By Richard Winters
My Rating: 2 out of 10
4-Word Review: Who killed her sister?
Clarissa (Jo Ann Harris) travels to where her younger sister Linda (Alexandra Lawrence) lived before she was inexplicably murdered inside her home by a masked intruder. Clarissa hopes to help with the investigation, but finds herself initially at odds with the lead investigator Roger (Sam Groom) though the two eventually become romantic partners. Clarissa begins to suspect that Billy (Steve Railsback), an eccentric loner who manages the nearby theater, may be the culprit. Billy and Roger are longtime friends from their Vietnam days and regularly hang-out in the basement of the theater to play a board game. Clarissa tries to devise a way find out if Billy really is the killer, or if it might actually be Roger.
The most shocking thing about this would-be slasher obscurity is just how lame and uneventful it really is. The film starts out right away with a killing, which is poorly lit and the viewer can’t really see what’s going-on, and then proceeds for the next hour and a half to have a bunch of lightly dramatic moments that aren’t scary, or intense at all. Clarissa seems to be not upset about her sister’s passing and spends most of the time worrying more about getting together with old friends, or her dating life. She lives in her sister’s old house while openly stating that she’s not afraid to be there, which lessens the tension. If the protagonist has no concerns about if there’s a bad guy lurking about then why should the viewer?
There’s way too many scenes, like watching the group of friends take part in a backyard football game, or having Clarissa, Roger, and Billy watching an old movie together, that doesn’t propel the plot along in any way nor have much to do with the main story. There’s even a sappy song that gets played during the middle part that has absolutely no place in a horror movie, or any other film for that matter.
I also didn’t get where all of the ‘in-jokes’ were, which Leonard Maltin states in his review comes at you ‘fast and furious’. I came away feeling that this was yet another example where he, or whoever wrote the review for him, was seeing a completely different film altogether. In fact the only thing that is truly deadly here isn’t the ‘games’, but just the movie itself.
The twist ending is a big letdown as the killer turns out to be Roger, but since he acts so strangely all the way through even entering young women’s apartments and homes unannounced that makes him seem like a genuine creeper, this revelation comes as no ultimate surprise.
Maltin states that the final plot explanation is ‘really stupid’ and reviewers at IMDb say essentially the same thing. It ends with Clarissa killing Roger, who she thinks is Billy until she takes the mask off of him. She then goes back into the theater where Billy shouts our from somewhere that Roger was his best friend and he was now going to avenge his death. He then seems to fly out of nowhere towards Clarissa. I took it that he was hanging onto some sort of prop rope, which they do have in theaters, but it also looked like he was intended to be some sort of ghost that was literally floating towards her and this is what viewers felt was stupid. I don’t know as it’s not clear either way. What I did find frustrating is that the film freezes with Billy coming towards Clarissa and then cuts to the credits, so we never see what happens. Did he kill Clarissa, or did she fight him off? Either way this is the type of thing that needs to be shown, so for it to cut away when it finally gets exciting is ridiculous and if this is what they meant as being ‘stupid’ then I wholeheartedly agree.
End of Spoiler Alert!
The movie really deserves 0 points, but the one thing I did like was the music score. So many other slasher films from that era tried to replicate the score in Halloween, or Friday the 13th, but this one doesn’t sound like either of those. It’s has an acoustic quality that is quiet and subtle yet still effectively creepy. It’s the coolest thing about the movie especially as it gets played over the closing credits, but this production is otherwise so inept that you justifiably might not make it that far.
My Rating: 2 out of 10
Released: March 5, 1982
Runtime: 1 Hour 28 Minutes
Director: Scott Mansfield
Studio: Great Plains Films