Tag Archives: Cliff De Young

Pulse (1988)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Electrical current terrorizes family.

David (Joey Lawrence) moves in with this father (Cliff De Young) and stepmother (Roxanne Hart) for what everyone hopes will be fun and relaxing summer. However, a strange electrical current of unknown origin has infiltrated the grid that controls the appliances of their home. It has already destroyed the home across the street and now seems intent to do the same to theirs. Will the family be able to fight it off and survive, or will they become victims as well?

At the outset before watching the film I was really surprised why this wasn’t better known as I had only become aware of it just recently. Some may argue that because it was given only a limited release that caused it to die off into obscurity, but there’s a lot of movies that weren’t well known when first shown but later acquired a cult following and with this type of premise, you’d think it would make for a good candidate. The special effects, particularly the ones shown inside the electrical circuitry, is impressive and well ahead of its time.

Unfortunately, it gets too invested into these shots. Watching the inner wiring of machines melt away up close is fascinating to see, but having it go back to it in what seems 5 or 8 more times, it starts to get boring and redundant. The other effects, the ones done outside of the machinery, is not nearly as effective. Seeing the family’s TV go ‘haywire’ by having small bleeps appear on the screen will not freak out anybody, and for today’s viewers will come off as nothing more than somebody’s screensaver. Having the washer/dryer backfire a bit in the kid’s face as he looks under it, isn’t real exciting either and for the first hour these are the only so-called ‘scares’ that you’ll see.

Joey Lawrence was not a good casting choice. His claim to fame at the time was his appearances on the TV-Show ‘Gimme a Break’ where his basic talents centered on his singing ability and being an adorable little kid, but in a dramatic setting his exaggerated facial expressions particularly when he’s frightened are over-the-top and a more subtle nuance would’ve been preferrable. I didn’t care for his kid brother Matthew, who plays a neighbor kid, either. I couldn’t understand why his befriending of that kid was even put in as it doesn’t amount to much with the plot. Had they both teamed up to battle the pulse then fine, but that’s not how it works here. I also didn’t get the need for why Joey was a product of a divorce as that angle doesn’t make any difference and he could’ve just been their kid and living there right from the beginning. On that note too his bed, which is styled like a race car, looked cheesy and something better suited for a 4-year-old then someone ready to turn 12.

De Young and Hart are far better actors, and I would’ve preferred it to have just been them fighting the evil force, or maybe also having an infant child to protect, and not having Lawrence in it at all. I realize that in order to attract a youthful audience the main character needed to be a kid, but ultimately it detracts from the tension, what little there is, versus making it stronger. I was also disappointed that Hart disappears halfway through as she was the one thing that kept it together and her absence is sorely missed.

Spoiler Alert!

The scares and action do get more pronounced during the third act, and some may describe this part as being moderately riveting, but having the dad and son work together to battle it doesn’t have much meaning. Had the two been at odds at the beginning and then gotten past their differences in order to battle a common enemy then it might’ve had impact, but there’s no character journey, or arc at all, so ultimately, it’s a generic outing.

It’s also frustrating that no explanation is ever given for what’s behind this force. At the beginning we see a bolt of lightning come out of the sky and strike a power cord, so it seems like it’s simply an act of nature, but as the story progresses it becomes obvious that this force, whatever it is, is ‘plotting’ and ‘thinking’, so what exactly is it? Having it travel to the neighbor’s house and start to harass them just deepens the mystery. Is this force just going to take down each house and family one at a time? And when it gets done with this cul-de-sac is it going to move on to another one and another subdivision and so on until it destroys every house in the country? Who’s going to stop it, or is that even possible? These are all questions that needed to be answered and instead it ends right when it starts to get interesting making it a cop-out that promises way more than it delivers.

My Rating: 3 out of 10

Released: March 11, 1988

Runtime: 1 Hour 31 Minutes

Rated PG-13

Director: Paul Golding

Studio: Columbia Pictures

Available: DVD, Blu-ray, Amazon Video, Roku, YouTube

Secret Admirer (1985)

secret1

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Anonymous letter creates confusion.

Michael (C. Thomas Howell) is a teen secretly infatuated with Deborah (Kelly Preston), who’s considered the hottest babe in school. He wants to date her, but is too shy to approach her. He then receives an unsigned letter in his locker from someone stating that they’re in-love with him. Michael is convinced that it’s from Deborah. His friend Toni (Lori Laughlin) convinces him to write a letter to her, but his attempts to write something romantic prove futile, so Toni decides to do it for him, but still make it seem like it came from him. Once Deborah reads the letter she falls instantly in-love and the two go out on a date, but meanwhile Michael’s mother Connie (Dee Wallace) reads the letter and thinks it’s been written to her husband George (Cliff De Young) and that he’s been fooling around behind-her-back. George also reads the letter, but thinks it’s from Elizabeth (Leigh Taylor-Young) who’s teaching a evening class that George is taking and is also Deborah’s mother. George uses the opportunity to make a pass at her and the two agree to go out on a date while Connie gets with Lou (Fred Ward), Elizabeth’s husband and Deborah’s father, in an attempt to stop it, but find that they too have more in common than they thought and begin to contemplate an affair of their own.

An unusual and offbeat 80’s teen sex comedy that fares a bit better than most of the others. The dialogues between the teens seems more realistic and they aren’t extremes caricatures like what you usually get in this tired genre. I was even surprised that they at one point have a discussion of the film Doctor Zhivago and even know the actor’s names who are in it even though it was an old film even back then. There’s a segment where Michael and Deborah attempt to have sex and it turns into a painful and awkward experience for both, which I liked, because too many times these types of movies would portray sex, even if it was the first time for both partners, as being an exhilarating, fun time, which it isn’t always. The parents aren’t portrayed as being ‘out-of-it’ or overly authoritarian like in other teen comedies and cutting back-and-forth between the adult escapades and the teens is at least initially a refreshingly original concept.

The performances are engaging even Howell does well here particularly at the end when he tries frantically to chase down Toni. The adults though are a bit more engaging despite De Young looking too boyish to be playing the part of a father of a 17-year-old. Wallace and Ward are the scene-stealers especially Dee and the way she breaks-out crying when she gets really upset and Ward’s overly-protective father persona is funny too and the film should’ve just been centered around them.

Spoiler Alert!

The jumping back and forth though between the adults and the teens starts to seem like two different movies with the parent’s storyline being the better one. I didn’t like the way it got wrapped-up with the couples going back to their former spouses like everything was back to normal even though there seemed to be clear issues in both marriages for them to so easily consider affairs when they thought there was a chance. It would’ve worked better and even been more believable had it ended the other way where the couples swapped partners and thus became more compatible.

I didn’t understand why Michael saw Toni only as a friend, even tough she was clearly into him. I considered Toni to being better looking than Deborah, or at least certainly in the same league, so unless Michael had a fetish for blondes over brunettes it didn’t makes much sense why he’s so tirelessly chase after Deborah when he already had a good thing with Toni. For it to believable Toni needed to be less beautiful, even plain looking, then it would be understandable why Michael would overlook her, but eventually see her in a romantic way once he realized all the nice things she did for him. It would’ve also have sent a good message that a female didn’t have to be cover girl quality, which both Laughlin and Preston were, and could still be able to find love.

End of Spoiler Alert!

While this film sat for several decades in virtual obscurity it finally came to prominence in 2016 when it was part of a controversy dealing with the Puerto Rico movie Vasos De Paper, which was written and directed by Eduardo Ortiz. That film was a virtual scene-for-scene remake of this one despite the director insisting that it wasn’t. When the evidence became too much Ortiz finally broke down during a radio interview and admitted that he had ‘done a very bad thing’ and stole the idea without giving proper credit to the original writer and director. The cast of that film were unaware of this one and had no idea they were taking part in a plagiarized script. Once they did they apologized for their involvement and the movie was pulled from the theaters.

My Rating: 4 out of 10

Released: June 14, 1985

Runtime: 1 Hour 38 Minutes

Rated R

Director: David Greenwalt

Studio: Orion Pictures

Available: DVD, Blu-ray