Tag Archives: Miles Chapin

The Funhouse (1981)

By Richrd Winters

My Rating: 5 out of 10

4-Word Review: Terror at the carnival.

Amy (Elizabeth Berridge) is a teen who goes out on a double date with her new boyfriend Buzz (Cooper Huckabee) along with her friend Li (Largo Woodruff) and her boyfriend Richie (Miles Chapin). Despite her reluctance, and promising her parents that she wouldn’t, she goes along with the three to the traveling carnival that is in town. While there Richie comes up with the idea that they should spend the night in the funhouse as a dare. The four sneak into the attic, but then witness, through the cracks in the floorboards, one of the carnival workers, who wears a mask to hide his hideously deformed face, kill Carmelita (Sylia Miles) the fortune teller. When the funhouse barker (Kevin Conway) realizes they’ve witnessed it, as well as stolen their money, they go after the kids, who are now trapped.

While the plot has some intriguing elements and the pacing manages to keep things creepy, I did feel that the creativity was lacking. Nowhere is this more evident than the opening bit where Amy’s kid brother attacks her with a rubber knife while she’s in the shower that is a complete rip-off from both Psycho and Halloween. The storyline is bland and predictable. I was hoping for something more surreal like they go into the funhouse and all these freaky things begin to happen to them and then find themselves trapped inside and forced to fight off a mysterious demonic power.

The killer that is named Gunther and played by Wayne Doba I didn’t find scary at all. He wears a Frankenstein mask most of the time and then when his true hideous face is exposed it really wasn’t the shocking moment that I think the filmmakers had intended. Despite being created by noted special effects artist Rick Baker I felt it looked very much like a plastic mask that just didn’t seem all that grotesque. You also feel somewhat sorry for the guy. Like he’s someone who’s been mistreated and not necessarily fear. In Larry Block’s original script Gunther was shown raping and killing another couple who had come to the funhouse earlier. While this would’ve been much more violent, I think it would’ve also heightened the tension. It’d make clear right from the start that this was a dangerous guy with bad intent instead of sitting around for the first 30-minutes not knowing exactly what’s going to happen, or even who the true villain is.

The acting is good all-around especially Berridge who has a natural beauty and behaves the way a shy, awkward teen would, and you feel bonded to her emotionally. In fact, for me the scariest part of the whole film, and the most memorable, is when she sees her parents at the carnival, while she’s trapped in the funhouse, and she scream out to them for help, but they can’t hear her due to the large electrical fan.

Spoiler Alert!

The supporting cast is good too as each of the teens has a distinct personality and avoid for the most part as coming off like caricatures. Miles Chapin plays the guy that just keeps getting the group in more and more trouble. First, he’s the one that comes up with the idea of spending the night there, then he steals the money, which makes the barker want to go after them and then it’s his lighter that falls through the floorboard cracks that alerts everyone to their whereabouts. He was such an idiot that when his dead body, that has an ax through the back of his head, comes wheeling by, I felt the remaining three should’ve cheered it instead of being horrified. At least when he’s dead, he can’t get them into any more of a mess.

Conway is excellent and so is Sylvia Miles, who at the time was the most well-known member of the cast. I loved the moment where she’s giving this fake psychic reading and her accent changes midway through. Having her get killed though was a real disappointment as keeping her working alongside the two men to get the kids would’ve made it more interesting. I didn’t feel the scenes where Gunther pays her to have sex with him and then prematurely ejaculates was even needed. Just having the kids steal their money would’ve been enough motive to have them chased down.

In 2017 writer Larry Block was able to buy back his screenplay in an attempt to produce a remake that would stay more loyal to the way it was originally written. I think it’s worth a shot as this version misses-the-mark though there’s been no updates about it since then.

My Rating: 4 out of 10

Released: March 13, 1081

Runtime: 1 Hour 36 Minutes

Rated R

Director: Tobe Hooper

Studio: Universal

Available: DVD, Blu-ray, Amazon Video

Bless the Beasts and the Children (1971)

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Kids free the buffalo.

Six adolescent boys (Barry Robins, Bill Mumy, Miles Chapin, Darel Glaser, Robert Jayson Kramer, Marc Vahanian) room together during summer camp and become known as the ‘bedwetters’. Through flashbacks we learn that the six children have difficult times at home with their individual parents and are routinely picked on by the other kids at the camp. Their camp counselor Wheaties (Ken Swofford) decides to take them to a buffalo corral where the boys witness to their horror the buffalo being shot by various hunters in an effort to ‘thin the herd’ from the weaker or more sickly ones. The boys decide to sneak off one night and free the herd from their corral, but various complications inevitably ensue.

The film is based on the novel of the same name by Glendon Swarthout and one might expect from the movie’s poster, for another topical, preachy, dramatically charged production from director Stanley Kramer, but instead the film is amusing and breezy. If you went to summer camp as a child then this will be sure to bring back a flood of memories. Some of the pranks that the other kids play on our six protagonists are cruel, but there’s also fun moments that effectively recreate the carefree summer days of youth.

In a lot of ways this could be described as early version of The Bad News Bears as these ‘losers’ decided to show everyone who doubts them up and to a degree you could say this one does it better. In the bears film we never saw how the kids related to their parents and their family background, but here we do in a nice fragmented style, which allows the viewer to connect to the kids in a deeper and more emotional level, which makes us root even more for them to accomplish their mission.

The dialogue is banal and Sammy, played by Chapin, is annoying.  He’s supposed to be ‘funny’ with his lame impressions of famous celebrities, mostly those of a very bygone era that viewers today won’t even know, and the fact that he continues to do them throughout the movie made me think he should’ve been ostracized by the others just for that and it would’ve been justifiable. The on-location shooting though shot throughout Arizona helps, and Robins who plays Cotton their leader is a standout especially given the fact that he was 24 when this was filmed, but looked to be only about 14 like the other kids.

The only issue that I had with the movie is the music particularly the opening song sung by the Carpenters. Richard and Karen Carpenter were a terrific brother and sister duo, but they represented the conservative establishment. This is a movie about junior high boys and they most likely would never listen to the Carpenters or like their music. A film’s soundtrack should reflect the attitude and personality of its protagonists and the songs selected here really don’t as the boys represented rebellion while the Carpenters were all about conformity. It’s possible that director Kramer, who was nearing 60 at the time, didn’t know the difference. The Carpenters were getting chart toppers at the time, so from his generation’s perspective that made them ‘hip’ and the ‘in-thing’, which shows how out-of-touch he was to his subjects, which becomes a bit of a drawback.

My Rating: 7 out of 10

Released: August 1, 1971

Runtime: 1Hour 42Minutes

Rated GP

Director: Stanley Kramer

Studio: Columbia Pictures

Available: DVD-R, Amazon Video, YouTube

Hair (1979)

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By Richard Winters

My Rating: 5 out of 10

4-Word Review: Hippies versus the establishment.

A young draftee (Savage) goes to New York to join the army. Along the way he inadvertently walks into a ‘happening’ of hippies in Central Park who begin to socialize with him and the rest of the film looks at their efforts at trying to get him not to go.

It is easy to see how during its era this stage play would have been an exciting even vibrant experience. It perfectly captures the moods, thoughts and uniqueness of the period. However this film version doesn’t. It’s made ten years too late and the spirit just isn’t there. Even the protest rallies seem mechanical and manufactured. The period was known for its bright psychedelic colors and yet here everything is gray and bland. The camera angles should have been more unconventional and Twyla Tharp’s much ballyhooed choreography looks like nothing more than jumping around with song renditions that are horrible.

The hippies themselves are also a problem. For one thing Treat Williams looks too old as their leader. They also appear too clean-cut as these guys are literally sleeping on the streets and yet none of them have a beard.

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A few good moments do abound. Williams’ constant confrontations with the establishment are fun. Having them crash a society party and then having Williams dance on a table with Charlotte “Facts of Life” Rae is great. The dramatic twist at the end is powerful and really hits home at how impersonal and sad that war really was.

Savage looks and talks like the country boy he is playing, which is good, but his brief attempt at singing is downright awful. Brad Dourif was the original choice for the part and I think he would have done better.  Beverly D’Angelo is enticing as a snooty girl who transforms into a hippie one and Miles Chapin is amazing simply because he was a 28-year-old man that managed to convincingly look and act like a 17-year-old.

One quibble involves the wearing of the same army outfit by several different people. The uniform is originally worn by a general who is on the short side. They steal it and put it on Williams who is much taller and yet it still fits perfectly. They then put it on Savage who is much thinner and yet strangely it fits perfectly on him as well.

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My Rating: 5 out of 10

Released: March 14, 1979

Runtime:  2Hours 1Minute

Rated PG

Director: Milos Foreman

Studio: United Artists

Available:  DVD, Blu-ray, Amazon Instant Video