Tag Archives: John Savage

The Onion Field (1979)

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By Richard Winters

My Rating: 7 out of 10

4-Word Review: Guilt over partner’s death.

Los Angeles police detectives Ian Campbell (Ted Danson) and Karl Hettinger (John Savage) are on-duty driving around in an unmarked police car when they spot two men, Gregory Powell (James Woods) and Jimmy Smith (Franklyn Seales), driving suspiciously, so they pull them over. While Campbell is talking to Powell, Powell is able to pull out a gun he had hidden in his trousers forcing Campbell to drop his weapon. Hettinger is then told to give up his weapon as well, which he does, or risk seeing his partner get shot. The two cops are then taken at gunpoint to an remote onion field where in the darkness of night Campbell is shot and killed, but Hettinger escapes and manages to run 4 miles until he finds someone and gets help. While the two criminals are eventually apprehended and found guilty it is Hettinger that suffers the most from the guilt of surviving when his friend and partner didn’t and from the humiliation of being the subject of a police video detailing what not to do when stopping a vehicle, which leads him to a severe mental breakdown in both his personal and professional life.

The story is based on the actual incident that occurred on March 9, 1963 with the traffic stop happening on the corner of Carlos Avenue and Gower Street in Hollywood and the murder happening off of Interstate 5 near Bakersfield. It was written into a novel by former cop turned author Joseph Wambaugh in 1973. I remember reading it when I was 14 and finding it captivating from beginning to end. While the film stays faithful to it I still felt it wasn’t as effective and in a lot of ways not as gripping. Even though it was a long time ago I remember the part about Powell’s ‘disguise’ where the only thing he changed about his features was putting a distinctive mole on his left ear lobe, which sounded completely absurd. This is discussed in the movie, which gets a subtle eye roll from Smith his partner, but the irony is, which is talked about in the book and not the film, is that the witnesses from the robbery that Powell was in described the mole to the police and this litrerally threw the detectives off for awhile as they kept searching for a man with a distinctive mole that Powell had since removed, so as silly as it sounded, his idea had actually worked, but the movie never gives this pay-off.

The chase through the onion field is also really hurt. I remember finding this section the most captivating part of the book and finding it a truly tense and horrifying moment that seemed to go on forever and a major element of the story, but in the movie this moment gets trimmed down significantly. Years ago, when I first saw the movie on TV, I thought it was because they had edited it down due to time constraints in order to get more commercials in, but when I finally viewed the full version on DVD I found this wasn’t the case. For whatever reason the chase in the onion field lasts for only a few minutes and not done from Hettinger’s perspective, which is what made it such an intense reading and it’s a real shame as it makes the movie much less impactful then it could’ve been. It turns the whole onion field incident into a side story instead of the main event.

The performances by Woods and Seales are outstanding and the element that really gives the film its energy they also look exactly like the people they’re playing to the point it’s almost freaky. Woods is especially creepy and he literally demands your attention with each moment he’s in it. Seales though, whose career never really took off and he died at the young age of 37 from AIDS, is excellent too as he plays someone who is very timid especially when initially with Powell, but brazen at other points and the way his and Powell’s relationship evolves both through their criminal and then when behind bars is quite fascinating. The scream that he lets out when Campbell gets shot, which was not in the script and completely improvised, has a very riveting effect and the one thing about the film that I had remembered from watching it decades earlier.

Unfortunately the two leads, the people we’re supposed to be the most connected with, are quite boring. It’s not like it’s the actors faults either. Danson, this was his film debut, is not bad, but his character isn’t fleshed out enough. Other than enjoying playing the bagpipes we don’t learn much else about him and nothing he says his captivating, or interesting. The same with Savage his inner turmoil and mental breakdown really doesn’t have the intended emotional impact in fact his moments bogs the movie down and you can’t wait until they get back to the bad guys who as rotten as they are what gives the movie its liveliness. I realize that Wambaugh felt it was very important to get Hettinger’s story out there and it was the whole reason that motivated him to write the book, but I came away feeling, at least movie wise it would’ve worked better had it just focused on the two crooks and their weird ‘friendship’.

On the whole it’s still an adequate production that holds enough interest and makes some good points about an important event that shouldn’t be forgotten, but at times it also seems like an overreach. Wambuagh’s insistence that everything be as accurate as possible gives the narrative a cluttered feel particularly with all the various court proceedings with each one having a different set of attorney’s, judges, and courtrooms which becomes dizzying instead of riveting. Pairing certain elements down would’ve helped as it’s not quite a completely effective, despite the great effort, as it could’ve been and without question another incidence where the book is far better.

My Rating: 7 out of 10

Released: September 19, 1979

Runtime: 2 Hours 6 Minutes

Rated R

Director: Harold Becker

Studio: AVCO Embassy Pictures

Available: DVD, Blu-ray

The Killing Kind (1973)

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Always a good boy.

Terry (John Savage) is an angry man suffering from the inner torment of being sent to prison for a gang rape he was forced to participate in. Once he gets out he moves back in with his oppressive mother (Ann Sothern) who dotes over him and ignores all the troubling signs that he clearly displays. Instead of getting a job he spends his time exacting revenge on those who wronged him and then sets his sights on an attractive young lady (Cindy Williams) who has rented a room in his mother’s house. When Terry ends up murdering her his mother decides to help him cover it up because in her mind he will always be a ‘good boy’ no matter what he does.

The film is cheaply made with faded color, grainy film stock and an annoying humming sound that is apparent throughout, but Curtis Harrington’s direction gives it life and keeps you intrigued with its offbeat approach. It reminded me a lot of Paul Bartel’s Private Parts particularly with its emphasis on voyeurism especially how Terry secretly watches their tenant while the neighbor lady (Luana Anders) does the same to Terry.

Unfortunately there’s not enough of a payoff. The action is spotty and the gore is kept at a minimum. It starts right away with the gang rape, but then steps back with the shocks and pretty much implies all the other dark aspects of the story without showing it. The characters are molded into caricatures and more subtlety could’ve been used as to their intentions particularly the repressed neighbor lady blurting out her inner desires and thoughts to Terry without ever having spoken to him before.

Sothern is impressive especially since she was from Hollywood’s Golden Age and spent years working with sanitized scripts, so seeing her jump into such tawdry material with seemingly no hesitation is interesting. Savage’s performance I found to be frustrating as he seems to play the role like someone we should sympathize with, which is hard to do when he kills so many people.

Williams is the standout. Her murder scene is memorable as she struggles quite a bit and then forced to stay still in stagnant water with the same facial expression for several minutes. Later she’s shown lying in a junkyard as rats crawl over her, which proves she’s a dedicated to her craft to allow herself to go through that.

The ending fizzles and seems almost like a cop-out while not taking enough advantage of the other offbeat scenarios that it introduces. Had I directed it I would’ve done it differently. In my version the nosy neighbor lady, would threaten to go to the police about the crime, which she sees, but says she won’t if Terry, who had rejected her advances earlier, agrees to have sex with her. She then forces both his mother and her wheelchair bound elderly father (Peter Brocco) to watch, which would’ve given this potential cult classic the extra oomph to the dark side that it needed instead of coming tantalizingly close, but never truly delivering.

My Rating: 5 out of 10

Released: June 23, 1973

Runtime: 1 Hour 34 Minutes

Rated R

Director: Curtis Harrington

Studio: Media Cinema Group

Available: DVD, Amazon Video

Hair (1979)

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By Richard Winters

My Rating: 5 out of 10

4-Word Review: Hippies versus the establishment.

A young draftee (Savage) goes to New York to join the army. Along the way he inadvertently walks into a ‘happening’ of hippies in Central Park who begin to socialize with him and the rest of the film looks at their efforts at trying to get him not to go.

It is easy to see how during its era this stage play would have been an exciting even vibrant experience. It perfectly captures the moods, thoughts and uniqueness of the period. However this film version doesn’t. It’s made ten years too late and the spirit just isn’t there. Even the protest rallies seem mechanical and manufactured. The period was known for its bright psychedelic colors and yet here everything is gray and bland. The camera angles should have been more unconventional and Twyla Tharp’s much ballyhooed choreography looks like nothing more than jumping around with song renditions that are horrible.

The hippies themselves are also a problem. For one thing Treat Williams looks too old as their leader. They also appear too clean-cut as these guys are literally sleeping on the streets and yet none of them have a beard.

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A few good moments do abound. Williams’ constant confrontations with the establishment are fun. Having them crash a society party and then having Williams dance on a table with Charlotte “Facts of Life” Rae is great. The dramatic twist at the end is powerful and really hits home at how impersonal and sad that war really was.

Savage looks and talks like the country boy he is playing, which is good, but his brief attempt at singing is downright awful. Brad Dourif was the original choice for the part and I think he would have done better.  Beverly D’Angelo is enticing as a snooty girl who transforms into a hippie one and Miles Chapin is amazing simply because he was a 28-year-old man that managed to convincingly look and act like a 17-year-old.

One quibble involves the wearing of the same army outfit by several different people. The uniform is originally worn by a general who is on the short side. They steal it and put it on Williams who is much taller and yet it still fits perfectly. They then put it on Savage who is much thinner and yet strangely it fits perfectly on him as well.

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My Rating: 5 out of 10

Released: March 14, 1979

Runtime:  2Hours 1Minute

Rated PG

Director: Milos Foreman

Studio: United Artists

Available:  DVD, Blu-ray, Amazon Instant Video