Category Archives: Satire

Where Does It Hurt? (1972)

Posted on November 19, 2015 | 1 comment

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: Corruption at a hospital.

It’s funny how names like Ed Wood Jr. or Tommy Wiseau get mentioned in just about anyone’s list of bad movie director’s, but Rod Amateau’s never does, but should. Not only did he produce ‘My Mother the Car’ and ‘Supertrain’, which are considered two of the worst TV-series ever to be broadcast, but he also directed the notorious Garbage Pail Kids as well as Son of Hitler and The Statue, which featured a jealous David Niven going around the bathrooms and gay bathhouses of London looking for a man whose penis matches the one that his wife created for a life-sized statue that she says replicates her lovers.

While this film isn’t quite as bad as those it comes close. It stars Peter Sellers who was at a career nadir due to financial mismanagement and willing to take on any low budget job offer he was given. Here he plays the corrupt head of a hospital that uses an array of schemes to bilk patients and insurance companies out of thousands of dollars. Rick Lenz plays a patient who becomes aware of the shenanigans going on and tries to bring Sellers and his staff down, but finds that they seem to have a trick up their proverbial sleeves at every turn.

The film manages to have a few amusing moments, but comes off more like a gag reel than a story. The characters are exaggerated and unlikable. We are supposed to side with Lenz and his predicament, but he so stupidly allows the doctors to take advantage of him at the beginning that it becomes hard to. The whole thing gets sillier by the second until by the end it’s completely inane. It also makes light of some serious issues that were handled better in Paddy Chayefsky’s The Hospital, which came out just 8 months before this one.

To some degree it’s fun seeing Sellers, who was noted for his wide range of dialects, taking a stab at an American accent and he almost pulls it off except for a few moments including the one where he pronounces orifice as AW-ifice.

The supporting cast made up of lesser known talents proves to be game here. Pat Morita, still years away from his breakout role in The Karate Kid, is genuinely amusing as a lab tech with an inferiority complex and at one point even speaks in a British accent. Harold Gould is good as an incompetent Dr. and J. Edward McKinley, best known for his many appearances on ‘Bewitched’ as one of McMahon and Tate’s primary clients, is funny as the Hospital commissioner who relentlessly tries to nab Sellers and eventually after repeated missed opportunities is able to.

In better hands this might’ve had a chance, but the low budget, irritating country music soundtrack and cheap jokes pretty much sink this thing before it even has a chance to get started.

My Rating: 4 out of 10

Released: September 29, 1972

Runtime: 1Hour 28Minutes

Rated R

Director: Rod Amateau

Studio: Cinerama Releasing Corporation

Available: None at this time.

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Posted in 70's Movies, Low Budget, Movies Based on Novels, Movies with a Hospital setting, Obscure Movies, Satire

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HealtH (1980)

Posted on November 12, 2015 | 4 comments

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By Richard Winters

My Rating: 3 out of 10

4-Word Review: Altman’s take on politics.

Normally I’m a big proponent of the European and independent filmmaking system that allows the director to have complete creative control over their projects, which in Hollywood doesn’t always occur and many times the studios will meddle with the film until it becomes nothing like what the director had originally envisioned. However, this film is a great example of what can happen on the opposite end when a director and his ego are allowed too much leeway until their movies become self-indulgent exercises that appeals to no one except themselves and a few of their most ardent followers.

During the ‘70s director Robert Altman had achieved such heightened celebrity that 20th Century Fox studio head Alan Ladd Jr. gave him the green light on virtually any project or idea he wished to pursue. Ladd was such a big fan of Altman’s stuff that he didn’t even care if the film made money or not, which they usually didn’t. It was during this period that Altman was able to achieve some of his most bizarre onscreen creations like Brewster McCloud, which was brilliantly quirky, while others like this one petered out before they even began.

Here Altman was clearly borrowing from his own well particularly with the way he captured running conversations going on at the same time between different people that 10 years earlier had come off as being fresh and inventive, but by this time was now derivative and distracting. The film’s parade of eccentric characters is not interesting or relatable and Altman’s stab at political satire is too soft and unfocused with no connection at all to the political scene of today.

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The threadbare plot, which deals with two political candidates played by Glenda Jackson and Lauren Bacall who compete for the presidency of a Florida health food convention, has too much dialogue and not enough action. It manages to be mildly amusing for the first 30 minutes, but then like with a tire suffering from a slow leak it starts to fizzle until it culminates with a dull and pointless conclusion.

It’s almost worth a look just to see Carol Burnett playing a more subdued type of character than she usually does although the part where she becomes ‘shocked’ at the rumor that her favorite candidate had a sex change operation now seems quite dated. Dick Cavett is also engaging playing himself and trying to corral all the nuttiness around him, but it’s Paul Dooley, who is also credited with co-writing the screenplay, that is the real scene stealer playing an independent candidate willing to do anything for attention.

I’m a big fan of Altman’s work, but I found this one to be slow going, uneventful and sloppy. The film’s concept could’ve used a lot more fleshing out as the whole thing plays like it was simply a lark done by a director that was coasting too much on his past successes while not throwing anything new into the mix.

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My Rating: 3 out of 10

Released: September 12, 1980

Runtime: 1Hour 40Minutes

Rated PG

Director: Robert Altman

Studio: 20th Century Fox

Available: None at this time.

4 Comments

Posted in 80's Movies, Gay/Lesbian, Movies that take place in Florida, Obscure Movies, Satire

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The Holy Mountain (1973)

Posted on May 3, 2015 | Leave a comment

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By Richard Winters

My Rating: 7 out of 10

4-Word Review: They search for immortality.

In what seems like a sort-of sequel to Jodorowsky’s cult hit El Topo this film deals with the same type of Christ-like figure and religious metaphor’s. The story centers on a man known as The Thief (Horacio Salinas) who meets up with an alchemist (Alexander Jodorowsky) who introduces him to seven people representing the planets of the solar system as well as the sins of greed, lust and power. The group is instructed to leave their worldly possessions behind as well as their individual identities so that they can become one while they trek up the treacherous terrain of the Holy Mountain where they hope to acquire immortality.

In a lot of ways this film is superior to El Topo simply because it has a bigger budget and more slickly handled. The background sets are dazzling and at some points even amazing. On a purely visual level this film borders on being brilliant and could be enjoyed simply on that note alone. I also really enjoyed the humor and satire. The war manufacturer that makes psychedelic ammunitions to appease the younger generation is great as is the naked woman implanting a giant phallic object into a robotic machine in order to allow it to obtain an orgasm and given birth to a baby robot.

Jodorowsky’s excessive use of shock elements is here as well and for some it becomes the main point of watching it. Within the first 30 minutes alone you’ll see two beautiful women being stripped naked and having their heads shaved. An old man taking his glass eye out and placing it in the hands of a young girl and a young boy being castrated and then putting his testicles into a glass jar, which he places on a shelf lined with other glass jars filled with other testicles. Later on there’s even a scene showing a cow mating with another and a shot of a naked elderly man breast feeding another man. By the end it all starts to get rather mind numbing, but on a purely exploitative level it’s kind of fun because it’s something that most likely could never be filmed today and thus cementing why 70’s cinema is so special and in many ways much more interesting and outrageous than the stuff coming out today.

In the end though it comes off like overkill with a message that gets lost amidst all of the shock elements. It also seems quite contradictory as supposedly this is a spiritual film, but with so much sex and gore it becomes more like a pornographic one and for the most part that’s what many viewers will take from it, which ultimately makes this heavy-handed, experimental production a failed effort.

My Rating: 7 out of 10

Released: November 29, 1973

Runtime: 1Hour 55Minutes

Rated R

Director: Alejandro Jodorowsky

Studio: ABKCO

Available: DVD, Blu-ray, Amazon Instant Video

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Posted in 70's Movies, Cult, Exploitation, Foreign Films, Moody/Stylish, Movies with Nudity, Satire, Spiritual Movies, Surreal/Fantasy

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The Sporting Club (1971)

Posted on April 11, 2014 | 2 comments

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: Haves versus have-nots.

Jim (Nicholas Coster) finds out that his business is going under and he barely has any money left. To escape the stress he decides to take a trip to the wilderness of northern Michigan for a little R&R. Unfortunately once there he meets his friend Verner (Robert Fields) who has built a shooting range in his basement and wants to challenge everyone to a duel. The snotty sporting club that Jim belongs to wants to boot him out when they realize he is no longer making an income and rebel- rouser Earl Olive (Jack Warden) gets into a war with the elitist at the sporting club, which sends things spiraling out-of-control between the two sides with Jim right in the middle.

Based on the Thomas McGuane novel the film has the right concept, but not the fluid essence or wry humor of his writing. Some of his later work that was brought to the screen fared better. This film version is too uneven and takes too long to get anywhere. It becomes somewhat intriguing when we are given the idea of this set-up of a wild shoot-out between Olive’s biker gang and the elderly members of the club, but just as things seem to be getting interesting the film veers into a radically different direction and has all the sporting club members getting into a bizarre sex orgy. This may sound funny or even sexy, but it really isn’t as all the people were in their 60’s or 70’s and seeing their naked bodies cavorting around comes off as gross and sick.

The satirical jabs at the snotty club members are funny to some extent. They represent society’s old order people still clinging to age-old traditions and values even though the rest of the world around them is changing. They boast about their exclusive club membership even though it no longer has any allure and their stubbornness only makes them more insignificant and absurd. The scene where they stare blankly like lost children at the blown-up remnants of their cottage is probably the best moment in the film. However, their caricatures end up going overboard they become too illogical and ridiculous like crazed stupid creatures instead of human beings.

Most anti-establishment films of the era, which in the end is what this is, usually cast young stars in the lead, but here we have Coster who was already middle-aged making it look too much like the old guard vs. the old guard, which did not connect with the young filmgoers and they stayed away. The middle-age audience of the time was the establishment themselves and they found the film’s crass humor and scenarios off-putting and thus the film alienated everybody and bombed terribly at the box office.

Robert Fields gives an excellent performance as a budding sociopath and his scenes have an added tension. Warden is also very good in an unusual role for him as a joint smoking trouble maker who loves to rock-the-boat. The gun duel he has with Fields is interesting and his presence helps give the film a few extra points. Margaret Blye has a beautiful face making her a pleasure to look at no matter what she is doing. Jo Ann Harris is also sexy and the scene where she strips down to her panties with the phrase ‘my grandmother loves me’ stenciled on the rear is fun.

The film is weird enough to be worth a look as a curio. Director Larry Peerce infuses some interesting camera work into the proceedings and Michael Small’s moody folk rock score deserves its own album. Despite the locale looking very much like Michigan it was actually filmed near Hot Springs, Arkansas.

My Rating: 4 out of 10

Released: February 28, 1971

Runtime: 1Hour 45Minutes

Rated R

Director: Larry Peerce

Studio: Avco Embassy Pictures

Available: None at this time.

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Posted in 70's Movies, Movies Based on Novels, Movies with a rural setting, Movies with Nudity, Obscure Movies, Offbeat, Satire

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Hail (1973)

Posted on March 28, 2014 | 3 comments

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: The President goes nuts.

The President of the United States (Dan Resin) is going insane and it has become painfully obvious to all those around him. He wants to suspend congress and elections and has created concentration camps where hippies and other ‘liberal subversives’ are taken and he even drowns mice in buckets of water for relaxation. His staff decides it is up to them to take him out before he puts the country at risk. They hold a gumball lottery and whoever picks the gumball that has the number one on it will be chosen to carry out the assassination. The oldest member of the group who is 90 gets it, but when he chokes on the gumball while chewing it before putting in his dentures it is then up to the Secretary of Health (Richard B. Shull), but the President has spies that have infiltrated the group and is fully aware of what they are trying to do and has a secret plan of his own.

This film is satire the way it should be. It makes fun of both sides and manages to get more hits than misses. It was made in an age before political correctness and wasn’t afraid of who it might offend and thus throws it all out there in a creatively reckless and experimental fashion making it enjoyable all the way through. The pace is breezy and a terrific time capsule to a bygone era.

There are some unique scenes here that you won’t see anywhere else. Some of the highlights include a 4-man ‘hand band’ where a group of men get together to play ‘The Yellow Rose of Texas’ for an audience by cupping their hands together. The scene where the President’s army attacks and beats hippies at a commune that is done in slow motion and to the tune of ‘Amazing Grace’ by Judy Collins is effective and the twist ending involving a wooden leg isn’t bad either.

Director Fred Levinson shows great potential. The variety of camera angles, stylish editing and knowing humor are all first-rate and should have been the start of a great career. Unfortunately the rumor is that Richard Nixon didn’t like the film and considered it a personal insult and used his connections to put pressure on the studios not to distribute it, which eventually led to it falling into complete obscurity. The only other thing that Levinson did afterwards was directing the famous Hertz commercials that featured O.J. Simspson sprinting through an airport terminal, which is a real shame and waste.

Gary Sandy, who later became famous for playing Andy Travis in the classic TV-series ‘WKRP in Cincinnati’ is highly engaging as a radical hippie leader who disguises himself as an army general. Brandon Maggart is also amusing as a nervous National Guard Sergeant.

The only weak link is Resin as the President. He is probably best known for playing the Tidy Bowl man in some TV-commercials during the 70’s. Here his performance is sterile and one-note. Shull and Dick O’Neill come off as much more interesting simply because they are far better actors.

The film is dated, but in a fun way. It brings back to life the chaotic atmosphere of the era and makes you feel like you are being thrown into the middle of it. The film is extremely rare and hard-to-find, but worth a look if you can locate it.

My Rating: 6 out of 10

Alternate Title: Hail to the Chief

Released: July 27, 1973

Runtime: 1Hour 25Minutes

Rated PG

Director: Fred Levinson

Studio: Cine Globe

Available: None at this time.

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Posted in 70's Movies, Low Budget, Obscure Movies, Satire

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Nasty Habits (1977)

Posted on February 19, 2014 | Leave a comment

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By Richard Winters

My Rating: 2 out of 10

4-Word Review: Watergate in a convent.

It’s the Watergate scenario all over again only this time inside a convent with nuns. It’s a unique idea for sure that unfortunately doesn’t work because the screenplay by Robert Enders, which is based on the novel by Muriel Sparks keys in on only one angle and then plays it out until it’s boring. It’s a one-joke movie with nothing standing out as funny. There is also no action to speak of and the dialogue is too dry to elicit even a chuckle.

The once in a lifetime cast is wasted. Dame Edith Evans, in her last film appearance, gets hit the worst as she is given the typical old lady treatment and shown for only a few minutes looking feeble and then promptly dying. Jerry Stiller, Anne Meara, Rip Torn, and Eli Wallach are on so briefly that their appearances seem almost non-existent.

Glenda Jackson comes off best as she manages to give her character an added dimension. The forcefulness of her personality comes through quite clearly for the viewer. However her adversary, which is played by Sue Penhaligon, doesn’t have that same type of strong presence and therefore there is no chemistry or confrontation between the two.

Even the always reliable Sandy Dennis becomes a problem. They have her playing a sort of extended version of her tipsy persona from Who’s Afraid of Virginia Woolf?, but her off- key voice and overall kooky behavior gets overplayed and eventually becomes annoying.

The electronic music score by John Cameron is obtrusive. The pacing is terrible and the lack of momentum will have people turning this off long before it is over, which is good since the climactic sequence falls horribly flat.

There are a few surprise cameos. One is by the late newscaster Jessica Savitch another by former talk show host Mike Douglas, but nothing that helps make this entertaining or memorable.

My Rating: 2 out of 10

Released: March 18, 1977

Runtime: 1Hour 36Minutes

Rated PG

Studio: Brut Productions

Director: Michael Lindsay-Hogg

Studio: Brut Productions

Available: VHS

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Posted in 70's Movies, Dry Humor, Movies Based on Novels, Obscure Movies, Offbeat, Satire

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Robocop (1987)

Posted on February 12, 2014 | 3 comments

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By Richard Winters

My Rating: 8 out of 10

4-Word Review: Cop becomes a robot.

In Detroit of the near future the city has become overrun with criminals and an underfunded city government is forced to allow a large corporation by the name of OCP to help run its police force. The company is headed by Dick Jones (Ronny Cox) and their chairman (Dan O’Herlihy) who are constantly looking for new and more sophisticated crime fighting weapons and come up with the idea of creating a half human half robot type cyborg using the body parts of a recently deceased officer named Alex J. Murphy (Peter Weller). Initially it’s a great success, but the robot starts to have memories of Alex’s past and becomes fixated with hunting down the scumbags who killed him while avoiding Jones and his men who want to destroy the robot so Jones’s own invention the ED-209 can replace him.

When compared to other big-budgeted studio action flicks this one far and away outshines them all. Director Paul Verhoeven seemed to be given an amazing amount of freedom to create a film with a distinct vision that manages to be both exciting and multi-dimensional. The final shootout at an abandoned steel mill has a particularly nihilistic look and feel more common in European films. The jabs of satirical humor also make this much more enjoyable and entertaining than the run-of-the-mill actioner. My favorite bits included the commercial advertising the family board game call ‘Nukem’ and the outrageous demands of a gunman holding up the mayor’s office as well as the overnight gas station attendant working on geometry problems.

The action is quite good and the film manages to attain a fluid level that allows the graphic violence to work in tandem with the offbeat touches while not being jarring or disjointed. The special effects were decent although the ED-209 robot looks too much like one of those Ray Harryhausen stop-action creations that was clearly a miniaturized model blown up to giant proportions by optical effects. The result is a bit cheesy by today’s standards although the part where the machine is chasing Robocop and slips down a flight of stairs and then lays on its backside while flailing its legs in the air like a wailing child is quite possibly the film’s best moment.

There is also a rather prolonged torture segment where a criminal gang led by Clarence Boddicker (Kurtwood Smith) traps Murphy in a steel mill and proceeds to shoot off his arm and hand while laughing at him as he screams in pain. Despite its unsettling nature I liked that this scene was put in as too many times Hollywood takes on dark themed stories, but then makes them tasteful and mainstream. This scene breaks that mold while truly reflecting the vile nature of the people and the world that they live in. It allows vicious characters to be nasty without it having to be implied and shocks the viewer a bit out of their comfort zone, which a true nihilistic movie should do.

The only problem that I had with the scene is that after taunting Murphy and blowing off his limbs they end up shooting him in the head and effectively making him brain dead, which makes the scenes later on where he remembers his past and is even aware of the people who are turning him into a robot seem unrealistic. A better idea would have been to have the men just walk away laughing while allowing Murphy to remain conscious , which would have worked better with their already vindictive nature as shooting him in the head given the circumstances seemed too ‘humane’ like they were putting him out of his misery. It also would have kept his brain functioning and allowed the later segments to be more believable.

Star Weller is so covered up with the massive suit that he has to wear that he becomes transparent and making the bad guys much more colorful and memorable. The character needed more of a backstory and a few distinctive personality traits. I also felt that the history between his character and Officer Anne Lewis (Nancy Allen) should have been more than just one day on the job.

Miguel Ferrer captures the caricature of the young, upwardly mobile do-whatever-it-takes-to-get-ahead 80’s yuppie persona so well that he was one unlikable character I wished had stayed on for the entire duration. Smith who has become so well known in more benign roles in his later career really scores as a particularly vile bad guy.

My only real complaint is that the visuals were not all that futuristic looking. The police station resembled the one on the old ‘Barney Miller’ TV-show and the police cars looked very much like 80’s models. The remake of the film, which is set to be released today, may do a better job of creating more modernistic visuals.

My Rating: 8 out of 10

Released: July 17, 1987

Runtime: 1Hour 42Minutes

Rated R

Director: Paul Verhoeven

Studio: Orion Pictures Corporation

Available: VHS, DVD, Blu-ray, Amazon Instant Video

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Posted in 80's Movies, Action/Adventure, Classic, Movies with Nudity, Police Drama, Satire, Sci-Fi

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Serial (1980)

Posted on January 23, 2014 | 4 comments

serial

By Richard Winters

My Rating: 4 out of 10

4-Word Review: He doesn’t like fads.

The world has turned into one giant fad and everyone and everything is a part of it. Martin Mull is the one remnant of sanity as he tries to survive in it while still keeping his balance.

There is hardly anything cinematic about this picture. Take out some of the ‘dirty’ references and you have a TV-movie. In many ways it’s barely a movie at all, but more of a compilation of skits running along the same theme.

Mull is definitely a good anchor as his glib, sardonic comments help keep this thing churning. The rest of the characters though don’t resemble real people in any way and many of the fads shown weren’t really followed by that many to begin with. It’s pretty restrained and soft and fails to attain the acidic wit of the Cyra McFadden novel of which it is based.

Attacking trendy people isn’t too difficult and this film fails to supply any new perspective on the subject. This is probably the most annoying thing about it, which is that it is as vapid and superficial as the people and lifestyles it tries to mock.

The film does manage to be fast paced and there are a few slightly amusing bits, which could prove entertaining to those on a really, really slow night. Of the good stuff there is a dog groomer who shouts to his barking dogs to “Shut up you sons of bitches.” There is also Mull going to an orgy and having to step through a whole mass of naked bodies before he can find his girlfriend. Kudos also must go out to the climatic finale that features a gay biker gang lead by Christopher Lee who rampage (on their motorbikes!) the home of a religious cult. The running gag of having Tuesday Weld constantly referring to the Pamela Bellwood character as a ‘cunt’ isn’t bad either.

Also, Ed Begley Jr. can be heard on the radio as a DJ in the opening sequence.

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My Rating: 4 out of 10

Released: March 28, 1980

Runtime: 1Hour 26Minutes

Rated R

Director: Bill Persky

Studio: Paramount

Available: DVD

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Posted in 80's Movies, Movies Based on Novels, Satire

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The Survivors (1983)

Posted on December 30, 2013 | Leave a comment

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: Seeking refuge with vigilantes

Sonny (Walter Matthau) and Donald (Robin Williams) are a mismatched pair who inadvertently become involved with bad guy Jack (Jerry Reed) after witnessing him holding up a restaurant. Donald seeks protection by joining a radical militia group while Sonny chases after him in an attempt to get him out of it.

The story certainly has the foundation for good potent satire. It hits on the serious issue of average citizen vigilantes who become more fanatical and dangerous than the criminals themselves. It peaks with a scene in a gun shop were a little old lady packs herself with some really big guns. Unfortunately it becomes soft and aimless after that and the result is a clumsy comedy with too much nonsense thrown in for cheap laughs.

There is also too many shifts in allegiances here, which makes it all implausible. First Donald is on the run from Jack and even tells him off in a funny moment over the telephone. Then before you know it they are working together and going against the fanatical militia group that at one time Donald was really into. The final denouncement involving the true allegiance of the militia group’s leader is also absurd.

There are some good laughs, but they are scattered haphazardly throughout. The best stuff comes from Williams. He seems a little out of place at first playing the part of the henpecked businessman, but he quickly comes into his own. His shootout with Reed is the real topper and Matthau is as always consistently amusing.

The female cast is also interesting. Kristen Vigard is a nice addition as Matthau’s teen daughter. She is pretty and smart, but still quite sweet. Her relaxed and casual responses to things are a nice contrast to the frantic behaving adults. Annie McEnroe as Williams’ wife is also good only because of her facial expressions which never allow you to know what she is really thinking or feeling.

The best line comes from hit-man Reed: “I was raised a strict Southern Baptist and I place a high value on human life… at least $20,000.”

My Rating: 6 out of 10

Released: June 22, 1983

Runtime: 1Hour 43Minutes

Rated R

Director: Michael Ritchie

Studio: Columbia Pictures

Available: VHS, DVD, Amazon Instant Video

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Posted in 80's Movies, Action/Adventure, Buddy Movies, Cold Climate/Wintertime Movies, Satire

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Ginger and Fred (1986)

Posted on December 5, 2013 | 1 comment

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: Aging dance partners reunite.

Amelia (Giulietta Masina) and Pippo (Marcello Mastroianni) are two aging dance partners who haven’t worked together for years. They are asked to reunite for a TV-show special and do a famous Fred Astaire and Ginger Rogers routine, but things have changed in their many years apart and the situation becomes more awkward than they imagined.

This is a genuinely amusing satire on television and celebrity status with Mastroisanni being absolutely engaging in every scene that he is in. Masina, who was director Federico Fellini’s wife in real-life, also gives a good performance and together they make a real fun team. The final dance sequence is terrific and the film manages to really come together at that point. The film is also sprinkled with some funny satirical snippets with the best ones including goofy billboards and a woman wearing edible panties.

On the negative end I found the techno music score to be overplayed and it becomes irritating especially at the beginning.  The film is also about a half-hour too long and it takes almost thirty minutes for Mastroianni’s character to even appear.

Overall I found the film to be enjoyable and mainly because the two leads are old pros who know how to work their magic although this is definitely not one of Fellini’s best films and at times it seems like he is just coasting.

My Rating: 6 out of 10

Released: January 13, 1986

Runtime: 2Hours 5Minutes

Rated PG-13

Director: Frederico Fellini

Studio: MGM

Available: DVD, Amazon Instant Video

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Posted in 80's Movies, Buddy Movies, Foreign Films, Italian Films, Satire

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