Tag Archives: 70’s Movies

Open Season (1974)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Humans are their prey.

This is the type of film that has a really great concept, but ends up being ruined with its poor execution. It is based on the novel ‘The All-Americans’ by David D. Osborn, who also co-wrote the screenplay. The story involves three ‘All-American’ suburban family men (Peter Fonda, Richard Lynch, and John Phillip Law) who once year go on a ‘hunting trip’ except here they hunt people. They typically pick their victims up at random and then drive them to their isolated hunting lodge in the woods. They feed and entertain them for a week and then give them a few supplies as well as a compass and tell them that the highway is twenty-five miles north.  If they are able to make it to the highway they are free and if not the three men will hunt them down like animals. The victims are always given a thirty minute head start, but none of them ever make it. The movie focuses on a man and woman (Alberto de Mendoza, Cornelia Sharpe) that are having an affair and are kidnapped by the three outside of a truck stop.

The beginning is well-done and quite easily the best part of the whole film. It goes back in time to when the three men where in college and accused of gang raping a young lady.  To the shock of the girl’s mother the prosecuting attorney tells them they have no case because these boys are great athletes with stellar reputations and nobody would believe they would do something like that. I liked this part for two reasons. One is the fact that at least we are given some sort of history to these culprits. A lot of movies never do this and you always wonder how these psychos where able to get away with it for so long. At least here we are given a backstory and somewhat plausible one at that.  Many sociopaths have been able to fool people for years simply because they smart enough to play the respectable role in society and bring out their deviance only when it is completely safe to do so. Also, athletes, especially in the past, where given much more leeway and many of their transgressions would get over-looked. So to me this made a lot sense and helped get me into the movie right away. I also liked the imagery used over the opening credits as well as the very haunting music score.

I also liked how the film then cuts to the present day showing the men at a neighborhood block party and interacting with their wives and kids. The three actors are perfect for their parts.  They were all B-actors who’ve made a career playing sleazy characters and fall into the roles easily. Richard Lynch is especially good. In real life he once set himself on fire in 1967 while taking LSD and his scarred, pale, and rough looking face always makes a creepy impression. Director Peter Collinson does some good camera work with detailed bird’s-eye view shots that show how sprawling the forest is and indeed gives the viewer a very remote feeling.

Unfortunately the rest of the film goes downhill. Part of the problem is that there is just too much talking.  In fact the whole middle section is spent with a lot of drawn out conversations that aren’t interesting, or well-written. It saps the tension out of the film until there isn’t any left.  It isn’t until the very end that they finally get around to letting the victims go out into the woods and then tracking them down. However, this too is poorly handled. The action is limited and not well choreographed. The whole sequence goes by too quickly and comes off like it was nothing more than an after-thought that fails to take advantage of its immense forest setting.  In fact for a film with such a sadistic and exploitive theme there is actually very little violence to speak of and no gore at all. The three bad guys also end up becoming quite banal and one-dimensional. They show no distinctive personalities whatsoever as they agree with each other on everything and seem to do nothing more than laugh and guffaw and each other’s juvenile jokes and antics.

If you are interested in watching this film then please don’t read any further as it may be considered a spoiler:

The film’s twist ending is weak as well. It features actor William Holden (a very accomplished actor and why he took this role, which amounts to nothing more than a cameo, I will never know) playing the father of the girl that the three men raped in college. He secretly followed the men on their hunting trip and decides to have his revenge by gunning them down just like they had done to all their victims. Again, the action here is handled in an unexciting and unimaginative way. I couldn’t buy into the fact that these men, who supposedly fought in Vietnam, would panic so quickly and act like a bunch of scared children the minute they found out that they were being shot at. They show no savvy or survival skills and allow themselves to be easily picked-off in an uninspired fashion.

I have always enjoyed Deliverance and I liked how this film used a variation of that theme where instead of the civilized man going out and coming to terms with the savage of the wilderness they instead go into the wilderness to come to terms with their own, inner savage. More action, better tweaking of the characters, and a faster pace and this film could’ve been a cult classic as the ingredients are all there. As it is now though I think it is much too bland to interest or intrigue anybody.

My Rating: 3 out of 10

Released: November 1, 1974

Runtime: 1Hour 44Minutes

Rated R

Director: Peter Collinson

Studio: Columbia Pictures

Available: VHS

Charley Varrick (1973)

charley

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Charley outsmarts them all.

Charley Varrick (Walter Matthau) is a crop duster and former stunt pilot who in order to make ends meet robs small banks in and around the state of Nevada. He does this with the help of his girlfriend Nadine (Jacqueline Scott) as well as a young, quick tempered man named Harmen Sullivan (Andrew Robinson). Unfortunately the latest bank that they rob was a front for the mob and the money they take was already stolen cash and the mob is soon hot on their trail as are the police. Worse is the fact that Charley and Harman don’t seem to see eye to eye on anything, which leads to a lot of intense confrontations and intrigue at every turn.

Initially I felt Matthau may have been miscast. We are so used to seeing him in comedies that watching him in a movie that features gritty violence seems almost unsettling. However, as the movie wears on and the story gets more intricate I started to really enjoy Matthau’s character and felt he was a perfect fit. I loved how he is so laid back and unassuming and yet in his own subtle way still manages to outwit everyone, even the dangerous mob. The film definitely feeds off of the confrontations between Charley and Harman who are diametrically different in every aspect. The fact that Charley manages to get the upper hand on the otherwise violent prone, out-of-control young man makes it all the more pleasing.

Robinson again gives another outstanding performance. The guy is an amazingly intense actor, who has never been given his just recognition. The guy stole the film in his most famous part as the killer Scorpio in Dirty Harry and he practically does it here as well.

Woodrow Parfrey another unfairly over-looked character actor gives a delightful performance as the timid bank manager stuck between the mob and the police. The conversation that he has with the mob boss Maynard Boyle (John Vernon) out near a cow pasture where they ascertain that the cows may have it better in life than the humans is memorable.

The only actor that didn’t quite hit the mark with me was Joe Don Baker as the mob hit man named Molly. I liked the character who was this extremely cold, calculating killer smoldering underneath his calm façade with a nasty penchant for violence and sadism as well as an odd moral code. Baker seems to be having a lot of fun with the part, but I would have liked the character to have been bigger physically and a few more scenes showing just how mean and threatening he really was. Although politically incorrect to the extreme the scene where he ‘convinces’ the Sheree North character to go to bed with him is amusing.

The cinematography seems to be lacking. Nevada can be a scenic desert state if captured right, but that wasn’t done here. The majority of the action takes place in a dusty trailer park, which is expectedly bland visually. The bank that was chosen for the opening sequence was very ordinary as was the locale. I think they should have scouted around for something a little more exotic as the opening shot should always be something that should grab the viewer in and that certainly didn’t happen. Despite being directed by the legendary Don Siegel this whole thing had a little too much of a TV-movie look.

Another beef I had with the film is the segment where Charley goes to bed with a woman named Sybil Fort (Felicia Farr) who is the secretary of the mob boss that Charley wants to get into contact with. Charley barges into her apartment after disguising himself as a flower delivery man and then threatens to harm her if she screams. Then, just a little while later they go to bed together and she behaves like she has suddenly gotten really ‘in’ to him. I know in the post-sexual revolution 70’s and in Hollywood’s effort to always seem ‘sophisticated’ and ‘relevant’ it was common for characters of the opposite sex to go to bed together even if they had just met. Sometimes though this ritual seemed to border on the absurd and this scene here was a perfect example. This woman had no idea who this man was and who had threatened her just a short while before. Also, Matthau does not have the face or physique that most women are going to get the ‘hots’ for. My only guess is that this was meant to be an inside joke since Farr in real-life was the wife of Jack Lemmon and therefore they thought it would be fun to have Matthau go to bed with his best friend’s wife and also possibly live out a private fantasy. Either way it came off as dumb and forced.

Despite all of this it is an entertaining and fun movie especially for those who enjoy a story that emphasizes a clever battle of wits. A remake wouldn’t be a bad idea if it could give it a little more visual flair and a slightly better choreographed action.

My Rating: 7 out of 10

Released: October 19, 1973

Runtime: 1Hour 51Minutes

Rated R

Director: Don Siegel

Studio: Universal

Available: VHS, DVD, Amazon Instant Video

Bank Shot 1974

bank1

By Richard Winters

My Rating: 8 out of 10

4-Word Review: A bank on wheels.

Donald E. Westlake was a prolific author that excelled in writing elaborate and ingenious crime capers that were later turned into movies including:  The Split, The Hot Rock, and Cops and Robbers. However, this one may not only be his most ingenious and funniest, but it may actually be the most ingenious and hilarious bank robbery movie made of all time. The concept is outrageously offbeat and consists of a bunch of drop-outs who decided to rob a mobile home that has been turned into a bank, but instead of stealing money out of the bank they decided to steal the entire building.

One of the great things about this movie and one that makes it so delightful to watch over and over is the fact that it doesn’t just sit on its one-joke premise and squeeze it until there is nothing left, but instead uses it as a springboard for all sorts of wild and offbeat tangents. This film is simply one wild comedic gag and set-up after another and all at a zany fast-pace. The scenes are original and work in perfect balance to the characters and rest of the story.

Some of the best ones are when the main character of Walter Upjohn Ballentine (George C. Scott) tries to break out of his prison grounds by using a bulldozer that he has stolen while the prison warden tries to somehow chase him down while driving a little bitty golf cart. There is also the scene where the motley crew crawl underneath the bank building and quietly install wheels on it and then cart the place away with the bank guards still inside.  The scene where they hide out in a crowded trailer park and the police and F.B.I. surround the wrong home is also hilarious and is their many futile attempts to break open the bank’s safe, which is supposedly burglar proof. Another gem is when the bank goes careening down a steep hill and they go chasing after it.

All the characters are wonderfully kooky. Ballentine and his group are truly social outcasts and losers. Too many films portray the supposed outsider as still being cool and hip when in reality they are anything but. Here they are dopey looking and inept. None of them could fit in if they wanted too and yet they all show a nice camaraderie to one another as well as an amazing resiliency and a ‘never say die’ philosophy even as they come upon one unexpected obstacle after another. The film nicely brings out the vivid anti-establishment, anti-authority feeling during that era that in today’s films seems diluted. The idiosyncrasies of the characters is also fun including Frank McRae as Herman X a black man who wants to use his share of the stolen proceeds to run for mayor of Anaheim where he hopes to then instill ‘some law and order’.  Joanna Barnes as a carefree hippie is engaging as is her infectious laugh.

Clifton James as ‘Bulldog’ Strieger the police warden who makes it his mission to track down Ballentine and is gang is perfect. For one thing he really does look like a bulldog and his hamminess is fun without going overboard. He has become famous for his redneck sheriff character and it has been used in many other, more famous films including two James Bond movies: Live and Let Die and The Man with the Golden Gun.  As well as Superman II and Silver Streak, but here I think he is at his funniest.

About the only thing that I did have a problem with was with George C. Scott himself. Normally he is a fine actor who usually gives brilliant, flawless performances, but here he added traits to his character that make him annoying. For one thing he speaks with a lisp. I have no idea why he decided to do this, but it doesn’t work. He also wears big bushy eyebrows, which look dumb and distracting.

The film is also too short. It runs at only 80 minutes, but I would have loved to see it keep going. The ending is also a bit of a dud. It seems like the writers wrote themselves into a hole that they had no idea how to get themselves out of, so they just abruptly ended it.

Otherwise this is a creative, highly original comedy that improves with each viewing. It’s great non-think entertainment for a slow evening that can also be enjoyed by the whole family.

My Rating: 8 out of 10

Released: July 31, 1974

Runtime: 1Hour 23Minutes

Rated PG

Director: Gower Champion

Studio: United Artists

Available: VHS, DVD, Netflix Streaming