By Richard Winters
My Rating: 3 out of 10
4-Word Review: Living through the ‘60s.
Four male friends from Indiana go from high school to college and then on into young adulthood while remaining close and supportive. All of them have a passion for Georgia (Jodi Thelen) a very independent woman who enjoys playing-the-field when it comes to men and at various points has jumped into relationships with the four of them individually and at different times. Yet it is Danilo (Craig Wasson) who seems to be the most infatuated with her and he spends his life chasing after her, but finds that when they are together all they do is fight.
The story is apparently very loosely based on the experiences of screenwriter Steve Tesich who immigrated to this country from Yugoslavia at a very young age. The film starts out realistically enough, but quickly devolves into a whimsical tale that introduces interesting plotlines only to resolve them in cutesy ways that ends up making this sprawling tale quite shallow.
One of the biggest detriments is the casting of Craig Wasson who is a horrible actor as he can convey only one type of emotion, which is that of anxiousness and only one type of facial expression, which is that of nervousness. If he dares to try to expand his limited acting abilities away from these two things it comes off as unconvincing. Hs character like all the rest have no appeal as they never grow or evolve and seem put in simply as props to help carry the transparent tale.
I did like Thelen who plays the part of a spacey, free-spirited woman quite well, but even here it ends up getting clichéd. The other male characters have no distinguishable qualities and she sleeps around with them like they are toys on her own personal roulette wheel. Wasson’s character was her exact opposite and the two share no real chemistry making their eventual romance come off as being quite forced.
The film also contains some campy over-the-top dramatic elements that are unintentionally laughable and ridiculous. One takes place during a wedding party where while in front of hundreds of guests the bride’s father goes inexplicably crazy and shoots his daughter, then groom and eventually himself. Later on during a performance art show one of Thelen’s friends, in an apparent drugged stupor, accidently puts her foot on the accelerator while sitting in a car that’s parked inside a building, which sends it crashing through the wall and spiraling several stories to the ground.
The one aspect that I did like is that it didn’t resort to the Forrest Gump formula where the main characters get involved directly into all the famous historical events of the era, but instead view them from afar, which is more realistic. However, the film doesn’t show enough ‘60s nostalgia and half the time you forget the setting is even in that time period.
I admire the ambitious concept, but it takes on too much and would’ve been better had the script been more focused and less sprawling. Nothing here is compelling or memorable and the viewer is left with a genuinely flat feeling when it is over.
My Rating: 3 out of 10
Released: December 11, 1981
Runtime: 1 Hour 54 Minutes
Director: Arthur Penn
Studio: Filmways Pictures