By Richard Winters
My Rating: 4 out of 10
4-Word Review: Dead child haunts house.
Still grieving from the sudden loss of his family in a freak accident composer John Russell (George C. Scott) decides to move to the Pacific Northwest where he finds a large stately mansion to move into. He feels it would be the perfect place to reflect and continue with his work, but instead realizes that it is haunted by a child who was murdered there years earlier. With the help of Claire (Trish Van Devere) who had procured the property for him they investigate its history and find that there is a connection between the killing and an influential senator (Melvyn Douglas).
One of the aspects about this film that I did like was that it was given a big budget and the on-location shooting that was done from New York, Seattle and even Toronto gives it a strong visual backdrop and makes it light years ahead of the average horror film that is usually crippled from the start by its meager funding. The mansion is impressive at least the outside of it, which was actually only a façade that was constructed when they couldn’t find a real one to fit their needs. However, the idea that a single man would move into such a large place seems ridiculous and there’s nothing that says ghosts can’t haunt small homes that would be more practical place for one person to live in.
Scott gives an unusual performance in that he shows little of a frightened reaction when the scares occur. To some extent I liked this as the screams and shocked expressions in most horror movies become overdone, but when a vision of a ghostly boy appears in a bathtub and all Scott does is calmly back away it seems to be underplaying it a bit too much.
I also felt that Van Devere’s character was unnecessary and was put in only because she was Scott’s real-life wife at the time, but it seemed unrealistic that a real estate agent who was merely an acquaintance to John would get so wrapped up in his quandary or even believe him to begin with. No relationship is ever implied, but it would have made more sense had the character been written in as a girlfriend.
I realize there are those that consider this to be a ‘really scary’ movie, but I found it to be pretty flat. The ‘scares’ as it where consist of nothing more than a child’s ball rolling down a staircase twice, whispery voices, a runaway wheelchair and a few doors slamming. There is also a fiery finale that borders on the hooky and a tacky séance and if that is enough to keep you up all night then have at it.
Spoiler Alert!
The idea that this child, who was sickly and if he died before his 21st birthday the family fortune would go to charity, so the father kills him and has him replaced with another child who later grows into being this powerful aging senator, didn’t make sense in that I didn’t see where the ‘justice’ was in getting back at the senator who had nothing to do with the killing or even knew about it. He was simply an innocent child taken from an orphanage and the product of a nefarious scheme by the father, so why not go after the dead soul of the murdering father and leave the senator alone? The senator dies from a heart attack that we are lead to believe was caused by the ghostly presence of the angry child, which to some extent makes the protagonists look like the bad guys since they were the ones that precipitated the meeting that lead to the death and instead should’ve tried to prevent it.
I was also confused by the whole backstory about John’s family being killed in a roadside accident that begins the movie since it really didn’t have much to do with the main plot and could’ve easily been left out completely.
End of Spoiler Alert!
I first saw this film over 20 years ago and wasn’t all that impressed with it then and I’m still not. I realize it has its legion of fans, but to me it’s just an average ghost story and far from being a classic.
My Rating: 4 out of 10
Released: March 28, 1980
Runtime: 1Hour 46Minutes
Rated R
Director: Peter Medak
Studio: Associated Film Distribution (AFD)
Available: VHS, DVD
Scopophilia 
Do you like anything?
Yes, but only if it’s good.
For a ghost story that may in some sense work better for the dramas rather than the horror, I was glad to see The Changeling at an early age to make me appreciate many important aspects of filmmaking.
I like this film considerably more than you do, but the plot becomes convoluted and the poor Senator is made a villain which he’s not. Scott is excellent and the director creates some interesting scenes. Good production misses being a classic.
The Senator being made to face an inevitable fate for something that clearly was never his fault is indeed the most haunting element. But he had a right to know the truth, even if he couldn’t live with it in the end. In that sense I suppose it was a mercy. But I can appreciate even more today the film’s most profound message about heinous crimes against children.
I agree with a slightly less convoluted screenplay and a simpler approach this could have been a classic something it resembles at its best i.e. The Innocents (1961) and The Haunting (1963)