Category Archives: 90’s Movies

American Movie (1999)

american movie

By Richard Winters

My Rating: 7 out of 10

4-Word Review: He needs a life.

Supposedly this is a documentary about all the troubles a young would-be filmmaker has trying to film a low budget independent movie. In actuality it is the rather stark portrait of how elusive the American dream is to the low income citizen and yet how hard they still dream for it. It creates a truly absurd scenario of desperation that could only work if it was real and not the work of fiction.

The film is tightly woven without the extraneous footage one usually finds with most documentaries. We are given a well-rounded look at these people and feel like we know them. There is some question as to whether these subjects are shown so we can learn something from it or just to laugh at them, but either way it is thoroughly engrossing.

Mark Borchardt, the would-be director, is definitely the main attraction. He talks with a heavy Wisconsin accent and is the quintessential ‘pothead’. He is a man, who by his own admission spent his entire adolescence drinking and partying. Now that he must get serious about life, he resists by clinging onto his movie making dreams. His movie idea is uninspired slasher film stuff that is taken from other more successful films. He hopes to duplicate that success and thus ride it’s coattails out of his otherwise woeful existence. He is as empty headed as he looks and sounds. Yet he still puts on a mighty song and dance. He is like an aggressive used car salesman, dishonest politician and ranting street preacher who talks a lot, but says little.

He is surrounded by equally interesting people. You have his Swedish accented mother who passively supports her son in his endeavors, yet reluctantly admits he has no chance. Then there’s cantankerous frail, old Uncle Bill. He is a man who doesn’t talk much, but when he does make a peep it is a doozy. You also have a rather touching bond between Mark and his best friend Mike. A fellow ‘pothead’ who looks and sounds like he is barely functional, yet still assists his friend in all his filmmaking problems even though he himself really isn’t that interested in it.

This thing is literally amazing from start to finish. A few of the gems include: the many, many takes they have to do before old Uncle Bill can say one line of simple dialogue correctly. Then there’s the would-be director himself, who works part time as a custodian at a cemetery, describing his ‘profound’ experience at cleaning up a clogged, messy toilet. There’s even a near comatose friend Mike who breaks out and gives the shrillest special effects scream you will ever hear.

If you like to view people just being themselves then this slice of life comes highly recommended.

My Rating: 7 out of 10

Released: January 11, 1999

Runtime: 1Hour 47Minutes

Rated R

Director: Chris Smith

Studio: Bluemark Productions

Available: DVD, Amazon Instant Video

The Straight Story (1999)

straight story

By Richard Winters

My Rating: 9 out of 10

4-Word Review: Old man on lawnmower.

Richard Farnsworth plays Alvin Straight, an older man with health problems who decides to travel from Iowa to Wisconsin on a rider mower to visit his sick brother.

This film is a true achievement. For every flamboyantly bizarre film David Lynch has done he equals it here with his restraint. He truly proves himself a complete director and a sensitive one at that. He shows a deep respect for his subject and the area. Nothing is overplayed or exaggerated. It is the type of film no one thought Hollywood could do. Based on a true story they go along the same route the real Alvin took. The drama is not compromised and everything is handled in a dignified way. It propels itself on the quite eloquence of his journey and the people he meets. The soft pace is stunning especially when you realize that it is still quite captivating.

Farnsworth is perfect for the role. In many ways you feel he is Alvin Straight. He exudes so much of the same qualities of the character that you are convinced that they share some spiritual connection. His lines and little stories are both touching and powerful. Yet it is his deep expressive blue eyes that you remember the most. At any given time they can convey both his personal strength and sensitivity. Sissy Spacek is also terrific. Her portrayal of his mentally handicapped daughter is so convincing that you really can’t see the acting.

This is an emotional film and one that makes the viewer feel good without being manipulative or using any of the old conventions. The simplicity is refreshing. The only minor drawback is the meeting with his brother. Talented actor Harry Dean Stanton plays his brother yet he is only given a few lines. You wish he had more and we were able to see a more complete relationship. Even so this is still a wonderful movie.

My Rating: 9 out of 10

Released: September 3, 1999

Runtime: 1Hour 52Minutes

Rated G

Director: David Lynch

Studio: Buena Vista Pictures

Available: VHS, DVD

Before and After (1996)

before and after

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Son is a murderer.

This is a solid drama based on the novel by Rosellen Brown detailing how a family copes after their teenage son Jacob (Edward Furlong) is accused of killing his girlfriend.

Thoroughly engrossing and believable from beginning to end and full of intriguing plot twists. It is fascinating how it examines things from a completely unique perspective namely the family members of the perpetrator, which is rarely ever done. The story is also interesting in that it gets the viewer too become quite attached to Furlong who plays the accused. The film forces the viewer to face and question their own moral judgments, which is good since many films these days seem timid at digging too deeply into anything of a serious nature or forcing the viewer to confront any of their own preconceived notions.

On the negative end the film lacks cinematic style and at times almost looks like it is a TV-movie. Meryl Streep is okay as Jacob’s mother, but this is definitely not one of her better performances. There is a love making scene between her and Liam Neeson that looks mechanical and is completely unnecessary. Viewers who have had family members or friends that have been victims of crimes may find themselves upset with some of the moral conclusions.

Overall this is a strong drama that presents a lot of issues that are timely and haven’t been done anywhere else. Despite a lack of flair or visual style it is still an excellent piece of storytelling with an outstanding performance by Furlong.

My Rating: 8 out of 10

Released: February 23, 1996

Runtime: 1Hour 48Minutes

Rated PG-13

Director: Barbet Schroeder

Studio: Caravan Pictures

Available: DVD, Blu-ray, Amazon Instant Video 

Noises Off (1992)

noises off 2

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Behind-the-scenes discord.

An eclectic group of actors put on a play that they take on tour. The play is a sort of door slamming British farce that is full of innuendos and misunderstandings and the film captures them during one particular scene of that play. It follows them as they rehearse that scene and then perform it live to an audience. It also shows the behind the scenes discord that develops between the cast and how this affects the performance of the scene, which culminates in a completely disastrous showing in Cleveland.

This should have been a really fun movie. It’s certainly an originally structured idea and it is slickly handled. It brings back the days of screwball comedy where things were funny just for the sake of being funny. Everything is contained and nothing is out of place or crude. In some ways it’s a refreshing change of pace.

The cast is certainly game and perfect for this type of comedy. Christopher Reeve and John Ritter come off best. Reeve seems to be playing his Clark Kent character only to a higher degree. Ritter does his Jack Tripper routine not only with the physical side, but also the nuance. His character tries very hard to be politically correct and it is amusing watching him never able to get to the point.

The film offers some light satire into the whole stage production process. Everything from the fragile temperaments of the actors to the high strung director is examined. It also takes some good shots at the plays themselves and how these stage comedies always seem to have such a high reliance on extreme coincidences.

There are some good laughs, but after a while it becomes a bit too much and exhausting to watch. The jokes and gags come so fast that if you blink you will miss some. There is also too much reliance on the frantic side of comedy, which eventually starts to lose its cuteness. The characters are placid and so are the situations. There is also the redundancy factor of having to see the same scene done over and over.

The end result is meticulously choreographed tripe and as silly as the play it seems to be mocking. It also has a glaring factual error. Michael Caine, the play’s director, talks about all the cities they have been too. He mentions Cairo, Missouri as one. There is a Cairo in Illinois but none in Missouri.

My Rating: 3 out of 10

Released: March 20, 1992

Runtime: 1Hour 41Minutes

Rated PG-13

Director: Peter Bogdanovich

Studio: Touchstone Pictures

Available: VHS, DVD

Sliding Doors (1998)

sliding doors

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Two scenarios in one.

This movie examines the life of a woman named Helen (Gwyneth Paltrow) who lives in a parallel universe. In one story she makes it through the sliding doors of a train and comes home to find her boyfriend in bed with another woman. In the second story she misses the train and does not find out about the affair.

The novelty keeps your attention for a while as the director Peter Howitt cuts back and forth between the two stories nicely. They evolve in interesting ways, but then instead of veering off into separate directions they start to come together until the one story ends up being pretty much like the other. This then negates the original idea altogether and makes it just another ‘chick flick’. The boyfriend Gerry (John Lynch) has to be one of the most pathetic out there. Not only does he have the audacity to have an affair on the beautiful and sweet Helen, but he does it while she is supporting him so he can sit home all day and write a book! He also seems to be unable to ever stand up for himself and he has a Hugh Grant type hairstyle that seems to only look good on Grant and nobody else. Jeanne Tripplehorn as the other woman is extremely cold and bitchy to the point that you wonder why anyone, even this twit, would want to have a relationship with her. Helen’s other love interest James (John Hannah) is charming in too much of a prepackaged sort of way and at times it seems to come off like he is a stalker even though that is not the intention. Also Paltrow ends up becoming afflicted with the ‘Ali MacGraw syndrome’ as she is shown lying in a hospital bed after a bad accident with no scratches or bruises and looking as beautiful as ever.

On the positive side Paltrow is really pretty to look at and speaks with an effective British accent, which takes a little getting used to, but she does it well. She sports two different hairstyles and looks good in both, but with the second one it starts to make her look exactly like Susan Dey from the 80’s TV-show ‘L.A. Law’.

The movie is fun for a while, even engaging, but eventually it throws in too many dramatic twists. The boyfriend is beyond pathetic and Tripplehorn, as his lover, seems to be running for bitch of the century.

My Rating: 5 out of 10

Released: April 24, 1998

Runtime: 1Hour 39Minutes

Rated R

Director: Peter Howitt

Studio: Miramax Films

Available: DVD, Amazon Instant Video

Welcome to Woop Woop (1997)

welcome to woop woop 2

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Oh those crazy Aussies.

Teddy (Johnathon Schaech) is a rather clumsy con man from New York who tries to escape a murder rap by going to the most remote place possible, the Australian outback. However, after coming into close contact with the eccentric people and lifestyles, he decides what he really needs is an escape from there!

This is the type of offbeat comedy that should give all other offbeat comedies a bad name. It takes all the same ingredients from all those other films, meshes them together, and then spits them out in a mechanical fashion. Unlike director Stephan Elliot’s earlier feature Priscilla Queen of the Desert there is nothing deep here to help balance the quirkiness. The film is just made to be silly and at times goes overboard with it. The pace is also too fast. The viewer is never allowed to soak anything in or even take a breath.

Schaech is not good in the leading role. He gives too much of a breezy performance, acting as if the whole thing is a joke. He never once even for a second displays the angst, anxiety, and basic overall exhaustion that anyone else stuck in the same situation would feel.

The portrayal of the Australian people is terrible. They take all the stereotypes of the down under folks and then play it up to the extreme. Here they are not just slightly eccentric people of a rugged and hearty nature. Instead they are complete Neanderthals who live like animals and have no level of sophistication. Yes, it does try to be somewhat fair by showing that Americans may have some primitive defects as well. Specifically in an opening sequence in New York City where every pedestrian is seen shooting at some birds flying by. Still the Australian segments are needlessly overdone and a bit insulting.

The one pleasant surprise is the appearance of Rod Taylor. He plays completely against type here. He’s Daddy-O a self-imposed, self-styled dictator of the town. His performance is gruff, campy, energetic, over-the-top, and hilarious all at the same time. His appearance here may actually be his career pinnacle.
Overall the film is similar in tone to all those formulaic bid budgeted Hollywood actioners, except here it’s aimed at the offbeat crowd. Everything is perfectly packaged to its core audience and overblown all at the same. It’s so forced at points that it almost becomes ridiculous. Yet some of the humor is funny, it has a feel good attitude, and it is without question LIVELY.

Watch for a real fun cameo by Tina Louise at the beginning.

My Rating: 6 out of 10

Released: May 13, 1997

Runtime: 1Hour 37Minutes

Rated R

Director: Stephan Elliot

Studio: Goldwyn Entertainment Company

Available: VHS, DVD

Welcome to the Dollhouse (1995)

welcome to the dollhouse

By Richard Winters

My Rating: 7 out of 10

4-Word Review: She doesn’t fit in.

Another flick about the trials and tribulations of high school life. There is the shy, sensitive, and alienated girl, the bitchy cheerleaders, the bullies, the name calling, the not being able to find a seat at lunchtime, the stupid teachers, the too busy to listen parents, the bratty siblings, and yes even the spitballs. This is a very accurate and concise portrait of Junior High. It will make you soooooooo glad that you are past that age and will never have to go back to it.

It’s the pinpoint accuracy that makes this film stand out the most. Every scene and segment ring true. Even the little stuff from the way the little sister answers the phone to the way our protagonist Dawn Wiener (Heather Matarazzo) always seems to get blamed even when it really isn’t her fault.

Although the film displays many of the ugly elements of that age it doesn’t wallow or sensationalize them. In fact this film has a nicely balanced perspective. It shows scenes from both Dawn’s high school life and family life. It weaves a nice tapestry and observes how interconnected everything really is. The family life scenes are probably more interesting and in many ways just as difficult.

The film has a good ability at bringing out all the confusion that permeates that age. It is interesting how it shows that everyone is a bit alienated and lost. A big fish can simply get eaten up by an even bigger one. For example there is Steve a good looking kid with a nice singing voice. He is ‘cool’ and when in school everything goes his way. Yet when he drops out so as to ‘make it big’ in New York he suddenly realizes how stacked the odds are against him. There is also Brandon the class bully. He is a composite of all those other bullies. At first you really dislike him, but then you witness his very sad home life. You learn to understand not only why he acts the way he does, but also begin to feel sorry for him.

The film also scores by not letting the adults off the hook either. They are in many ways very much of the problem. They suffer from their own type of confusion and have their own type of code. They lack the ability to really communicate as much as the kids do. Junior high may be a mean, ugly, and crazy place, but that is only because it is a byproduct of very mean, ugly, and crazy world.

If the film has a weak point it is with the ending that fails to give any type of closure. Of course it doesn’t have to, but it would have given it more of an impact and made it come more full circle. Yet even if it doesn’t show it we still know that Dawn will make it. There are many scenes that show her to be very resourceful and strong willed when she needs to be. She is, like a lot of us, a survivor.

My Rating: 7 out of 10

Released: September 10, 1995

Runtime: 1Hour 28Minutes

Rated R

Director: Todd Solondz

Studio: Suburban Pictures

Available: VHS, DVD, Amazon Instant Video

The Ref (1994)

The ref

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Not in holiday spirit.

Gus (Denis Leary) is a burglar who takes a bickering couple (Kevin Spacey, Judy Davis) hostage and soon learns to regret it especially when the rest of the family comes over for a Christmas celebration and he is thrust into the middle of all of their squabbling.

The film starts off with a real bang as it takes a lot of satirical pot shots at marriage counseling, people who dress up like Santa, family parties, suburbia, bickering couples, and of course the holiday season itself. Christine Baranski is top-rate as the sarcastic mother and it is unfortunate she wasn’t given more screen time. Even her kids are funny. Glynis Johns is also excellent as Spacey’s mother. She takes command of her scenes even when star Dennis Leary can’t. For her age she looks fantastic and it is nice to see an older actress playing a character that isn’t just used as a throwaway device for senile jokes and aging.

However, star Leary can’t seem to act, at least not here. He shot to fame with his dark and edgy stand- up routines, but here falls into a character that is much too watered down and benign. This was supposed to be his vehicle, but in the end it seems like his character wasn’t even necessary. Baranski’s character is far more funny and memorable even though she has much less screen time.

Spacey and Davis don’t click as a couple. They share no chemistry and their bickering seems strained and contrived. The film also falls too far away from its original premise. Having a two-bit crook dealing with a bickering couple at first seems like a funny concept, but then the story starts to delve much too deeply into their personal problems until it becomes like a family drama that isn’t at all amusing or entertaining.

The film has a few funny bits, but not enough to sustain it the whole way. Leary is very weak in the lead and this thing completely loses steam by the end.

My Rating: 5 out of 10

Released: March 9, 1994

Runtime: 1Hour 33Minutes

Rated R

Director: Ted Demme

Studio: Touchstone Pictures

Available: VHS, DVD, Amazon Instant Video

The Apostle (1997)

apostle

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Preacher on the run.

As a would-be screenwriter I find it heartening knowing how many great screenplays there are out there that struggle to find a home no matter who has written or pitched it.  Actor Robert Duvall wrote the solid screenplay for this film in the 80’s only to have it rejected by every major studio and only got made when he decided to put up 4 million dollars of his own money.

The story involves a fiery evangelical minister by the name of Sonny (Duvall) whose volatile ways gets the better of him and he ends up killing his wife’s lover. He then goes on the run to Louisiana where he starts up a new church. There he begins to turn his life around and become loved and admired by the community only to have the police close in on him.

In many ways this is similar to a 1962 episode of the old ‘Alfred Hitchcock Hour’ series that was entitled ‘Bonfire’ and starred Peter Falk as the minister.  Both characters were loud and dramatic preachers.  Both men went on the run after committing homicide while continuing to start up new congregations along the way and both ended up being surrounded by the police as they gave one last fiery sermon. However, the difference comes with the fact that the Falk character was clearly a self-serving fraud while with Sonny that is not so clear, which is what makes this film and character so fascinating.

Sonny has a temper as well as other underlying issues, but he makes a genuine effort to rectify things with his new congregation.  He even brings boxes of groceries to the doorsteps of poor families. It is never clear whether he is simply trying to make personal amends for past transgressions, or just a flawed man with a good heart. The viewer is never allowed to feel sure either way, but ends up empathizing with him nonetheless. Every scene and line of utterance becomes more revealing.

Duvall gives a strong performance. I felt this may be his signature role and that comes after a long line of already brilliant performances.  I enjoyed his running ‘conversations with the Lord’ that he has when he is alone or just walking down the street.  The conversation that he has with the police is amusing as is the final scene that is shown over the closing credits.

The casting is unique.  June Carter Cash plays his mother, which is interesting by the fact that in real-life she was only two years older than Duvall.  Farrah Fawcett plays his wife, and although she was much younger than him, I felt she did a good job and made a perfect fit.  Billy Bob Thornton gets a memorable cameo as a man who initially wants to destroy the church with a bulldozer, but then with Sonny’s help becomes spiritually awakened.  I also very much liked James Beasley in the supporting role as the minister who helps Sonny start up his new church.  His calm and collected manner helped balance Duvall’s intensity.

The supporting players were all amateur actors, some of which had never performed in front of the camera before.  Director Duvall was known during filming to keep the atmosphere loose.  He allowed his cast to ad-lib, which gives the film a more authentic feel.  Just like with other actors who turned to directing, like Paul Newman and Marlon Brando, Duvall has scenes that stretch out much longer than most films.  This is done to give the actors more control over their characters and allow their performances alone to carry the scene.  I also liked the fact that the supporting cast was almost all African-American and the story centered on a white minister preaching to a black congregation.

Duvall has long been known to be an admirer of the south, so it is no surprise that the story takes place there or that the shooting was on-location.  He captures the ambience of the region and people quite well, including the sound of the heat bugs buzzing at night.

The only issue I had with the film involves the scene where Sonny kills his wife’s lover. He does this by hitting him over the head with a baseball bat during a little league game while in front of many onlookers.  In most real-life accounts when something similar to this happens people will usually gang up on the culprit and physically subdue him, or chase after him until the police arrive while here the onlookers allow Sonny to peacefully walk away.  Other than that I thought this was a great character study and I would highly recommend it.

My Rating: 8 out of 10 

Released: October 9, 1997 

Runtime: 2Hours 14Minutes 

Rated PG-13 

Director: Robert Duvall 

Studio: Butcher Run Films 

Available: VHS, DVD, Amazon Instant Video

Rounders (1998)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Gambling can hurt you.

‘One does not find one’s destiny one’s destiny will find them’. This seems to be the moral of this multi-faceted character study that has all the right ingredients, but is incredibly flat.

The story involves Mike McDermott (Matt Damon) a man trying to forge a normal life with a good job as an attorney and a relationship with a pretty woman. Yet he can’t beat his urge to gamble. When his friend Lester ‘Worm’ Murphy (Edward Norton) gets released from jail he finds himself led back into his old habits and his life soon falls apart.

The film wants to take an honest look at the lifestyle of a gambler without taking any shortcuts. In most ways it does an honorable job. It takes a more technical approach to poker playing and therefore makes it more enlightening. The situations seem a bit overly-dramatized, but overall are quite believable. It definitely has insights and is well crafted.

The problem is that it never comes together. Nothing is compelling and the momentum is lacking to the point that it starts to drag. Certain ‘strong’ scenes that are meant for impact end up having no effect at all. In the end it comes off as being too obvious and having too much of a textbook type approach.

Damon has proven himself to be a solid actor, but his character here is bland and colorless. Norton, as his troubled friend, is a little more interesting, but he is trapped in a stale setting. Both men look way too boyish to be playing the parts of seasoned, hardened, ‘been there, done that’ type characters.

John Malkovich is on hand to give an offbeat performance as a Russian born card player complete with a thick Russian accent. At first this is fun, but he ends up overdoing it and eventually makes it too campy. John Turturro gives an amazingly restrained performance, which could be of interest too his followers.

The one scene that really caps this off as being a bad movie for me is when Norton and Damon are caught cheating while playing amongst a large group of off-duty policemen. The police all gang up on them and pummel them in a way that should produce severe life threatening injuries. Instead they are thrown out of the building with not even a strand of their hair being out of place. They have a few streaks of red on their faces that is supposed to be blood, but it looks like paint put on by a paintbrush. Damon goes through the rest of the film with a slightly darkened eye and two scratches around his nose. Everyone comments that he looks like he “got it bad” when I’ve seen third graders with worse looking injuries after a playground fight.

My Rating: 3 out of 10

Released: September 11, 1998

Runtime: 2Hours 1Minute

Rated R

Director: John Dahl

Studio: Miramax

Available: DVD, Blu-ray