Category Archives: Drama

Goodbye, Columbus (1969)

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By Richard Winters

My Rating: 8 out of 10

4-Word Review: Dating a rich girl.

One day while at a pool party Neil (Richard Benjamin) becomes infatuated with beautiful Brenda (Ali MacGraw) and proceeds to begin a relationship with her. He has just recently graduated from college and still not quite sure what direction he wants to take in life. He doesn’t want to fully ‘drop-out’, but isn’t so excited about diving in to the corporate business world where making a lot of money is the only focus. Brenda on the other hand is from a rich Jewish family who enjoys her privileged lifestyle, but not always the pretension that comes with it.  She continues to date Neil simply out of spite to her mother (Nan Martin) who doesn’t approve, but as things progress their differences and values become more pronounced and sends the relationship teetering on the brink.

Director Larry Peerce did some high quality films during the sixties and it is unfortunate that by the seventies his output dropped off. I think overall this is his most complete work and a wonderful compliment to the Philip Roth novella from which it is based. The location shooting is outstanding and one of the main things that gives the film a personality. The giant suburban house in which Brenda’s family lives makes one of the biggest impressions not only with its large exterior, but interior as well where every room is wallpapered with its own distinct color and design. The library where Neil works is also visually impressive especially with its large marble columns and painted cathedral ceilings.

The film is filled with a lot of memorable and amusing scenes. Neil’s interactions with Brenda’s ten-year-old younger sister Julie (Lori Shelle) is entertaining not only with a game of hoops that the play, but most especially their ping pong contest that they play later. Neil’s attempted conversation with a deaf man while inside the library is funny as is seeing Neil sneaking into Brenda’s bedroom each night when the parents are asleep. You also got to love Neil’s shocked response when he finds out Brenda has not been taking the pill and the scenes at the wedding reception of Brenda’s brother is filled with a lot of keen observations. If you look closely you will be able to spot Bette Midler, Michael Nouri, Jacklyn Smith and Susan Lucci as wedding guests.

MacGraw has never looked more beautiful and Peerce spends several minutes lovingly photographing her swimming in the pool, which isn’t bad. Her performance as a spoiled rich girl going through fits of rebellion, but not quite ready to completely break from her soft lifestyle is on-target and proves that she is not just a pretty face, but an excellent actress as well. Although already 30 at the time she plays a 20-year-old quite convincingly.

Michael Meyers as Brenda’s older brother Ron is a scene stealer not only with his empty ‘discussions’ with Neil, but also with the way he orders around the other workers as a supervisor at a job he wouldn’t have had, had he not been the owner’s son. This proved to be his one and only movie appearance. He eventually became a physician in real-life and wrote an autobiography entitled ‘Goodbye Columbus, Hello Medicine’.

In some ways I saw a lot of similarities to this film and The Graduate and consider it to be just as much of a classic. I enjoyed the way the film explores the different stages of the relationship and the final argument the two have is quite revealing.

My Rating: 8 out of 10

Released: April 3, 1969

Runtime: 1Hour 41Minutes

Rated R

Director: Larry Peerce

Studio: Paramount

Available: VHS, DVD, Laser disc, Amazon Instant Video, YouTube

The Boys in the Band (1970)

boys in the band 1

By Richard Winters

My Rating: 9 out of 10

4-Word Review: This party turns sour.

A group of gay men get together for an intended night of food and laughs as they celebrate Harold’s (Leonard Frey) birthday. Things begin to unravel when Alan (Peter White) appears who was an old college roommate of party host Michael (Kenneth Nelson). He insists that he is not gay, but Michael and the rest of the group intend to prove otherwise, which leads to many harsh and interesting revelations.

This film packs a wallop and is as relevant and daring now as it ever was back then. Director William Friedkin does a terrific job of making this story, which was originally an off-Broadway production seem cinematic. I loved the capturing of the apartment, which makes you feel like you are right there.

The performances are outstanding and all are the original cast from the stage production. Cliff Gorman as the flaming gay personality is a particular standout. The script by Mart Crowley is captivating from beginning to end as it brings out all the different personalities and myriad issues that make up the gay community and the whole thing is a tour-de-force on all levels.

My only complaint would be the character of the Cowboy played by actor Robert La Tourneaux who is the dim-witted, but good looking ‘gift’ giving to Harold for his birthday. I realize the intention is to make him a bit dumb, but it gets overdone. It’s one thing to be an ‘airhead’, but a complete other thing to sound so stupid it’s like he is from another planet. His character is the only one that does not get fleshed out at all and his utterly inane comments come off as hollow and annoying. Ironically La Tourneaux was unable to find many acting parts afterwards and became a gay prostitute in real-life by the late 70’s in order to make ends meet.

The characters are believable and the dialogue moving. It’s a compelling study of those feeling isolated from society and sometimes even themselves.  Even if you are not gay the film can still have a great impact and its quality viewing either way.

My Rating: 9 out of 10

Released: March 17, 1970

Runtime: 1Hour 58Minutes

Rated R

Director: William Friedkin

Studio: National General Pictures

Available: VHS, DVD

Cocktail (1988)

cocktail

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Chasing the American dream.

Brian Flanagan (Tom Cruise) is an ambitious young man looking to somehow make it big in the business world. He reads all sorts of books detailing strategies to become rich, but finds that without a college degree his options are limited. After numerous rejections he finally gets a job as a bartender where he becomes friends with Doug (Bryan Brown). The two make a good team behind the counter and get promoted to a ritzy nightclub, but they end up having a falling out and Brian starts up a bar in Jamaica as well as a romance with Jordan (Elisabeth Shue) only to have Doug reappear years later with a tempting job offer that Brian isn’t so sure he can refuse.

Although Cruise is engaging and does quite well in the role I couldn’t help but feel that he has played this same type of cocky, ambitious type of character in just about all the movies that he has been in. It would be nice to see him play some sort of timid, shy introvert once just to prove that he has some actual acting range.

Brown is good in support and I liked their contrasting ages. Shue is always beautiful and solid and Kelly Lynch who plays Doug’s wife Kerry gets points simply for looking really hot in a thong bikini.

The story has a great start and I thoroughly enjoyed the first half. I’ve worked as a bartender and felt that the film captures both the bar and club atmosphere accurately as well as the hectic demands of the position. In fact the on-location shooting is splendid both in the scenes done in New York as well as the islands and the interior and exterior backdrops give the film a nice added texture.

There are also some really amusing scenes here including Brian’s many futile job interviews and his dealings with an arrogant college professor that is played perfectly on cue by the late Paul Benedict. I had high hopes for the film and felt it had a great foundation for a modern day rags-to-riches story, which is where it should’ve stayed. Unfortunately the second half devolves too much into the romantic and relationship angle. To some degree I went with it, but it ends up taking over the whole plot making it generic and losing the nice gritty edge that it had at the beginning. The final thirty minutes are filled with a lot of over-the-top dramatic twists that turns the whole things into a corny soap opera that ultimately overshadows the good points.

My Rating: 4 out of 10

Released: July 29, 1988

Runtime: 1Hour 44Minutes

Rated R

Director: Roger Donaldson

Studio: Buena Vista Pictures

Available: VHS, DVD, Blu-ray, Amazon Instant Video

Natural Enemies (1979)

natural enemies 2

By Richard Winters

My Rating: 6 out of 10

4-Word Review:  Man kills his family.

Paul Steward (Hal Holbrook) is a middle-aged suburban father who wakes up one morning having decided that by the end of the day he will shoot and kill his wife and three children with his hunting rifle. His rationale being that life is full of inevitable disappointments and his kids are ill prepared to face life’s harsh realities, so by killing them he will be in a sense ‘protecting’ and ‘saving’ them. The rest of the film deals with conversations he has with his friends debating on whether he should go through with it or not.

Writer/director Jeff Kanew is probably best known for having done Revenge of the Nerds and this film is probably as different from that one as you can get. It is an excellent and interesting directorial debut for the most part. It is not completely successful, but you have to give him credit for putting such challenging material onto the screen. It is based on the novel by Julius Horowitz, which was probably never intended to be made into a movie, but Kanew uses the voice-over narration to its full effectiveness and I loved the quant and remote setting of the colonial home that Paul resides in.

It is really the conversations and the ongoing philosophical debates that Paul has with various acquaintances that gives it a fascinating and intellectual subtext. I especially liked his discussion with Harry (Jose Ferrer) a concentration camp survivor as well as an unintentionally amusing one with a cab driver who complains that a 247 a month rent on a 3 bedroom apartment in Queens is ‘too expensive’ even though you would be unable to find one there that cheap today. The strongest is the one that he has with his wife Miriam (Louise Fletcher) at the end that proves to be not only revealing, but riveting.

The scene where he has sex with five prostitutes is also quite well done including having classical music played over the sex scenes, which creates an unusual erotic quality. The conversation he has with them is equally interesting, but I would’ve liked to have seen a few more verbal reactions from the women.

I’ve always considered Holbrook to be one of the finest actors around and his performance here is flawless and helps give the film its impact. Fletcher is also quite good playing the polar opposite of her Nurse Ratched character. Here she is vulnerable and fragile instead of rigid and authoritative and even has a scene inside a mental hospital as a patient. The fact that she can play such different characters so solidly proves what a brilliant actress she is.

The tone is incessantly bleak and downbeat, which could easily be a turnoff for most viewers, but doesn’t lessen the validity of many of the points that it makes. There is a strong Ingmar Bergmanesque quality to this that I really liked and this film could prove quite provocative for those looking for something that is thought provoking and outside of the mainstream.

My Rating: 6 out of 10

Released: November 1, 1979

Runtime: 1Hour 40Minutes

Rated R

Director: Jeff Kanew

Studio: Cinema 5 Releasing

Available: VHS

Zabriskie Point (1970)

zabriskie point 2

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Blow up the house.

Two young adults, a product of the turbulent sixties and from opposite ends of the social spectrum, meet and fall-in-love. Daria (Daria Halpern) is an anthropology student while Mark (Mark Frechette) is a dropout who’s wanted by the police. Together they try to endure the hypocrisies and materialism of a capitalistic society.

Writer/Director Michelangelo Antonioni’s camerawork is one-of-a-kind and if you see this film for one reason then see it for this. Everything gets captured in intricate, focused detail and the shots of the desert landscape are breathtaking. The scenes where Mark flirts with Daria while piloting his airplane while she is still on the ground is genuinely cool.

The sprawling, modernistic mansion in the middle of the barren landscape is visually imaginative. Seeing it get blown up is a bit depressing, but when it gets done 10 different times from 10 different angles then it becomes a unique cinematic experience. The exploding refrigerator and flying food, which is done in slow motion, as well as the ten or so different couples who make love on the desert floor at the same time is equally arresting.

Having the two leads played by amateurs with little or no acting experience ends up working well. There is a very natural and honest quality to their delivery that most professional actors in their quest to put on a ‘performance’ wouldn’t be able to convey. Rod Taylor on the other hand is wasted in a small and uninteresting role as is character actor Paul Fix.

This film was unfairly overlooked and criticized upon its initial release, but now deserves a fresh look. Having a scathing take on American society done by a foreigner isn’t quite fair, but his comments on capitalism are good nonetheless. The story itself is quite thin, but when it is as visually intoxicating and emotionally kinetic as this then who cares.

My Rating: 8 out of 10

Released: February 9, 1970

Runtime: 1Hour 50Minutes

Rated R

Director: Michelangelo Antonioni

Studio: MGM

Available: VHS, DVD

Fleshburn (1984)

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By Richard Winters

My Rating: 5 out of 10

4-Word Review: Lost in the desert.

Calvin Duggai (Sonny Landham) is a Vietnam vet sent to a mental hospital when four psychiatrists insist he does not know the difference between right and wrong. Eventually he escapes from the place and proceeds to kidnap the four people who had him put away and takes them to the middle of the hot desert where he forces them to try and survive the harsh elements with nothing more than their wits to rely on.

Based on the Brian Garfield novel ‘Fear in a Handful of Dust’ the film moves at a brisk pace and manages to be relatively gripping. The pounding rock music-like score helps build the tension. The idea that the four people decide to remain where they are and not go searching through the desert for help seems slightly odd, but the characters at least come off as real people and some of the things that they do to survive is innovative and yet still believable. The viewer genuinely starts to care for these people and wants to see them survive, which helps keep the film captivating.

70’s adult film star-turned-actor Landham isn’t bad in the lead. His muscular physique is quite intimidating and he has a threatening presence. Steve Kanaly best known for his work on the ‘Dallas’ TV-series is solid as the one who takes over and tries to help the others beat the elements. His best moment comes when he spits out a sharp shell like object that he has hidden in his mouth and into his hand where he uses it to cut the rope that is binding him to a rock.

There is some interesting flashback sequences at the beginning particularly the one showing the Karen Carlson character having an affair with Kanaly much to the dismay of her husband who is also one of the victims and yet the film doesn’t follow-up with it even though it could’ve and should’ve. Despite the story’s vindictive theme it really comes off more like a basic survival saga that could easily have worked as a TV-movie. The film is competently produced and directed, but fails to be distinctive or memorable.

My Rating: 5 out of 10

Released: May 24, 1984

Runtime: 1Hour 30Minutes

Rated R

Director: George Gage

Studio: Crown International Pictures

Available: VHS, DVD, Amazon Instant Video

Into the Night (1985)

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: Insomniac gets into espionage.

Ed Okin (Jeff Goldblum) is an insomniac, who has a boring job and an unfaithful wife and is unexpectedly thrown into espionage and intrigue when a beautiful jewel smuggler named Diana (Michelle Pfeiffer) literally lands on his car in the middle of the night while he is out taking a drive.

If you are expecting the surreal, cult-like comedy of Martin Scorsese’s After Hours then you can forget it. This thing actually tries to play it straight and does it in a low key way that makes for a lot of slow stretches intermingled with some slight comedy and action.

It’s a pedestrian caper with some ‘novelties’ thrown into to try to get you to forget how pedestrian it really is. The novelties are director John Landis’s casting fellow directors in cameo roles. Sure it’s nice to put faces to names, but the cameos really aren’t that interesting or funny. Only French director Roger Vadim gets anything remotely flashy. In fact it’s Landis who gets the best part casting himself as a crazed gunman with a large scar on the side of his face.

Goldblum is a solid everyman, but he underplays it and eventual becomes too dull. He doesn’t even react when a loaded gun is put into his mouth!! Pfeiffer is beautiful, but there really isn’t any chemistry between the two so having them end up ‘falling in love’ shows just how contrived this whole thing is.

David Bowie and Dan Aykroyd have very little screen time and are badly wasted.

My Rating: 4 out of 10

Released: February 22, 1985

Runtime: 1Hour 55Minutes

Rated R

Director: John Landis

Studio: Universal

Available: DVD

Star 80 (1983)

star 80

By Richard Winters

My Rating: 5 out of 10

4-Word Review: He kills his girlfriend

This film looks at the life of Dorothy Stratten (Mariel Hemighway) a teen from Vancouver who with the enticement of her controlling boyfriend Paul Snider (Eric Roberts) came to Hollywood to be a Playboy model. Soon she became a centerfold and budding film actress, but her boyfriend felt left behind and his ensuing jealousy lead to tragic results.

The film takes for granted that you know the story, which is based on fact and has shots from the final tragic scene sprinkled throughout. It was considered quite ‘topical’ and even in vogue at the time and yet for those born later this really won’t have much impact or significance. Stratten was just a young naive girl who got in over-her-head and her husband/manager was much the same way. For today’s audiences Stratten’s cult status has diminished significantly and probably should.

The plot has a sort of excruciating affect because we know what is going to happen and therefore sitting and watching it unfold seems almost tantamount to self-inflicted pain. The conclusion is intense, but leaves you feeling flat afterwards. There seems no reason to have made this film except for the sake of cashing in on its sleazy and provocative elements.

Director Bob Fosse creates a nice look for the movie with shades of soft lighting much like ones used for a photo shoot, which helps give it a distinctive quality.  However his direction is too manipulative and heavy-handed. It is structured like a documentary featuring talking head segments of supporting characters describing their take on the situation. These are spliced in throughout and really hurt the flow of the story and do not seem genuine. If they were going to take this route then they might as well have made it into an actual documentary and used the real people involved.

The two main characters are underwritten and overplayed. Hemingway has a cute young girl voice and her excited inflections are a nice addition to the character. However, her character is too sweet and naive almost to a Chrissy Snow-type extreme. She is also unable to stand up for herself at any time and it is hard for the viewer to sympathize with someone who can never help themselves.

Her boyfriend is just as bad in the opposite way. He is like the son-in-law from hell who wears suits that are so loud even your average pimp wouldn’t be seen in them. Roberts does give a good performance and supplies the film with a lot of its energy. This may be his best work and the film should be viewed for his presence only especially since it emphasizes him over Stratten anyways.

Cliff Robertson seems an odd choice to play Playboy founder Hugh Hefner as he doesn’t resemble him at all and never effectively creates his persona. The fictionalized character of director Peter Bogdanovich is no good either. He was supposedly the man who broke her away from the clutches of her boyfriend and gave her some independence. Yet here he seems just as creepy and controlling. Carroll Baker does the best of the supporting players as Dorothy’s mother a woman who can easily see through the man that her daughter can’t and at 52 she was really looking super.

In the end this film becomes as empty as the characters it is portraying. Even fans of the sleazy side of Hollywood will be disappointed. The disclaimer admits to being only a fictionalized account and therefore puts into question how fair or accurate any of it really is.

My Rating: 5 out of 10

Released: November 10, 1983

Runtime: 1Hour 43Minutes

Rated R

Director: Bob Fosse

Studio: Warner Brothers

Available: VHS, DVD

The Night of the Generals (1967)

night of the generals

By Richard Winters

My Rating: 5 out of 10

4-Word Review: A general kills prostitutes.

In 1942 during the height of the war a Polish prostitute is found murdered and sexually mutilated. A witness spotted a man leaving her room who was wearing a uniform that had a red stripe running down the side of his pants, which signified that he was a general. Major Grau (Omar Sharif) who is in charge of the investigation decides to interview three generals (Donald Pleasance, Peter O’Toole, Charles Gray) who were in the vicinity and have no alibi, but finds a lot of pressure not to pursue the case and it takes several decades before it finally unravels.

The storyline is compelling enough to keep you intrigued, but the script is talky with not enough action. Certain story threads seemed unnecessary and the film could have been more compact. The actors are mostly all British, but make no effort to speak in German accents despite playing Nazi roles. The music cues that are used whenever an important plot point is revealed or to transition to another scene are too loud and have a generic quality to them that does not appropriately reflect the time period.

O’Toole gives an interesting performance as psychotic ready to fall completely apart. His extreme emphasis on cleanliness especially to those that serve under him and his nervous twitches steal the film as well as a bit where he commands his men to destroy an entire block of a town simply to get at a couple of snipers. His bizarre reaction to a painting of Vincent Van Gogh that he spots in a gallery is intriguing especially when it occurs twice and his blank blue-eyed stare becomes almost piercing.

Sharif does quite well in support and despite being born and raised in Egypt does a convincing job as a Nazi and I think make-up was used to lighten his skin. Tom Courtenay is good as O’Toole’s assistant and the relationship that they form has some interesting subtexts to it.

Joanna Pettet’s appearance however seemed pointless and although the constant sparring she has with her mother (Joan Plowright) was fun it really didn’t add much to an already cluttered narrative. Christopher Plummer also gets stuck in a thankless part where he is seen for less than five minutes before promptly being killed off.

The identity of the killer gets revealed 45 minutes before the end, which hurts the suspense. I also didn’t like that the Sharif character gets killed off and the rest of the investigation is taken over by a Frenchman (Philippe Noiret) which seemed defeating since we had spent so much time siding with the character’s plight to seek justice despite all the obstacles. The film’s very final moment is supposed to be dramatic and poignant, but instead goes over-the-top and becomes weak and strained.

My Rating: 5 out of 10

Released: January 29, 1967

Runtime: 2Hours 25Minutes

Not Rated

Director: Anatole Litvak

Studio: Columbia Pictures

Available: VHS, DVD, Amazon Instant Video

Stunts (1977)

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: Who’s killing the stuntmen?

Glen (Robert Forster) decides to join a movie production working as a stuntman when his brother mysteriously dies while doing a routine stunt. Soon more stuntmen meet similar fates. Will Glen be able to find out who’s behind these deaths before he becomes the next victim?

Director Mark L. Lester has done a lot of these standard low budget flicks and has achieved moderate success with them. The story itself is pretty basic and really doesn’t offer all that much tension or interest, but the pace is brisk and some of the stunt work entertaining. On a low-grade level it is okay.

I love Forster’s blunt, blue collar, say-it-like-it-is attitude and his presence elevates the story immensely. Bruce Glover who is the father of Crispin Glover plays one of the fellow stuntmen. Like his son he usually plays weird and eccentric characters, but here plays a normal one who you are even sympathetic to, which was a surprise turn.

The women characters aren’t locked into any dainty stereotype and are as tough and gruff as the men and I liked it. Fiona Lewis plays a journalist looking to write an article and what makes up the personality of stunt people and why they do it. She curses as much as Forster if not more and although the two eventually get into a relationship after a rocky start they continue to spar, which is fun. The beautiful Joanna Cassidy seems like just one of the guys and does all the same dangerous stunts they do and even knocks two guys flat on the their asses during a barroom brawl.

Candice Rialson doesn’t fare quite as well. Her best assets are with her clothes off and trying to turn her a dramatic actress clunks. She doesn’t even have a single nude scene here, which seemed almost like a waste. However, the segment where she keeps flubbing up her lines and they have to do continual reshoots to the consternation of the director (Malachi Thorne) is amusing.

The DVD issue from Synergy Entertainment, which is the same version you get if you buy or rent it from Amazon Instant is atrocious and looks like it was transferred straight off of a faded VHS tape. To some extent I was willing to forgive it as the graininess help reflect the low budget drive-in feel, but this version also edits out any time a character says the F-word, which got annoying. The picture is so blurry I couldn’t even read the credits to find out who did the catchy title tune ‘Daredevil is Gonna Make an Angel Out of You’, but whoever did it did well as it has a nice gritty beat and fun lyrics.

My Rating: 4 out of 10

Released: June 12, 1977

Runtime: 1Hour 29Minutes

Rated PG

Director: Mark L. Lester

Studio: New Line Cinema

Available: DVD, Amazon Instant Video