Category Archives: 70’s Movies

Where Does It Hurt? (1972)

Posted on November 19, 2015 | 1 comment

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: Corruption at a hospital.

It’s funny how names like Ed Wood Jr. or Tommy Wiseau get mentioned in just about anyone’s list of bad movie director’s, but Rod Amateau’s never does, but should. Not only did he produce ‘My Mother the Car’ and ‘Supertrain’, which are considered two of the worst TV-series ever to be broadcast, but he also directed the notorious Garbage Pail Kids as well as Son of Hitler and The Statue, which featured a jealous David Niven going around the bathrooms and gay bathhouses of London looking for a man whose penis matches the one that his wife created for a life-sized statue that she says replicates her lovers.

While this film isn’t quite as bad as those it comes close. It stars Peter Sellers who was at a career nadir due to financial mismanagement and willing to take on any low budget job offer he was given. Here he plays the corrupt head of a hospital that uses an array of schemes to bilk patients and insurance companies out of thousands of dollars. Rick Lenz plays a patient who becomes aware of the shenanigans going on and tries to bring Sellers and his staff down, but finds that they seem to have a trick up their proverbial sleeves at every turn.

The film manages to have a few amusing moments, but comes off more like a gag reel than a story. The characters are exaggerated and unlikable. We are supposed to side with Lenz and his predicament, but he so stupidly allows the doctors to take advantage of him at the beginning that it becomes hard to. The whole thing gets sillier by the second until by the end it’s completely inane. It also makes light of some serious issues that were handled better in Paddy Chayefsky’s The Hospital, which came out just 8 months before this one.

To some degree it’s fun seeing Sellers, who was noted for his wide range of dialects, taking a stab at an American accent and he almost pulls it off except for a few moments including the one where he pronounces orifice as AW-ifice.

The supporting cast made up of lesser known talents proves to be game here. Pat Morita, still years away from his breakout role in The Karate Kid, is genuinely amusing as a lab tech with an inferiority complex and at one point even speaks in a British accent. Harold Gould is good as an incompetent Dr. and J. Edward McKinley, best known for his many appearances on ‘Bewitched’ as one of McMahon and Tate’s primary clients, is funny as the Hospital commissioner who relentlessly tries to nab Sellers and eventually after repeated missed opportunities is able to.

In better hands this might’ve had a chance, but the low budget, irritating country music soundtrack and cheap jokes pretty much sink this thing before it even has a chance to get started.

My Rating: 4 out of 10

Released: September 29, 1972

Runtime: 1Hour 28Minutes

Rated R

Director: Rod Amateau

Studio: Cinerama Releasing Corporation

Available: None at this time.

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Posted in 70's Movies, Low Budget, Movies Based on Novels, Movies with a Hospital setting, Obscure Movies, Satire

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The Visitors (1972)

Posted on November 14, 2015 | 3 comments

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By Richard Winters

My Rating: 3 out of 10

4-Word Review: His past comes back.

Vietnam veteran Bill (James Woods) has moved back into civilian life while enjoying the quietness of the country with his girlfriend Martha (Patricia Joyce) and her infant son. One day in the dead of winter while Bill is away shopping two of his former war buddies Tony and Mike (Chico Martinez, Steve Railsback) come by for an unexpected visit. When Bill returns he is not happy to see them and when Martha asks him why he tells her of how while in Vietnam he had witnessed the two raping a woman and later he decided to report it, which got the two men sent to prison. Now that they are out he is afraid they may be looking for revenge. Tony insists that he’s forgiven Bill for what he did, but Mike’s intentions are much more ominous especially with the way he eyes Martha. As the night wears on the tensions mount until festering over into anger and mayhem.

The story is loosely based on an actual crime that occurred in Vietnam on November 19, 1966 when five American soldiers kidnapped and gang raped a 21-year-old Vietnamese woman who they later killed. One of the soldiers, who did not take part in the crime, but did witness it, reported the incident to his superiors, which eventually got the other men convicted and imprisoned.

The incident was first made into a movie in 1970 in Michael Verhoeven’s o.k. and then 19 years later Brian De Palma did another version of it called Casualties of War, which starred Michael J. Fox. This version differs from the other two in that it only alludes to the crime, but never shows it. Instead it hypothesis on what might’ve happened had those who were convicted came back to revisit the one that had turned them in.

Story wise the film works to a degree as it reveals things in layers, which helps hold the mystery and filming the majority of it inside one lonely, isolated house gives it an effectively claustrophobic feeling, but the production values are extremely low and resembles more someone’s lost home movie than a feature film directed by a one-time Hollywood legend. The background sound is mainly made up of a howling wind noise, which helps heighten the creepiness, but then during the second half director Elia Kazan inserts music, which becomes a distraction.

The ending leaves open a wide array of unanswered questions along with a lot of murky character motivations that makes the whole thing seem pointless and ill-conceived. The only interesting element to get out of it is seeing Woods and Railsback in their respective film debuts. Railsback is especially good in a part he seems born to play and one he honed to even greater success years later in The Stunt Man.

My Rating: 3 out of 10

Released: February 2, 1972

Runtime: 1Hour 28Minutes

Rated R

Director: Elia Kazan

Studio: United Artists

Available: Amazon Instant Video

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Posted in 70's Movies, Cold Climate/Wintertime Movies, Drama, Low Budget, Movies Based on Actual Events, Movies with a rural setting, Movies with Nudity, Obscure Movies

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The Visitor (1979)

Posted on November 7, 2015 | Leave a comment

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: Her daughter is evil.

Dark forces from another dimension conspire to use an 8-year-old girl named Katy (Paige Conner) as their centerpiece in creating an evil empire on earth. Dr. Walker (Mel Ferrer), while working under the cover of being a noted surgeon, heads the secret organization. He instructs local millionaire Raymond Armstead (Lance Henriksen) who made a pact with the group years earlier in order to receive his fortune, that he must impregnate his girlfriend Barbara (Joanne Nail) again, so that she can give birth to an evil son to complement their already wicked daughter Katy and allow the two to eventually reproduce a new offspring. Barbara though, who does not know of Raymond’s secret pact and feels leery of her child already, is unwilling to have another one, which forces him to use unethical ways to get her to change her mind.

This Italian production, which was filmed in Atlanta, Georgia, has gotten a bad rap from the critics and there have been several different cuts issued with some making more sense than others. For the most part it’s a mixed bag with lots of story loopholes and an ill-advised music score that seems better suited for an NFL highlight reel. The movie also defies any genre and jumps between several, but ultimate fails at all of them.

However, if taken as a cheesy over-the-top production then it’s not half-bad. The camera work, editing, special effects and sets are to a degree impressive. The scene where Glenn Ford’s character is driving down a busy highway only to have his eyes pecked out by an evil hawk, which creates a major road accident that culminates with the car tumbling onto a softball field is quite exciting. Katy’s cat-and-mouse foot chase with the John Huston character through the Atlanta streets and some abandoned buildings is also well done as is her ice skating foray in which she single-handedly takes out a group of much older and bigger boys by sending them flying through the windows of some nearby shops and restaurants.

Conner’s bad girl performance with her angelic face making a perfect contrast to her otherwise dark personality is great. Nail as her mother is equally beautiful and creates enough sympathy from the viewer to make the torment that she goes through unsettling to watch. Shelley Winters, in a rare turn playing a normal, likable character, is also excellent as the family’s housekeeper

The male cast though is wasted including Franco Nero who appears briefly only at the beginning and very end. John Huston and Glenn Ford were too old for their respective parts and casting younger actors in their roles would’ve made more sense, but seeing director Sam Peckinpah in a brief acting bit is fun.

The ending can’t quite equal the audaciousness of the rest of it, but there is enough weird, wacky, one-of-a-kind shit here to keep anyone especially those with an affinity for the bizarre entertained and amused.

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My Rating: 6 out of 10

Released: March 22, 1979

Runtime: 1Hour 48Minutes

Rated R

Director: Giulio Paradisi

Studio: American International Pictures

Available: DVD, Blu-ray, Amazon Instant Video

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Posted in 70's Movies, Cult, Foreign Films, Horror, Italian Films, Movies that take place in the South, Sci-Fi

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Psychopath (1973)

Posted on November 3, 2015 | Leave a comment

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By Richard Winters

My Rating: 0 out of 10

4-Word Review: TV host kills parents.

Mr. Rabbey (Tom Basham) is a puppeteer who hosts a popular children’s show on TV as well as working at the local hospital where he performs puppet shows for the sick children. It is there that he becomes aware of the abuse that children receive at the hands of their parents and decides to try and put a stop to it by stalking the parents he considers to be responsible and killing them.

This low budget ‘70s excursion fails at its own novel concept by creating unlikable victims that makes the viewer enjoy seeing them get offed and to a degree sympathize with their killer. The over-the-top way the parents berate their children, which is poorly acted to boot, gives the thing a Reefer Madness-like quality. It also doesn’t explain what happens to the children after the parents are killed or who takes care of them. Whether this was made as a social statement or simply using the idea to make an offbeat horror film is unclear, but it fails on both ends.

Basham, whose next film wasn’t until 35 years later when he starred in The Appearance of a Man, certainly has a creepy look and I liked his bowl haircut and beady eyes, which are put to full use with lots of close-ups, but the banal material doesn’t allow for any interesting characterizations. The movie also marks the film debut of John Ashton who appears as a police detective as well as an early role for Margaret Avery who plays a nurse.

There are some ‘70s horror films where you have to forgive the long periods of stodgy drama, derivative dialogue and wooden characters if it can at least have a few scary moments or gory special effects, but this film never gets there. Instead it’s mechanical and unimaginative with amateurish production values that supplies zero scares or shocks.

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Alternate Title: An Eye for an Eye

My Rating: 0 out of 10

Released: September 28, 1973

Runtime: 1Hour 24Minutes

Rated PG

Director: Larry G. Brown

Studio: Intercontinental Releasing Corporation

Available: VHS

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Posted in 70's Movies, Horror, Low Budget, Movies with a Hospital setting, Obscure Movies

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Night of the Lepus (1972)

Posted on October 26, 2015 | Leave a comment

night of the lepus

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Giant rabbits attack people.

Arizona rancher Cole Hillman (Rory Calhoun) has his property overrun with rabbits and looks to zoologist Roy Bennett (Stuart Whitman) for help. Roy along with his wife Gerry (Janet Leigh) decides to inject these rabbits with hormones that he hopes will throw off their breeding cycle, but instead one of them escapes from the testing lab and creates a whole new race of giant sized rabbits that begin terrorizing and destroying everyone and everything around.

If your thought is ‘what were they thinking’ as you read that plot synopsis then you are not alone as that was the question I kept asking as I viewed the film. What’s even funnier is that the studio feared this concept would be met with ridicule from the beginning and therefore created movie posters that carefully avoided showing the rabbits or explaining what the threatening presence was. The original title for the film, which was ‘Rabbits’ was also changed to Lepus, which in Latin means hare as another way to avoid giving away the plotline, but it all proves futile because once people view the film the secret would be out and the laughter not the scares would begin.

The special effects are the biggest issue as the rabbits never seem giant-sized and are simply photographed in extreme close-up to give the clumsy impression that they are large or shown amongst a miniaturized set. However, even when shown next to a small building it doesn’t work as they appear no bigger than a horse, which may make it big for that species, but still not giant sized. The sound effects used to represent the noise that they make comes off more like ancient tribal music that becomes increasingly annoying and overplayed.

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The shots showing the victims after an attack looks more like people lying on the ground smeared with red paint and without any bite marks or chewed flesh that you would expect. The film also doesn’t explain why these rabbits that are normally a docile type of creature would suddenly become so aggressive simply because they became bigger.

It’s fun to see some familiar faces like DeForest Kelley in one of his last non-‘Star Trek’ roles, but I’m surprised that any of these actors took part in this as I’m sure from reading the script that they knew it was ludicrous, but to their credit they perform it earnestly. Melanie Fullerton as the young girl who sets the whole thing in motion by allowing one of the rabbits to escape is the only one that got on my nerves and may win the prize for most annoying child ever to be put on the big screen.

Based on the novel ‘The Year of the Angry Rabbit’ by Russell Braddon the film never gets off the ground and is straddled from the very beginning by its absurd plot and cheesy effects. Even if it had been done as a parody I don’t see it doing any better, which brings us back to the first question ‘what were they thinking’ and my answer to that is that they clearly weren’t.

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My Rating: 1 out of 10

Released: October 4, 1972

Runtime: 1Hour 28Minutes

Rated PG

Director: William F. Claxton

Studio: MGM

Available: DVD, Amazon Instant Video

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Posted in 70's Movies, Disaster Flicks, Horror, Movies Based on Novels, Movies with a rural setting, Sci-Fi

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To the Devil a Daughter (1976)

Posted on October 23, 2015 | 1 comment

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: He sacrifices his daughter.

Father Michael (Christopher Lee) is an ex-communicated priest who runs an offshoot religion called Children of the Lord that seems connected to the Catholic Church on the outside, but underneath the façade it is actually a cover for a group of Satanists. Henry (Denholm Elliot) is the father who signs over his daughter Cathrine’s (Nastassja Kinski) soul at her birth which stipulates that on her 18th birthday she will become the devil’s representative here on earth. Yet as that date approaches Henry begins to have second thoughts and hires occult novelist John Verney (Richard Widmark) to steal Catherine away from her captors and take her away to his place to hide, but Father Michael uses the power of black magic to hypnotize Catherine and force her to return to him while John tries everything in his power to stop it.

One commenter on the IMDB message boards claims this is ‘one of the worst movie to come out in the 70’s’, which only proves that he must not have seen a lot of ‘70’s movies as there is far worse stuff from that decade than this. Although it is certainly no classic it’s still not bad on the technical end and even rather slick. I enjoyed the on-location shooting done in Europe particularly the scene showing a drawbridge that could be lowered and raised manually by one person. The gore and scares are skimpy, but the scene where Kinski dreams of having the devil fetus crawl up her body and she then proceeds to stuff it into her vagina is certainly worth a few points.

Kinski’s presence is the best thing about the movie and the film became notorious in its day for showing her in full frontal nudity even though she was only 14 at the time. However, what surprised me even more was how confident she looked when she did it without any of the expected nervousness or shyness. I felt that because she was the daughter of actor Klaus Kinski and had to learn to group up fast she had a higher level of maturity than most other teens her age and therefore the scene wasn’t as awkward for her as it might otherwise have been.

Lee’s great as always as the bad guy and I particularly enjoyed his facial expressions. However, Widmark  was miscast as he was too old and I didn’t understand why being only a friend of the family he would take such an invested interest in their daughter and such personal risks to get her out of the cult, which I felt would’ve been better suited to the role of the father and cutting out the Gurney character altogether.

This was the last horror film to be produced by Hammer and for the most part it plays like a cheesy rip-off of The Exorcist, but still has enough of a budget and a capable enough cast to keep it mildly enjoyable.

My Rating: 6 out of 10

Released: March 4, 1976

Runtime: 1Hour 28Minutes

Rated R

Director: Peter Sykes

Studio: Hammer Films

Available: DVD, Amazon Instant Video

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Posted in 70's Movies, British Movies, Foreign Films, Horror, Movies Based on Novels, Movies with Nudity

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Don’t Torture a Duckling (1972)

Posted on October 17, 2015 | Leave a comment

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: Who’s killing the children?

The setting in this Italian giallo is a small, rural village where the children of the townspeople are being murdered. At first the police suspect and arrest a mentally handicapped man (Vito Passeri), but the killings continue. Soon even more suspects turn up including Maciara (Florinda Bolkan) the mother of a dead child herself who secretly practices voodoo using dolls made by her father and yet every time the authorities believe they’ve found the culprit more clues arise that leads them to someone else creating panic in a town already steeped in fear, suspicion and the superstitious.

As a story detailing a police investigation it’s not too bad. The plot works in a linear fashion that’s easy to follow without entering in too many subplots or red herrings although it’s still no better than your average episode of ‘Murder She Wrote’. I did enjoy the rural Italian landscape and the bird’s eye shot of the village whose decrepit, rundown buildings visually hit home the stifled, bleak nature of the residents and why they would turn so heavily to the spiritual world as their sole escape.

Balkan’s performance as the nutty lady is effective particularly when she has a seizure during her interrogation and the scene where she gets surrounded by men who belt her with chains is quite graphic and realistic.

The film though, like with a lot of Italian productions from that era, does have dubbing issues particularly director Lucio Fulci’s use of adding in all the sound effects giving it a certain over-the-top cartoon quality. For instance when a victim is being slapped by a man’s hand it sounds more like the lashing of a whip and even simple stuff like the shoveling of dirt comes off wrong because the sound effect is not in sync with the action on the screen.

The film also has a uncomfortable moment where an adult character (Barbara Bouchet), who is one of the protagonists, walks around naked in front of a 12-year-old boy and even asks him how many women ‘he’s done it with’.

Spoiler Alert!

Guessing who the real killer is was easy and I had the whole thing figured out after about 30 minutes making the rest of the mystery predictable and boring. The idea of a priest killing children might’ve been considered shocking at the time, but now as with Fulci’s criticism of the Catholic Church it comes off as heavy-handed and redundant.

The close-up, slow motion shot of the priest falling down a cliff at the end is the film’s most controversial moment as it is clearly a dummy whose blank eyes and unnaturally agape mouth looks incredibly fake. Some have argued that this was Fulci’s attempt at revealing the ‘inner ugliness’ of the character by showing something with such a distorted face, but since a similar looking mannequin is also used to portray one of the boy victim’s submerged in a tub of water earlier I think it can safely be said that it was more just the cheapness of the production than anything else.

End of Spoiler Alert!

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My Rating: 4 out of 10

Released: September 29, 1972

Runtime: 1Hour 42Minutes

Not Rated

Director: Lucio Fulci

Studio: Medusa Distribuzione

Available: DVD, Amazon Instant Video

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Posted in 70's Movies, Cult, Foreign Films, Horror, Italian Films, Low Budget, Movies with a rural setting, Movies with Nudity, Mystery

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Poor Pretty Eddie (1975)

Posted on October 16, 2015 | 1 comment

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: Wrong turn to hickville.

Liz Weatherly (Leslie Uggams) was simply looking for a break from her hectic touring schedule and a chance to take some nature photos when her car breaks down on a lonely southern dirt road near an isolated lodge run by an aging, overweight lush (Shelley Winters) and her much younger boyfriend Eddie (Michael Christian). Eddie recognizes Liz as being a famous singer and since he has dreams of that nature as well tries to convince her to help him get his foot-in-the-door, but his talents do not match his ambitions and he fails to impress her. He then delays the repairing of her car hoping to wear her down and work things into a sexual relationship. When she resists this he rapes her and traps her at the remote hotel with no vehicle for escape. When she goes to the police the backwoods sheriff (Slim Pickens) humiliates her further, which crumbles her inner strength and makes her feel like a droid to the perversion around her that ultimately has her forced into a shotgun wedding.

This turgid drama is full of provocative southern gothic elements and wallows in areas that others fear to tread. The creative camerawork and backdrop sounds are impressive especially for a low budget film and the slow motion violence adds an evocative touch that stays with you long after it’s over. The character’s sexual repression gets relayed in an equally interesting way by showing scenes of them sucking and slurping their food like it’s a sexual substitute.

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Prolific character actor Pickens gets one of his best roles as the slimy hick sheriff in a part he seems almost born to play and Dub Taylor is spot-on as a self-imposed backwoods judge who creates a makeshift trial in the middle of his ragtag bar while also amusingly comparing Yankees to hemorrhoids. Ted Cassidy is good as well and makes a strong impression despite having limited lines.

I was not as impressed with the female performances as star Uggams comes off as too cold and one-dimensionally rigid without showing any type of preliminary vulnerability. Winters is competent as always, but playing a lonely, aging, pathetic woman begging for love is too similar to the character that she played in Lolita and making it seem more like typecasting.

The climactic bloody shootout is fun, but ends up being more of a spectacle than anything.  B.W. Sandefur’s script lacks any type of twist, introduces psychological elements that it fails to follow through on and wades in tired southern stereotypes making this a warped piece of ‘70s cinema that falls just short of being a cult classic.

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My Rating: 6 out of 10

Alternate Titles: Redneck County, Heartbreak Hotel, Black Vengeance

Released: June 16, 1975

Runtime: 1Hour 22Minutes

Rated R

Director: Richard Robinson, David Worth

Studio: WestAmerican Films

Available: DVD

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Posted in 70's Movies, Horror, Low Budget, Moody/Stylish, Movies that take place in the South, Movies with a rural setting, Rape/Revenge

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Shock Waves (1977)

Posted on October 14, 2015 | Leave a comment

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By Richard Winters

My Rating: 2 out of 10

4-Word Review: Zombie soldiers inhabit island.

During WWII a Nazi commandment experimented with the supernatural by taking dead soldiers and turning them into zombies who would become killing machines that could not be taken down and impossible to destroy. When the war ended a lone SS Commander (Peter Cushing) took these zombies to an isolated island where he hoped to destroy them, but instead they became more powerful. When some castaways from a waterlogged boat arrive at the island they are greeted by these zombies who waste no time in returning to their killing ways.

The film starts out with promise and the idea has potential, but the film reverts too much to a pedestrian narrative that bogs down the action and turns it into a bore. The dialogue is banal and the characters annoying. The film would’ve worked much better had it taken a Dario Argento approach where the focus stayed solely on mood, imagery and a pounding music score while completely scrapping the dull characterizations altogether. In fact having only one or two people make it to the island would’ve been perfect as the rest of the supporting cast seem better suited for a pathetic B-comedy.

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The zombies aren’t all that interesting either. The shot showing one of them walking on the ocean bottom without any breathing apparatus was impressive, but otherwise they spend the majority of time simply lurking around in the backdrop. They can also easily be killed by having the shaded goggles that they wear taken off, which isn’t too exciting. Having the Cushing character describe their origin even though it had already been explained at the beginning by a narrator was unnecessary and in many ways no explanation or only supplying one at the very end would’ve made it creepier.

Veteran character actors John Carradine and Cushing both made $5,000 for their efforts, but their presence in both cases was not needed. Brooke Adams is good in her first credited speaking role in a film, but the rest of the cast came off like amateurs and Buck Henry lookalike Jack Davidson seemed like he had walked onto the wrong movie altogether.

Shot in 1975 the abandoned hotel on an island setting adds a bit of ambience, but overall it’s a wasted effort. The scares, tension and special effects are all quite minimal and the story’s original elements become overshadowed by a flat and unimaginative script.

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My Rating: 2 out of 10

Released: July 15, 1977

Runtime: 1Hour 24Minutes

Rated PG

Director: Ken Weiderhorn

Studio: Zopix Company

Available: VHS, DVD, Blu-ray, Amazon Instant Video

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Posted in 70's Movies, Horror, Low Budget, Movies that take place in Florida, Movies with a rural setting, Zombie Movies

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Frightmare (1974)

Posted on October 9, 2015 | Leave a comment

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By Richard Winters

My Rating: 5 out of 10

4-Word Review: Mother likes eating humans.

After 15 years of being locked up in an asylum Dorothy and Edmund Yates (Sheila Keith, Rupert Davies) are freed, Dorothy was in there for killing 6 people and eating their flesh while Edmund helped cover it up from authorities. Now that they are deemed sane they are free to start their lives over. Jackie (Deborah Fairfax) is their oldest daughter and she secretly visits them on the side, but their youngest daughter Debbie (Kim Butcher) was just an infant when they were put away and does not know that they are out. Jackie tries to keep their parents past from her, but this proves difficult when Dorothy starts killing again and Debbie begins showing the same homicidal traits.

On the technical end this British made horror isn’t too bad. Director Pete Walker makes the most of his limited budget by keeping the story moving and never allowing it to get bogged down with endless dialogue. There is a surprising amount of gore that looks relatively realistic and the recent Kino Lorber Blu-ray transfer is excellent with sharp color and no graininess.

However, it’s not scary at all. Yes, the subject matter is a bit unsettling, but there are no shocks or surprises and no atmosphere or tension either. The twist ending might’ve been effective had the script not telegraphed it, so by the time that it does occur it’s a letdown since the viewer had already been anticipating it for quite a while.

The idea that anyone could ever be considered ‘sane’ after killing and eating 6 people is absurd as mental illness isn’t something that can be ‘cured’ and freeing anyone at any time after committing such a heinous crime is illogical. It made me wonder what test was given to see if Dorothy no longer had cannibalistic urges and had therefore ‘earned’ her freedom. Did they throw a human body in front of her and if she didn’t jump up and bite into it was she then deemed ‘normal’?

Although she doesn’t look anything like the drawing on the film’s promotional poster I did enjoy Keith in the lead especially the way she could quickly go from menacing to child-like. I also liked Butcher, who despite looking like she was way over 15, which was the supposed age of her character is fun as the rebellious teen particularly the scenes where she challenges the authority of her older sister.

My Rating: 5 out of 10

Released: November 6, 1974

Runtime: 1Hour 22Minutes

Rated R

Director: Pete Walker

Studio: Miracle

Available: DVD, Blu-ray, Amazon Instant Video

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Posted in 70's Movies, British Movies, Cult, Foreign Films, Horror, Slasher/Gore

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