Tag Archives: William Castle

Shanks (1974)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Mute manipulates dead bodies.

Malcolm Shanks (Marcel Marceau) is a deaf-mute who lives with his cruel sister (Tsilla Chelton) and her alcoholic husband (Phillipe Clay). Malcolm’s puppeteer skills attracts the attention of an aging, eccentric inventor named Mr. Walker (Marcel Marceau) who hires Malcolm to come work with him inside his gothic castle. It is there that he learns of Mr. Walker’s newest invention, which allows him to animate the dead bodies of animals through electronic shocks. Malcolm uses this new found knowledge to animate Mr. Walker himself after he dies and then his sister and her husband when they die by accident, but when a biker gang invades the castle Malcolm is afraid they’ll misuse the invention for bad purposes.

Usually I enjoy offbeat movies, but this film, which was the last one to be directed by William Castle, is never able to catch its stride. It becomes hard to tell whether to even categorize it as a horror movie at all, even though it does have some dark elements, but it’s not inventive enough cinematically to consider it an experimental film either.

Marceau’s presence doesn’t help things. His character never says anything, only when he’s playing the role of Mr. Walker, but even then it’s only a few words. His facial expressions are good, so you pretty much know what he’s thinking, but after awhile his quietness makes him too transparent and he’s just no longer interesting at all and overshadowed by his teen co-star Cindy Eilbacher who does virtually all the talking and could’ve easily been made the star especially since her acting is really good.

The plot is thin and an excessive amount of time gets spent with Malcolm having the dead bodies, which he controls via remote control, dance around and at one point even go shopping, but after awhile this gets one-dimensional and repetitive. Dead bodies can also decay and start to smell real bad, but this reality never gets touched on. I was also confused because Phillipe Clay’s character is killed when he gets attacked by a chicken who bites into his face and makes a bloody mess of it, but when he’s a dancing dead body that injury mysteriously disappears completely.

I thought the introduction of the biker gang, who enter into the story way too late after the film also already become seriously boring, would enliven things, but it really doesn’t. I also didn’t like the visual approach, which is all mixed-up. During some scenes it looks to have been shot in the modern day suburbs and then at other points, especially when inside Mr. Walker’s castle, more of a medieval/gothic look. The inside of Malcolm’s sister’s place is all off too looking like the interior of a home during the 1930’s versus the 1970’s. The title cards that get thrown in at various intervals to help narrate what is going on, much like what you’d see in a silent movie, was not necessary.

I wished I could’ve liked this more, the idea certainly has potential, but there needed to be an added subtext. It’s just too simple and straightforward the way it is and unclear what audience the producers were aiming for.  Children may enjoy parts of it, but will become frightened at other points while adults will find some of it to be clever, but become impatient with the slow pace.

My Rating: 3 out of 10

Released: October 9, 1974

Runtime: 1 Hour 33 Minutes

Rated PG

Director: William Castle

Studio: Paramount

Available: DVD, Blu-ray, Amazon Video, YouTube

The Busy Body (1967)

busy body

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Find the dead body.

George Norton (Sid Caesar) is a nebbish mama’s boy who, for whatever reason, gets taken in by Charley (Robert Ryan) a Chicago mob boss. Charley even gives George a seat on his board of governors. When a fellow crime boss (Bill Dana) gets killed in a freak accident it is George who selects a blue suit for the corpse to wear at the funeral. Unfortunately that blue suit was lined with a million dollars and Charley demands that George dig up the body and retrieve the money, but when he does he finds that the body is gone and thus begins a long, winding, ‘madcap’ search for the missing body and money.

Noted horror director/producer William Castle decided late in his career to give comedy a stab and this is the result. The beginning is mildly amusing, but the humor gets terribly strained and a 100 minute runtime is just too long for such trite material. Everything gets suppressed into silliness with an overplayed music score that has too much of a playful quality to it making the whole thing thoroughly ingrained on the kiddie level from start-to-finish.

Dom DeLuise has an amusing bit as a mortician that would really rather be a hairdresser and Kay Medford is quite funny as George’s doting mother, but the rest of the supporting cast is wasted, which includes Richard Pryor, in his film debut, playing in a role that does not take advantage of his comic skill. Caesar is just not leading man material and his vaudeville-like shtick is quite passé and predictable. His co-star Ryan is far funnier and without having to try half as hard.

The plot goes off on wild tangents until it becomes impossible to follow and quite pointless. The whole production is horribly dated and will not appeal to kids or adults. In fact the film’s intended audience has long ago passed away making this thing a silly relic of its time and nothing more.

My Rating: 3 out of 10

Released: March 12, 1967

Runtime: 1Hour 40Minutes

Not Rated

Director: William Castle

Studio: Paramount

Available: DVD, Amazon Instant Video

Strait-Jacket (1964)

strait jacket

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Giving them the ax.

Lucy Harbin (Joan Crawford) comes home early one night from a trip only to find her husband Frank (Lee Majors in his film debut) in bed with another woman. This enrages her so much that she grabs an ax and chops off both of their heads all while in front of her young daughter.  After being institutionalized for 20 years she is released and sent home to live with her now grown daughter Carol (Diane Baker). Unfortunately the ax murders begin happening again and all signs seem to point to Lucy having a bad relapse.

Director William Castle keeps the proceedings compact enough to be entertaining, but borrows too many elements from Psycho and What Ever Happened to Baby Jane? while also adding a few to many gimmicks. Having the setting take place on a rural hog farm gives it a little extra atmosphere. The wrap-up is nice, but halfway through the film I had already figured out the twist ending and thus making the final revelation not as shocking or interesting as I think the filmmakers intended.

I realize the gore factor here is quite sanitized when compared to today’s horror movies and yet the scene where Lucy axes her hubby is actually quite effective. We see the shadow of the husband’s body with his head popping off like a cork coming out of a wine bottle. Instead of cutting away like most other films do it cuts back to Joan’s face where she continues to whack and whack and whack while her eyes get wilder with rage, which in many ways makes this far better and more fun than most other ax wielding movie scenes.

The film also brings out an interesting loophole. Namely the fact that can a woman be considered crazy for wanting to chop off her husband’s head after finding out he is unfaithful or is she simply giving the two-timing cad his just desserts.

Baker is good in support and her face is adorable. Her restrained performance nicely compliments Crawford’s more hammy and histrionic one. In fact some may consider Crawford’s acting to be over-the-top and unintentionally funny, but on a camp level it is fun. I realize both her wig and clacking bracelets become a major plot point, but I disliked both. The wig makes her look too much like an old, haggard version of her famous Mildred Pierce character and the constant clacking from the bracelets becomes annoying.

It was interesting to see Leif Erickson cast as a family friend who tries to work with Lucy and her emotional instability as he was at one time the husband of Frances Farmer an actress who also suffered from mental illness and I kept one wondering the whole time whether he was channeling those experiences into his character here. George Kennedy can also be spotted, but his almost unrecognizable as he has jet black hair here, a much thinner frame, and a pair of buck teeth.

Probably the film’s best gimmick comes at the very end where the famous torch carrying lady on Columbia Pictures logo is seen with her head cut off and having it lying on the ground beside her feet.

Capture 334

My Rating: 6 out of 10

Released: January 19, 1964

Runtime: 1Hour 33Minutes

Not Rated

Director: William Castle

Studio: Columbia Pictures

Available: VHS, DVD, Amazon Instant Video