Category Archives: Action/Adventure

Tag: The Assassination Game (1982)

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: Playing with dart guns.

A new fad has caught on at a nondescript college campus where students play an assassination game by killing off other students with dart guns. The one who assassinates the most while still surviving wins. Alex (Robert Carradine) who writes for the school newspaper decides to do an expose on the game in an attempt to better get to know its star player Susan (Linda Hamilton). Unfortunately for them the game’s 5-time champion Gersch (Bruce Abbott) has gone over to the dark side and now using real bullets in his gun. As the game whittles down to just Susan and Gersch the tension mounts for her to catch on to his murderous plans before it is too late.

For a low budget film with only the most modest of settings this thing isn’t too bad. The dialogue is snappy and the story proceeds at a good pace. The opening credits, which is a parody of the ones done on James Bond films is cute and it’s great to see Linda in her official film debut playing the same type of strong-willed female that brought to greater prominence in The Terminator franchise. Carradine is good too as her awkward suitor and the fact that this film plays against sexual stereotypes by having the male in more of a passive role is refreshing.

The film’s playful parody and the way the players take this silly game so very seriously is funny and having the second half shift to more of the conventional ‘psycho-on-the-loose’ plot made it less original and more formulaic. I understood why Gersch kills the first player using a real bullet, but was confused why he would keep on killing them and not go back to just using darts. He could’ve still retained his champion title and passed off the first killing as being possibly just an accident, but by continuing to kill people and harboring their corpses in the closet of his room was clearly going to lead to an eventual long jail sentence that even the craziest of persons could see coming. It also might have been more interesting had the identity of who was using real bullets was kept a mystery until the end.

Even with these drawbacks I still found myself entertained and the film has strong cult potential for fans of low budget 80’s flicks. It’s also interesting to note that Hamilton and Abbott, who first met while filming this, later ended up getting married and having one child.

My Rating: 6 out of 10

Released: April 20, 1982

Runtime: 1Hour 30Minutes

Rated PG

Director: Nick Castle

Studio: New World Pictures

Available: VHS

Megaforce (1982)

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By Richard Winters

My Rating: 3 out of 10

4-Word Review: This is really embarrassing.

The fictional country of Sardun is being threatened by their neighbor Gamibia and mercenary General Duke Gurerra (Henry Silva). This prompts two Sardun representatives (Edward Mulhare, Persis Khambatta) to travel to the desert and request help from a secret group of soldiers who have advanced vehicles and weapons that can help stop the Gamibian aggression. The group calls themselves Megaforce and is led by the charismatic Ace Hunter (Barry Bostwick) who at one time was friends with Gurerra and the two play an intricate game of cat-and-mouse as they both try to deploy an attack strategy that will stop the other.

One of the biggest problems with the film is that it was directed by Hal Needham a former stuntman who had some modest success directing such southern fried action flicks as Smokey and the Bandit and Hooper, but clearly has no clue how to do a comic book-styled action flick such as this. The film teeters between being campy and comical to innovative and slick, but ends up failing on both ends. The main problem is that Nedham (who also appears unbilled as a technician) lacks any true artistic vision while showing no appreciation or understanding of the comic book genre or its readers and creates an empty-headed, unimaginative premise with wooden characters and dialogue surrounded by a lot of action and effects, which he thinks will be enough to save it, but really isn’t.

The eclectic cast is interesting. Khambatta a beauty queen from India who is probably best known for playing the bald Ilia in Star Trek: The Motion Picture is on hand as the love interest to Bostwick. Michael Beck who was just 3 years removed from his star making turn in the cult hit The Warriors plays a southern bred member of the Megaforce team. Silva, who’s played many memorable villains in his day camps it up as best he can with the limited material and Bostwick, who nowadays looks very old and elderly, sashays his way in some incredibly skintight uniforms and looking almost like a male model.  

The only reason I’m giving this embarrassment 3 points instead of the 0 that it really deserves is because it does fall into the ‘so bad its good category’ that almost makes it worth catching. The best of the worst is Needham’s use of matting a character over a blue screen to make it look like they are flying in the air. He does this twice once when Khambatta and Bostwick go parachuting out of a plane and then at the climactic finish when Bostwick uses his motorbike to fly up to a plane. In both instances the effects are so hilariously awful and obvious that it becomes memorable and worth the price of the rental.

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My Rating: 3 out of 10

Released: June 25, 1982

Runtime: 1Hour 39Minutes

Rated PG

Director: Hal Needham

Studio: 20th Century Fox

Available: VHS, DVD, Blu-ray (Region A)

Welcome Home, Soldier Boys (1971)

welcome home soldier boys

By Richard Winters

My Rating: 5 out of 10

4-Word Review: War veterans destroy town.

Four Green Berets (Joe Don Baker, Allan Vint, Elliot Street, Paul Koslo) return home from a stint in Vietnam. Initially they stop off at the home of one of the men’s parents, but find that none of them are ready to settle down, get a job, and play ‘within-the-rules’, so they set out on a cross country road trip, but when their car breaks down they end up paying more than they should for the repairs by an unscrupulous mechanic (Timothy Scott). This along with dealing with a society that does not seem to appreciate what they did for their country gets them angry. When they arrive in a small town ironically called Hope their simmering frustrations boil over. Using their army ammunition they go on a rampage destroying the town and everyone in it causing the National Guard to come in to try and stop them and creating for them a war zone all over again.

For a low budget 70’s flick this isn’t too bad. Richard Compton’s direction is slick, nicely photographed and paced well enough to retain a passing interest. The music, which features songs written and sung by actress/singer Ronee Blakely is okay and to a degree fits the mood. The script by Gordon Trueblood has believable dialogue and doesn’t seem intent on being purely exploitive.

Unfortunately the film fails to show much insight into the personality or experience of being a veteran. No flashbacks or discussions about it. In many ways these characters could simply have been regular, non-descript young men from any background who were not yet ready to enter into the adult world and take on adult responsibilities, which in the end is what makes this whole thing rather generic and its ‘statement’ more self-important than it really is.

Baker does quite well in the lead and although he sometimes gets a bad rap for his acting I’ve come to feel that it is unfair. The way his character here is so diametrically opposite from the one that he played in Walking Tall just two years later proves without a doubt that he is a talented thespian if given the right material.

Jennifer Billingsley though is wasted in a thankless role as a prostitute who rides with them for a little ways before getting thrown out of the vehicle at high speeds. Leonard Maltin incorrectly states in his book that her character is gang raped, which isn’t too true. She has consensual sex with one of the men, but then gets kicked out when she demands $500 for her services instead of $100 that they were willing to pay her.

The violent, climatic ending is the film’s most notorious claim to fame, but it takes too long to get there, lasts for only a couple of minutes and then ends too abruptly. It’s also absurd and outrageous to believe that these men would end up killing innocent people simply as a way to vent their anger at being cheated by a car mechanic. After all if everyone responded the same way when a car mechanic overcharged them then there would be no small towns left anywhere.

My Rating: 5 out of 10

Released: December 10, 1971

Runtime: 1Hour 30Minutes

Rated R

Director: Richard Compton

Studio: 20th Century Fox

Available: DVD-R (20th Century Fox Cinema Archives)

The Jewel of the Nile (1985)

jewel of the nile

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Searching for a jewel.

In this sequel to Romancing the Stone Jack (Michael Douglas) and Joan (Kathleen Turner) are living the easy life on a yacht, but are bored and looking for some adventure. Joan is given the opportunity to write a book about a visiting sheik named Omar (Spiros Focas) and travels to the Middle East to learn more about him. There she finds that he has sinister intentions and simply using her to be a part of his scheme, which compells her to try and expose him, but first she must escape from his clutches. Jack and Ralph (Danny DeVito) team up to help her along with a prince named Jewel (Avner Eisenberg) and together the four find themselves in one wild predicament after another.

Although this film did not do as well in the box office as its predecessor I still ended up enjoying it and felt in a lot of ways it was better. It has a bigger budget and slickly handled direction. The humor is more consistent and edgy and Jack and Joan share a love/hate relationship that is more entertaining than the Harlequin romance novel that the first one became while the on-location shooting that was done mainly in Morocco has some genuinely breathtaking scenery.

The scene in which the three get into a fighter jet plane and use it to tear up a village while still remaining on the ground is the film’s highlight. Their escape from Omar while climbing on a very steep rocky cliff is exciting and watching DeVito get sat on by a donkey is quite funny.

DeVito’s character is used much more here and his on-screen moments are one of the best things about the movie. Focas as the evil sheik is okay and at the very least is a more dynamic bad guy than the ones that were used in the first film. Holland Taylor as Joan’s snarky agent is the only one whose presence gets wasted and she ends having what amounts to only a few minutes of screen time making me wonder why she even bothered to appear at all.

The biggest drawback, like with the first film, is with the plot itself. The concept is too broad and the set-up rather convoluted making me both confused and ambivalent at the same time. It improves by the middle to be mildly interesting and has enough comedy and action to keep afloat, but the 105 minute runtime is too long for the bubblegum material and stretches the climactic sequence past its peak until it becomes derivative and overdone.

My Rating: 5 out of 10

Released: December 11, 1985

Runtime: 1Hour 45Minutes

Rated PG

Director: Lewis Teague

Studio: 20th Century Fox

Available: VHS, DVD, Blu-ray, Amazon Instant Video, Netflix streaming, YouTube

The Gauntlet (1977)

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By Richard Winters

My Rating: 7 out of 10

4-Word Review: Alcoholic cop escorts hooker.

Ben Shockley (Clint Eastwood) is a down-and-out cop and borderline alcoholic who’s given the assignment of escorting a hooker named Gus Mally (Sandra Locke) from a prison in Phoenix to a trial in Las Vegas where she will be a key witness. Ben is initially told that it’s a ‘nothing witness to a nothing trial’, but finds that to be anything but the truth as the two are shot at and chased by both the mob and his fellow policeman convincing him that he’s been set-up and making him determined to ‘even the score’.

This film overall is great fun and has enough well-choreographed action sequences to be entertaining for just about anyone who watches it. The story also manages to have some intrigue and a certain symbolic message. The on-location shooting done in and around Phoenix gives it an added flair particularly the long shots of the dessert landscape.

The film is best known for its climatic sequence involving Eastwood and Locke riding in a bus that travels slowly down the main streets of Phoenix while being shot at by hundreds of cops lining the sidewalk that ultimately puts thousands of holes into the vehicle. As a visual this is exciting and memorable, but I still kept wondering why the cops didn’t simply aim at the bus’s tires, which would’ve disabled the vehicle instantly and they would not have had to bother shooting up the rest of it.

Another action segment in which Eastwood and Locke are riding on a motorcycle while being chased and shot at by men in a helicopter brought up some similar issues. Again the segment itself is exciting and surprisingly prolonged although it would’ve done better without the bouncy jazz score being played over it. Either way the helicopter begins to attack Eastwood while he is standing at an outdoor phone booth. He then runs inside to an indoor food market where the Locke character already is, but instead of staying there where they are shielded he instead leads her out of the building and onto the motorbike where it would be more dangerous because it makes them an open and vulnerable target.

I also wasn’t too crazy about Locke’s performance or her character. For one thing Locke approaches the part in too much of a one-dimensional way. A hardened, snarky prostitute may be realistic, but hardly interesting or appealing and the character would’ve been more fun had their being some sort of unique or funny trait about her instead of leaning so heavily towards the stereotype.

The other supporting characters though are great. Pat Hingle is excellent as Ben’s nervous, hyper friend who finds himself unwittingly in the middle of the fracas. I also enjoyed William Prince playing an extension of the corrupt, jaded corporate-like character that he did in Network. Bill McKinney is also good as a hick cop who has an interesting ‘conversation’ with Locke about her ‘profession’.

If you’re looking for a bubblegum, action-packed escapism then this film should do the trick and still holds up well today even when compared to modern-day action flicks.

My Rating: 7 out of 10

Released: December 21, 1977

Runtime: 1Hour 49Minutes

Rated R

Director: Clint Eastwood

Studio: Warner Brothers

Available: VHS, DVD, Blu-ray, Amazon Instant Video

Romancing the Stone (1984)

romancing the stone

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Romance novelist has adventure.

Joan Wilder (Kathleen Turner) is a romance novelist living her love life out through her characters because she fails to have one of her own. One day she receives a mysterious treasure map in the mail and then gets a call stating that her sister Elaine (Mary Ellen Trainor) has been kidnapped and will only be released once her captors receive the map. Joan then travels down to Columbia where Elaine is being held and bumps into Jack (Michael Douglas) a rugged adventurer who helps her navigate her way through to jungle while falling in love with her in the process.

The most interesting aspect to the film may actually be in the backstory of its screenwriter Diane Thomas who seemed to live both the Hollywood dream and tragedy all at the same time. She was working as a waitress while struggling as a would-be screenwriter during her off hours. Then one day by chance actor Michael Douglas arrived at her café as one of her customers and seeing this as her one chance to break into the business she pitched her idea, which later became this movie, to him and he loved it. She was eventually able to sell it for $250,000 and as an added bonus Douglas brought her a Prosche, which she ended up being killed in during a car accident that occurred only 1 year after this film was released.

As a story though this thing is quite weak and barely passes for a plot at all and really is just more of some high-end adventure concepts strung together. It’s pretty much bubblegum on a fifth graders level and if you stop to think about it all it will quickly become quite empty-headed.

Turner’s performance and her nerdy character is the best thing about it. Unfortunately the character changes too quickly shifting into a more confident and secure woman by the midway point and thus losing its comic edge. Her relationship with Jack is initially interesting as well as they have very divergent personalities and approaches to things, but this too gets lost when the romance between the two becomes full-throttle making the film’s whole second half seem more like a feminist fantasy than an actual movie.

Danny Devito is amusing and needed more screen time. However, the ironic ways he keeps accidently bumping into the main characters starts to become a little too convenient. Holland Taylor is fun as Joan’s snarky agent and I wished her character had gone along with Joan on the adventure. The bad guys though are dull and generic and create no type of fun tension at all.

The story as a whole is just too cutesy and lacks any type of real conflict or excitement. Had Jack and Joan’s sparring been played up more and only turned into a romance at the very end, or even just approaching it in a satirical vein to all the romance novels out there I might have gotten more into it. Female viewers may take to this better as it seems completely geared for them. Unfortunately though it becomes too slick for its own good while failing to have any footing in reality, which ultimately makes it cease to feel like any type of real adventure at all.

My Rating: 4 out of 10

Released: March 30, 1984

Runtime: 1Hour 46Minutes

Rated PG

Director: Robert Zemekis

Studio: 20th Century Fox

Available: VHS, DVD, Blu-ray, Amazon Instant Video

Joyride (1977)

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: This joyride turns joyless.

Scott (Desi Arnaz Jr.) is bored with his job and finds that his friend John (Robert Carradine) is too. With John’s girlfriend Susie (Melanie Griffith) in tow they decide to drive up to Alaska where they hope to get jobs on the pipeline. Unfortunately they end up facing a lot of unexpected problems and eventually are forced into robbery with the Canadian Mounted Police hot on their tail.

The film was written and directed by Joseph Ruben who later went on to do much better things, but this isn’t too bad for the most part. It has a good pace without any of the static drama or wooden dialogue typical with these types of features during that era. The situations are for the most part believable and mildly engrossing. The film also features two very unique scenes including that of a genuine pissing contest, which John wages and wins with some fellow bar patrons and a scene where the trio is forced to eat dog food that by the looks on their faces seems to have been the real thing.

Unfortunately the film tends to ramble and takes a lot of predictable dramatic twists while failing to add any new perspective to it. The characters seem ill-prepared for many of the expected problems that they face, which any sensible viewer could’ve predicted would happen from the get-go. It’s also unrelentingly downbeat. I was expecting a little more frivolity and humor, which could’ve helped and I also thought it was unrealistic that every person they meet in the town turns out to be corrupt, conniving or mean.

It’s interesting to some extent to see the next generation of baby boomers or those who were too young to get involved in the protest movement during the 60’s, but still trying to carry on the counter-culture torch during the mid and late 70’s. The four leads are all offspring of famous celebrities, which is the film’s one true novelty and I couldn’t help but wonder while I viewed this what their presumably more conservative parents must’ve thought while watching their kids in this playing characters that are quite jaded and with no shortage of sex, nudity and cursing.

Arnaz Jr. is the weakest link and quite transparent while lacking the charisma needed for a lead actor. Carradine is good and it’s nice seeing him not playing a nerd type. Griffith is cute and there’s even a glimpse of her bare bottom during one segment when she flashes some passing motorists. The most dynamic performance though goes to Anne Lockhart who appears later on and acts as a love interest for Scott. Her character is sassy and real while helping add some needed dynamics and it’s a shame she didn’t stay for the entire duration.

The second half where they decide to rob the payroll department and then go on a mad car chase across the northern Canada has a few fun moments. Unfortunately the viewer is left hanging as we are never shown if they ultimately get away or are caught, which is frustrating and ends up being a cop-out of the highest order.

My Rating: 4 out of 10

Released: June 6, 1977

Runtime: 1Hour 32Minutes

Rated R

Director: Joseph Ruben

Studio: American International Pictures

Available: DVD

Hot Pursuit (1987)

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By Richard Winters

My Rating: 1 out of 10

4-Word Review: He misses the plane.

Danny (John Cusack) attends a private school and when he flunks his chemistry test he’s not allowed to leave with his girlfriend’s family on their trip to the Caribbean. Then his professor inexplicably gives him a reprieve, which allows him to go anyways, but he misses the plane and is forced to play catch-up. First he meets up with some locals, but when their jeep gets submerged in water he takes up with a captain (Robert Loggia) who strands him out at sea. Meanwhile his girlfriend and her family have problems of their own when they inadvertently come into contact with drug smugglers.

The film is poor from the get-go and wastes Cusack’s appeal with material that lacks any imagination. The basic premise is derivative and the characters are one-dimensional. The plot plods along too slowly and the various hijinks that Danny finds himself in aren’t funny at all. The natives that he first meets up with are a bit on the creepy side and Loggia’s captain character is an over-the-top caricature that adds little.

The film’s biggest problem is its severe shift in tone. It starts out as an escapist comedy, which would’ve been alright had it actually been funny, but then ends up turning into a thriller when the family gets kidnapped by drug kingpins and it’s up to Cusack to get them out. Had it tried to keep some humor going during the tension it might’ve worked, but instead it gets unnecessarily serious and implausible with characters that are so poorly fleshed-out that the viewer really doesn’t care what happens to them making the climatic sequence boring and prolonged.

Cusack is good as always and I kind of liked him with his long hair look, but the character tends to be a bit too clean-cut. A young Ben Stiller appears here in his film debut and seeing him play against type as a leering, cocky bad guy is the only interesting thing about this movie and makes it somewhat worth catching.

My Rating: 1 out of 10

Released: May 8, 1987

Runtime: 1Hour 33Minutes

Rated PG-13

Director: Steven Lisberger

Studio: Paramount

Available: VHS, DVD, Amazon Instant Video, YouTube

Raw Force (1982)

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By Richard Winters

My Rating: 2 out of 10

4-Word Review: Ghosts of martial artists.

A group of martial arts students board a boat owned by Hazel (Hope Holiday) and piloted by Harry (Cameron Mitchell). During their ride the boat catches fire and they are forced to abandon it and get into a raft. After several days at sea they come upon an island that is the home to some ghosts of famous martial artists as well as a female slavery ring run by a group of monks. When the three groups meet it becomes a wild ride of sex and violence.

The film, which was shot entirely on-location in the Philippines, is clearly an exploitation cheapie and on the sex side it does pretty well as there is an abundance of nudity particularly during the first 45 minute or so that should satisfy any voyeur since the models for the most part are pretty good looking. However, the script is corny and dumb. Way too much time is spent on the set-up featuring a lot of stale conversations between wooden characters and comic sidelights that are silly and uninspired. The action itself is poorly captured and not very exciting while lacking in blood or realistic looking special effects.

Veteran character actress Holiday is actually the best thing playing a ditzy middle-aged woman sharing a love/hate relationship with Mitchell. Carl Anthony who plays Lloyd a man who considers himself much more of chick magnet than he really is amusing and Camille Keaton best known for her role as Jennifer Hills in the original I Spit on Your Grave and slated to star in its recently announced sequel has a bit part as a ‘girl in toilet’.

This film may be good for a few laughs on a bad 80’s movie night with friends, but the limited budget doesn’t allow it to distinguish itself from the myriad of other B-grade features that came out at the same time. The film’s one and only good moment comes during a scene at a bar where a fight breaks out and the naked lady stripper continues to dance on the bar top while remaining completely oblivious to the action around her.

My Rating: 2 out of 10

Alternate Title: Kung Fu Cannibals

Released: July 9, 1982

Runtime: 1 Hour 26Minutes

Rated R

Director: Edward D. Murphy

Studio: American Panorama

Available: VHS, DVD, Amazon Instant Video

City Heat (1984)

city heat

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Clint and Burt together.

Mike Murphy (Burt Reynolds) is a private eye living in 1930’s Kansas City who at one time worked as a cop. When his friend Dehl (Richard Roundtree) gets murdered after obtaining the secret accounting records of a local mobster and then trying to blackmail him with it Mike goes on a mission to find the culprit, but soon finds himself in over his head. His former police partner Speer (Clint Eastwood) gets involved and the two reluctantly work together to solve the case despite the many clashes with their personalities and methods.

The script was written by Blake Edwards who gets credited under the pseudonym Sam O. Brown. He was originally slated to direct, but Burt didn’t want to work with Edward’s wife Julie Andrews who was cast in the role that later went to Madeline Kahn because the two had clashed just a year earlier while starring in The Man Who Loved Woman. Clint desired a less intense director at the helm, so the two used their star status to have Edwards yanked from the project and replaced with actor-turned-director Richard Benjamin. The result is a strange mish-mash of a movie that at times seems like a pedestrian action flick and at other moments becomes a campy comedy.

The film starts off well. I enjoyed the fight Reynolds with has with two men inside a café while Eastwood sits back and does nothing, but things deteriorate quickly after that. Part of the problem is Eastwood and Reynolds are only funny when they are seen together and working off of each other’s contrasting styles. Alone there are boring at least here with Eastwood playing too much of a caricature of himself while Reynolds is unconvincing as a tough guy. The film would’ve worked much better had the two been partners from the very beginning instead of throwing in this contrived bitterness between the two, which is never funny or interesting.

Outside of Rip Torn’s performance as a rival gang boss the supporting cast is wasted especially Jane Alexander in a thankless throwaway role as Reynold’s secretary. Kahn manages to have some redeeming moments when she gets kidnapped by the mob and then beats her captors at poker, but it is not enough. Irene Cara sings a few good tunes, but proves to be weak as an actress.

The shootouts are great and the best thing in the movie as unlike the rest of the film they manage to have a nice balance between being exciting and funny. Unfortunately the plot itself is overblown, confusing and formulaic and a prime example of a Hollywood production relying too much on the charisma of its two stars while failing to supply them with material that is fresh or original.

My Rating: 5 out of 10

Released: December 7, 1984

Runtime: 1Hour 33Minutes

Rated PG

Director: Richard Benjamin

Studio: Warner Brothers

Available: VHS, DVD, Amazon Instant Video, YouTube