Tag Archives: Joan Crawford

Strait-Jacket (1964)

strait jacket

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Giving them the ax.

Lucy Harbin (Joan Crawford) comes home early one night from a trip only to find her husband Frank (Lee Majors in his film debut) in bed with another woman. This enrages her so much that she grabs an ax and chops off both of their heads all while in front of her young daughter.  After being institutionalized for 20 years she is released and sent home to live with her now grown daughter Carol (Diane Baker). Unfortunately the ax murders begin happening again and all signs seem to point to Lucy having a bad relapse.

Director William Castle keeps the proceedings compact enough to be entertaining, but borrows too many elements from Psycho and What Ever Happened to Baby Jane? while also adding a few to many gimmicks. Having the setting take place on a rural hog farm gives it a little extra atmosphere. The wrap-up is nice, but halfway through the film I had already figured out the twist ending and thus making the final revelation not as shocking or interesting as I think the filmmakers intended.

I realize the gore factor here is quite sanitized when compared to today’s horror movies and yet the scene where Lucy axes her hubby is actually quite effective. We see the shadow of the husband’s body with his head popping off like a cork coming out of a wine bottle. Instead of cutting away like most other films do it cuts back to Joan’s face where she continues to whack and whack and whack while her eyes get wilder with rage, which in many ways makes this far better and more fun than most other ax wielding movie scenes.

The film also brings out an interesting loophole. Namely the fact that can a woman be considered crazy for wanting to chop off her husband’s head after finding out he is unfaithful or is she simply giving the two-timing cad his just desserts.

Baker is good in support and her face is adorable. Her restrained performance nicely compliments Crawford’s more hammy and histrionic one. In fact some may consider Crawford’s acting to be over-the-top and unintentionally funny, but on a camp level it is fun. I realize both her wig and clacking bracelets become a major plot point, but I disliked both. The wig makes her look too much like an old, haggard version of her famous Mildred Pierce character and the constant clacking from the bracelets becomes annoying.

It was interesting to see Leif Erickson cast as a family friend who tries to work with Lucy and her emotional instability as he was at one time the husband of Frances Farmer an actress who also suffered from mental illness and I kept one wondering the whole time whether he was channeling those experiences into his character here. George Kennedy can also be spotted, but his almost unrecognizable as he has jet black hair here, a much thinner frame, and a pair of buck teeth.

Probably the film’s best gimmick comes at the very end where the famous torch carrying lady on Columbia Pictures logo is seen with her head cut off and having it lying on the ground beside her feet.

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My Rating: 6 out of 10

Released: January 19, 1964

Runtime: 1Hour 33Minutes

Not Rated

Director: William Castle

Studio: Columbia Pictures

Available: VHS, DVD, Amazon Instant Video

The Caretakers (1963)

the caretakers 2

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Doctors with opposing viewpoints.

Two doctors working at a psychiatric hospital come at odds with each other over how to treat their patients. Dr. Donovan MacLeod (Robert Stack) believes in a more humanistic approach in treating mental illness including group therapy and more patient freedoms. Dr. Lucretia Terry (Joan Crawford) is hard-lined and exacts rules on her patients that have severe penalties if broken. The film examines their infighting and how it affects their patients.

Director Hall Bartlett has a nice cinema-verte style to the material that manages to avoid being ‘Hollywoodnized’ or overtly sanitized. The subject is approached in a matter of fact way and the patients are not portrayed as ‘crazy’ or ‘scary’, but instead as sick people looking to get well and learning how to do it. The opening sequence done over the credits and featuring all sorts of moody artsy drawings have an excellent avant-garde flair.

Polly Bergen is effective as Lorna a middle-aged mother and housewife who suffers a nervous breakdown and begrudgingly becomes a member of Dr. MacLeod’s therapy group. Some of her acting particularly when she is having her breakdown is theatrical and over-the-top, but I did like the way Bartlett shows things from her perspective allowing the viewer in a visual sense to feel what she is going through and makes one compassionate and sensitive to her condition.

It is great to see Crawford as always and the scene showing her in a leotard and teaching the other nurses judo lessons is a gem and much too brief. I was hoping to have her play up the part of the heavy more making her almost like a Nurse Ratched, which she could have easily done to perfection, but unfortunately the script doesn’t take advantage of it. I was also disappointed that we never see Crawford ever dealing directly with her patients, which seemed to me should have been necessary.

Stack in the lead is terrible and completely wrong for the part. The role required a man with a more youthful appeal instead of the middle-aged Stack who never displays the kind of sensitivity and compassion that his character supposedly has. Instead he delivers his lines in a stiff and monotone fashion and comes off like he came from the old school of acting.

The scene where his character allows the patients to go to an outdoor park for a picnic and mingle with the staff unsupervised seemed to be pushing the plausibility meter to the extreme. It also makes him look like a complete schmuck who should have known better especially when one of his patients leaves the picnic and runs away while he chases after her in a panic.

The supporting cast is outstanding showcasing many up and coming stars and is one of the major highlights for watching the film. Barbara Barrie is great as the silent and troubled Edna. Janis Paige is excellent as the brassy prostitute Marion. Susan Oliver gives one of her best performances as a young nurse who is just learning how to deal with those with mental illness and Robert Vaughn is also effective as Lorna’s long suffering and confused husband. This is also a great chance to see a young Van Williams before he starred as the Green Hornet as well as the beautiful Sharon Hugueny whose promising acting career was cut short when she was hit years later by a speeding police car.

If you come to this film looking for genuine insight into the illness you will be disappointed as it goes only to the most elementary level into the area of psychiatry. MacLeod’s speeches about how his group therapy can be a ‘cure’ to mental illness are shallow and almost laughable. However, for the era the film manages to be gritty and slick enough to pass as entertainment.

My Rating: 6 out of 10

Released: August 21, 1963

Runtime: 1Hour 37Minutes

Not Rated

Director: Hal Bartlett

Studio: United Artists

Available: VHS, DVD, Amazon Instant Video, Netflix streaming