Tag Archives: David Lynch

Eraserhead (1977)

Eraserhead

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Couple has deformed baby.

In David Lynch’s first feature length film, a movie that took almost 5 years to make and had a good deal of it financed by Sissy Spacek and her husband, we have a surreal almost cryptic-like tale detailing a lonely man named Henry (Jack Nance) and his ultimate descent into a madness as he is forced to take care of severely deformed child while also harboring the dark urge to kill it.

It is hard to say whether one can like or dislike this as it goes so far out of the conventional form of film narrative that it seemingly defies all genres and puts itself into a category all its own. On a sheer technical level it is quite impressive especially when you factor in its shoestring budget and array of production set-backs. Each scene is meticulously detailed with wild and unsettling imagery that on a purely visual level will be more than enough to leave an impact. Overall the film is cold, ugly and unyielding, but helped tremendously by Nance’s presence as a sort of detached everyman who seems as confused and aloof to his surroundings as the viewer.

To me the most jarring image is the baby, which is incredibly lifelike. Had it came off looking fake, or like some puppet or Claymation attempt the film would’ve been a failure, or deemed laughable, but this thing is freaky looking to the extreme and Lynch spares no expense in getting the camera close up to it, which could force some viewers to turn away. Supposedly it was made from the embalmed fetus of a calf, but no one knows for sure and the crew was forced to blind fold themselves when Lynch set it up, so the secret would never come out. Either way it is effective and it manages to move its eyes and mouth almost like it were real and coming off as far more authentic than any computerized effect.

Spoiler Alert!

Of course the most confounding thing about the film is its story and symbolism’s that can be interpreted in a million different ways depending on the viewer’s own perspective. For what it’s worth I’ll give you my interpretation, which isn’t that complicated. To me the deformed baby symbolizes Henry’s soul, which has been mangled by the soulless world that he lives in, which would explain why he is so extremely passive because he is simply a walking zombie. The scene where his head pops off and the ugly child’s head pops into its place only reinforces this. The lady that he sees in the radiator is an angel from heaven and the beautiful lady that lives across the hall from him is the devil who entices him with sex, but when she realizes he has no soul to take, just an ugly mangled remnant of one, which gets exposed to her when she sees him standing in the doorway, she quickly loses interest and moves onto someone else. When he finally kills the baby he is essentially killing himself, which then explains why he ends up in the final scene in heaven with the lady in the radiator.

The man in the planet that we see at the beginning represents Henry’s own subconscious as he quarrels within his mind at the thoughts of killing the child. The man could also represent the world at large and how it controls everyone with its levers, which when Henry finally kills himself they start to have sparks fly from them and the man struggles in containing them, which shows that Henry has now ‘broken free’ from the man and this world by taking his own life.

End of Spoiler Alert!

Some consider this a horror pic, but I found certain parts of it to be quite funny in a darkly humorous way particularly the segment where Henry goes to visit his girlfriend’s parents. To me the most horrifying thing about is the way it challenges the viewers to question their own morality by forcing them to face the difficult quandary or what they would do if put into the same situation as Henry and forced to care for a hideous looking baby that some would consider would be better off dead.

My Rating: 6 out of 10

Released: September 28, 1977

Runtime: 1Hour 29Minutes

Not Rated

Director: David Lynch

Studio: Libra Films International

Available: DVD (Criterion Collection), Amazon Instant Video

The Straight Story (1999)

straight story

By Richard Winters

My Rating: 9 out of 10

4-Word Review: Old man on lawnmower.

Richard Farnsworth plays Alvin Straight, an older man with health problems who decides to travel from Iowa to Wisconsin on a rider mower to visit his sick brother.

This film is a true achievement. For every flamboyantly bizarre film David Lynch has done he equals it here with his restraint. He truly proves himself a complete director and a sensitive one at that. He shows a deep respect for his subject and the area. Nothing is overplayed or exaggerated. It is the type of film no one thought Hollywood could do. Based on a true story they go along the same route the real Alvin took. The drama is not compromised and everything is handled in a dignified way. It propels itself on the quite eloquence of his journey and the people he meets. The soft pace is stunning especially when you realize that it is still quite captivating.

Farnsworth is perfect for the role. In many ways you feel he is Alvin Straight. He exudes so much of the same qualities of the character that you are convinced that they share some spiritual connection. His lines and little stories are both touching and powerful. Yet it is his deep expressive blue eyes that you remember the most. At any given time they can convey both his personal strength and sensitivity. Sissy Spacek is also terrific. Her portrayal of his mentally handicapped daughter is so convincing that you really can’t see the acting.

This is an emotional film and one that makes the viewer feel good without being manipulative or using any of the old conventions. The simplicity is refreshing. The only minor drawback is the meeting with his brother. Talented actor Harry Dean Stanton plays his brother yet he is only given a few lines. You wish he had more and we were able to see a more complete relationship. Even so this is still a wonderful movie.

My Rating: 9 out of 10

Released: September 3, 1999

Runtime: 1Hour 52Minutes

Rated G

Director: David Lynch

Studio: Buena Vista Pictures

Available: VHS, DVD

Blue Velvet (1986)

blue velvet 1

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Whose ear is it?

Jeffrey (Kyle MacLachlan) is a young man living in a quiet small town who one day finds a mutilated human ear in an empty field. This gets him involved with a murky kidnapping case involving Dorothy (Isabella Rossellini) and a strange sinister man by the name of Frank (Dennis Hopper).

The offbeat plot evolves well and remains if nothing else captivating. Hopper makes the most of what was at the time his ‘comeback’ role creating a memorable villain. The casting of Rossellini was an inspired choice as she adds a unique flavor to the proceedings and sings a cool rendition of the title tune. The scene involving Dean Stockwell and his strange clan leaves a memorable impression as well.

Director David Lynch keeps a tight grip on his uniquely odd vision and makes sure that it permeates every sight and sound in the picture. The best part, or at least my favorite, comes at the beginning when the camera zooms into a nicely manicured front lawn until it shows an extreme close-up of all the bugs crawling around underneath it in the dirt.

I first saw this film upon its initial release and was mesmerized by it, but now twenty plus years later it doesn’t seem quite as cutting edge as it once did. There have been so many similarly weird films in the intermittent years that this one becomes lost in the shuffle and even dated.

Several scenes get stretched longer than they should be and the second half becomes draggy. The scene where Jeffrey is chased down by an angry boyfriend of Sandy (Laura Dern) only to have the naked Dorothy jump out of the bushes where the boyfriend then apologizes profusely seems now unintentionally funny. The contrived ending, which features a chirping mechanical robin, looks cheesy and tacky.

Despite the fact that the film has not stood the test of time it still has its moments, but it is no longer as fresh or original and the Hopper character is not as frightening as he once was.

My Rating: 6 out of 10

Released: September 19, 1986

Runtime: 2Hours

Rated R

Director: David Lynch

Studio: De Laurentiis Entertainment Group

Available: VHS, DVD (Special Edition), Blu-ray, Amazon Instant Video