Tag Archives: Menahem Golan

The Ambassador (1984)

ambassador

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Searching for porno film.

Peter (Robert Mitchum) is a US Ambassador to Israel who has an idealistic view on how to find peace in the Middle East by bringing together young Jews and Muslims who he hopes will work together for middle ground solutions. Not everyone including Peter’s own security agent Frank (Rock Hudson) thinks this is realistic. Peter’s wife Alex (Ellen Burstyn) feels ignored by her husband and falls into the arms of a much younger man named Hashimi (Fabio Testi) who just so happens to work for the PLO (Palestine Liberation Organization). Alex’s rendezvous with him are sexual in nature and during one of their meetups they are secretly recorded on film. Peter then gets blackmailed to pay a large sum of money, or risk having the movie broadcast on TV. Peter refuses to comply and orders Frank to find the whereabouts of the blackmailers hoping to retrieve the original print before it can be seen by anyone else.

This was yet another film shot on-location in Israel that was produced by Menahem Golan and his cousin Yoram Globus, who bought the production company known as the Cannon Group during the 70’s and were notorious for producing, and sometimes writing and directing, a lot of slap-dash action flicks that were made in such a quick, assembly line style, that it got them the nicknames of the Go-Go- Boys. This film isn’t as bad as some of those and features tight editing and interesting twists. It was inspired by the 1974 Elmore Leonard novel ’52 Pick-Up’ and Leonard himself was hired to write the screenplay, but after his first two drafts were rejected he walked-out. The only elements of the story that was retained was the sex film blackmail plot, but everything else was changed though 2 years later the Cannon Group produced 52 Pick-Up that starred Roy Scheider and Ann-Margaret that was more faithful to the original book.

Surprisingly the best thing about this version is Hudson and while I’ve been critical about some of his other performances he shines here despite being already quite ill and looking gaunt and not as muscular. The role had originally been offered to Telly Savalas, but due to scheduling conflicts he had to bow out and Hudson was brought in just a week before filming began. Even with his poor health he takes part in most of the action and has a strong presence though reports were that he and Mitchum did not get along and had many arguments throughout the shoot.

Mitchum, who took the role after getting accused of being anti-semitic and a holocaust denier, is wonderful despite his age and face that has a very tired and worn-out look. Burstyn is excellent too and I was genuinely shocked at her nude scene, no body double here, and at age 51 still looked great doing it.

Spoiler Alert!

The film’s ending had me rolling-my-eyes a bit with the way it’s able to bring together these Jewish and Muslin students at a remote location and somehow get them to see eye-to-eye on things, which seemed too easy and romanticized. The proceeding bloodbath did take me by surprise though having Mitchum conveniently leave the scene and is therefore not a part of the carnage that kills everybody else seemed like it would come-off as suspicious to others. The viewer knows he had no idea of the pending massacre, but the other characters don’t and having him quietly leave just before the shooting commenced would make some believe that he had something to do with it, or maybe even set-up the students to get killed and thus be despised by the other people at the end instead of considered a visionary hero like he is.

My Rating: 7 out of 10

Released: May 12, 1984

Runtime: 1 Hour 37 Minutes

Rated R

Director: J. Lee Thompson

Studio: Cannon Film Distributors

Available: DVD-R (MGM Limited Edition Collection) Blu-ray

Diamonds (1975)

diamonds2

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Testing a security system.

Charles and his twin brother Earl (both played by Robert Shaw) share an intense rivalry that comes-out during their judo karate contests. Charles wants to top his brother at everything including getting the better of him at his own expertise, which is that of security specialist who has created a vault in Tel Aviv that holds a cache of diamonds and is supposedly impenetrable. Charles is determined to rob it and uses the help of expert safe crackers Archie (Richard Roundtree) and Sally (Barbara Hershey).

While the film has some great location shooting of Israel making it seem almost like a travel log of the region and the final third where the three try to pull off the elaborate robbery does get a bit intense, though it’s nothing special, the movie on the whole falls flat. A major reason is that it was directed by Menahem Golan, who along with his cousin created the notorious film production company The Cannon Group, which produced a lot of cheesy, bubble gum action flicks during the 80’s. This film works very much like those with poor character development, in fact there’s really no development at all, and a plot that steals all sorts of elements from other and better heist movies.

Overall it’s pretty much the same storyline as $, Perfect Fridayand to a lesser extent Topkapibut all of the things that made those movies so much fun to watch goes missing here. The lack of interplay between the characters is the biggest issue. Shaw, Roundtree, and Hershey are all great actors, but they’re not given anything interesting to say. The twin brother concept does not get played-up enough and Charles’ twin is seen just a few times with the only difference being a shaggy wig that Earl wears as opposed to Charles crew-cut, but both brothers have the exact same mole on the left side of their mouths and while identical twins can have many similarities, skin blemishes isn’t one of them. Shelley Winters also pops-up sporadically as an American tourist, but her part is completely inconsequential and not needed at all.

The heist itself does involve some sophisticated maneuvers including having them walk on the ceiling by using a suction-cup type contraption, but the film fails to show any of the preparation. In the other heist films seeing how the crooks rehearsed the robbery and working through their disagreements and divergent personalities was half-the-fun, but that all goes missing here. How Shaw goes about meeting Roundtree and company is pretty flimsy too as he catches them during the middle of an attempted safe cracking and then hires them on-the-spot supposedly because he’s been monitoring them for 5 years and feels they’d be a perfect match for his scheme, but why should it take him so long to come to this conclusion and these safe crackers must not be as cunning as they seem if they’ve been watched closely for 5 years and not had any hint that it was going-on.

Spoiler Alert!

The crime itself gets pulled-off way too easily and there’s no moment where a crucial mistake gets made, or some sort of unexpected slip-up, so things never get as intense as it could’ve. There’s also an added character that gets thrown-in who kidnaps the son of the security guard in order to get the guard to give-out the combination to the safe, but no scenes are shown for how Shaw and company met this kidnapper, or what deal he made with him in order to get him to agree to along with their plans.

The finale has a very anti-climactic feel as Roundtree is able to retrieve the diamonds, but then Shaw forces him to put them all back, so they come away, after all that effort, empty-handed. Ultimately Shaw does hand him a $100,000 check, but this was paltry compared to the $10 million they would’ve gotten with the diamonds making the viewer feel like the film wasn’t worth sitting through if the characters just end up in the same situation that they were in when it began. While no movie that has Robert Shaw in it can be completely bad as his presence alone can elevate even the most inept material this one unfortunately does come close.

My Rating: 3 out of 10

Released: October 22, 1975

Runtime: 1 Hour 48 Minutes

Rated PG

Director: Menahem Golan

Studio: AVCO Embassy Pictures

Available: DVD-R

The Delta Force (1986)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Elite operation rescues crew.

Based on the real-life hijacking of TWA flight 847, which occurred on June 14, 1985, the story centers on a Boeing 707, which gets hijacked by a terrorist group lead by Abdul (Robert Forster).  The terrorists take over the plane and force it to fly to Beirut, Lebanon where they then separate the Jewish passengers and those that were in the Marines from the others. These hostages are then transported to a prison cell in Beirut while twelve other terrorists come on board. Major Scott McCoy (Chuck Norris) and Colonel Nick Alexander (Lee Marvin) head the Delta Force team assigned to rescue the remaining passengers on board while killing off the terrorists.

The film was directed by Menahem  Golan who headed the Cannon Production Company which was notorious for producing a lot of cheap, cheesy, grade-B action flicks during the ‘80s and initially I was fearing the worst although this one is surprisingly tolerable and adequately funded. The opening scenes inside the plane prove to be moderately intense with Hanna Schygulla a stand-out as the brave stewardess.

The second act though veers off in too many directions with the hostages essentially becoming forgotten as it then focuses more on the elite squad of soldiers, which dilutes the narrative too much. Eventually they’re just too many characters to keep track of and too many scenarios that occur outside of the airplane until it becomes confusing and overreaching. A good film should stick to only a few main characters that the viewer can connect with and keeping them in the majority of the scenes, but this thing takes on more than it can chew making the viewer feel detached from what is going on the more it progresses.

The third act gets filled with a lot of over-the-top actions segments that looks like it was taken straight out of a comic book and diminishes the realism that had come before it. Norris shows no screen presence at all and only comes alive when he is doing an action stunt while Marvin, who was much older and not in the best of health during the production, shows much more onscreen energy. It almost seemed like it would’ve been better had Norris not been in it at all especially with the way the film tries to portray him as being this mystical, super human figure that borders on being corny.

The music is geared for an American propaganda film and the film’s mindset is that the US is always the good guy in no matter what foreign mission or policy it takes on. It also conveys the idea that might equals right while the proportion of terrorists who are killed, which is essentially all of them, compared to only one American soldier seemed way off-kilter.

Forster gives an outstanding performance as the villain as he literally disappears into role while conveying a foreign accent that seemed so genuine I almost thought his voice had been dubbed. The terrorists are portrayed as being just as nervous as the hostages if not more so, while at certain random moments showing a surprisingly human side, which is well done, but unfortunately everything else here is formulaic and fraught with too much of an emotional appeal.

My Rating: 3 out of 10

Released: February 14, 1986

Runtime: 2Hours 9Minutes

Rated R

Director: Menahem Golan

Studio: Cannon Film Distributors

Available: DVD, Amazon Video, YouTube