Category Archives: Musical

Hair (1979)

Posted on January 17, 2014 | 3 comments

hair 2

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Hippies versus the establishment.

A young draftee (Savage) goes to New York to join the army. Along the way he inadvertently walks into a ‘happening’ of hippies in Central Park who begin to socialize with him and the rest of the film looks at their efforts at trying to get him not to go.

It is easy to see how during its era this stage play would have been an exciting even vibrant experience. It perfectly captures the moods, thoughts and uniqueness of the period. However this film version doesn’t. It’s made ten years too late and the spirit just isn’t there. Even the protest rallies seem mechanical and manufactured. The period was known for its bright psychedelic colors and yet here everything is gray and bland. The camera angles should have been more unconventional and Twyla Tharp’s much ballyhooed choreography looks like nothing more than jumping around with song renditions that are horrible.

The hippies themselves are also a problem. For one thing Treat Williams looks too old as their leader. They also appear too clean-cut as these guys are literally sleeping on the streets and yet none of them have a beard.

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A few good moments do abound. Williams’ constant confrontations with the establishment are fun. Having them crash a society party and then having Williams dance on a table with Charlotte “Facts of Life” Rae is great. The dramatic twist at the end is powerful and really hits home at how impersonal and sad that war really was.

Savage looks and talks like the country boy he is playing, which is good, but his brief attempt at singing is downright awful. Brad Dourif was the original choice for the part and I think he would have done better.  Beverly D’Angelo is enticing as a snooty girl who transforms into a hippie one and Miles Chapin is amazing simply because he was a 28-year-old man that managed to convincingly look and act like a 17-year-old.

One quibble involves the wearing of the same army outfit by several different people. The uniform is originally worn by a general who is on the short side. They steal it and put it on Williams who is much taller and yet it still fits perfectly. They then put it on Savage who is much thinner and yet strangely it fits perfectly on him as well.

hair 4

My Rating: 5 out of 10

Released: March 14, 1979

Runtime:  2Hours 1Minute

Rated PG

Director: Milos Foreman

Studio: United Artists

Available:  DVD, Blu-ray, Amazon Instant Video

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Posted in 70's Movies, Comedy/Drama, Movies Based on Stageplays, Movies that take place in the Big Apple, Musical, War Movies

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The Pleasure Seekers (1964)

Posted on November 24, 2013 | 2 comments

the pleasure seekers

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Finding romance in Spain.

Three young American women decide to room together in Madrid. Fran (Ann-Margret) is the flirtatious, sexy one. Maggie (Carol Lynley) is more stoic and sensible while Susie (Pamela Tiffin) is the most naïve of the trio. Fran falls in-love with a dashing young doctor while Maggie has an affair with her much older boss Paul (Brian Keith) and Susie tries to get her playboy boyfriend Emilio (Anthony Franciosa) to settle down and marry her.

The film is cute and engaging for the most part and helped mainly by the performances and contrasting personalities of the three female leads. Ann-Margret is quite sensual especially when she sings and dances in her bikini on the beach. She also does a great rendition of the film’s title tune and I was at a lost as to why it wasn’t played over the opening credits as it has a definite verve and bounce. Lynley is solid as the more jaded worldly-wise of the three and helps give the story an anchor. Tiffin is amusing with her wide-eyed comments and despite being considered dumb turns out to be quite clever in the way she manipulates her womanizing boyfriend.

I was hoping the film would focus more on their living arrangement as it is evident from the beginning that their different habits and perspectives would be ripe for interesting comic scenarios. Instead the film veers almost exclusively to the romance angle, which makes the film one-dimensional and dangerously close to being completely vapid. Certain prime comic set-ups do not get followed through on and the part where Susie allows herself to be lead into Emilio’s car before she even knows his name is just too recklessly insane even for a more innocent era. The songs are sparse and spread so far apart that you almost forget that it is a musical. I did like the flamingo dance segment done on stage by a talented male performer and then later at the beach by two children who couldn’t have been more than 3-years-old.

Normally I am a great admirer of Brian Keith, but his appearance here is all wrong. His gruff, brash manner does not work as a love interest and there is absolutely no chemistry between he and Lynley making their love affair seem unbelievable. This was also Gene Tierney’s last film.  She gets a rather thankless, small part as Keith’s jilted, bitter wife. Her hair is much shorter and she looks very middle-aged and lost all her youthful beauty that she had during her classic film roles of the 40’s and 50’s, but her confrontation with Lynley during a party is okay.

Basically this is an updated version of Three Coins in the Fountain, which was done by the same director and the only difference being that it took place in Rome. The film is pleasant enough to be watchable, but rather empty and mindless and best suited for romantics looking for an evening of mild entertainment.

My Rating: 5 out of 10

Released: December 25, 1964

Runtime: 1Hour 46Mintutes

Not Rated

Director: Jean Negulesco

Studio: 20th Century Fox

Not Available at this time.

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Posted in 60's Movies, Comedy/Drama, Movies Based on Novels, Musical, Obscure Movies, Romance

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Body Rock (1984)

Posted on September 5, 2013 | Leave a comment

body rock

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Lots of break-dancing.

Chilly (Lorenzo Lamas) is a an aspiring street artist who learns of an agent named Terrence (Ray Sharkey) who is looking for break-dancers for his next production. Although Chilly doesn’t know how to break- dance he gets a young African American kid named Magick (La Ron A. Smith) to teach him how. Soon Chilly and his friends are doing the moves and form a group called The Body Rocks. Unfortunately the producers like Chilly, but not his friends. He gets hired to dance at a high class club while leaving his friends behind, which causes friction with his old buddies especially when things don’t work out and Chilly finds himself in need of them.

If you like an 80’s movie that is oozing with cheesy 80’s kitsch from its first frame until its last then this movie is for you. Amazingly director Marcelo Epstein shoots it pretty well with a nice pace that never gets boring. There are a lot of scenes of break dancing here. In fact out of the entire 90 minute runtime at least 30 minutes of it deals with shots of somebody dancing. Director Epstein uses creative camerawork to keep it interesting and avoids it becoming anymore repetitive than it already is and in that regard he deserves credit. I liked how he showed some of it in slow motion as well as the underneath shots where the viewer sees the dancer’s body fly over the camera. The segment where the dancers wear glow-in-the-dark costumes resembling skeletons was actually kind of cool. It has been so long since I’ve seen anyone doing the moonwalk or the other dance moves that on a nostalgic level this is kind of fun.

Lamas wasn’t quite as bad as I feared. I admit I’ve never followed his ‘career’ much and he always seemed to me to be one of those hollow hunks, but here he doesn’t take himself too seriously. His colorful ‘hip’ bare chest exposing outfits and headbands are goofy and the fact that he insists on wearing them even on job interviews gets over-the-top and makes the already one-dimensional character even more of a caricature. The biggest problem though is the fact that Lamas was too old for the role. He was already 26 at the time and the part was more suited for an 18-year-old. Personally I would have had Majick as the lead. The kid has way more charisma than Lamas and was a much better dancer.

Sharkey as the agent is completely wasted and trapped in a blandly written role. I did like Grace Zabriskie as Chilly’s white-trash mother. A woman who seems to lie in bed all the time and smoke cigarettes while somehow trying to camouflage her aging, worn face with a platinum blonde dyed hairdo. The talented Zabriskie plays the caricature perfectly and I wished she had more scenes.

The movie is tolerable on a tacky B-level, but the corny over-blown ending pretty much kills it. The script was written by Desmond Nakano who later found critical success with Last Exit to Brooklyn and White Man’s Burden, but you wouldn’t see a shred of that here in a story that is woefully pedestrian and predictable. In fact the whole thing would have been more interesting had they scrapped the paper-thin plot and made a documentary on break-dancing instead.

My Rating: 2 out of 10

Released: September 28, 1984

Runtime: 1Hour 33Minutes

Rated PG-13

Director: Marcelo Epstein

Studio: New World Pictures

Available: DVD

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Posted in 80's Movies, Drama, Movies that take place in the Big Apple, Musical, Obscure Movies

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Cry-Baby (1990)

Posted on July 3, 2013 | 1 comment

cry baby 1

By Richard Winters

My Rating: 4 out of 10

4-Word Review: The Greasers are cool.

Director John Waters films, which are sometimes referred to as ‘an exercise in bad taste’, are indeed an acquired taste.  Some label his films from the late 60’s and early 70’s like; Mondo-Trasho, Pink Flamingoes, and Female Trouble to be tasteless, exploitative, and trashy. Yet those films also have a very fervent following. I for one found them to be perversely brilliant.  However, when Waters decided to ‘sell-out’ and go more mainstream Hollywood, his stuff became too toned-down. The humor lost all of its edge. The original Hairspray that came out in 1988 was a particular disappointment. It seemed like nothing more than a stretched out sitcom with musical numbers.  This film, which came out two years later, does only slightly better.

The setting is a 1950’s Baltimore High School that has an intense rivalry between the leather jacket wearing, motorcycle riding ‘greasers’ and the more refined All-American clique. The lightweight story  follows a young, clean-cut girl (Amy Locane) who secretly longs to go out with the head of the greasers (played by Johnny Depp), but can’t due to her social standing.

If the film does anything right it is the fact that, in typical John Waters style, everything gets played up to the extreme.  The ‘model’ students are really snobby and annoying and the animosity between the cliques is strong. However, I couldn’t help but feel that there was a certain grain of truth to all this especially in that era where ones ‘reputation’, whether it be good or bad, was taken more seriously than it may be today. I thought the casting of Locane in the lead was perfect.  She has an appealing, girl-next-door face and her hidden feelings of wanting to venture out of her repressive social role are certainly relatable.  I also loved Depp in the male lead role. He is a gifted actor, but sometimes he seems to take himself too seriously, so it was fun seeing him ham it up. Female viewers may also like the fact that there is an extended scene where he is shown wearing nothing but his underwear.

The casting of the supporting actors is equally inspired if not incredibly quirky.  Polly Bergen gets what might by her finest role in her long, but modest career. Here she plays Locane’s very rigid, upstanding Mother that ends up loosening up a bit in amusing fashion.  Joe Dallesandro and Joey Hetherton are a hoot as an extremist religious couple.  David Nelson and Patty Hearst (yes, the same one that was kidnaped in the 70’s) are equally funny as the surbanites.  Waters veteran Mink Stole has a bit playing the most entertaining iron lung victim since Jose Ferrer played one in The Big Bus.  Kudos must also go out to Kim Holden who sports one of the most hilariously ugly faces since Cloris Leachman’s Nurse Diesel character from High Anxiety. The only mistake here is that they didn’t make the Holden character a villain, which they should’ve in order to really play it up.

Some of the comedy does have its moments.  I liked the part where parents go to an adoption agency and ‘shop’ for children who are set up like mannequins in a display window. The climactic car chase sequence in which the rival gang leaders play the infamous game of ‘chicken’ while riding on the roofs of their cars only to end up crashing into an actual chicken coop, is good. The rest of the film though is too silly and cartoonish without the outrageousness of Water’s earlier films.

The story is also too pedestrian without offering any new insight or perspective.  The characterizations are over-the-top broad and the whole thing ends up being vapid and forgettable despite a few chuckles here and there.  There are also some musical numbers in this, but the songs all sound alike.  The dance routines are dull and unimaginative, looking like they were done without a choreographer present.

Waters earlier work is still far better as it was independent film-making at its purest. Those films also starred Divine who is sorely missed here (she died a few years before). Of course any film that has Susan Tyrrell in it, arguably the most eccentric actress to ever grace the screen, gets a few more points, but not enough to save it.

My Rating: 4 out of 10

Released: April 6, 1990

Runtime: 1Hour 25Minutes

Rated PG-13

Director: John Waters

Available: VHS, DVD, Blu-ray, Amazon Instant Video

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Posted in 90's Movies, Adolescence/High School, Campy Comedy, Cult, Fast Cars/Car Chase, Musical, Romance, Satire

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How to Succeed in Business Without Really Trying (1967)

Posted on December 16, 2012 | 5 comments

how to succeed in business without really trying

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Up the corporate ladder.

J. Pierpont Finch (Robert Morse) is a window washer looking to get ahead in the business world. By pure chance he finds a book entitled ‘How to Get Ahead in Business without Really Trying’. He reads it and follows the advice. He quickly gets a job at a large company and within days he moves all the way up from the mailroom to the head of advertising and eventually chairman of the board all without doing much work in this adaptation of the hit Broadway play, which in turn was an adaptation of the Abe Burrows novel.

This delightful film is lively and fresh even after all these years. The humor of course exaggerates life in the business world, but remains on target nonetheless. It accurately pinpoints all the universal problems and politics one goes through when working at a large company and dealing with the inside politics of getting ahead. Nothing is dated because it sticks with exposing the human foibles that come about in any generation when in a competitive and uncompromising environment, which is why I found it funny and interesting.

David Swift’s direction is top-notch. The pace is fast and furious balancing the humor and songs nicely. The sets are colorful and garish enough to accentuate the story’s farcical nature, but still bring out an office atmosphere feeling as well as the bigness of the company with large and imposing doorways including the amusing cathedral-like one that opens up to Finch’s office at the very end. At no times does the film suffer from the static staginess like most stage plays do when adapted to the screen.

The songs by Frank Loesser are upbeat and melodic and sound distinctive. My favorite one was the toe-tapping ‘A Secretary is Not a Toy’, but the showstopper ‘Brotherhood of Man’ had the best dance routines and was rousing enough to almost get me out of my seat. Rudy Vallee and Morse are also great in their rendition of ‘The Old Ivy’ fight song.

Morse recreates his role from the Broadway production. His voice isn’t necessarily the best and some of his singing seems a bit off-key, but his very boyish looks, gap-toothed grin, and bowl haircut is perfect for the part. A fun moment involving him is the scene where he prances down a busy New York sidewalk that was done with hidden cameras and the reactions from the other people on the street are genuine and real.

Michele Lee is terrific in her film debut. Her energy and perky smile are perfect as is her voice in the rendition of ‘I Believe in You’. She is probably best known to most for her starring role in the long running TV-series ‘Knots Landing’. What I can’t get over is how she continues to look like she hasn’t ever aged. A video on YouTube from her appearance at a 2011 AARP event has her looking almost the same as she does in this film. The interviewer tells her she is looking good and Lee replies ‘I always do’, which may seem conceited to some, but when one continues to look as great as she does then I suppose it is deserved.

Vallee best known as a crooner from the 1920’s is fun as Jasper Biggley the pompous head of the corporation. Anthony Teague with his devilish grin is great as the nefarious Bud Frump. I also liked the cute Kay Reynolds as Smitty and found it a shame that neither of these two talented young performers went on to do much else film-wise after this.

The only one I really didn’t like was Maureen Arthur as the ditzy and dumb Hedy Larue. Her high pitched voice and body gyrations were clichéd, over-the-top, and more annoying than funny. However, the incompetent way she takes down a dictated letter as well her reluctance to put her hand on a giant Bible during the film’s hilarious treasure hunt scene did manage to elicit some chuckles.

In 2011 the play was brought back to Broadway with Harry Potter’s Daniel Radcliffe in the lead. I wouldn’t be surprised if a remake of the film version comes out at some near point although nothing has been announced. Either way this film stands fine on its own and although never mentioned amongst the classic musicals I think it should be.

My Rating: 8 out of 10

Released: March 9, 1967

Runtime: 2Hours 1Minute

Rated NR (Not Rated)

Director: David Swift

Studio: United Artists

Available: VHS, DVD, Amazon Instant Video, Netflix streaming

5 Comments

Posted in 60's Movies, Movies Based on Novels, Movies Based on Stageplays, Movies that take place in the Big Apple, Musical, Satire

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Can’t Stop the Music (1980)

Posted on November 5, 2012 | Leave a comment

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Somebody stop this movie.

It’s an extraordinary achievement that this actually got made. It’s a relic of its time that is beyond words and is like nothing you have ever seen or will ever see again. This is one of those bad movies that you just have to see and, for a while, even enjoy in all its awfulness as it tells the story of the Village people and their rise to fame.

Unfortunately it’s not overdone enough to achieve that coveted cult status. The humor isn’t corny enough the storylines are not dumb enough and the costumes are not gaudy or the sets garish enough. They don’t even let the Village People try to act and make complete fools of themselves. They do have some speaking lines, but they are wisely brief. Eight minutes is all you need of this phenomenon before its long takes and general empty headedness become overwhelming.

Steve Guttenburg is probably the most annoying even more than he usually is. He is too clean cut and eager to please and his swift rise to success is artificial. The songs he writes are bad even for disco. Hearing lines like “he’s a genius” and “he knows what people want to hear” are probably the film’s single most insulting element.

Most youth oriented movies don’t cast too many older actresses, but this one does. Tammy Grimes, June Havoc, and Barbra Rush put a lot of energy into their parts and in the case of Grimes a lot of camp too. It’s a strange sight to see these three jump onto stage and line dance with the Village People during their last number. Paul Sand is fun in a part that goes against his persona as he plays an aggressive, no-nonsense record producer. Even Bruce Jenner, and I hate to say it, has his funny moments as an uptight lawyer. Yet it is Valerie Perrine that comes off best as her down to earth sensibilities helps to hold the whole thing together.

It is hard to tell what type of audience this film was aiming for, or even what the thinking was. The overall banality seems best suited for pre-teen girls yet the gay overtones snub that. Anyone over sixteen just isn’t going to buy into it and having the whole thing directed by 60-year-old Nancy Walker best known for play Ida Morgestern on the TV-Show ‘Rhoda’ makes it even more confounding. Even members of the Village People have stated in interviews that they dislike this movie. The only possible explanation is that it was made by people on cocaine for other people on cocaine.

My Rating: 2 out of 10

Released: June 20, 1980

Runtime: 2Hours 4Minutes

Rated PG

Director: Nancy Walker

Studio: Associated Film Distributors

Available: VHS, DVD, Amazon Instant Video

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Posted in 80's Movies, Campy Comedy, Gay/Lesbian, Musical, Surreal/Fantasy

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The Blues Brothers (1980)

Posted on April 2, 2012 | 4 comments

By Richard Winters

My Rating: 7 out of 10

4-Word Review: A mission from God.

Jake (John Belushi) is released from jail and joins his brother Elwood (Dan Aykroyd) in starting up their old band so as to raise money for their old orphanage. Trying to get the members back proves harder than they thought, but because they are ‘on a mission from God’ nothing deters them including having every police agency in the state (and various other riff-raff) on their tail.

If you take away the songs and the extended car chases you have only 20 minutes of actual comedy and even then it is not real hilarious just amusing. Sometimes it gets downright silly like an old Disney movie with no edginess or satire. There isn’t even the expected crudeness or sophmorics and having this thing rated ‘R’ is ridiculous.

For such a simple comedy it is well staged almost like a grand scale spectacle. The stunts are spectacular and at certain times breathtaking. Director John Landis seems to have shut down the whole city of Chicago to do it and it definitely set a new standard for car chases.

Some of it makes you grab the edge of your seat especially when you see in fast motion, from their viewpoint, careening down the street as they dodge cars and pedestrians that seem to pop up at you. It also helps the validity to have them run into some road construction because in Chicago that’s pretty much all you see. I lived there for 18 years and the saying they have is that there are two seasons ‘winter and road construction’. Yet it would have been nice to see them wearing their seatbelts! Anyone else would have been killed or injured with any number of things they do and this thought takes away from some of the fun. It also would have helped the plausibility to have a couple of the bullets shot at them at least hit the car. There is a scene where over a hundred different policemen shoot at the car and not even one hits it!

The songs are great and it’s more of a musical anyways. There is a nice emphasis on the blues that bring out a distinct Chicago flavor. Cab Calloway is terrific doing his famous rendition of ‘Minnie the Moocher’ while the Blues Band plays along dressed like a 1920’s swing band. The numbers done by the Blues Brothers themselves is the most rousing as they guys can really sing! Their rendition of ‘Rawhide’ is hilarious.

Kathleen Freeman has probably the funniest part in a nifty send up of those Catholic school nuns that loved to use a ruler as a disciplinary tool. Carrie Fisher is engaging as a jilted bride out for revenge as she always did have a very ‘Don’t mess with me’ look in her eyes even when she was doing Star Wars. Henry Gibson shows his usual sinister style as the head of the local Nazi party and yet it is Aykroyd who is the real star as he is at his deadpan best throughout.

Look quickly for Paul “Pee Wee Herman” Ruebens as a French waiter. Also the DVD version has 18 minutes of extra footage.

My Rating: 7 out of 10

Released; June 20, 1980

Runtime: 2Hours 13Minutes

Rated R

Director: John Landis

Studio: Universal

Available: VHS, DVD, Blu-ray, Amazon Instant Video

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Posted in 80's Movies, Farce, Fast Cars/Car Chase, Movies that take place in Chicago, Musical

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Movie Movie (1978)

Posted on January 8, 2012 | Leave a comment

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Two movies in one.

Initially, the unique concept for this film seems intriguing.  The idea was to recreate the movie viewing experience of the 30’s and 40’s by having a double bill feature along with theatrical trailers in between. The stories would have all the clichés, storylines, and characters from films of that era, but done with a tongue and cheek approach. The same core performers including: George C. Scott, his actress wife Trish Van Devere, Red Buttons, Art Carney, and Eli Wallach would play different characters in all the stories much like doing skits on a variety show. Legendary director Stanley Donen, famous for such films as Singing in the Rain, Royal Wedding, and Seven Brides for Seven Brothers, would direct and the screenplay would be written by Larry Gelbert best known for writing Oh God! and Tootsie.

Unfortunately, it never really takes off. Part of the reason is that the parody is too restrained. There are a few funny lines here and there, but that is about it. This was released two years before the Zucker brother’s groundbreaking hit Airplane that redefined parody and still stands as the standard today. This film doesn’t even come close to that. In fact certain audiences that saw this movie in other countries didn’t get the wry, gentle humor at all and took it seriously. I got the feeling that Gelbert and Donen had gone to the theaters as kids and watched these same types of films. Their affection and nostalgia for this stuff is clearly evident and prevented them from unleashing the over-the-top, in your face farce that would have really made this hilarious and is what most audiences of today expect.

The first feature is entitled ‘Dynamite Hands’ and is a story about a young boxer from the 30’s named Joey Popchik (Harry Hamlin, in his film debut) who becomes a prizefighter in order to pay for his kid sister’s (Kathleen Quinlan) eye operation. This segment features all the expected clichés, but the subtle humor that is injected fails to make it seem fresh or interesting. It was shot in color, but I felt black and white would have been better. The one thing I did like was Hamlin who these days seems pretty washed-up as he appears almost exclusively in direct to video fare, or dumb reality shows with his fat-lipped wife. Yet here he is right on target with his portrayal of the naïve, wet-behind-the-ears, All-American kid and I enjoyed it. Wallach is also fun as the heavy.

The middle segment is a mock theatrical trailer called “Zero Hour” that features Wallach, Scott, and Buttons as WWI flying aces. This was shot in black and white, but is brief and unexceptional. I was disappointed that there wasn’t any silly newsreel footage as this was also a mainstay in theaters during the time and could’ve been a riot.

The third part is a send-up of all the old Busby Berkley musicals and is entitled “Baxter’s Beauties of 1933”.  Scott, who is nicely hammy, plays a famous Broadway producer named Spats Baxter that finds out he is dying from a very rare illness and has only a month to live. He decides to go out on top by putting on the most lavish musical show that he can. Again, like with the others, this segment is a disappointment. The musical numbers, which were choreographed by Michael Kidd, are poorly photographed and with the exception of one routine done on a giant roulette wheel fail to match the spectacular and extravagant quality of Berkley’s. Van Devere’s kitschy performance as an alcoholic, tyrannical leading lady is the only thing that saves it. Gifted actress Barbra Harris is completely wasted in a thankless role of one of the chorus girls that doesn’t take any advantage of her talents.

George Burns, who is credited as the film’s ‘host’, appears only briefly at the beginning, but I would have liked to have seen more of him.

The cast and crew clearly had more fun making this than the viewer had in watching it. The formula is followed too closely and the result is tedium.  Even if you are a fan of films from that period I would still not suggest this as the originals are far better.

My Rating: 3 out of 10

Released: November 3, 1978

Runtime: 1Hour 45Minutes

Rated PG

Director: Stanley Donen

Studio: ITC Entertainment

Available: Amazon Instant Video

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Posted in 70's Movies, Black & White, Musical, Obscure Movies, Parody

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