Tag Archives: Susan Tyrrell

Night Warning (1982)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: His aunt is crazy.

Billy (Jimmy McNichol) has been orphaned since age 3 ever since his parents died in a tragic car accident. For the past 14 years he’s been living with his neurotic aunt Cheryl (Susan Tyrrell), but now that he’s turning 17 he’s ready to move-out. Cheryl though doesn’t want Billy to leave her as she harbors dark incestuous feelings for him and will do anything, even kill in order to keep him with her.

The film was directed by William Asher, who mainly worked on family oriented material like the TV-show ‘Bewitched’ and the beach party movies from the 60’s, so doing this was a stretch for him, but results aren’t bad. Although there’s little gore the well-shot opening sequence in which the father gets decapitated by driving into a truck hauling wooden logs is impressive and more than makes up for it and it even gets shown twice.

The big payoff though is Susan Tyrrell’s performance, which gets completely off-the-charts. She had a love-hate relationship with her real-life mother and the two spent many years not talking to each other and I think this as well as some of the treatment that she received in Hollywood particularly with her working relationship with director John Huston while doing Fat City she used to channel the anger and rejection of her character and it really works. Watching her become more and more unhinged as the film progresses and her increasingly odd facial expressions and voice tones is a treat onto itself and makes catching this otherwise hard-to-find flick worth it.

McNichol’s acting unfortunately cannot match hers and I was shocked to see that he got top billing over her as his talent level, pedigree isn’t even close. His character though is even more annoying as I found it hard to believe that he wouldn’t have seen red flags to his aunt’s mental illness far sooner. The film makes it seem that he had no concerns about his aunt until he turned 17, but I would think living with her for 14 years there would be signs of it earlier. It’s also hard to feel for someone who is so painfully naïve and walks into his aunt’s devious traps when anyone else would’ve know better. It’s dubious too that the aunt would wait until the kid was 17 before making sexual overtures, but I suppose that’s a whole other issue.

Bo Svenson’s as a brash, unethical cop who is profoundly racist and homophobic becomes a strain too. I’m sure at the time this was considered simply ‘soft satire’ that lightly pokes fun at the bad cop stigma, but now it comes off as dated and unpleasant and probably the whole reason why the film hasn’t received a DVD/Blu-ray release.

Julia Duffy, best known for playing Stephanie on the TV-show ‘Newhart’ is on hand in support and although she was already 30 at the time plays Billy’s teen girlfriend and even appears topless, which may interest the voyeurs. However, any story that hinges on one of the characters being put on trial and then found not guilty by a jury due to temporary insanity I just can’t buy into and I don’t think has ever happened at least not in this country. There’s also too much ‘scary music’ that gets played particularly during scenes inside the house that just isn’t needed and almost becomes a distraction and I wish directors and producers would realize that the quiet/natural ambience can be far creepier than any soundtrack.

 

My Rating: 6 out of 10

Alternate Title: Butcher, Baker, Nightmare Maker

Released: January 1, 1982

Runtime: 1Hour 36Minutes

Rated R

Director: William Asher

Studio: Royal American Pictures

Available: VHS

Racquet (1979)

racquet-1

By Richard Winters

My Rating: 0 out of 10

4-Word Review: Tennis champ gets old.

Tommy Everett (Bert Convy) is an aging tennis star who is learning to accept that he no longer has the skill that he once did. His life though is not in order and he needs money so that he can purchase his own tennis court and use it to give lessons to the rich clientele of Beverly Hills. Since he doesn’t have the capital for a down payment he sleeps with Leslie (Edie Adams) who is the wife of Arthur (Phil Silvers) a rich financier. During their lovemaking he asks her for the cash and she initially agrees even though she doesn’t intend to come through with it. In one last attempt to prove his virility he decides to take on tennis great Bjorn Bjorg in a televised match that he hopes will prove that he still has what it takes.

This so-called comedy is so frighteningly unfunny that you have to wonder why anyone would’ve been paid to write-it as its desperate attempts at humor are downright embarrassing. The script went through many rewrites and it shows as there is no cohesion and the action meanders badly until it all becomes quite pointless.

Supposedly this was an attempt to cash-in on the success of Shampoo, which was far better and so superior to this one it’s isn’t worth trying to compare except to say that was a classic and this isn’t. The jokes here are too strained and the innuendoes so juvenile that it makes sitting through not worth it on any level. The movie would’ve been improved had it stayed focused on the tennis angle, but instead it goes off on Convy’s romances and sexual conquests until you completely forget about the tennis part until it finally goes back to it at the very end.

Convy’s presence, especially in the lead, makes things even worse. He was a great game show host, but in the acting realm he was a hack to the point that he comes off looking like he never had even a day of acting training.

The supporting cast if filled with an array of familiar faces, but due to the script’s limitations end up being badly underused. Susan Tyrrell’s take of a snobby real estate agent should’ve been great, but isn’t. Tennis legend Bobby Riggs is fun, but not funny and Dorothy Konrad gets a few laughs, but it all comes at the expense of her obesity, which is tacky.

Phil Silvers is the only good thing in the movie and he even manages to elicit a few chuckles especially the part where he dresses and acts like a giant turkey. Yet even this, like with everything else in the film, is pretty sad and only proves to what pathetic extent it was willing to go to just to get a cheap laugh.

My Rating: 0 out of 10

Released: June 7, 1979

Runtime: 1Hour 29Minutes

Rated R

Director: David Winters

Studio: Cal-Am Productions

Available: None at this time