealing with calamity and even some romance along the way.

Cannon has not had a lot of success in films where she has been the star, but she scores here and pretty much saves it and deserved top billing over Blake. Her energetic upbeat personality that has just a tinge of the fun-loving despite the circumstances helps keep things moving and entertaining. I loved the fact that she had herself trained on how to drive a big rig, so she could go through exactly what her character did when she first gets behind the wheel. The part where she climbs into some stalls housing a bunch of cows including a wild steer deserves mention for her tenacity, which is something some other plastic Hollywood stars wouldn’t even consider.

Blake on the other hand doesn’t fare as well and his attempts at trying to leave Maddie behind and stranding her in the middle of nowhere does not make his character very likable. He is also a poor choice for a romantic lead and the scenes in the snow where they finally do kiss seem forced and unnatural.

The casting of 60-year-old Maxine Stuart as a tough talking bounty hunter out to nab Maddie is interesting simply for its novelty. Lucking literally puts his body on the line getting chased by a steer that comes very close to nailing him. Michael Lerner is entertaining as the psychiatrist who gets knocked out by a bust of Sigmund Freud and then put into a strait-jacket and left on the side of the road.

The film though is disjointed and the first hour runs flat and fails to gain any momentum. The broad humor is not very funny and the couple’s constant bickering is more tiring than engaging. There is also the problem that the story is all about this great big cross-country trip that they take and yet it was entirely filmed within the state of California. Obviously this was for budgetary reasons, but when the film’s theme centers on a big trip then they should’ve taken the extra step and done everything on-location where the scenery could have helped during the slow parts of which the film has many.

The second hour manages to be a bit of an improvement. The part where Maddie takes her big truck and drives it through her husband’s posh garden party is amusing especially when she proceeds to crash the rig right through the wall of their big house and then careen’s the thing straight through their living room, which is done in slow-motion. This scene as well as the shocked reactions of the snotty party guests is enough to save what is otherwise a misfire.

My Rating: 4 out of 10

Released: October 3, 1980

Runtime: 1Hour 35Minutes

Rated PG

Director: Joseph Sargent

Studio: Paramount

Available: VHS

Love and Pain and the Whole Damn Thing (1973)

love and pain and the whole damn thing

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Introverts fall in love.

Walter (Timothy Bottoms) is a shy young man in his early 20’s riding through Spain as part of a cycling tour group. Impulsively he ditches this group and joins a bus touring one of which Lila (Maggie Smith) an equally shy woman in her 30’s is a part of. At first the two hardly speak, but eventually they get past their social quirks to form a tight, romantic bond.

The awkwardness and insecurities of the two characters is wonderfully captured and it is nice to see a film examine a romance between people that are not physically beautiful or affluent. The music score is subtle and Alan J. Pakula’s direction approaches the material in a nicely sensitive fashion along with the Spanish scenery that gives the production an exotic feel.

Smith is excellent as usual. Her performance and character is different from anything else that she has done making it a real treat to watch. The scene where she calls home to her family as well as the one where she gets locked inside a remote outhouse is quite amusing.

I would have liked to have seen a little more interaction with the other people on the bus as the supporting cast is almost non-existent and focuses too much on the two main characters making it seem like there are the only ones in the entire country of Spain, which gives the viewer a very isolated type of feeling. This may have been the intention and done as a way to show what it is like being introverted, but I didn’t care for it.

Although the two characters are offbeat the film follows too much of a romantic blueprint that eventually makes it formulaic despite a good start. Its biggest transgression is having one of the characters like in Love Story get afflicted with some mysterious illness that is never explained and put in to create cheap dramatic turmoil.

Overall though the film is okay and has a few touching moments. Those that enjoy romance may like it a bit better as well as fans of Maggie Smith.

My Rating: 6 out of 10

Released: April 19, 1973

Runtime: 1Hour 50Minutes

Rated R

Director: Alan J. Pakula

Studio: Columbia Pictures

Available: DVD

Smokey and the Bandit (1977)

smokey and the bandit 1

By Richard Winters

My Rating: 7 out of 10

4-Word Review: On the road again.

Hal Needham is to bad movies like a cow is to milk and yet when compared to his later efforts this really isn’t too bad especially when you factor in that the main goal was to create light entertainment, which is what this amounts to.

The ‘story’ involves truck driver Cledus (Jerry Reed) bootlegging beer across state lines. Partner Bandit (Burt Reynolds) acts as a decoy by driving in front of the truck in a car with a souped up engine. Jackie Gleason plays the sheriff out to get them.

The set-up could have been played out more and would have been funnier if it had. Sally Field is a nice addition and has a rare turn of being portrayed as a sexy lady. Her initial banter with Reynolds is fun, but having their relationship immediately turn romantic bogs everything down. It would have worked better had things stayed slightly antagonistic and then turned lovey-dovey only at the very end.

Reynolds has always had great charm and it’s played to the hilt here. His laugh alone is infectious, but he seems a little bit too laid back and detached. He goes through all sorts of wild car chases, but neither he nor is car ever receive even a little scratch. The police are also too inept and it would have been nice if they had, even momentarily, apprehended Reynolds just too prove they were a viable threat and given this thing a little tension.

Gleason is fun and his presence gives this film most of its points. Unlike Reynolds he isn’t so detached and he infuses his part with a lot of energy. His ad-libbed scatological lines at the beginning are great as is his coined “sumbitch” phrase. Seeing him stubbornly continue to drive his squad car even as it becomes increasingly smashed up is a good piece visually.

However, the film tends to water-down his character, which was a mistake. The biggest problem is the fact that he is initially portrayed as an intimidating figure. Then it proceeds to show him constantly out ranked and out managed by the other police forces in all the other counties he goes into while chasing Reynolds. Eventually it makes him seem too ineffectual and stupid. It would have worked better had the chase taken place solely in Gleason’s county, therefore having him stay funny, but still maintaining his menacing presence. It also would have been nice to have more direct confrontations between him and Reynolds although the one they do have is pretty good.

Needham was a former stunt man so the actual star of the picture is supposed to be the stunt work, but this area seems pretty derivative and features stuff that has been done hundreds of times before. The chases should’ve been extended and shot from more exciting angles. The climatic chase sequence is weak and can’t even hold a pinkie to the one used in The Blues Brothers.

Overall though it has enough good banter and star chemistry to be amiable.

smokey and the bandit 2

My Rating: 7 out of 10

Released: May 27, 1977

Runtime: 1Hour 36Minutes

Rated PG

Director: Hal Needham

Studio: Universal

Available: VHS, DVD, HDDVD, Blu-ray, Amazon Instant Video

Sitting Ducks (1980)

sitting ducks 3

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Running from the mob.

Simon (Michael Emil) and Sidney (Zach Norman) are two average guys with vastly different temperaments who decide to rip-off the mob by stealing their entire day’s collections. They then hide the money in the tires of their car while driving off with it to Florida where they hope to catch a chartered flight that will take them to Costa Rica. Along the way they meet up with two ditzy ladies (Irene Cagen, Patrice Townsend) as well as a chauffeur (Richard Romanus) who dreams of being a singer.

Michael Emil, who is the brother of the director Henry Jaglom, is a very poor actor and comes off as a third-rate Woody Allen. He talks incessantly about all his neurotic problems in a monotone style that has no voice inflections or facial gestures and ends up becoming more boring than funny and he is easily outperformed by his co-star Norman. Townsend, the director’s then wife, is not much better. She shows no ability at creating a character and seems to just mouth all her lines while having this big smile plastered on her face. The overall production has an amateurish look and the story itself seems like two movies rolled into one. The first part starts out like an intriguing crime caper and then the second part becomes this free spirited road movie. It would have worked better had they taken just one of the story lines to its satisfying conclusion instead of having two unsatisfying half stories. The set-up is great, but then doesn’t go anywhere with it and the ‘big’ twist that occurs near the film’s final fifteen minutes doesn’t work and has a bunch of loopholes in it that are a mile wide.

I did like the film’s free-form style that is lacking in many of today’s Hollywood produced movies that have too much of a rapid fire pace. The characters all have a wide assortment of fun quirks and their offbeat conversations are amusing. Richard Romanus, as the group’s chauffeur and struggling musician, comes off best and his songs aren’t bad either and the scene where Simon and Sidney try to have an ‘important’ discussion while walking through a field of cackling chickens is a gem.

This forerunner to the independent film movement has a few good quirky moments and characters, but it never comes together enough to be completely satisfying. Although overall it is still enough to find enjoyable.

My Rating: 6 out of 10

Released: April 4, 1980

Runtime: 1Hour 27Minutes

Rated R

Director: Henry Jaglom

Studio: International Rainbow

Available: VHS, DVD, Amazon Instant Video

Homer and Eddie (1989)

homer and eddie

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Losers go road-trippin’

Homer (James Belushi) is a mentally challenged man suffering brain damage from being hit in the head by a baseball when he was a kid. He decides to go on a road trip to visit his sick father, but along the way he gets robbed and has to sleep in an abandoned car. It is there that he meets Eddie (Whoopi Goldberg) an embittered, volatile women who is supposedly suffering from a brain tumor. The two trek off in her car to Oregon to meet up with Homer’s parents and also try to track down the men who robbed him.

I was impressed with the acting range shown here by Goldberg. Usually she is so likable, but here she is quite edgy and does it in an effective way. I applaud her attempts to work outside of her comfort zone although her fits of anger make the viewer uncomfortable and her crying does not sound authentic.

Belushi is good in atypical role and for the most part he is the best thing about the movie. His lines are consistently amusing, but the film walks an uncomfortable line between making him a sympathetic character to also making fun of him. Despite the fact that these two already worked together in Jumpin’ Jack Flash the chemistry between them doesn’t work.

The supporting cast is interesting in cameo roles. Casting 70-year-old 200 pound Ernestine McClendon as a prostitute gets points simply for its novelty, but seeing her in her grossly oversized panties is a bit much. Karen Black as her pimp has such a small, meaningless role that I was surprised that she even took it. Nancy Parsons has an interesting part as a cold and aloof woman who becomes sympathetic, which is a rarity for her. Director John Waters appears briefly as a robber and I kind of got a kick out of Don Hanmer as a very nervous cashier. Belushi’s real-life second wife Marjorie Bransfield can be spotted in the character of Betsy and this also marked the final film appearance for both Fritz Feld and Anne Ramsey.

The film features a wide-array of musical styles, which works against it. I liked Richie Havens rendition of ‘Home’, which had the nice laid-back beat and folk tinged sound that you expect for a road movie. Some of the more hard rock, heavy metal stuff became too loud and obnoxious and takes the viewer out of the picture instead of wrapping them in.

I liked the scenery and there are a few interesting moments, but trying to mix the surreal with the gritty is misguided. The comical bits get drowned out by the scenes of violence and a very maudlin theme. The result is an uneven film that pales in comparison to the classic road movies.

My Rating: 4 out of 10

Released: December 1, 1989

Runtime: 1Hour 40Minutes

Rated R

Director: Andrei Konchalovskiy

Studio: Skouras Pictures

Available: VHS, DVD, Amazon Instant Video, Hulu

Flirting with Disaster (1996)

flirting with disaster

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Biological versus adoptive parents.

Mel Coplin (Ben Stiller) is a middle-aged man on a mission. He wants to find out who his biological parents are and is willing to travel the country to find them. His wife Nancy (Patricia Arquette) isn’t too happy about being dragged along and his adoptive parents Ed and Pearl (George Segal, Mary Tyler Moore) find his journey to be an insult to them. He uses the aid of part-time adoption agent Tina (Tea Leoni) to try and locate them, but her help only proves to lead him to a lot dead ends.

With the exception of Leoni the three female leads are good. Lily Tomlin has a funny moment as she tries to talk down the Richard Jenkins character from a LSD trip. Moore is fantastic playing a takeoff of her rigid mother role from Ordinary People. Every scene that she is in is hilarious and had she been in a few more she could have easily stolen the film. She wears a short reddish haircut and at times looks amazingly like Carol Burnett. Although she is not all that amusing Arquette is also quite good simply because she is the most believable of all the characters. Jenkins and James Brolin also have their moments as a bickering gay couple and Brolin’s arm pit fetish is great. It is also nice to see Stiller actually doing some acting instead of just playing a dull, average guy that simply reacts to all the zaniness around him, which is what he seems to pretty much do in most of his other films.

However, the movie seems more focused on being offbeat than it does in actually being funny. There is a great deal more misses than hits and the ones that do hit aren’t exactly uproarious. Leoni’s character adds little to the proceedings and her propensity at constantly leading Mel to the wrong people gets old pretty fast. There is also a glaring goof where Segal and Moore end up driving off with Tomlin and Alan Alda’s car since both couples drive the same make and model vehicle. Yet somehow they are able to use their OWN keys to start up the other car and even get into the other car’s trunk, which would not be possible.

This film could best be summed up as being the ‘sophomore jinx’ for writer/director David O. Russell since his first feature Spanking the Monkey was quite original as was his third one I (Heart) Huckabees. This film though tends to be over-the-top absurd without having any message or point to it.

My Rating: 5 out of 10

Released: March 22, 1996

Runtime: 1Hour 32Minutes

Rated R

Director: David O. Russell

Studio: Miramax

Available: VHS, DVD, Amazon Instant Video

Tilt (1979)

tilt 2

By Richard Winters

My Rating: 4 out of 10

4-Word Review: She’s a pinball wizard.

Brenda (Brooke Shields) who goes by the nickname Tilt is a 14-year-old pinball machine champion. When she becomes fed up with her overbearing father she decides to run away from home. She meets Neil (Ken Marshall) a man in his 20’s who is struggling to establish himself as a country music singer. He schemes to use Tilt’s pinball talents by hustling pinball patrons at bars and arcades around the country, but his real motivation is to have Tilt beat Harold Remmens (Charles Durning) who is nicknamed ‘The Whale’ due to his immense weight. The Whale is an arrogant bar owner who seems unbeatable at pinball and due to a few run-ins that he has had with Neil the two have become bitter enemies. Neil hopes to shatter his ego by having him get beat by an adolescent girl in a so-called pinball showdown, but Tilt has other ideas.

It is easy to see why this movie bombed at the box office and basically sat on the studio shelf for years. It seems to have no idea what audience to play too. There are too many adult references in it to make it suitable for teens especially preteens, but the story itself is so vapid that adults will be bored with it. The concept is offbeat enough that it might have worked as a comedy, or even parody, but director Rudy Durand approaches it as a standard drama, which due to the subject matter seems almost awkward. The 110 minute runtime is much too long for this kind of material and although it manages to move itself along it is never all that interesting with extraneous footage that should have been cut. Having faster cuts, juxtapositions, and even a non-linear narrative would have given it more energy and cinematic flair.

Having the action revolve solely around pinball games isn’t interesting. It is hard to follow the games and the constant footage of showing the inside of the arcade game as they are playing it becomes monotonous and fails to elicit any excitement. They is never any explanation as to what special skills Tilt or The Whale have that allows them to be so good, but it might have been a little more enlightening had one been forthcoming.

Shields is terrific and helps keep things afloat. She looks cute and wears pants with the words ‘pinball champ’ stenciled along her rear. Her ability and confidence at sharing scenes and holding her own with her much older adult counterparts is what makes her so special. One of the best scenes is when she hitches a ride with an ornery trucker (Geoffrey Lewis) who complains about the lack of morals in today’s world, but then turns around and tells her he has condoms in his shirt pocket and invites her to a rendezvous in the nearest hotel. Tilt says she will just as long as she can do it with both him and his wife, which gets her immediately booted out of the truck for being a ‘pervert’.

Marshall doesn’t have as much charisma as his younger female co-star and his Texas twang was a bit too strong for my taste. He travels the country and stays in the same hotel room with the girl knowing full well that she is only 14, but makes no sexual advances, which of course is good, but I kept wondering if this where the real world that he would most likely have tried something. I also found it strange that Tilt’s father (amusingly played by Gregory Walcott in a brief bit) wouldn’t have every police force in the country looking for her and once caught Neil would be thrown in jail even if he didn’t do anything because most likely no one would ever believe him.

Durning is excellent as always and gives the part a nice hammy turn and makes the movie, at least when he is in it, like the campy comedy that it should be. The little dance and moves that he makes while he plays the pinball games are amusing. His stomach bulges out even more than normal making it seem almost like he is pregnant. When Neil meets him after several weeks of not seeing him and states “You look like you have lost some weight” is the film’s one and only funny line.

The film’s final sequence in which Tilt and The Whale get together late at night in an empty bar and challenge each other to a pinball contest is the best scene in the whole movie. Their banter and interactions with each other gives the film a unique flavor. The surprise twist that occurs at the very end is cute and endearing and helps give this otherwise flat film more points than it deserves.

Also, look quick for Lorenzo Lamas and Fred Ward in small roles.

tilt

My Rating: 4 out of 10

Released: April 3, 1979

Runtime: 1Hour 50Minutes

Rated PG

Director: Rudy Durand

Studio: Warner Brothers

Available: VHS

The Straight Story (1999)

straight story

By Richard Winters

My Rating: 9 out of 10

4-Word Review: Old man on lawnmower.

Richard Farnsworth plays Alvin Straight, an older man with health problems who decides to travel from Iowa to Wisconsin on a rider mower to visit his sick brother.

This film is a true achievement. For every flamboyantly bizarre film David Lynch has done he equals it here with his restraint. He truly proves himself a complete director and a sensitive one at that. He shows a deep respect for his subject and the area. Nothing is overplayed or exaggerated. It is the type of film no one thought Hollywood could do. Based on a true story they go along the same route the real Alvin took. The drama is not compromised and everything is handled in a dignified way. It propels itself on the quite eloquence of his journey and the people he meets. The soft pace is stunning especially when you realize that it is still quite captivating.

Farnsworth is perfect for the role. In many ways you feel he is Alvin Straight. He exudes so much of the same qualities of the character that you are convinced that they share some spiritual connection. His lines and little stories are both touching and powerful. Yet it is his deep expressive blue eyes that you remember the most. At any given time they can convey both his personal strength and sensitivity. Sissy Spacek is also terrific. Her portrayal of his mentally handicapped daughter is so convincing that you really can’t see the acting.

This is an emotional film and one that makes the viewer feel good without being manipulative or using any of the old conventions. The simplicity is refreshing. The only minor drawback is the meeting with his brother. Talented actor Harry Dean Stanton plays his brother yet he is only given a few lines. You wish he had more and we were able to see a more complete relationship. Even so this is still a wonderful movie.

My Rating: 9 out of 10

Released: September 3, 1999

Runtime: 1Hour 52Minutes

Rated G

Director: David Lynch

Studio: Buena Vista Pictures

Available: VHS, DVD