Category Archives: Movies with a rural setting

Death Hunt (1981)

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By Richard Winters

My Rating: 7 out of 10

4-Word Review: Running for his life.

Last year during January we reviewed films Charles Bronson did during the 70’s, so this year we will look at some of the ones he did in the 80’s. This one is based on the true story of Albert Johnson who was a fugitive that sparked one of the largest manhunts in Canadian history.

Bronson plays Johnson a loner who lives by himself in an isolated cabin situated in the corner regions of the Northwest Territories and Yukon. He comes upon a vicious dog fight that has been orchestrated by some of the local men. Feeling sorry for the bloodied animal he tells the dog’s owner Hazel (Ed Lauter) that he will buy the animal, but Hazel refuses and Johnson ends up giving him he money and taking the animal anyways. Outraged Hazel goes to the local sheriff Millen (Lee Marvin) telling him that Johnson ‘stole’ his animal, but Millen knowing that Hazel was part of an illegal dogfight does nothing about it, so Hazel gets some men together to form a posse. A shootout ensues at Johnson’s cabin and when one of the men gets killed a reluctant Millen is forced to go after Johnson who goes on the run in the frozen, snow covered rugged mountains.

The film is an exciting high-grade adventure from the very start. The tension mounts perfectly and Jerrold Immel’s pounding orchestral score keeps the pace going. Director Peter Hunt mounts some great action sequences including the shootout and standoff at the cabin and also a heart-stopping moment where Johnson jumps off a steep cliff and onto a tall pine tree. The character’s ragged personalities perfectly reflect the raw climate and the internal bickering that goes on amongst the men as the chase Johnson creates an interesting subtext.

The film was shot in Northern Alberta, which is good because it gives the viewer a taste of the cold climate. The aerial footage of the mountainous landscape shown over the opening credits is breathtaking. However, it was clearly not filmed in the dead-of-winter as the sun was too high in the sky and although there was snow it was obviously thawing thus making the moments were the men complain about the bitter cold not ring quite as true.

Marvin is excellent and pretty much takes over the film. He looks older and tired here, but it works with the character that seems to be coasting and uninterested in getting involved with anything. Having both the main characters likable and relatable makes the chase more captivating and psychological complex from both ends.

Bronson is good in a role that takes advantage of his stoic nature although he only gets shown intermittently and it is Marvin who gets the most screen time and the best lines. I liked the character’s relentless will to survive and ability to adapt to the circumstances, but I wanted some explanation for how he was able to survive inside his cabin when it gets exploded with dynamite, but unfortunately one never comes.

Angie Dickinson who was 50 at the time and looked to have had a facelift and some work around her eyes is wasted in a completely pointless and forgettable part. Andrew Stevens who has proved effective in bad-guy roles plays a very clean-cut, rule-oriented Mountie here and does okay. Durable character actor Henry Beckman has a great small role as a shifty trapper who sits-in-the-shadows only to come out and get involved at the most surprising moments.

The film takes a lot of liberties with the true-life incident and was highly criticized at the time for being too ‘Hollywoodnized’, but it succeeds at being entertaining although I thought it would have been appropriate to have some denouncement at the end.

My Rating: 7 out of 10

Released: May 22, 1981

Runtime: 1Hour 37Minutes

Rated R

Director: Peter Hunt

Studio: 20th Century Fox

Available: VHS, DVD, Blu-ray

Alucarda (1977)

alucarda 2

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Another Exorcist rip-off

Justine (Susana Kamini) arrives at a convent after the death of her parents. She meets up with a strange young woman named Alucarda (Tina Romero) who almost immediately professes her true love for Justine and the two make a weird pact. Alucarda then seems to become possessed and it rubs off on Justine sending the nuns and priest at the convent into a panicked frenzy to rid both girls and the place from the evil presence.

This bizarre, cheap Mexican production comes off like someone’s drug induced acid trip. Yet it has still managed to acquire a small cult following and even has one reviewer at IMDB calling it ‘brilliant’ even though I found it to be anything but and only reconfirms that there is somebody out there that will like anything. Juan Lopez Moctezuma’s direction is unfocused and undisciplined. The story borders on being almost incoherent with wild twists and story arches that occur at a breakneck pace. The special effects are tacky and there isn’t a single scare in the whole thing.

This supposedly takes place in the 18th century, but the priest wears a wardrobe that looks like he is from China even though the setting is Mexico and the outfits worn by the nuns defy any era and appear to be made by a costume designer who was drunk. The pounding rock-like score has a resemblance to music from Tangerine Dream, but a much weaker version and doesn’t connect with the time period that the story is in. It has elements that will remind you of Suspira and Ken Russell’s The Devils, but both of those films are far superior to this one and only make you wish you were watching those instead.

The acting is amateurish and over-the-top, but star Romero has an interesting look in her eyes and reminded me a bit of a young Genevieve Bujold. There is an abundance of nudity and low-grade eroticism that may make it appealing to some. I did get a kick out of the way the nuns and priest overact and wilt at simply the mention of the devil and Satanism, which I found to be unintentionally funny.

This is just another attempt to cash in on the success of The Exorcist and like the rest of them fails miserably. This isn’t entertaining even on a camp level and I would suggest avoiding it completely.

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My Rating: 2 out of 10

Released: March 10, 1977

Runtime: 1Hour 14Minutes

Rated R

Director: Juan Lopez Moctezuma

Studio: Yuma Films

Available: DVD

Punishment Park (1971)

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By Richard Winters

My Rating: 8 out of 10

4-Word Review: Grueling race in desert.

Political radicals from the Vietnam era are arrested and then giving a choice between either spending time in federal prison or participating in a grueling race in the desert known as ‘Punishment Park’. A news crew comes along to cover the events, but finds that the soldiers hired to monitor the race use increasingly brutal treatments on the participants and the violence and elements soon get out-of-hand. Tempers and emotions run high and ugly, angry confrontations abound.

This film really packs a punch. It has a lot of raw emotion that seems missing in so many other films. Director Peter Watkins allowed the cast to ad-lib and his loose style helps create a vivid and unpredictable atmosphere. The ongoing arguments between the prisoners and those hired to judge and interrogate them is very entertaining and the highlight of the whole film. The editing between the interrogations and the race is sharp and intense.  The violence and most especially the ending is brutal and disturbing. Despite this being a pseudo-documentary it is so skillfully done that it seems very much like the real thing.

The only flaw with the film is the fact that no policemen would allow the film crew to go free, or at least not destroy their footage after capturing their brutal and unlawful methods. Most likely the crew would have ended up receiving the same ugly fate as the other victims.

This is a very emotionally charged film that should get a strong reaction from anyone who sees it. This is also a great chance to see independent filmmaking before it was trendy and working completely outside of the mainstream.

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My Rating: 8 out of 10

Released: October 9, 1971

Runtime: 1Hour 28Minutes

Rated R

Director: Peter Watkins

Studio: Sherpix

Available: DVD (Region 1 and 2), Blu-ray, Amazon Instant Video

The Color Purple (1985)

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: Sisters try to reunite.

Celie (Whoopi Goldberg) is a young black woman living in rural Georgia during the early 1900’s. She gets stuck in an arranged marriage to Albert (Danny Glover) who is abusive and has more of an interest in her younger sister Nettie (Akosua Busia).  When Nettie comes to visit them Albert tries to rape her and when she is able to fight him off it enrages him and her throws her out of the house and refuses to let the two sisters ever talk to each other again. Nettie makes efforts to contact Celie through letters, but Albert seizes them and takes them away before Celie can read them. Eventually Celie adjusts to the domineering ways of her husband until she becomes friends with Shug (Margaret Avery) who gives her the strength and confidence to stand up to him.

I have never read the Alice Walker novel from which this film is based, but I feel it would’ve worked better had Steven Spielberg not directed it as it unfortunately gets too much of the patented Spielberg treatment. Every scene reeks of a Hollywoodnized glossiness and certain scenes are so manipulative sappy that it becomes almost painful to watch. The musical score is overplayed and not reminiscent of the time period. A similar film like Sounder worked better because most of the scenes had no background music and was a better reflection of a quieter and slower paced era.

There are also moments of cute comedy, which seems a bit out-of-place and confuses what the underlying intent of the production was. Are the filmmakers trying to make a genuine recreation of a bygone era, or simply entertainment fluff and at points it gets very merged and hard to tell. This film also had some of the tackiest snow scenes I have ever seen. It looks like white stuff that was simply spray painted onto the ground and the shot showing snow falling while there is bright green foliage on all of the trees looks so ridiculous and I wondered why they had even bothered. Also, when talking about someone in a mocking manner as Celie and Nette do about Albert it is probably wise to at least close the bedroom door and make sure the source of your mockery isn’t standing right outside listening in.

Goldberg is good in an uncharacteristically restrained performance although her character is so extremely submissive that it frustrates the viewer and makes you want to reach out and shake her. Oprah Winfrey is quite engaging and simply watching the way she walks up the dirt road driveway when she first appears is a hoot. The scene where she is attacked by an angry mob of white people is the best dramatic moment of the whole film. Avery is also good simply because of her great singing voice and her vibrant rendition of ‘Sister’ is excellent although the ‘sing-off’ that she has near the end with a gospel church choir gets to be too much.

Glover gives one of his best performances and looks so much younger especially at the beginning that I had to do a double-take when I first spotted him. I liked the way that he is shown as domineering and cruel with Celie, but when out in the public he is quite intimidated and quiet with everyone else. Adolph Caesar who plays Albert’s father is a real scene stealer especially with his reaction to a glass of water that has Celie’s spit in it and the glib comments that he makes at the dinner table during a family confrontation.

The production values are great, but Spielberg over-directs and it becomes too slick for its own good. The story is never allowed to breathe on its own and a little more of a gritty, raw style was needed. The movie also goes on too long and takes a few too many tangents.

My Rating: 4 out of 10

Released: December 18, 1985

Runtime: 2Hours 34Minutes

Rated PG-13

Director: Steven Spielberg

Studio: Amblin Entertainment

Available: VHS, DVD, Blu-ray

Mr. Hobbs Takes a Vacation (1962)

mr hobbs takes a vacation

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Calamity filled family vacation.

Roger Hobbs (James Stewart) is a slightly cantankerous man in his 50’s who is tired of family vacations as he finds them to be more stress than they are worth. He loves his family, but hates going on trips with them. He dictates a letter to his secretary that is to be opened by his wife (Maureen O’Hara) upon his death detailing his many grievances of one particular trip that they took to a beach-side house that ended up being one catastrophe after another and through flashbacks the viewer relives them along with him.

Stewart is a real blast and the best thing about the movie. He doesn’t have that wide-eyed country boy charm like in some of past roles, but instead is a world-weary cynical man whose constant flow of acerbic comments and observations are quite funny. O’Hara is beautiful and engaging as his wife and helps as a sort of anchor between him and the rest of the family although I thought she looked much too young to be playing a grandmother. 60’s teen-heartthrob singer Fabian can also be seen as Joe a young man who takes a liking to one of Hobbs’ daughters. I liked the beatnik beard that he grows, but the part where he breaks out into a duet with his date in a film that is otherwise not a musical is very weird.

The actual beach house is a crazy sight and looks creepier than the Psycho house and sits literally right on the sandy beach and looking vulnerable to getting flooded during high tide. Beachgoers sit and sunbathe all around it and I would have thought many of them might walk into the house, or peer through the windows, but that angle does not get played up. Some of the myriad mechanical issues that Hobbs has with the building are the film’s funniest moments especially his difficulty getting the water pump going. The film should’ve continued to focus on this story thread all the way till the end, but doesn’t, which is a weakness.

While the movie is cute and pleasing it is also contrived and unoriginal. Many of the scenarios that they have could have easily occurred had they stayed home and the whole vacation concept seems to get lost. The writing and humor are better suited for television and the plot is threadbare. In a lot of ways this could better be described as an ordinary family sitcom with several different episodes strung together.

The visit that they have with a boring couple (John McGiver, Marie Wilson) near the end doesn’t work at all and should’ve been cut as a two hour running time is too long for this type of film to begin with. The scene where Hobbs get stuck in the bathroom with the tipsy and nude visiting wife elicits a few chuckles, but the bird spotting trek that he takes with the husband becomes too much of a pointless tangent. The scene also has a glaring goof because the two men decide to wake up at 4:30 in the morning to start their trek but when they first get outside the sun is already high in the sky and looking like it is the middle of the afternoon.

My Rating: 5 out of 10

Released: June 15, 1962

Runtime: 1Hour 56Minutes

Not Rated

Director: Henry Koster

Studio: 20th Century Fox

Available: VHS, DVD, Amazon Instant Video

Strait-Jacket (1964)

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: Giving them the ax.

Lucy Harbin (Joan Crawford) comes home early one night from a trip only to find her husband Frank (Lee Majors in his film debut) in bed with another woman. This enrages her so much that she grabs an ax and chops off both of their heads all while in front of her young daughter.  After being institutionalized for 20 years she is released and sent home to live with her now grown daughter Carol (Diane Baker). Unfortunately the ax murders begin happening again and all signs seem to point to Lucy having a bad relapse.

Director William Castle keeps the proceedings compact enough to be entertaining, but borrows too many elements from Psycho and What Ever Happened to Baby Jane? while also adding a few to many gimmicks. Having the setting take place on a rural hog farm gives it a little extra atmosphere. The wrap-up is nice, but halfway through the film I had already figured out the twist ending and thus making the final revelation not as shocking or interesting as I think the filmmakers intended.

I realize the gore factor here is quite sanitized when compared to today’s horror movies and yet the scene where Lucy axes her hubby is actually quite effective. We see the shadow of the husband’s body with his head popping off like a cork coming out of a wine bottle. Instead of cutting away like most other films do it cuts back to Joan’s face where she continues to whack and whack and whack while her eyes get wilder with rage, which in many ways makes this far better and more fun than most other ax wielding movie scenes.

The film also brings out an interesting loophole. Namely the fact that can a woman be considered crazy for wanting to chop off her husband’s head after finding out he is unfaithful or is she simply giving the two-timing cad his just desserts.

Baker is good in support and her face is adorable. Her restrained performance nicely compliments Crawford’s more hammy and histrionic one. In fact some may consider Crawford’s acting to be over-the-top and unintentionally funny, but on a camp level it is fun. I realize both her wig and clacking bracelets become a major plot point, but I disliked both. The wig makes her look too much like an old, haggard version of her famous Mildred Pierce character and the constant clacking from the bracelets becomes annoying.

It was interesting to see Leif Erickson cast as a family friend who tries to work with Lucy and her emotional instability as he was at one time the husband of Frances Farmer an actress who also suffered from mental illness and I kept one wondering the whole time whether he was channeling those experiences into his character here. George Kennedy can also be spotted, but his almost unrecognizable as he has jet black hair here, a much thinner frame, and a pair of buck teeth.

Probably the film’s best gimmick comes at the very end where the famous torch carrying lady on Columbia Pictures logo is seen with her head cut off and having it lying on the ground beside her feet.

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My Rating: 6 out of 10

Released: January 19, 1964

Runtime: 1Hour 33Minutes

Not Rated

Director: William Castle

Studio: Columbia Pictures

Available: VHS, DVD, Amazon Instant Video

My Bloody Valentine (1981)

my bloody valentine

By Richard Winters

My Rating: 2 out of 10

4-Word Review: A Killer with heart.

After 20 years a small Canadian mining town of Valentine Bluffs has decided to hold another Valentine’s Day Dance. The previous ones were canceled due to one ending in bloodshed by a psychotic mine worker named Harold Warden. Now he is locked away so they think it is safe except the killings start happening again and this time the killer tears the hearts out of the victims and delivers them in heart shaped boxes to their relatives.

This movie has a cool looking poster and a deliciously macabre concept and has also attained a strong cult following including Quinton Tarantino, but I unfortunately was not impressed with it. I found it to be excruciatingly boring and a major strain just to sit through. The direction and writing are uninspired creating predictable scenarios and delivering all the expected teen slasher movie clichés with a monotonous regularity.  Nothing is distinctive or scary and it fails to deliver any suspense or tension. It can’t even make effective use of its unique mine shaft setting. The final sequence takes place there, but it is nothing spectacular. The constant delivering of human hearts in candy style boxes soon loses its effect and eventually becomes stupid especially with the corny poems written on the attached note cards.

The young victims are dull and stereotypical. They look like caricatures from all the other slasher horror films except here they speak with thick Canadian accents. One of them looks like an overweight version of Meathead from ‘All in the Family’. There is also a ‘class clown’ type of character that resembles very closely the ‘class clown’ character from Friday the 13th . Here he does nothing but crack dumb jokes and watching him eventually get decapitated is the film’s single most gratifying moment.

The sheriff character is a real loser. He wears a big belt buckle and dopey haircut that makes him appear to be some middle-aged buffoon who has just stepped out of the 60’s. His logic is also flawed. He decides not to warn the town that a killer is on the loose even after he has killed a couple of people as he is afraid it will create too much of a panic, so instead he waits until seven more people die and the citizens all go into a panic anyways.

Usually in even the poorest of horror films the killings and gore can at least keep things entertaining on a tacky level and yet here they are as dull as everything else. Also, since when has going into a dark and dingy cave been considered a great place to have sex? To me it seems absurd and yet several of the teen couples go into the mine for distinctly that purpose.

Remade in 2009.

My Rating: 2 out of 10

Released:  February 11, 1981

Runtime: 1Hour 30Minutes

Rated R

Director: George Mihalka

Studio: Paramount

Available: VHS, DVD, Blu-ray, Amazon Instant Video

 

Don’t Go in the Woods (1981)

don't go in the woods

By Richard Winters

My Rating: 0 out of 10

4-Word Review: Don’t watch this movie.

Excruciatingly bad on all levels this film could very well rank as the worst horror movie/slasher film of all time and given how many bad ones there are that is really saying something. The story, or what little there is of it, features four college-aged hikers, two men and two women, spending an idyllic weekend in the woods of a state park. Little do they know that a madman is on the loose and killing people at a frantic pace. When he catches up with them they run, scream, and then get sliced up.

The acting itself is the real horror. Usually even a real low budget film will at least have a few B-names in the cast whether they were famous at one time and now slumming, or an up-and-coming star, but this has neither. Most of the cast never appeared in another film and watching them perform here will tell you why. Of course having them straddled with stale, stilted dialogue that has no conversational quality doesn’t help and the proceedings would have been better off had director James Bryan allowed them to ad-lib.

The gory special effects are unimaginative and pathetic. It is edited in such a way that it is very hard to follow what exactly is happening to the victims and the majority of it basically entails gobs of red blood splattering everywhere and little else.

The killer is laughable and dressed in a Neanderthal getup that makes him look like a cross between a caveman and what a Minnesota Vikings fan wears to a football game. His cartoonish laugh is annoying and the isolated, decrepit cabin that he resides in seems too reminiscent to Jason’s hangout in Friday the 13th Part 2. There is also never any explanation, even at the very end, as to who the hell this guy is, how he got there, or where he is from.

This film also has one of the ugliest female casts of any horror film I have seen. Usually films of this genre cast a couple of Playboy Playmates or Penthouse Pets in the mix as eye candy to help liven things up during the slow parts, but this one instead has the two female leads with such short haircuts that they almost look like boys. There is also no nudity, which in this instance is probably a good thing.

Outside of a cheesy song played over the closing credits the film lacks any type of music score. In some ways like in I Spit on Your Grave this can help accentuate the cinema-vertite grittiness, but here it makes an already cheap production seem even cheaper. Some music could have helped cover-up the constant sound of birds cooing in the background, which eventually got annoying. The dialogue was also dubbed in during post production, which gives it even more of an amateurish quality.

The director of this one has absolutely no talent or ability. Your average fifth-grader could pump out something better than this.

My Rating: 0 out of 10

Released: September 1, 1981

Runtime: 1Hour 22Minutes

Rated R

Director: James Bryan

Studio: Seymour Borde and Associates

Available: DVD, YouTube

Funny Games (1997)

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By Richard Winters

My Rating: 8 out of 10

4-Word Review: Killers like playing games.

A family is tormented by two young men (Arno Frisch, Frank Geiring) who break into their home and proceed to play ‘funny games’ on them. These games are cruel and humiliating in nature. They are ‘played’ simply to prove that they can. As the film progresses and reveals some very unusual narrative devices it becomes obvious that the real ‘funny games’ are those played on the viewer by writer/director Michael Haneke.

Clearly this is long overdue as it is a revisionist look at the very violent psycho/thriller genre. Last House on the Left and Henry: Portrait of a Serial Killer have both handled the violence and dehumanization theme quite well before, which thus minimizes some of this film’s shock value. Yet Haneke shows an astute awareness of his craft and its manipulative nature. He cuts into all the accepted formalities and conventions of the genre and film making in general that you have to give it high marks. There is one scene, where the camera literally stays locked on the carnage for several minutes that the repugnance of violence really does hit home as intended.

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The whole thing is supposed to shake the viewer into reevaluating their own viewpoints. It’s an almost ongoing assault questioning their views on justice, tolerance to violence, prayer and other cosmic forces and even their own fragility. It also tries to force them to analyze why they view these types of films and find them entertaining.

Like the heavy metal music played over the opening credits this thing is raw, abrasive and filled with anger and rebellion. Haneke is clearly upset. Upset at irresponsible directors who make violent films and an overly tolerant public that watches them.

This is an ugly film with an unrelenting nature and flashes of contempt. The average movie goer will probably not like it. However, it you are a connoisseur of cutting edge cinema then you may find the whole thing refreshingly provocative.

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Frisch and Geiring as the two killers look and act so much against type that they become two of the most chilling and memorable villains in screen history. Also, Susanne Lothar and Ulrich Muhe who play the husband and wife victims are actually married in real life.

An American version, which was directed by Haneke as well and stars the beautiful Naomi Watts and follows this one almost scene-for-scene was released in 2007.

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My Rating: 8 out of 10

Released: May 14, 1997

Runtime: 1Hour 48Minutes

Not Rated

Director: Michael Haneke

Studio: Attitude Films

Available: DVD, Blu-ray, Amazon Instant Video

The Strange Vengeance of Rosalie (1972)

the strange vengeance of rosalie

By Richard Winters

My Rating: 7 out of 10

4-Word Review: She can’t be trusted.

This is an okay obscurity about an Indian girl named Rosalie (Bonnie Bedelia) whose grandfather has just died and in an attempt to stave off loneliness tricks Virgil (Ken Howard) a traveling businessman into coming back to her isolated ramshackle place. Once there she breaks his leg in order to trap him and hopes that in the time it takes to heal he will learn to love her.

Critic Leonard Maltin calls this film “farfetched” and going “way off base” yet nothing could be further from the truth. If you accept the initial premise then the rest of the film is carried out in a plausible and believable fashion.

Director Jack Starrett certainly has a vision here. The remote desert like local is captured well and gives it a distinct feel. The premise is static, but the story keeps moving and new elements are added in nicely. The second hour does begin to meander, but it is finished off by a surprise ending that comes out of nowhere and is completely unexpected. You have to watch it all the way through to really appreciate it yet it does help the film come together and even helps explain its title.

The similarities between this and Misery are quite evident and in some ways this film wins out. It is not as slick or polished, but it is also not as formulated either. This is not your standard thriller as you have no idea where it is going. It runs the gamut between drama, adventure, and even human interest. There is also the added sexuality element and a genuine relationship between the two, which Misery did not have.

The best thing is the Rosalie character. She is young and beautiful. Her intentions and motivations are constantly surprising. In some ways she is like the Barbara Eden character in ‘I Dream of Jeannie’. She is naive and trusting, but also headstrong, self- sufficient and cunning and Bedelia is perfect in the role.

Being made in the early 70’s and at the height of political awareness there is some thought to there being meaning to the fact that she is Indian and Howard the typical white businessman. She is constantly trying to win approval of this white man who otherwise seems oblivious to her conditions or needs. He is also too self-absorbed and too locked into his mindset of minorities being ‘inferior’ to realize how consistently she outsmarts him. Like with a lot of minorities there is a great deal of frustration with the attitudes of the establishment. Howard is just too stuck in to his preconceived notions to ever see her as an equal no matter how hard she tries.

Overall this is a decent film especially when compared to other low budget, independent films of that same era. The twist ending helps, but you have to stick with it.

My Rating: 7 out of 10

Released: June 16, 1972

Runtime: 1Hour 47Minutes

Rated PG

Director: Jack Starrett

Studio: 20th Century Fox

Available: Amazon Instant Video (Edited Version)