Tag Archives: Yvette Mimieux

Jackson County Jail (1975)

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Deputy rapes his prisoner.

Nothing seems to be going right in Dinah’s (Yvette Mimieux) life. She quits her job as an advertising executive only to come home to find that her husband (Howard Hesseman) has been cheating on her. She decides to travel across the country and back to her old digs in New York. Along the way she picks up two hitch-hikers (Robert Carradine, Nancy Lee Noble) who end up robbing her at gunpoint and driving off with her car and money. When she walks to the nearest town she finds that no one is willing to help her since, without any identification, she can’t prove who she is. The sheriff (Severn Darden) throws her in jail temporarily until her identity can be confirmed. While there she gets raped by one of the deputies (Fredric Cook) and then goes on the run with Coley (Tommy Lee Jones)  a small-time crook and drifter.

This is yet another Roger Corman produced cheapie made to capitalize on the exploitative low budget drive-in fervor that was so popular during the early to mid 70’s. This one fares better than most as it manages to retain its gritty tone throughout without ever resorting to campiness. The car chase doesn’t have any of the cartoonish or humorous stunts as most others did during that time period, but instead like in Cannonball! shows more of the potential ugly side to them by having several of the vehicles crash and blow-up in flames and killing those that were inside them, which helps accentuate the realism.

The police aren’t quite as inept either although I did find it curious that the cops in the helicopter once they found where Mimieux and Jones’s hideout was didn’t continue to chase the two via the air as they tried to escape down the road in their pick-up. The part where the cop shoots at Jones who collides on foot into a marching band is absurd too as no policeman with half-a-brain would fire into an open crowd as it’s too dangerous and would almost assure innocent victims getting hit.

Mimieux is adequate and the funky 70’s style compact car she drives in with its roundish flying saucer body and oversized steering wheel is a laughable relic. However, for someone whose lived in L.A. she didn’t seem savvy especially when she decides to pick-up two hitch-hikers, which is just asking for trouble, or naively unaware that the obviously drunken, leering cafe owner (Britt Leach) is only being ‘helpful’ so he can have a chance to pounce on her.

Jones is excellent in support, but I found it odd that despite being considered a ‘good guy’ he makes no effort to stop her rape, which he witnesses by being in the adjoining cell, but then when she kills the rapist by beating him over the head with a stool he reaches through the bars and stops her.

The film’s most interesting performance is Fredric Cook’s who plays the rapist. His film career never really took off and he spent most of his life working as an acting teacher, but here in his film debut he really shines. I liked the way his character starts out as a redneck dope who seems put in for comic relief and then quietly becomes menacing as he serves Mimieux her food, explodes into a sudden massive rage, and then after the act is committed becomes guilt ridden and even ashamed, which creates a very interesting portal into the mindset of most male attackers.

The second half unfortunately slows up creating boring segments when the pace and tension should instead be revved up. The wide-open ending offers no conclusion to Mimieux’s ultimate fate and the film’s message is vague and transparent.

My Rating: 5 out of 10

Released: April 2, 1976

Runtime: 1 Hour 24 Minutes

Rated R

Director: Michael Miller

Studio: New World Pictures

Available: DVD, Amazon Video

Circle of Power (1981)

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Weekend retreat becomes brutal.

Executives of a company spend a weekend at a hotel where they’re a part of a large group awareness training that will better prepare them to achieve their full potential in both their business and personal lives. The encounter group is headed by Bianca Ray (Yvette Mimieux) who implements disturbing activities for the participants to go through that become increasingly more abusive and degrading.

This film is based off of the non-fiction novel ‘The Pit: A Group Encounter Defiled’ by Gene Church which documented a 1972 four day encounter group of top executives from the Holiday Magic company and many of the outrageous activities they were required to go through all under the cloak of learning to ‘bring out their inner dynamic’. Many of the activities that the characters in the film are forced to perform are similar to the ones depicted in the book, but amped up for the sake of drama. Some definitely get disturbing including having one participant, played by Walter Olkewicz, forced to strip naked in front of the group and then told to stand on a chair while the others mock his overweight body before having him locked into a cage and feed scraps of food that he must eat up directly from the floor.

Unfortunately the shock value gets muted by having characters that are too cardboard.  The viewer ultimately has no emotional bond to any of them and therefore the increasingly degrading circumstances that they go through achieve no profound impact. It also happens much too quickly as right from the start they are asked to do crazy things. I have no doubt that these encounter groups can sometimes go too far and there have been documented evidence of some even resulting in deaths, but it occurs gradually. A level of trust needs to be achieved to the point that the participants let down their guard and then the darker and twisted stuff gets introduced instead of just having it from the beginning like it gets played here, before any of the people have been psychologically ‘neutered’.

There is also no background given, or at least not a sufficient one, to the people who run the encounter group who are portrayed in a very one dimensional, creepy way that quickly becomes boring.  The issues of how did they decide to get into this line of work and what makes them so brazen to think they can get people to do these outrageous acts and get away with it is never addressed.

The ending is limp. What happens to the employees once they return to work is never captured nor the fate of the people running the retreat and whether they were ever sued or arrested. The idea is an intriguing one and there’s a potential for a really interesting movie to be had, but the plot needed more context and the characters to be better fleshed out.

Alternate Titles: Brainwash, Mystique, Naked Weekend

My Rating: 4 out of 10

Released: November 19, 1981

Runtime: 1Hour 37 Minutes

Rated R

Director: Bobby Roth

Studio: Ambassador Film Distributors

Available: VHS