Category Archives: Thrillers/Suspense

Dead Ringer (1964)

dead ringer

By Richard Winters

My Rating: 5 out of 10

4-Word Review: She kills her twin.

Edith (Bette Davis) attends the funeral of her twin sister’s husband a man she secretly loved and who became very rich. Edith struggles as a bar owner and is jealous of her sister Margaret’s affluent lifestyle. When she finds out that Margaret tricked her way into marrying this man it sends Edith over-the-edge in rage. She kills Margaret and then assumes her identity only to come into some unexpected complications and realize things would have been better had she just remained herself.

Davis shines in the dual role. She had already played this type of role before in 1946 in A Stolen Life. I was surprised that although she was only 56 at the time this was filmed her face looked very old and haggard almost like she was 70. Watching her eyes get all wide and roll around every time she becomes suspicious or nervous is a treat in itself.

Paul Henreid an actor turned director who is probably best known for playing the role of Victor Laszlo in Casablanca doesn’t quite give the story the zing that it needs. He employs a lot of long takes especially during the first hour that slows things down too much and doesn’t build any tension. There is a lot of extended dialogue and scenes that could have been cut out completely that would have made the movie faster paced and more exciting.

The story itself has a few too many plot holes. One is the fact that Edith meets Margaret for the first time in several decades at the funeral and then suddenly the next day decides to kill her and assume her identity, which seemed too quick. I would have expected a lot more complications than there are and the fact that she can seem to remember all the servants’ names without a hitch didn’t quite jive. There is also a scene where the detective character played by Karl Malden enters someone’s apartment and riffles through his personal belongings without any type of search warrant or probable cause, which is not realistic. They do find some incriminating evidence, but I think it would have been thrown out based on that technicality, which in turn would have completely altered the film’s ending.

The supporting cast adds some spark. Malden is good as the dogged detective a type of part he refined even more in the 1970’s TV-series ‘The Streets of San Francisco’. Peter Lawford who is always terrific is fun as Margaret’s conniving lover Tony. You can also spot in bit parts the familiar faces of Jean Hagen, Henry Beckman, Bryan O’Byrne, Bert Remsen, and Estelle Winwood. Henreid even casts his own daughter Monika in the part of Margaret’s maid Janet.

There are some fun twists that come near the end, but it takes too long to get there. The film would have been more successful had it had a more compact running time and direction that was flashy and creative.

My Rating: 5 out of 10

Released: February 19, 1964

Runtime: 1Hour 55Minutes

Not Rated

Director: Paul Henreid

Studio: Warner Brothers

Available: DVD, Blu-ray, Amazon Instant Video

Eye of the Cat (1969)

eye of the cat 2

By Richard Winters

My Rating: 6 out of 10

4-Word Review: He’s afraid of cats

Wylie (Michael Sarrazin) returns to the home of his rich Aunt Danny (Eleanor Parker) who he hasn’t seen in ages at the urging of his girlfriend Kassia (Gayle Hunnicutt). Kassia has become aware that the aunt is suffering from severe emphysema and must sleep in an oxygen tent at night. She wants Wylie to get back into his aunt’s will and then when he does they will sneak into her bedroom and turn off her oxygen. The problem is that Danny also owns a lot of cats and Wylie suffers from ailurophobia, which is the irrational fear of them and this further complicates the matter.

David Lowell Rich directed mainly TV-movies in his career, but scores for the most part in this rare theatrical attempt. I enjoyed the split screen montage done over the opening credits as well as the bird’s eye view of the Golden Gate Bridge. The viewer gets a zesty feel of the San Francisco locale and the scene where Aunt Danny’s wheelchair teeters off of a very steep incline is well shot and edited. My only beef is with the inside of Aunt Danny’s mansion, which is basically just sets constructed on a sound stage that is a very clichéd, unimaginative view of a ‘rich person’s house’ that gives the production a kind of cheap and tacky look.

Saarazin again nails it. Usually he plays sensitive leading men, but here does a change of pace as the very amoral and apathetic cad and it works.

Parker is quite good in a latter career role. She was only 46 at the time making her one of the more attractive and sexy wheelchair bound Aunts you will ever see. The fact that she is going to leave her entire fortune to her cats seems whacky, but then after seeing Wylie for the first time in years she decides to immediately change her will and make him the beneficiary seems even crazier. The character could easily be written off as being ridiculously campy, but somehow Parker, who has always has a knack for playing vulnerable people, makes her seem entertaining and even intriguing instead. I enjoyed her strange misplace morality and the fact that she is attracted to the much younger Wylie and even makes a pass at him, which creates for some interesting sexual undertones.

Hunnicutt doesn’t have a lot of lines, but her facial expressions are right on-target for that of a cold and conniving woman. The scene where she has a physical fight with one of Wylie’s former girlfriends (Jennifer Leak) while inside the woman’s bathroom at a bar is fun especially as it is captured from a bird’s-eye vantage point having Wylie try to get into the middle of it to break it up only to get beaten up by the two makes it even more entertaining.

Of course the real stars are the cats. There are literally hundreds of them and the best scene is where they fight over a dish of raw meat. I loved hearing their very guttural growls and watching them hiss and claw at each other. The close-ups of their eyes and mouths are well captured and they appear well trained as they scratch at Hunnicutt and chase her all around during the final sequence.

The film has a few twists although I saw them coming long before they happened. The film isn’t bad for its type, but it fails to distinguish itself and becomes nothing more than a passable time-filler.

My Rating: 6 out of 10

Released: June 18, 1969

Runtime: 1Hour 37Minutes (TV-Print runs 1Hour 30Minutes and has different scenes edited in.)

Rated M

Director: David Lowell Rich

Studio: Universal

Available: www.modcinema.com (Both the theatrical and TV-Print.)

The Strange Vengeance of Rosalie (1972)

the strange vengeance of rosalie

By Richard Winters

My Rating: 7 out of 10

4-Word Review: She can’t be trusted.

This is an okay obscurity about an Indian girl named Rosalie (Bonnie Bedelia) whose grandfather has just died and in an attempt to stave off loneliness tricks Virgil (Ken Howard) a traveling businessman into coming back to her isolated ramshackle place. Once there she breaks his leg in order to trap him and hopes that in the time it takes to heal he will learn to love her.

Critic Leonard Maltin calls this film “farfetched” and going “way off base” yet nothing could be further from the truth. If you accept the initial premise then the rest of the film is carried out in a plausible and believable fashion.

Director Jack Starrett certainly has a vision here. The remote desert like local is captured well and gives it a distinct feel. The premise is static, but the story keeps moving and new elements are added in nicely. The second hour does begin to meander, but it is finished off by a surprise ending that comes out of nowhere and is completely unexpected. You have to watch it all the way through to really appreciate it yet it does help the film come together and even helps explain its title.

The similarities between this and Misery are quite evident and in some ways this film wins out. It is not as slick or polished, but it is also not as formulated either. This is not your standard thriller as you have no idea where it is going. It runs the gamut between drama, adventure, and even human interest. There is also the added sexuality element and a genuine relationship between the two, which Misery did not have.

The best thing is the Rosalie character. She is young and beautiful. Her intentions and motivations are constantly surprising. In some ways she is like the Barbara Eden character in ‘I Dream of Jeannie’. She is naive and trusting, but also headstrong, self- sufficient and cunning and Bedelia is perfect in the role.

Being made in the early 70’s and at the height of political awareness there is some thought to there being meaning to the fact that she is Indian and Howard the typical white businessman. She is constantly trying to win approval of this white man who otherwise seems oblivious to her conditions or needs. He is also too self-absorbed and too locked into his mindset of minorities being ‘inferior’ to realize how consistently she outsmarts him. Like with a lot of minorities there is a great deal of frustration with the attitudes of the establishment. Howard is just too stuck in to his preconceived notions to ever see her as an equal no matter how hard she tries.

Overall this is a decent film especially when compared to other low budget, independent films of that same era. The twist ending helps, but you have to stick with it.

My Rating: 7 out of 10

Released: June 16, 1972

Runtime: 1Hour 47Minutes

Rated PG

Director: Jack Starrett

Studio: 20th Century Fox

Available: Amazon Instant Video (Edited Version)

The Deadly Trap (1971)

the deadly trap

By Richard Winters

My Rating: 4 out of 10

4-Word Review: They have their kids.

Philippe (Frank Langella) works at a high-tech job in a large corporation. For years he has been giving trade secrets to a mysterious organization that pays him handsomely for his efforts. Now that he is married and has children he has decided he no longer wants contact with this underground entity, but they refuse to leave him alone. When he is no longer willing to corporate they kidnap his two children, which sends his emotionally and mentally fragile wife Jill (Faye Dunaway) over-the-edge.

Dunaway’s amazing performance is the one thing that really helps propel a film that is otherwise too laid-back. I have always been an admirer of hers, but her performance here is great because it is so different from any of the other characters that she has played. Normally she is cast in parts of strong or manipulative women, but here she plays someone who is very fragile and does it with amazing effectiveness. I felt like she was a completely different person and showed a side to her that I didn’t think she possessed. Her face and expressions accentuate the fragility and she looks quite beautiful.

Langella is good on the opposite end. He plays a cynical and aloof man who snaps at his wife in an annoyed manner at regular intervals. The contrasting personalities and dialogue between them is interesting. In many ways he seems to playing an extension to the character that he did in Diary of a Mad Housewife and given the fact that Eleanor Perry wrote the screenplays for both films makes me believe that there had to be more than just a passing connection there.

The story has some interesting underlying elements that manage to retain a modicum of intrigue, but Rene Clement’s direction is too leisurely. The first hour gets bogged down with too much conversation and certain tangents that go nowhere. It is only in the last half hour that things finally get going and has some interesting twists, but by then it is too late. It would have been better had we seen some sort of face to the organization instead of having them portrayed in such a vague way. The movie is also in need of a lot more action although the part where Jill and her kids get into a car accident and get thrown from the vehicle is impressive since actual bodies where used, which is something I had never seen done before.

Spoiler Alert!

The film features several loopholes that will end up confounding anyone. One is that when the children are kidnapped they are locked in an upstairs room that has a loaded gun stashed away in the closet. The children get their hands on it and use it against their captors, but you would think that a sophisticated and large criminal group that this organization supposedly is wouldn’t be so utterly careless as to leave it there. Also, when it is found that the couple’s downstairs neighbor Cynthia (Barbara Parkins) has a connection to this organization and kidnapping the police shoot her dead at point-blank range instead of just arresting her and interrogating her in order to find the whereabouts of the kids. The biggest problem though is the ending itself where the kids are saved and everybody becomes one big happy family, which doesn’t jive at all with the rest of the film that had a constant murky undertones and a couple that was always squabbling. By having this otherwise dark thriller suddenly become ‘The Brady Bunch’ at the end is jarring in tone. It also doesn’t answer the fact that the organization was never caught and therefore will continue to harass him again, so why should they be all happy when the bad guys could strike at any moment?

My Rating: 4 out of 10

Released: June 9, 1971

Runtime: 1Hour 36Minutes

Rated R

Director: Rene Clement

Studio: National General Pictures

Available: VHS, Warner Streaming

I Love a Man in Uniform (1993)

I love a man in uniform

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Losing touch of reality.

Overly stylish, pretentious drama detailing an actor’s slow decent into madness. Henry (Tom McCamus) an otherwise anonymous bank employee finally gets his big break as an actor playing the part of a cop on a TV show, but then starts to take the role home with him. Intoxicated with the sense of power that he gets playing a man in uniform he eventually can no longer differentiate between the role and himself.

On one hand this is a fascinating and incisive drama. It examines an ambiguous area rarely touched upon anywhere else. Namely how an actor ‘becomes’ his role and how he learns to turn it off. It also questions whether anyone, even a trained actor, can be someone they are not as well as analyzing people’s need to become someone who is important, powerful, and in control.

Yet the film takes this and then suffocates it with a new wave mentality and a thumping techno music score. It looks like something made by a young guy who watched too many episodes of “Miami Vice”. The stylization gets strained. Trying to be both ‘important’ and trendy never gels and the attempt at mixing ‘real life’ grittiness with an artsy flair gets annoying.

The pacing is also off. The character becomes unhinged too quickly. Then we are treated to a never ending scenario of ‘will he or won’t he’ go completely bonkers. There’s about three climaxes too many and a couple of truly unnecessary scenes including a bank robbery, which is particularly dumb.

Star McCamus does his part well, but he also has a really big mole at the top of his forehead, which after a while becomes distracting. Brigitte Bako as the female love interest is pleasant to look at and an overall sweet character. The rest of the characters though are too dull, clichéd, or corrupt to be likable or interesting.

My Rating: 3 out of 10

Released: September 10, 1993

Runtime: 1Hour 39Minutes

Rated R

Director: David Wellington

Studio: Alliance Communications

Available: DVD

Dark August (1976)

dark august

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Plagued by a curse.

            Sal DeVito (J.J. Barry) moves from New York City to a peaceful small town in Vermont in order to further his career as an illustrator and escape the stresses of big city life. Unfortunately he hits and kills a young girl (Karen Lewis) with his car when she runs out onto the street. Although he ends up being exonerated the girl’s grandfather (William Robertson) still holds him accountable and places a curse on him. The curse makes Sal see a strange hooded figure in the distance as well as suffering from mysterious blackouts. To help rid him of it he goes to see a popular psychic in town named Adrianna (Kim Hunter), but her services prove to not be the solution he thought.

Like with most low-budget 70’s horror films this one has a lot of slow parts and extended scenes with extraneous dialogue that goes nowhere. The scares are at a minimum and the few that it does have aren’t real frightening. The hooded figure that Sal keeps seeing in the distance has a creepy quality to it, but the film should have done more with it. There needed to be more action, more confrontations, and just plain more horror. Even a child could watch this and not be upset by it. There are no special effects and although the production is technically competent despite its low budget I found it hard even calling it a thriller or horror film since the suspense is light.

I loved the on-location shooting done in Stowe, Vermont. The woodsy landscapes and green countryside is gorgeous and I liked the scenery better than anything else in the picture, which is another problem. Filming scenes in the bright sunny daytime doesn’t help create a spooky feeling and there needed to be more done at nighttime. There is a very dark ominous cloud overhead during the scene involving the accident, but that is about it.

Barry whose acting career was brief and minor plays a stressed-out character effectively, but I could have done without seeing him lying nude in bed. There is also an extended scene showing the couple sleeping in bed from different angles, which seemed inane and unnecessary. Kim Hunter appears very late in the picture and really can’t do much to save it.

This is a film that deserves its place in obscurity and unfortunately has nothing to distinguish it or make it worth seeking out.

dark august 2

My Rating: 3 out of 10

Released: August 8, 1976

Runtime: 1Hour 27Minutes

Rated PG

Director: Martin Goldman

Studio: Howard Mahler Films

Available: VHS

Death Weekend (1976)

death weekend

By Richard Winters

My Rating: 3 out of 10

4-Word Review: She can defend herself.

This Canadian thriller, which is loosely based on actual events deals with a rich playboy named Harry (Chuck Shamata) who invites Diane (Brenda Vaccaro) who is also a model to spend the weekend with him at his isolated lakeside cabin that is miles from anywhere. On their way there they run into a biker gang whose leader (played by Don Stroud) takes an intense disliking to Harry. The gang tracks the two down at their cabin where they proceed to terrorize them before eventually killing Harry and forcing Diane to defend herself alone, which she does valiantly.

In a way this is a poor man’s version of I Spit on Your Grave or Straw Dogs, but not nearly as effective. For one the violent scenes aren’t very intense. This is due mainly to the fact that writer/director William Fruet keeps the camera too removed from the action and never once uses a hand held. There is also no gore as Fruet always cuts away just before anything happens and what little you do see looks tacky. Of course a film doesn’t have to be gory to be scary or intense, but if it is going to have this type of violent theme then it should at least equal it in style. The tension also ebbs and flows and the four hoodlums are too dumb and seem like cardboard cutout caricatures that possess no human qualities whatsoever.
The Harry character does allow for some added dimension, which helps and hurts. I liked the way he sees himself as this ‘refined’ gentlemen and yet views women in the same Neanderthal way as the thugs. He brags of having money and power, but when that gets stripped away from him he becomes amazingly spineless. This makes for a good commentary of the rich and successful, but unfortunately also turns him into being too much of a jerk and when the bad guys proceed to tear his place apart we are not ‘horrified’ at all, but instead enjoy seeing it.

There are actually a few good elements one of which is the music score, which effectively creates an ominous feeling. It was also filmed in Ontario Canada during the autumn and the desolate, bleak landscape helps match the bleakness of the situation and characters. I also loved the morning mist captured during the final chase sequence that gives things a very eerie look. There is also a well-staged car chase at the beginning that was done at high speeds and features some great stunt driving.

The film is saved somewhat by Vaccaro’s interesting performance as a victim. She is independent and self-sufficient and refuses to allow herself to be seen or used as a sex object. This goes along with the film’s overall theme which seems to run on the emergence of the woman in a man’s world and the basic redefining of the female role in society. Yet I felt it would have worked better had the character harbored the old female traits at the beginning and then had these new traits come out as the film progressed.

death weekend

My Rating: 3 out of 10

Alternate Title: House by the Lake

Released: September 17, 1976

Runtime: 1Hour 27Minutes

Rated R

Director: William Fruet

Studio: American International Pictures

Available: VHS

The Silent Partner (1978)

silent partner 2

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Bank teller outsmarts robber.

This is an ingenious, slick, and really fun caper movie that puts a whole new spin on the old bank robbery theme. Here Elliot Gould plays a bank teller named Miles who, by sheer accident, becomes aware that a man named Harry (Christopher Plummer) is planning on robbing his bank. Miles decides to take the money from his till and put it into his lunchbox. Then when Harry robs the bank it is actually Miles the teller that gets the money while Harry goes away with very little. Yet this is only the beginning as Harry and Miles continue to play a crafty game of cat- and-mouse, which leads from one interesting twist to another.

Gould plays against type here and he does quite well. Usually he tends to be loud, argumentative, and anti-authority, but here he is quiet and unassuming. It’s the type of character you think wouldn’t have the guts to pull off what he does, which makes him all the more intriguing. In fact he just keeps surprising you all the way along, stringing the very psychotic and dangerous Harry in ways you couldn’t imagine. It is only his final move that seems to be testing the odds too much.

Plummer makes a terrific adversary. He is dashing and handsome as ever, but with an intensely sinister edge and an icy cold gaze.

Susannah York as Miles’ love interest Julie is wasted. Her character seems thrown in for good measure and at no time seems interesting. There is no chemistry between them and the whole love angle is forced and unnecessary. Celine Lomez, as Elaine the other female character, is different. She is stunningly beautiful and much cagier. She plays between both Harry and Miles and you are never sure which side she is really on. Her acting isn’t spectacular, but she is sensual and has a nice French accent. Her gory and gruesome demise though is unwarranted and works as a drawback to the movie.

There are a few other negatives about the film. One is the drab setting that takes place in Toronto and yet we hardly see any of it. Having the bank itself set inside a boring shopping mall is not too visually exciting. The same goes for Miles’s bland apartment. The supporting characters, especially the other bank employees are incredibly dull. Their lines and basic presence all seem to have been written in simply as ‘filler’. A young John Candy plays one of these co-workers and his comic talents are wasted.

Still the story is creative and has enough unique twists that it overcomes the technical shortcomings and manages to be a highly entertaining flick.

silent partner 1

My Rating: 8 out of 10

Released: September 7, 1978

Runtime: 1Hour 46Minutes

Rated R

Director: Daryl Duke

Studio: EMC

Available: VHS, DVD, Amazon Instant Video

The Running Man (1963)

the running man 1

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Couple scams insurance company.

Rex (Laurence Harvey) is a victim of a plane crash when the airplane he is piloting crashes in a forest. He survives with minor injuries, but the plane is totaled and he expects a big payout from his insurance company. However, since he was two days late with his premium payment the policy was canceled and he gets nothing. Outraged he plans a scheme to get revenge with the help of his wife Stella (Lee Remick). He purchases a glider plane and has it insured with the same company. He then intentionally crashes it into the water and before help arrives he dives into the lake and by using an underwater apparatus swims ashore undetected. He hides out on a small island during the investigation and when it is finally confirmed that he was ‘lost-at-sea’ and the insurance pays a handsome sum to Stella the two then run off to Spain, but insurance investigator Stephan (Alan Bates) still has his suspicions and follows the two while continuing to hound them with questions forcing them into a shrewd game of cat-and-mouse.

Based on the novel by Shelley Smith this is a thriller in the most classic sense. The plot is completely believable and still very timely without any of the annoying loopholes. The action particularly during the final 30 minutes, which had me literally on the edge of my seat, is very exciting. The twists are interesting and unpredictable.

What I enjoyed most though was the way the characters evolve and change as the story progresses. Stella initially comes off as carefree and callous only to end up being beleaguered, worn out, and even feeling a bit guilty. Rex seems slick and conniving at the start, but eventually turns crass, vindictive and wholly unlikable. Stephan is nosy and intrusive when it begins, but before it is over he is the most sympathetic to the viewer. Having worked in the insurance industry now for 15 years I liked how the film shows things from both side not only the rigid business-like end, but also how those that try to cheat the system even when they feel somehow ‘justified’ in doing it only ends up making it worse for everybody else. The very ironic ending hits the bullseye.

Director Carol Reed is in top form. I liked how he captures the many different exotic locales of Spain not only with the outdoor scenery and villas, but also inside an old church cathedral as well as an empty bullfighting arena. The opening credit sequence showing Harvey’s shadowing figure running in front of a colored background is good as his the variety of camera angles used particularly during Rex’s final attempt to escape by airplane. The only part that I thought was unnecessary was in when Rex finds a passport left by an Australian that he was talking to inside a bar. Rex picks it up and it is clear to the viewer that he was thinking of using it for his own change of identity, but Reed still felt the need to superimpose Rex’s head shot over the Australian’s, which seemed heavy-handed as does the booming music that is played when Stephan meets Stella for the second time while in Spain.

Remick is excellent and the stresses and strains that her character conveys are easily felt by the viewer. Harvey seems to be having a grand old time particularly when he is in the disguise of the Australian. Although there is some debate over it at IMDB I actually felt that his Aussie accent was alright. He does however look much too scrawny in his bathing suit although Remick in her bikini is delectable.

Why this exciting and polished thriller has never been released onto DVD, or Blu-ray let alone VHS is a complete mystery especially when it stars two major actors from 60’s British cinema and directed by a legend. This movie is waiting to be discovered by new fans and can be enjoyed by just about everyone.

the running man 2

My Rating: 7 out of 10

Released: October 2, 1963

Runtime: 1Hour 43Minutes

Not Rated

Director: Carol Reed

Studio: Columbia Pictures

Not Available at this time.

Perfect Strangers (1984)

perfect strangers

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Kid witnesses a murder.

Johnny (Brad Rijn) is a local hit-man who knifes someone to death in a back alley. Little does he know that behind a nearby fence is a 2-year-old toddler peeking out through a small opening and witnessing the whole thing.  As Johnny is about to leave he suddenly becomes aware of the child, but as the police are coming he runs. He is connected to the mob and when he tells them of the incident they advise him that he must kill the child simply to be extra cautious. Johnny then decides to get in a relationship with the boy’s attractive single mother Sally (Anne Carlisle) with the idea that he will get close enough to her that she will trust him to be alone with the kid where he will then off him and make it look like an accident.

The child who is played by a very young actor named Matthew Stockley is extremely cute to the point of being adorable. The idea of any harm coming to him is almost unthinkable, which helps create some tension and the climatic sequence where he is chased by Johnny though an abandoned, shadowy warehouse is well done.

However, the film’s biggest weakness is the Johnny character who is too damn nice to the point that I even started to like him as the film progressed. The guy is great with the kid and shows a definite sensitive side and is reluctant to harm the child and only considers it because the rest of the mob pushes him to. This then pretty much mutes the tension and the film would have been more exciting had the character been portrayed as a cold-hearted psycho. I also found it a bit contradicting that this otherwise nice guy could so easily kill other people. The extremes in the personality didn’t connect although at one point he does at least say ‘sorry’ to one of his victims as he drags the dead body away after viciously killing him.

Carlisle is excellent. She is probably best known for starring in as well as writing the screenplay for the cult hit Liquid Sky. There she played a teenage punk, but here filmed only 2 years later she comes off as a mature full-grown woman and her effective performance helps carry the film. Otto von Wernherr who was also in that movie appears as a private eye hired to follow Johnny around.

Stephan Lack who was in Scanners and just about ruined the film with his terrible performance is surprisingly good here as an aggressive police detective who hounds Sally for answers and won’t leave her alone. Ann Magnuson is somewhat amusing as a man-hating feminist Nazi.

If writer/director Larry Cohen scores anywhere it is in his ability to vividly show the street culture and eclectic, busy atmosphere of New York City life. One bit has hundreds of woman marching down the street in an anti-rape parade and when Johnny tries to get involved in it the woman aggressively pushes him back out. Things flow enough to make it mildly entertaining, but the film lacks distinction and is ultimately forgettable.

My Rating: 6 out of 10

Released: November 24, 1984

Runtime: 1Hour 31Minutes

Rated R

Director: Larry Cohen

Studio: Larco Productions

Available: DVD