Category Archives: Movies with Nudity

Thief of Hearts (1984)

thief of hearts

By Richard Winters

My Rating: 3 out of 10

4-Word Review: He knows her secrets.

Scott, who is played by actor Steven Bauer looking more like a heartthrob than a common criminal, robs the house of an affluent couple. He takes the diaries of the wife Mickey (Barbara Williams) and begins to read them. He starts to obsess over her and decides to try to woo her by using the knowledge of her ‘secret fantasies’ that he has learned.

Overall this is a draggy, one-dimensional film that is too programmed to the female viewer and eventually becomes like a soap opera. Exploring one’s fantasy world could have been interesting, but this thing barely touches the surface especially since her ‘fantasies’ are so ordinary and predictable that they hardly seem like a secret at all.

The characters are standard and unappealing. There is Janie (Christine Ebersole) the nosy co-worker who always seems ‘horny’. There is also the self- absorbed husband Ray (John Getz) who is such a doofus you wonder how they ever got married in the first place. Mickey our heroine is supposed to be the sensitive and conscientious one. Her perpetually worried and uncomfortable expression is intended to signify this. Yet she surrenders to Scott and his very obvious courting with little or no resistance. She makes her marriage look like it was meaningless and her morals quite dubious. Most viewers probably won’t sympathize with her especially since her marriage really wasn’t that bad and was simply suffering from the typical growing pains.

The sex scenes are a bore and not even worth five cents at a peep show. The music is bland and the songs (by Melissa Manchester) forgettable. The resolution- like ending is too protracted. The film is also humorless, but does have one unintentionally funny scene involving Mickey’s very hooky redecorating of Scott’s otherwise cool looking pad that supposedly makes it look better, but really doesn’t.

The only good thing about this film is David Caruso. He looks different and much younger here. He plays his sleazy rat-like character to the hilt and gives this dud a real boost of energy and should be mandatory viewing for any Caruso fan.

My Rating: 3 out of 10

Released: October 19, 1984

Runtime: 1Hour 40Minutes

Rated R

Director: Douglas Day Stewart

Studio: Paramount

Available: VHS, DVD, Amazon Instant Video

Night Call Nurses (1972)

night call nurses 1

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Sex makes good medicine.

Barbara (Patty Byrne), Janis (Alana Stewart), and Sandra (Mittie Lawrence) are three young women starting out in the nursing field. The film analyzes their various and sometimes amusing predicaments while on the job as well as their sex lives.

The film moves at a decent pace, but seems disjointed with poor story and character progression. Things are thrown in just to keep it moving, but with no real connection to anything else. Amateurish production values permeate and Jonathan Kaplan’s directorial debut is for the most part best forgotten. The only mildly interesting scene involved a therapy group where all the members strip off their clothes as well as having one of the members think that she is being driven insane by the group’s instructor.

The attempts at lightheartedness and humor are strained and flat. Only one brief exchange during the entire duration managed to elicit a small chuckle from myself and it goes like this:

Male Patient: (While looking at the nurse’s nametag on her uniform) Is Janis your name, or the name of your left titty?

Janis: (While giggling) Janis is my name. Irene is the name of my left tiitty.

The acting is quite poor with everyone phoning in their parts. Alana Stewart who was at one time the wife of actor George Hamilton and later rock legend Rod Stewart as well as the mother of Ashley Hamilton and Kimberly Stewart mouths her lines in a lifeless and emotionless fashion that resembles her beautiful but blank blue eyes. However, recent pics of her are amazing as she looks like she hasn’t aged a day since she has done this and I’ll give her credit there. Despite only doing one other picture besides this one Byrne is the one that gives the strongest performance particularly her effective crying, which seems real.

There is enough nudity to satisfy the voyeurs including the opening sequence where one of the mentally-ill patients’ strips off her clothes and then jumps off the roof of a building. However, you basically only see their breasts and the sex is handled in such a mechanical and unimaginative way that it fails to titillate at all.

The Shout Factory DVD issue has a great picture quality much like Private Duty Nurses, but the sound is a problem. There is a background rumbling heard throughout that resembles talking to someone on the phone with wind blowing through the receiver, or speaking to someone in the car with the windows down and wind blowing in.

My Rating: 2 out of 10

Released: June 10, 1972

Runtime: 1Hour 14Minutes

Rated R

Director: Jonathan Kaplan

Studio: New World Pictures

Available: DVD (Roger Corman’s Nurses Collection) 

Bob & Carol & Ted & Alice (1969)

bob and ted and carol and alice 2

By Richard Winters

My Rating: 7 out of 10

4-Word Review: 60’s style mate swapping.

Bob and Carol Saunders (Robert Culp, Natalie Wood) attend a group therapy session at a remote cabin location. There they encounter other couples who learn to become open with their feelings and sexuality. When they return home they find that their friends Ted and Alice (Elliot Gould, Dyan Cannon) are too repressed and need to open up more with their true selves. At first the other couple is reluctant, but after spending more time with Bob and Carol and adjusting to their new way of thinking, which includes allowing their spouse to have sex with other partners they slowly come around and eventually all four have sex together.

Paul Mazursky makes a splendid directorial debut. During the late sixties most filmmakers were trying to reflect the times by making movies that featured quick edits, zany plots, and surreal elements, but Mazursky slows it all down keeping the humor on a subtle level and making great use of silence. The envelope pushing subject matter is handled in refreshingly non-judgmental way. Some films from the era would take on some of the more racy topics of the day, but still feel the need to put in a ‘moral center’, but fortunately here that is not the case. Mazursky shows a respect for his adult audience by keeping the entire thing on an uncompromised sophisticated level. When I first saw the film over 20 years ago I felt it was too talky, but upon second viewing that opinion has mellowed and I now find the long takes gives it a nice improvisational feel.

One of the best moments of the film is the very beginning where we see an aerial shot of the remote cabin where the group encounter takes place as well as the open nudity by the participants and Bob and Carol driving up through the scenic locale on a curving road. Quincy Jones’s booming orchestral score adds to the already striking ambience. The scenes from the encounter group is handled almost in a documentary style analyzing not so much what it talked about, but instead on the different emotional reactions that the members have throughout it. The scene where Bob admits to Carol that he had an affair and instead of being angered by it she accepts it, which turns them on enough that they end up making love on their bathroom floor is funny as is the opposite reaction that Ted and Alice have when Carol tells them the ‘good news’.  I also found Alice’s therapy session to be fascinating namely because it seemed quite authentic and was done by an actual licensed psychiatrist (Donald F. Muhich) who at the time was Mazursky real life therapist.

Wood gives a strong and amazing performance in one of her best and unfairly neglected roles. Having seen interviews that she gave I was aware that she was raised in a sheltered environment, so it is interesting seeing her in a part of a liberated woman embracing the new modern morality. The wild look in her eyes sizzles from the screen and she looks awesome in a bikini a well.

Cannon is good as Wood’s polar opposite a woman who is reluctant to let go of the values of her more repressed era and yet still curious about trying. Having the character evolve as the film progresses makes it  interesting.

The two male leads are okay, but the underpants that Gould wears during the final scene where they undress are overly big to the point of almost looking like adult diapers.

The only real complaint that I have with the film is that the famous scene where the four characters all go to bed together doesn’t happen until the very end, which could prove frustrating to some viewers since that scene is the film’s most famous and one that was used for its promotion. I had no problem with the film showing the various events that led up to it happening as it was essential and intelligently done, but it does not show what happens to the characters after they do it. I felt a better structure for the film would have been to have the scene where they go to bed together happen right away at the beginning and then spend the rest of the film cutting back and forth showing what lead up to it as well as scenes showing how the characters went on with their lives and how they dealt with each other afterwards.

This is a great film because it shows the 60’s experience from a middle-aged person’s perspective and the confusion that it created. People observing the new free love generation from the outside looking  in still straddled with the more repressive values of the past and unsure about how or even if they should jump in.

bob and ted and carol and alice

My Rating: 7 out of 10

Released: September 17, 1969

Runtime: 1Hour 45Minutes

Rated M (Later changed to R)

Director: Paul Mazursky

Studio: Columbia Pictures

Available: VHS, DVD, Amazon Instant Video

The Family (1970)

the family

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Hit man wants revenge.

Jeff (Charles Bronson) is a retired hit man who finds himself set-up and nearly killed by girlfriend Vanessa (Jill Ireland). When he unexpectedly survives the ambush he plots his revenge by planning on killing her as well as her secret lover who put her up to it, but along the way he becomes harassed by Al (Telly Savalas) who wants to bring Jeff into their crime organization any way they can.

The movie features a great acid rock-like soundtrack that pumps the adrenaline and gives the proceedings a nice edgy feel. The scene where Jeff shoots a man from a distance while the victim is participating in a car race and blowing out his tire, which sends him crashing through a brick wall, is creative. However, the best part of the whole movie, which comes at the end and almost makes sitting through it worth it, is watching two people getting shot as they ride up a glass elevator by a gunman sitting on top of a roof of a building from across the street.

On the whole though the film, which credits six writers to the screenplay and includes the legendary Lina Wertmuller is rather standard. Somehow it always seems the more people that work on the screenplay the less creative it becomes and this proves no exception. The characters are one-dimensional and the twists aren’t all that clever. Outside of the action sequences the story plods at too slow of a pace and you feel the whole time you are watching it that you’ve seen it all before.

For a savvy hit-man Jeff seems to be too much of a pushover. I can understand getting double-crossed once, but then he keeps going back to Vanessa and she does it to him again and again making him seem like a schmuck. The Vanessa character is equally annoying.  She is too wishy-washy and would have gotten a better emotional response from the viewer had she been better defined, or written as being a complete and total bitch.

Bronson is okay in the lead although he doesn’t have too much to say, which is good. His best moments come when he is silent particularly the scene inside the prison cell when he allows a giant tarantula spider to crawl all over him while he serenely sits smiling and the other prisoners look on with shock and awe.

Ireland looks great as always and shows a lot of skin. There is a scene where there is a close-up of her breasts as well as her backside while she is lying in bed. There is a moment of frontal nudity when she gets out of shower and she can be seen through the slightly fogged glass of the shower door. However, her face is always conveniently hidden during all of these shots making me believe that a body double was used although none is credited.

Savalas, who is the only one that gives the film any real energy, is wasted and doesn’t appear until the second half.

The complete and uncut version of the film done on the recent Blue Underground DVD release features scenes that were omitted from earlier English language prints. Unfortunately because these scenes where never dubbed into English they are shown in their original Italian language format. This becomes quite distracting as characters will be speaking in English and then during the same scene start talking in Italian and then back to English. The DVD features subtitles during these moments, but the version on Amazon Instant Video, which is what I saw, doesn’t. What is worse is the fact that these added scenes really don’t add much and they could have just been left on the cutting room floor. Fans will many times flock to purchase the ‘complete and uncut’ versions of films while failing to realize that there was probably a reason this extra footage was cut in the first place, which is namely that they were perceived as being boring or pointless and usually are.

If you are looking for non-think formula action that has just enough style to make it passable then this film should fit the bill, but it is no classic.

My Rating: 5 out of 10

Alternate Title: Violent City

Released: September 17, 1970

Runtime: 1Hour 49Minutes

Rated R

Director: Sergio Sollima

Studio: Universal Film

Available: DVD, Amazon Instant Video (as ‘Violent City’)

Witness (1985)

witness

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Hiding out on farm.

Samuel (Lukas Haas) is a young Amish boy traveling with his mother Rachel (Kelly McGillis) by train to Baltimore to visit her sister. At the train station he leaves to go to the restroom where he witnesses a murder committed by McFee (Danny Glover) a narcotics cop gone bad. John Book (Harrison Ford) is the policeman investigating the case and when he realizes that there is an internal cover-up and he is now being targeted for blowing the whistle he goes into hiding with the boy and his mother at the farm home of Rachel’s grandfather Eli (Jan Rubes). There John learns to adjust to the Amish lifestyle while forming feelings for Rachel who displays the same for him, but McFee and his henchman doggedly pursue John in an attempt to silence him permanently.

The script by Earl K. Wallace and William Kelley deservedly won the Academy Award and is perfect blend of riveting cop drama and cultural understanding and one of the few films to deal with the Amish culture. It manages to tackle the subject in a non-sensationalistic manner that for the most part shows the Amish community in a positive, but still realistic light. The scenes showing the Amish men getting together and working as a team to hoist up a barn is exhilarating. The part where John punches out a brash heckler who looks exactly like current Baltimore Ravens head coach John Harbaugh who is harassing the peaceful people is satisfying as well. The film does also manage to look a bit at the negative side of the religion namely the shunning where if one of their members does not conform completely to their rigid doctrine then they will be literally shunned by the rest of their community even their own family members, which Rachel is told she risks simply by being, in their eyes, too friendly with John.

I remember at the time some critics complained about the scene where Rachel is bathing and turns around to find John peering at her and instead of covering herself up just stands there and exposes both of her breasts. Many people felt that this was not realistic. That a women raised on modesty would not just throw it all away and expose herself to a man who she was not married to and not a part of their community even if she did have some feelings for him and I have to agree. Although I did like the quiet sensuality of the scene I did not feel it was right for his type of picture, but fortunately it is the only time that it ever gets ‘Hollywoodnized’ and for the most part is pretty respectful.

The balance between the potential love angle and the action is surprisingly well done. The film may have one too many romantic moments, but otherwise the pacing is solid. The climatic showdown inside the barn had me on the edge of my seat and one of the best and most creative action finales for a cop movie that I have seen.

Ford is engaging as ever and it is surprising that his role here is his first and so far only time that he has ever been nominated for best actor. It is fun watching him learn how to milk a cow as well as seeing him dressed in an Amish suit with the pants not quite long enough.

Josef Sommar also gives an interesting performance as one of the bad guys. Instead of being the villain that becomes more confident, brazen, evil, and vicious as the pressure mounts he instead begins to behave in a more panicked and confused manner, which is an interesting take on the age-old formula.

Of course the real star of the film has to be Haas who is perfectly cast. He is cute and adorable without it ever having to be forced, or clichéd and one of the main reasons that this film has become so endearing.

The film also features Viggo Mortensen in a non-speaking part as one of the Amish men and Patti Lupone has a brief bit as John’s sister who begrudgingly agrees to take in Rachel and her son for the night in her home. Her reaction when Rachel tells her that she is Amish is subtly amusing.

My Rating: 8 out of 10

Released: February 8, 1985

Runtime: 1Hour 52Minutes

Rated R

Director: Peter Weir

Studio: Paramount

Available: VHS, DVD, Amazon Instant Video

Blue Velvet (1986)

blue velvet 1

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Whose ear is it?

Jeffrey (Kyle MacLachlan) is a young man living in a quiet small town who one day finds a mutilated human ear in an empty field. This gets him involved with a murky kidnapping case involving Dorothy (Isabella Rossellini) and a strange sinister man by the name of Frank (Dennis Hopper).

The offbeat plot evolves well and remains if nothing else captivating. Hopper makes the most of what was at the time his ‘comeback’ role creating a memorable villain. The casting of Rossellini was an inspired choice as she adds a unique flavor to the proceedings and sings a cool rendition of the title tune. The scene involving Dean Stockwell and his strange clan leaves a memorable impression as well.

Director David Lynch keeps a tight grip on his uniquely odd vision and makes sure that it permeates every sight and sound in the picture. The best part, or at least my favorite, comes at the beginning when the camera zooms into a nicely manicured front lawn until it shows an extreme close-up of all the bugs crawling around underneath it in the dirt.

I first saw this film upon its initial release and was mesmerized by it, but now twenty plus years later it doesn’t seem quite as cutting edge as it once did. There have been so many similarly weird films in the intermittent years that this one becomes lost in the shuffle and even dated.

Several scenes get stretched longer than they should be and the second half becomes draggy. The scene where Jeffrey is chased down by an angry boyfriend of Sandy (Laura Dern) only to have the naked Dorothy jump out of the bushes where the boyfriend then apologizes profusely seems now unintentionally funny. The contrived ending, which features a chirping mechanical robin, looks cheesy and tacky.

Despite the fact that the film has not stood the test of time it still has its moments, but it is no longer as fresh or original and the Hopper character is not as frightening as he once was.

My Rating: 6 out of 10

Released: September 19, 1986

Runtime: 2Hours

Rated R

Director: David Lynch

Studio: De Laurentiis Entertainment Group

Available: VHS, DVD (Special Edition), Blu-ray, Amazon Instant Video

Used Cars (1980)

used cars 3

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Don’t trust car salesmen.

Crazy, zany comedy written and directed by Robert Zemeckis dealing with twin brothers Roy and Luke Fuchs (Jack Warden) who run competing used car dealerships that sit right across the street from each other. The film examines the various shenanigans that each pulls on the other in order to give their business the edge.

Steven Spielberg was the executive producer and the result is taking a rather flimsy plot with an ordinary setting and propelling it to gargantuan proportions with lots of stunts, twists, and action. It teeters precariously to falling over-the-edge with too much of it getting silly and exaggerated, but somehow it manages to save itself by being consistently funny and clever.

Some of the segments really had me laughing even after repeat viewings. My favorite is when they jam the TV signals and then break into a live broadcast with one of their off-the-wall commercials. However, from a purely visual perspective the climax, which features over 250 used cars speeding across the desert in order to get to the dealership before an important deadline is impressive.

Although the humor does manage to hit-the-mark the rest of it is run-of-the-mill. The characters are too dishonest, lowbrow, and scheming, which makes it hard to warm up to any of them. This is especially true with the Rudy Russo (Kurt Russell) character as the film goes overboard in creating the obnoxious salesman stereotype. The suits he wears are loud even from a comedy perspective and only a complete moron would be seen in public wearing them. Russell is also too young and too otherwise hip to be caught up in with the down-on-his-luck salesman caricatures and the part would have been better suited for an actor who was middle-aged. Bringing in Barbara Jane (Deborah Harmon) as his love interest is too forced and their romantic interlude bogs down the momentum.

Warden shines as always and this could be considered his career pinnacle. He plays two very different types of characters and as usual pulls it off in effortless fashion. He shows great energy in a fight sequence as well as in the end while standing in the back of a pickup and dueling with Rudy.

Gerrit Graham comes off as the most likable of the bunch and the running joke involving his superstitious nature works. His dog has to rate as one of the better animal performers and does some really funny tricks.

The cars look like they are genuinely of the used variety and it is great seeing all the old model types that they no longer make. My only real quibble involves the climatic sequence which although fun seemed implausible especially when taken into consideration that the hundreds of cars seen careening across the desert were driven by student drivers and yet none of them broke down, or had an accident, which seemed highly unlikely.

My Rating: 7 out of 10

Released: July 11, 1980

Runtime: 1Hour 53Minutes

Rated R

Director: Robert Zemeckis

Studio: Columbia Pictures

Available: VHS, DVD, Amazon Instant Video

Dealing: or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues (1972)

dealing

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Drugs are a trip.

This review was originally slated to post in February, but due to the death on Christmas Eve of Charles Durning I decided to post it now. Durning was one of the all-time great character actors who always brought an amazing amount of energy to every role he played and could do a wide variety of character types well. Although he has very few lines of dialogue in this movie he still manages to become the most interesting part of the proceedings and helps enliven an otherwise slow moving film.

The plot, based on a novel by Michael Crichton, pertains to Peter (Robert F. Lyons) who is a recent Harvard graduate hired by John (John Lithgow) to transport a suitcase full of marijuana from Boston to Berkeley, California. Peter is new at this and things do not go as planned, but he meets beautiful Susan (Barbara Hershey) along the way and the two fall in love. John next hires Susan to transport another suitcase of narcotics, but when she loses the luggage at the airport and then tries to go back and get it she is arrested by corrupt cop Murphy (Durning) who resells some of the recovered stash back out onto the street. In order to get Susan out of jail Peter plays an elaborate game of cat-and-mouse with the cop, which culminates in a violent showdown.

The story is done in a laid-back style similar to the approach taken by many European films. The emphasis is on mood and subtle nuance yet when the Europeans do it this style seems refreshing, but here it is more off-putting. I really had a hard time getting into it as the first hour is slow with too many scenes going on longer than it should. The set-up is too quick and there is not enough background, or history shown to the main character.

The second hour improves. Durning gives the proceedings some pizazz and Peter’s scheming is fun. The shootout done in the snow has flair and style.

The music by Michael Small is impressive. It is one of the most original scores I have heard and really fits the mood of the script. The best is over the opening credits.

Hershey is as always gorgeous and fans may like that she is shown topless. The part of a free-spirited hippy chick seems to be her forte and she excels. However, having her fall for a guy that is rather dull and ordinary didn’t make sense. Sure they make love right away, but I thought that was more just because it was a part of her lifestyle and she does after all go around in a dress without wearing any underwear. She just seemed to be diving into the free love atmosphere of the era. Obviously having Peter fall for her made sense because she is hot, but why would she go head-over-heels for this schmuck when there are so many other guys that would be more than willing to do it with her. The romantic angle was forced and hurt the credibility of the story.

Lithgow is okay in his film debut, but I had problems with the character. One minute he is cool, conniving, brash, and arrogant and then in the next instant he becomes scared, confused, and meek, which was too much of a quick transition.

The under-rated Lyons is excellent and makes for a terrific lead especially with this type of part. Despite being in his 30’s he looks and acts very much like a college kid from that period. His performance is nicely understated and believable throughout.

The on-location shooting in Boston is vivid and people from the area may like to view this just to see how much it has changed. The DVD transfer from Warner Archive is excellent with a nice clarity and vivid colors. The movie itself is slick, but it also has a detachment to it that doesn’t allow the viewer to get as connected with the characters, or the situations like they should and thus making it an interesting period artifact, but nothing more.

Also, Demond Wilson can be seen briefly as one of the drug dealers. He did this just before his signature role of Lamont in the hit TV-series ‘Sandford and Son’. Ellen Barber is real cute as Peter’s girlfriend and so is Joy Bang who later became a registered nurse. Normally I don’t like women with buck teeth, but with her it actually looks sexy.

My Rating: 5 out of 10

Released: February 25, 1972

Runtime: 1Hour 28Minutes

Rated R

Director: Paul Williams

Studio: Warner Brothers

Available: DVD (Warner Archive)

Cannibal Holocaust (1980)

By Richard Winters

My Rating: 7 out of 10

4-Word Review: They were really hungry.

A group of people go into the deep dark jungles of the Amazon looking for a missing film crew. They never find the crew, but they do find some lost film footage of theirs. They bring it back home and play it and what they see is so gruesome that it startles the imagination.

This is truly a gross-out classic. If you have ever watched a horror movie purporting to have gruesome special effects and then walked away disappointed then this one will make up for the rest and everything else in between. No cutaways here and certainly no restraint for good taste. The effects look real and, at times, almost too real. Best of all is the fact that the story is handled in a realistic fashion giving the effects even more credibility. For instance the cutting off of one of the characters legs after he is bitten by a snake looks completely authentic. There is also a castration scene that has to be one of the most vivid ones ever filmed. There is also the cutting up of man’s body into little pieces and some really graphic rape scenes.

The film also doesn’t have that cheap look like with most horror films and it gets you immersed in the jungle atmosphere. It is well paced and builds up some really good tension. The editing is seamless without any of those annoying jump cuts. The music score is melodic, but distinct and effective making it one of the best scores ever made for a horror film. The eventual showing of the lost crew’s footage packs a wallop.

Former adult film star Richard Bolla plays the professor and the leader of the search party. He is credited as the star of the film yet his character is bland and forgettable. His only memorable moment comes when he jumps naked into a river and allows the adolescent girls from a nearby tribe to grope him, which has got to be a cinematic first. My favorite character was Chaco (Salvatore Basile). He is gruff and rough and absolutely nothing seems to faze him. He is so hardened by it all that it actually becomes amusing and I wished he would have stayed on for the duration.

The actual lost film crew is a vile bunch giving the film its main message of just who is ‘civilized’ and who is the savage. Their behavior is so disgusting that most viewers will actually look forward to their eventual gruesome demise.

The same cannot be said for the animals. There are graphic, ugly scenes involving the torture and mutilation of animals and it is not pretty. The animals flail their arms and legs and scream in very real pain and fright. It’s all handled in a distasteful and mocking way with the dissection of a sea turtle making even this jaded viewer feel nauseous. This will certainly be unsettling for animal lovers, but fortunately for those people the DVD release has a version that will cut out these segments while still allowing the viewer to enjoy the rest of the movie.

My Rating: 7 out of 10

Released: February 7, 1980

Runtime: 1Hour 35Minutes

Rated: NC-17

Director: Ruggero Deadato

Studio: United Artists

Available: VHS, DVD

The Prowler (1981)

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Just another slasher flick.

A gruesome murder is committed during a graduation dance in 1945. Now, thirty-five years later, the town decides to hold another one and soon the gruesome murders start back up.

The film does have an unusual opening for a slasher film, which consists of actual newsreel footage from World War II. It also nicely recreates a 1940’s dance scene. The presence of veteran’s Farley Granger and Lawrence Tierney help a little, but not much. Neither is seen a whole lot and in the case of Tierney isn’t even given a single line of dialogue. Bill Nunnery comes off best in his brief appearance as a lazy and apathetic hotel clerk. There is also a good moment of juxtaposition featuring the girls dressing up for the dance while cutting away to show the killer dressing up to kill them.

However, the movie is incredibly boring and redundant. There seems to be no point to the murders from before and why it was even put in seems ridiculous. The teen characters are one-dimensional and useless. The scenes that are supposed to be intense and scary become excessively dragged out until they become dull. The much ballyhooed special effects by Tom Savini don’t seem all that gruesome. The killings are pretty much standard stuff with most consisting of just a quick slash to the victim’s throat and then cutting away. The only decent one involves the death of a nude shower victim via a pitchfork. One particular killing seemed hard to believe if not completely impossible. It involved the killer putting a large knife all the way through the top of the victim’s skull and then out the bottom of his jaw with just one swoop. Then somehow the killer is able to easily take this same knife all the way back out, clean if off, and use it on his next victim. The girls are decent looking, but there needed to be a lot more nudity to make it worthwhile.

Despite attaining a cult following I found the film to be unimaginative and formulaic. The killings are boring and there isn’t one single scare or fright in it.

My Rating: 2 out of 10

Released: November 6, 1981

Runtime: 1Hour 29Minutes

Rated R

Director: Joseph Zito

Studio: Sandhurst

Available: VHS, DVD, Blu-ray, Amazon Instant Video